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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Film Database</text>
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          <name>Title / Título (Original)</name>
          <description>A name given to the resources. El nombre original del recurso.</description>
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              <text>O Espírito da TV</text>
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          <name>Title</name>
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              <text>The Spirit of TV</text>
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          <name>Director</name>
          <description>The director of the film. El/La director/a de la película.</description>
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              <text>Vincent Carelli</text>
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          <name>Release Date / Fecha de estreno</name>
          <description>The date of the film’s release (year only). La fecha de estreno (año solamente).</description>
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              <text>1990</text>
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          <name>Language / Idioma</name>
          <description>The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto.</description>
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              <text>Indigenous / indígena</text>
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        <element elementId="74">
          <name>Country / País</name>
          <description>The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar.</description>
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              <text>Brazil / Brasil</text>
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          <name>Production Company / Compañía de Producción</name>
          <description>The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película.</description>
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              <text>Centro de Talbaho Indigenista (Brasil)</text>
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          <name>Description / Descripción</name>
          <description>An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso.</description>
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              <text>&lt;span&gt;Documentary made by the Vídeo nas Aldeias project, showing the reactions of the indigenous group Waiãpi, contacted in 1973 during the construction of the Perimetral-Norte highway in Amapá, when seeing their own image and that of Indians Gavião, Nhambiquara, Krahô, Guarani and Kaiapó on a television set. Without a reporter or narrator, editing is restricted, in order to interfere or guide the testimonials as little as possible. The title refers to the statement of the shaman who felt affected when he saw images of a ritual to evoke spirits on the screen. The recognition of similar tribes, the image of their tribe in face of white people and gold miners who threaten them, and the preservation of image and memory through video fascinate and concern the communties who recognize not only the effects and threats of video, but mainly its effectiveness and its power. (&lt;a href="https://site.videobrasil.org.br/en/acervo/obras/obra/128016" target="_blank" rel="noreferrer noopener"&gt;Associação Cultural Videobrasil&lt;/a&gt;)&lt;/span&gt;</text>
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              <text>&lt;span&gt;&lt;br /&gt;As emoções e reflexões de um grupo indígena vendo a própria imagem e de outros indígenas, num aparelho de TV. Ao levar uma televisão e um vídeo-cassete para os índios Waiãpi do Amapá, a equipe do projeto "Vídeo nas aldeias" registra a viagem que Waiwai, chefe da aldeia Mariry, faz por várias aldeias do seu território. Waiwai apresenta as imagens de sua primeira expedição à Brasília para falar com o governo e mostra vídeos sobre vários outros povos indígenas brasileiros. Este documentário reune as reações e os comentários de platéia durante e depois das projeções. Os índios refletem sobre a substância da imagem transmitida pela TV, discutem a diversidade dos povos indígenas, comentando as semelhanças das situações de contato e de enfrentamento com os brancos. (&lt;a href="https://lisa.fflch.usp.br/node/367" target="_blank" rel="noreferrer noopener"&gt;Laboratorio de Imagem E Som Em Antropologia&lt;/a&gt;)&lt;/span&gt;</text>
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          <name>Category / Categoría</name>
          <description>A broad category or mode of cinematographic production.</description>
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              <text>Documentary Films / Cine documental</text>
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          <name>Genre / Género</name>
          <description>A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema.</description>
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              <text>Ethnographic / cine etnográfico</text>
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          <name>Subject Coverage / Tema</name>
          <description>The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves.</description>
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              <text>Indigenous peoples / Pueblos indígenas</text>
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          <name>Available at</name>
          <description>Website, streaming service, distributor</description>
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              <text>&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/LGJFMvTidhI" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;YouTube: &lt;a href="https://youtu.be/LGJFMvTidhI" target="_blank" rel="noreferrer noopener"&gt;https://youtu.be/LGJFMvTidhI&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>O Espírito da TV</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span&gt;Documentary made by the Vídeo nas Aldeias project, showing the reactions of the indigenous group Waiãpi, contacted in 1973 during the construction of the Perimetral-Norte highway in Amapá, when seeing their own image and that of Indians Gavião, Nhambiquara, Krahô, Guarani and Kaiapó on a television set. Without a reporter or narrator, editing is restricted, in order to interfere or guide the testimonials as little as possible. The title refers to the statement of the shaman who felt affected when he saw images of a ritual to evoke spirits on the screen. The recognition of similar tribes, the image of their tribe in face of white people and gold miners who threaten them, and the preservation of image and memory through video fascinate and concern the communties who recognize not only the effects and threats of video, but mainly its effectiveness and its power. (&lt;a href="https://site.videobrasil.org.br/en/acervo/obras/obra/128016" target="_blank" rel="noreferrer noopener"&gt;Associação Cultural Videobrasil&lt;/a&gt;)&lt;/span&gt;</text>
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        <name>Guaraní</name>
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      <tag tagId="38">
        <name>Short Film / cortometraje</name>
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      <tag tagId="71">
        <name>Wayampi / Wayãpi / waiãpi</name>
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