Like the elderly couple in Ozu’s wonderful Tokyo Story (1953), the main characters of Wiñaypacha carry upon their bent backs the sadness of being forgotten by their son. Nonetheless, they do not invest in anger nor build up blame. They spend their days weaving the blanket that keeps them warm on cold nights, chewing on coca leaves, and dreaming of a wind that will bring their firstborn back home. (Film Affinity US)
