Cinegogía

Browse Items (893 total)

  • whisky_Medina.pdf

    When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship. (IMDB)
  • tropa de elite_Medina.pdf

    In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operation Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged. Captain Nascimento is trying to find a man to replace him because his wife is pregnant and he intends to quit the command and become a trainer of the new recruits. Meanwhile, the two idealistic friends Neto and Matias join the Military Police force expecting to become honest policemen and fight the criminals. However, they see only corruption, lack of competence and stupid bureaucracy in the Military Police, and after a serious incident in the Morro da Babilônia, they decide to join the BOPE. The lives of Capitain Nascimento, Neto and Matias are entwined along the next months, first in the tough training period and then in action against drug dealers. (IMDB)
  • Madeinusa_Medina.pdf

    Madeinusa is a girl aged 14 who lives in an isolated village in the Cordillera Blanca Mountain range of Peru. This strange place is characterized by its religious fervor. From Good Friday at three o'clock in the afternoon (the time of day when Christ died on the cross) to Easter Sunday, the whole village can do whatever it feels like. During the two holy days sin does not exist: God is dead and can't see what is happening. Everything is accepted and allowed, without remorse. Year after year, Madeinusa and her sister Chale, and her father Don Cayo, the Mayor and local big shot, maintain this tradition without questioning it. However, everything changes with the arrival in the village of Salvador, a young geologist from Lima, who will unknowingly change the destiny of the girl. (IMDB)
  • la historia oficial-filmography.jpg

    After the end of the Dirty War, a high school teacher sets out to find out who the mother of her adopted daughter is. (IMDB)
  • alicia en el pueblo de las maravillas_filmography.jpg

    A satire about the life of the Cuban people. Alicia, a culture instructor, is sent to a small town "Maravillas", which is itself an exaggerated, but very ingenious reflection of the real Cuba. The adventures that she has there are almost as crazy and senseless as the ones lived by the other Alice (in Wonderland), reflecting the indoctrination, coercion, absolutims, and many other everyday problems in Cuban society. (IMDB)
  • los colores de la montaña_filmography.jpg

    Manuel, 9, has an old ball with which he plays football every day in the countryside. He dreams of becoming a great goalkeeper. His wishes seem set to come true when Ernest, his father, gives him a new ball. But an unexpected accident sends the ball flying into a minefield. Despite the danger, Manuel refuses to abandon his treasure... He convinces Julián and Poca Luz, his two friends, to rescue it with him. Amid the adventures and kids' games, the signs of armed conflict start to appear in the lives of the inhabitants of 'La Pradera'. (IMDB)
  • contracorriente_filmography.jpg

    An unusual ghost story set on the Peruvian seaside; a married fisherman struggles to reconcile his devotion to his male lover within his town's rigid traditions. (IMDB)
  • el hijo de la novia_filmography.jpg

    At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time with their daughter and he has yet to make a commitment to his girlfriend. At his lowest point, a minor heart attack reunites him with Juan Carlos, a childhood friend, who helps Rafael to reconstruct his past and look at the present in new ways. (IMDB)
  • el violin_filmography.jpg

    In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson. Can the old man ferry out the ammunition in his violin case under the soldiers' nose? (IMDB)
  • en la puta vida_filmography.jpg

    Montevideo, Uruguay. In this comedic drama, Elisa, 27, dreams of opening her own hairdressing salon in one of the rich districts of the Uruguayan capital. A bit of a rebel, one day Elisa moves out of her mother's house with her two children and breaks up with Garcia, her boss and lover who has infuriated her by not wanting to get married. So, in the space of twenty-four hours, Elisa finds herself without a roof over her head, without a man, without a job and without money. Her best friend Loulou finds her a job - in the brothel run by Dona Jacqueline. And without really being aware of it, Elisa slides into prostitution, which leads her to Barcelona. She falls in love, she is exploited, she gets involved in transvestite gang wars, and meanwhile just dreams of earning enough money for her little beauty salon back home. (IMDB)
  • fresa y chocolate_filmography.jpg

    Diego, a cultivated, homosexual and skeptical young man, falls in love with a young heterosexual communist full of prejudices and doctrinal ideas. First come rejection and suspicion, but also fascination. Fresa y chocolate is a coming-of-age story, told through the development of a great friendship which overcomes incomprehension and intolerance. (IMDB)
  • historia de futbol_filmography.jpg

    Three stories about football, one of the most important twentieth-century rituals. A third division player from Santiago de Chile is bribed, but does not realise that his behaviour betrays more than the loyalty of his team-mates. A boy from Calama, Chile wins the local derby pichanga, a soccer match that can last all afternoon, but he loses the few pesos he acquired by pawning his mother's last possessions. Francisco, a boy from the city, is stuck in a remote corner of the southern island of Chiloé on the day that Chile has to play its qualifying match for the World Cup. The only TV is in the house of the Serón sisters. While the local male population gathers to watch the match, the sisters decide which of them will initiate the young Francisco into love. (IMDB)
  • madeinusa_filmography.jpg

    Madeinusa is a girl aged 14 with a sweet Indian face who lives in an isolated village in the Cordillera Blanca Mountain range of Peru. This strange place is characterized by its religious fervor. From Good Friday at three o'clock in the afternoon (the time of day when Christ died on the cross) to Easter Sunday, the whole village can do whatever it feels like. During the two holy days sin does not exist: God is dead and can't see what is happening. Everything is accepted and allowed, without remorse. Year after year, Madeinusa and her sister Chale, and her father Don Cayo, the Mayor and local big shot, maintain this tradition without questioning it. However, everything changes with the arrival in the village of Salvador, a young geologist from Lima, who will unknowingly change the destiny of the girl. (IMDB)
    Tags
  • prometeo deportado_filmography.jpg

    In an unknown first world airport the arrival of an Ecuadorian flight is heard. The 'members of the European Union' passby migration, while the 'others', in the other line, wait. In the middle of the claims, a group of Ecuadorians is arrested. They are taken to the Room, where they wait to be deported. Seems like everyone hides something, like PROMETEO the young magician with his hands tied like a delinquent who has a 'magical' trunk as luggage. Time passes, it seems like there is no possible exit. Meanwhile, a different but well-known way of life takes place. The only thing left as a promising way out is illusion. (IMDB)
  • solo con tu pareja_filmography.jpg

    Yuppie and womanizer Tomas is caught in a trap when falsely diagnosed with A.I.D.S. by Silvia, a nurse who finds herself cheated by the young Casanova. Looking for a quick death (putting his head into a microwave oven) Tomas falls in love with Clarisa, a beautiful stewardess who is also suicidal because her boyfriend is having a love affair with a blonde stewardess from Continental Airlines. (IMDB)
  • tropa de elite_filmography.jpg

    In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operation Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged. Captain Nascimento is trying to find a man to replace him because his wife is pregnant and he intends to quit the command and become a trainer of the new recruits. Meanwhile, the two idealistic friends Neto and Matias join the Military Police force expecting to become honest policemen and fight the criminals. However, they see only corruption, lack of competence and stupid bureaucracy in the Military Police, and after a serious incident in the Morro da Babilônia, they decide to join the BOPE. The lives of Capitain Nascimento, Neto and Matias are entwined along the next months, first in the tough training period and then in action against drug dealers. (IMDB)
  • whisky_filmography.jpg

    When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship. (IMDB)
  • Medina_cine latinoamericano- redefiniendo identidades a comienzos del siglo XXI_syllabi.pdf

    Un estudio del cine latinoamericano y su desarrollo temático y técnico con un énfasis en la producción contemporánea.
  • Medina_Contemporary Latin American Film_syllabi.pdf

    A study of a specific group of Latin American films in relation to their specific cultural and historical contexts.
  • Medina_Después del cine latinoamericano- tradición y renovación_syllabi.pdf

    Un estudio del cine latinoamericano y su desarrollo temático y técnico con un énfasis en la producción contemporánea.
  • Medina_Postmodernismo: la historia en la producción cultural latinoamericana_syllabi.pdf

    Un estudio de la representación de la historia en la ficción y el cine latinoamericano y su desarrollo temático y técnico con un énfasis en la producción contemporánea.
  • Latin American Cinema_ syllabi_Skvirsky.pdf

    This course is a survey of Latin American cinema that spans from the 1930s to the present. Topics will include Mexican Golden Age cinema as well as the New Latin American Cinema of the 1960s and 1970s and contemporary new new waves. The course will examine key films in the history of Latin American cinema including María Candelaría (Emilio Fernandez, 1944), Memories of Underdevelopment (Tomás Gutiérrez Alea, Cuba,1968), and The Jackal of Nahueltoro (Miguel Littín, 1969) as well as accomplished contemporary productions such as Edifício Master (Eduardo Coutinho, 2002) and Neighboring Sounds (Kleber Mendonça Filho, 2012). The course will put these films in dialogue with key debates within Latin American cultural studies including debates around national culture, national identity, aesthetics and politics, and underdevelopment. In many cases, we will compare filmic treatments of these questions from different countries and from different time periods.
  • Latin american Documentary_syllabi_skvirsky.pdf

    This course will investigate Latin American documentary by focusing on three important topics in Latin American cultural studies. We will screen recent and historical documentaries about (1) underdevelopment and poverty, (2) the history and memory of the Southern Cone military dictatorships, and (3) popular culture and folklore. These three topics will provide material for an investigation of documentary form. With respect to each topic, we will consider how the resources of documentary filmmaking are employed to frame the same subject matter in different ways.
  • Cinergia_Latin America and HR.pdf

    This filmography was created to help teachers, scholars and cinephiles identify films that relate to human rights issues in Latin America. Includes films from Latin American and foreign films about Latin America and Human Rights.
  • Cinergía Filmography_ Mexican Film and Gender.pdf

    This filmography was created to help teachers, scholars and cinephiles identify Mexican films directed by women and films that directly deal with gender issues. Most of the films listed are feature films, but some documentaries are included. We have also included a list of useful links and a selected bibliography to consult.
  • la nana_filmography.jpg

    Raquel, una mujer agria e introvertida, lleva 23 años trabajando de nana para los Valdés, una numerosa familia de clase alta. Un día, Pilar, su patrona, contrata a otra nana para ayudarla. Raquel, sintiendo peligrar su lugar en la familia, espanta a la recién llegada con crueles e infantiles maltratos psicológicos. Esto se repite una y otra vez hasta que llega Lucy, una risueña mujer de provincia, que logra penetrar la coraza de Raquel y cambiar su forma de ver la vida. (DVD container)
  • el estudiante_filmography.jpg

    Roque llega a Buenos Aires para iniciar sus estudios universitarios. Sin vocación ni rumbo se dedica a deambular por la facultad, a hacer amigos, a conocer chicas. Una de ellas lo introduce en la militancia política y le presenta a un viejo político retirado. Junto a él, Roque aprende a manejarse como un dirigente estudiantil, y siente que por fin ha encontrado su vocación, que la política es su Universidad. (DVD container)
  • No_filmography.jpg

    In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote YES or NO to Pinochet extending his rule for another eight years. Opposition leaders of the NO vote persuade a brash young advertising executive, René Saavedra (Gael García Bernal), to spearhead their campaign. Against all odds, with scant resources and under scrutiny by the despot's minions, Saavedra and his team devise an audacious plan to win the election and set Chile free. (DVD container)
  • viva cuba_filmography.jpg

    Malú is from an upper-class family and her single mother doesn't want her to play with Jorgito, who she looks down on because of his lower-class background. Jorgito's mother, a poor socialist proud of her family's social standing, places similar restrictions on her son. What neither woman recognizes is the immense strength of the bond between Malú and Jorgito. When the children learn that Malú's mother is planning to leave Cuba, they decide to run away and travel to the other side of the island to find Malú's father and persuade him against signing the forms that would allow it. (DVD container)
  • Screen Shot 2016-07-13 at 2.15.01 PM.png

    The site is an attempt to research, gather, organize, and disseminate information about the relationship between Latin American literature and film. The literary side of this pairing has directed the project: the archive aims to identify works by Latin American authors whose novels, short stories, drama, poetry, and other writings have served as the point of departure for the production of feature films, documentaries, shorts, and films for television produced inside and outside Latin America. In addition, information about film scripts written by Latin American authors--both original scripts and scripts based on Latin American literature--has been incorporated into the archive.
  • Screen Shot 2016-07-13 at 2.49.06 PM.png

    El Portal del Cine y el Audiovisual que la Fundación del Nuevo Cine Latinoamericano pone a disposición de los y las profesionales del sector, es un espacio que recoge tanto la historia, lo ya realizado, como la actualidad y las tendencias de futuro del universo audiovisual y cinematográfico de América Latina y el Caribe.
  • Screen Shot 2021-02-24 at 11.24.05 AM.png

    Spanish Film Club (SFC), an initiative by PRAGDA, offers grants twice a year to help high schools and universities bring the very best in contemporary Spanish and Latin American cinema to campuses with the aim of introducing students to the language and cultures of these territories. More than 100 schools have participated in the program so far. The inventive model allows schools to select a minimum of five films from a catalogue to create a film festival on campus. A committee of experts in Ibero American cinema has made an eclectic and diverse selection of films featuring first-time filmmakers and established masters alike. All films feature English subtitles. Representing 19 countries, new films are added every year. Spanish Film Club also encourages the organization of virtual Q&As with filmmakers and provides all the necessary material for the festival’s promotion. The project’s ultimate goal is to introduce students and a generally broader audience to the cultures of Ibero American countries and to create a stable exhibition platform of the latest Spanish and Portuguese language cinema.
  • Oiga Vea_filmography.gif

    Documental sobre el efecto de los VI Juegos Panamericanos en la ciudad de Cali, vistos desde el punto de vista de la gente que no pudo entrar a los estadios. (Luis Ospina)
  • Agarrando Pueblo_filmography.jpg

    Un grupo de cineastas contratados por un canal de televisión alemán producen una película que trata el tema de la miseria latinomericana. La película utiliza un tratamiento sarcástico para criticar la forma como los documentalistas se acercan a la realidad de una forma antiética, pasándo por encima de todos los principios de la investigación sociológica, para hacer una mercantilización de la pobreza latinoamericana. (Cine Pata)
  • suite habana_filmography.jpg

    Panorámica de una ciudad en la que la multiplicidad de rostros y lugares se entrecruzan con las memorias de personajes anónimos. Seres sumamente peculiares que representan una curiosa diversidad de grupos sociales que viven en La Habana de hoy. --- Documentary combines with narrative film to offer a leisurely-paced look into the lives of ten average Cubans in a meditation on life in modern-day Havana. From children playing in the streets to the elderly woman who seldom moves from her place in front of the television. It combines songs and imagery to fully immerse the viewer in the Cuban experience. (Portal del cine y audiovisual Latinoamericano y caribeño)
  • estamira_filmography.jpg

    De sus 63 años, Estamira ha trabajado durante los últimos 20 en un depósito de basura. Frente al rechazo de la sociedad, ha recobrado su dignidad construyendo un discurso místico que ha dado un nuevo sentido a su vida. Esquizofrénica, pero carismática y maternal por naturaleza, sus amigos la consideran una auténtica líder. --- Documentary about Estamira, a 63-year-old woman who has been working for over 20 years at a landfill site in Rio de Janeiro. Schizophrenic, but very charismatic, she's the leader of a small community of old people living off garbage and has a very lyrical and philosophical attitude towards life. (Portal del cine y audiovisual Latinoamericano y caribeño)
  • La batalla de Chile_filmography.jpg

    Registro de los acontecimientos ocurridos en los meses previos al golpe de Estado en Chile, ocurrido el 11 de septiembre de 1973. Diariamente se enfrentan, en todos los niveles, dos bloques políticos: la burguesía opositora (partidos Nacional y Democratacristiano) y la Unidad Popular (partidos de izquierda) que apoya un parlamento para el Presidente constitucional Salvador Allende. Es un documental histórico que en las décadas de los 70 y 80 fue distribuido en 35 países del mundo. No es un filme de archivo: es un documento filmado en el momento mismo de producirse los hechos. (Cine Chile)
  • Chile, la memoria obstinada_filmography.jpg

    CHILE, OBSTINATE MEMORY visits with Chileans who experienced the coup first-hand (some of whom are seen in The Battle of Chile from 25 years ago). Survivors reminisce as they watch that film, recognizing lost comrades and recalling their courage, gaiety and love of life. Those who were not killed during the coup itself were crowded into the National Stadium in Santiago, where many were tortured, disappeared, and never seen again. Survivors talk about the terror that characterized the Pinochet regime until the dictator was finally obliged to relinquish power. (Icarus Films)
  • cabra marcado para morder_filmography.jpg

    Em 1962, o líder da liga Camponesa de Sapé (PB), João Pedro Teixeira, é assassinado por ordem de latifundiários. Um filme sobre sua vida começa a ser rodado em 1964, com a reconstituição ficcional da ação política que levou ao assassinato, e com a produção do CPC da UNE e do Movimento de Cultura Popular de Pernambuco, e direção de Eduardo Coutinho. As filmagens com a participação de camponeses do Engenho Galiléia (PE) e da viúva de João Pedro, Elizabeth Teixeira, são interrompidas pelo Golpe Militar em 1964. Dezessete anos depois, em 1981, Eduardo Coutinho retoma o projeto e procura Elizabeth Teixeira e outros participantes do filme interrompido, como o camponês João Virgílio, também atuante em ligas. O tema central passa a ser a história de cada um deles que, estimulados pela filmagem e revendo as imagens do passado, elaboram para a câmera os sentidos de suas experiências. João Virgílio conta a tortura e a prisão que sofreu neste período. Enquanto Elizabeth, que havia mudado de nome e vivia refugiada numa pequena cidade da Bahia com apenas um de seus dez filhos, emerge da clandestinidade e reassume sua identidade. Ela também fala de sua prisão e do rencontro com os filhos, antes dispersos por várias cidades do Brasil, e da tentativa de reconstituir suas vidas. (Cinemateca Brasileira)
  • nostalgia por la luz_filmograph.jpg

    “Nostalgia de la Luz” es un film sobre la distancia entre el cielo y la tierra, entre la luz del cosmos y los seres humanos y las misteriosas idas y vueltas que se crean entre ellos. En Chile, a tres mil metros de altura, los astrónomos venidos de todo el mundo se reúnen en el desierto de Atacama para observar las estrellas. Aquí, la transparencia del cielo permite ver hasta los confines del universo. Abajo, la sequedad del suelo preserva los restos humanos intactos para siempre: momias, exploradores, aventureros, indígenas, mineros y osamentas de los prisioneros políticos de la dictadura.Mientras los astrónomos buscan la vida extra terrestre, un grupo de mujeres remueve las piedras: busca a sus familiares.
  • Araya_filmography.jpg

    Describe en clave poética y atemporal un día en la vida de las gentes que subsisten en las áridas tierras de la península de Araya, gracias a la explotación de su salina natural y de la pesca. Esta labor la han venido desarrollando manualmente y sin apenas modificaciones, desde la llegada de los españoles. (Portal del cine y audiovisual Latinoamericano y caribeño)
  • hermogenes cayo imaginero_filmography.jpg

    Imaginero is an ethnobiography of Hermógenes Cayo, a self-taught woodcarver and painter who lives on the high Andean plateau of Argentina. The film portrays Hermógenes, his wife Aurelia Kilpe, and their children in their Andean lifestyle, as well as Hermogenes' passion for painting, carving, building, and his devotion to the Virgin Mary. (Documentary Educational Resources)
  • jojo de cena_filmography.jpg

    "Mulheres desconhecidas e atrizes famosas se revezam em depoimentos pessoais num jogo onde o espectador nunca sabe quem está representando." (Cinemateca Brasileira) -- Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation. (IMDB)
  • Que Viva Mexico_filmography.jpg

    Filme en cuatro episodios, más un prólogo y un epílogo. El prólogo presenta imágenes alegóricas al México prehispánico. El episodio Sandunga recrea los preparativos de una boda indígena en Tehuantepec. Fiesta desarrolla el ritual de la fiesta brava, mientras que Maguey escenifica la tragedia de un campesino victimado por rebelarse en contra de su patrón. Soldadera (episodio no filmado) presentaría el sacrificio de una mujer revolucionaria. El epílogo, también conocido como Día de muertos, se refiere al sincretismo de las distintas visiones que coexisten en México alrededor del tema de la muerte. (Portal del cine y audiovisual Latinoamericano y caribeño)
  • redes_filmography.jpg

    A story of burgeoning labor rights amongst poor fishermen in a small village in Mexico. (IMDB)
  • maria candelaria_filmography.jpg

    En 1909, María Candelaria y Lorenzo Rafael, pareja nativa de Xochimilco, desean casarse a pesar de que las circunstancias les son totalmente adversas. La gente del pueblo hostiliza a María Candelaria por ser hija de una prostituta y la pareja debe enfrentar la avaricia del tendero Don Damián, quien en secreto desea a la joven. Cuando María Candelaria enferma de paludismo, Lorenzo Rafael roba quinina y un vestido en la tienda de Don Damián. El robo desencadena la tragedia para la joven pareja de enamorados. (Portal del cine y audiovisual Latinoamericano y caribeño)
  • ano bisiesto_filmography.jpg

    Laura's personal life consists of one affair after another. She meets Arturo, and the pair enter into an intense, violent sexual relationship. As days go by, Laura crosses out the days on a calendar, revealing her secret past to her lover. (IMDB)
  • Edificio Master_filmography.jpg

    Durante uma semana, Eduardo Coutinho e sua equipe conversaram com 27 moradores de um enorme edifício de apartamentos em Copacabana. Entre eles um casal de meia-idade que se conheceu pelos classificados de um jornal, uma garota de programa que sustenta a filha e a irmã, um ator aposentado, um ex-jogador de futebol e um porteiro desconfiado de que o pai adotivo, com quem sonha toda noite, é seu pai verdadeiro. O assunto desse documentário é a vida privada na grande cidade, o apartamento como último refúgio de individualidade, além de ressaltar o fato de que, morar junto num mesmo lugar não garante a formação de uma comunidade. (Cinemateca Brasileira) -- For one week, Eduardo Coutinho and his team talked to 27 residents in an enormous building in Copacabana. Amongst these are a middle-aged couple who met through the classified ads in a newspaper, a call-girl who keeps her daughter and her sister, a retired actor, an ex-football player, and a janitor who suspects that his adopted father, whom he dreams about every night, is his real father. The subject of this documentary is private life in the big city, apartments as a last stronghold of individuality, in addition to emphasizing the fact that to live together in one and the same place does not ensure that a community will be formed. (IMDB)
  • El chacal de nahueltoro_filmography.jpg

    Basada en un hecho real y en las crónicas noticiosas de la época, el filme cuenta la historia de José del Carmen Valenzuela autor de un brutal asesinato múltiple en la zona de Nahueltoro. Víctima además de la marginalidad en la que ha vivido, es condenado a muerte por sus actos, aunque antes de la sentencia es rehabilitado: aprende a leer, escribir y sociabilizar. Pero ello no impide que la sentencia se cumpla y que el castigo social caiga sobre él. (Cine Chile)
  • vidas secas_filmography.jpg

    A andança de Fabiano e sua família de propriedade em propriedade, a dificuldade em ser gente e os sonhos de conforto material. A oscilação entre o servilismo e a revolta do cangaço, o retorno à andança pelas caatingas. (Cinemateca Brasileira) --- A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place to live, with food and work. But the drought and misery destroy their hopes. (IMDB)
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