1 50 17 https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/a75a005f402a6272eccf3e19355da276.pdf?Expires=1780531200&Signature=icOIKjM%7EPy7vLaJ9-2NJ4Zq9DLFyOTviuNZmhg-cHww4gTY1NyXIbpoXKye9Z6uFrJlwfM0TGZAh9lODbwoucsmoXvTBzOAzIXcJk-s%7ERB7p7nHGr2tbs8rBIVcc0UWDvV3r1VzZmlWnFKScsLvhRLFVVhPlAqVOqQMEV6cYP0%7EqxWl-xMD%7EIflVFUabJDl1tLxAHC7kkXaXV-MSXeHENgekD5WVMt322JEW21hGmvHreMj2uangAfjTvbAzGlch5B7fwODQFhR6WsFUGybK7lqjzVajl3R%7Ezuw24Re2a0kSjBs1bQDjbOaaiOzlAr8LCVHCQQ9O0vPGAJbiJJHtPw__&Key-Pair-Id=K6UGZS9ZTDSZM a9215e9fd84b908a3a16e42a1f2ea8af PDF Text Text SPAN 325 The Female Gaze: Women Directors in Latin American Cinema Lycoming College Spring 2025 Dr. Maybel Mesa Morales E-mail: mesamorales@lycoming.edu Course EdTech Tools Canva Dra. Mesa Morales Moodle OER Padlet Perusall 1 �Course description This course delves into Latin American cinema through the lens of female directors and filmmakers, exploring how women have challenged power structures and representation in the film industry while addressing themes such as gender, identity, social justice, violence, historical memory, human rights, colonialism, and postcolonialism. Students analyze films from various regions of Latin America and the Caribbean, focusing on countries such as Cuba, Mexico, Peru, Puerto Rico, Costa Rica, and Bolivia. The course examines both aesthetic aspects and sociocultural contexts, highlighting the unique narratives and perspectives brought forth by these filmmakers. Special emphasis is placed on independent productions and the contributions of female filmmakers traditionally marginalized or underrepresented in mainstream narratives. The course methodology integrates theoretical readings, group discussions, presentations, and multimedia projects, fostering critical dialogue on the role of women in Latin American cinema. Ultimately, this course provides students with a deeper understanding of the impact and evolution of cinema made by women and its connection to broader struggles for equity, representation, and decolonial thought, while encouraging active participation and inclusive dialogue. Course objectives By the end of the course, students will be able to: 1. Critically analyze films directed by women in Latin America and the Caribbean. 2. Understand the historical, political, and social contexts that frame these productions. 3. Identify and discuss representations of gender, identity, and power in cinema. 4. Apply theoretical frameworks (feminist, decolonial, postcolonial) to film analysis. 5. Present their analyses through written essays, reflections, oral presentations, and creative projects. Dra. Mesa Morales 2 �The course material supports the Department's learning outcomes: 1. Speak Spanish in a way intelligible to native speakers, including the ability to converse comfortably on general topics; 2. Demonstrate familiarity with Hispanic cultures; 3. Demonstrate critical thinking skills and formulate and defend a thesis in a written and oral format; 4. Demonstrate mastery of the basic research skills necessary to write a paper or give a research presentation in Spanish; The course also addresses the institutional learning outcomes of: 1. Achieving depth of learning in a field of study; 2. Demonstrating intellectual breadth; 3. Understanding cultural diversity; 4. Communicating effectively in both written and oral forms; 5. Thinking critically; and 6. Demonstrating appropriate information literacy skills and technological competence. 5. Demonstrate greater proficiency in written communication in Spanish. Course Materials There are no commercial materials required for this class. All the materials come from OERs collections/repositories or can be accessed through Moodle or Lycoming College´s Library. The final course grade is determined by the following scale of percentage points A 94-100 B 83-86 C 73-76 A- 90-93 B- 80-82 C- 70-72 D- 60-62 B+ 87-89 C+ 77-79 D+ 67-69 F 0-59 Dra. Mesa Morales D 63-66 NOTE: The professor reserves the right to adjust grades based on overall performance in the course. Consideration will be given to progress, or lack thereof, when determining borderline grades. 3 �Grading and Explanation of evaluation procedures Component Participation Film Analysis Essays Writing Assignments Oral Presentation Creative Project Final Paper Conversation Tables and Film Series Dra. Mesa Morales Description Active participation in class and online forums, demonstrating critical engagement with films and readings. Two film analyses and reflections completed during the class, where students must apply the content learned in the course. Short writing tasks, both in-class and out-of-class, will assess your ability to critically analyze films and engage with course themes. These may include reflections, scene analyses, or brief essays. Clarity, depth, and proper use of film terminology will be key evaluation criteria. An oral presentation focused on one of the chosen films, demonstrating a deep understanding of its themes and cinematic techniques. A Conference where students will present their final essay ideas and analysis in the form of a video essay, podcast, or interactive poster. This project serves as the initial phase of the Final Paper and allows students to incorporate feedback from peers and Dr. Morales. A comprehensive written analysis integrating course themes and personal research, refined with peer feedback from the conference. This paper is submitted on the date of the final exam. Students are required to attend at least 8 conversation tables (4 before week 7 and 4 after). Additionally, they must attend at least one film screening from the course's film series as part of their extracurricular activities. Percentage 15% 15% 10% 15% 15% 20% 10% 4 �How to Succeed in this Course? Aspect Recommendation Engage with Films and Readings Watch films attentively, take notes, and complete readings. Participate in Discussions Share insights respectfully and connect ideas to course themes. Think Critically Analyze deeper meanings, symbols, and social contexts. Collaborate in Groups Contribute equally and respect deadlines. Be Open-Minded Approach discussions with cultural sensitivity and respect. Analyze Aesthetics Pay attention to cinematography, editing, and symbolism. Apply Theoretical Frameworks Use feminist and postcolonial theories in analysis. Stay Organized Track deadlines and submit quality work on time. Ask Questions Seek clarification and attend office hours. Respect Stories Honor the voices and narratives of female directors. Make Connections Relate course themes to real-world issues. Stay Curious Approach the course with curiosity and passion. Dra. Mesa Morales 5 �Tentative Schedule Syllabus Modifications: I reserve the right to update, revise, or adjust the syllabus, including the assignment schedule, as necessary for educational purposes SEM/ DÍA Semana 1 L 1/13 M 1/15 Semana 2 L 1/20 M 1/22 Remember to: Check Moodle daily for upcoming activities and submissions! Make sure to study the materials before class. TEMAS DE LA CLASE Fechas Importantes y Filmes Tema: Introducción al curso. Metodologías activas (Active learning) e inclusivas (Inclusive Pedagogies). Selección de presentaciones orales. Tarea: 1.Escribir Biografía y usar una foto. Moodle 2. Buscar una crítica, reseña o video-ensayo de una película. Tema: El cine de mujeres en el contexto del cine Latinoamericano Video: Cine de directoras latinoamericanas Hoja de trabajo sobre directoras de cine latinoamericano. Cinco directoras de cine (Colombia y México), (Argentina y Chile) Tarea: Buscar un video que analice una secuencia de una película preferiblemente dirigida por mujer y preferiblemente de cine iberoamericano. Anota las ideas principales y comparte con la clase. Tema: ¿Cómo analizar una película?: Herramientas y ejemplos. Film Glossary: https://cineglos.holycross.edu/ Visionado de cortometrajes y análisis de videoensayos. Tarea: Fase 1 Proyecto Final. Traer tres posibles temas para el proyecto final Brainstorming para proyecto Tarea: Enviar tema del proyecto final Ver filme Yuli, Icíar Bollaín, Cuba-España, 2019 Dra. Mesa Morales 6 �Semana 3 L 1/27 M 1/29 Semana 4 L 2/3 M 2/5 Semana 5 L 2/10 M 2/12 Tema 1: Género, Raza y Resiliencia en la Cuba Contemporánea. Filme Yuli, Icíar Bollaín, Cuba-España, 2019 Tarea: Ver Moodle Presentación 1 Debate grupal y Hoja de trabajo Tarea: Ver Y también la lluvia, Icíar Bollaín, España-Bolivia, 2010. Completar tarea en Moodle. Tema 2 Perspectivas decoloniales, resistencia y memoria histórica. Filme Y también la lluvia, Icíar Bollaín, España-Bolivia, 2010. Enviar Participación 1 Presentación 2 Debate grupal y Hoja de trabajo Tarea: Ver filme La capa azul, Alejandra López, Puerto Rico, 2019. Moodle Tema 3: Infancia, duelo y resiliencia en el cine caribeño dirigido por mujeres. Filme La capa azul, Alejandra López, Puerto Rico, 2019 Trabajar en la propuesta y el bosquejo Tarea: Moodle Presentación 3 (1 estudiante) Debate grupal y Hoja de trabajo Tarea: Ver Filme: Biopsia, Glorimar Marrero, Puerto Rico, 2016. Ver Moodle Fase 2 Proyecto Final. Enviar propuesta y bosquejo del ensayo final Dra. Mesa Morales 7 �Semana 6 L 2/17 M 2/19 Semana 7 L 2/24 M 2/26 Semana 8 L 3/3 M 3/5 Tema 4: Cuerpo, enfermedad y memoria: narrativas decoloniales. Filme: Biopsia, Glorimar Marrero, Puerto Rico, 2016 Tarea: Moodle Presentación 4 Debate grupal y Hoja de trabajo Tarea: Moodle Composición y reflexión 1 Trabajo en el proyecto final Tarea: Ver filme: La Camarista/ The Chambermaid, Lila Avilés, México, 2018. Ver Moodle Tema 5: Invisibilidad, desigualdad y deshumanización en trabajadoras domésticas. Filme: La Camarista/ The Chambermaid, Lila Avilés, México., 2018 Tarea: Ver Moodle Enviar Participación 2 Presentación 5 Debate grupal y Hoja de trabajo Tarea: Ver Filme: Canción sin nombre, Melina León, Perú, 2020. Moodle Fase 3: Investigación y Bibliografía Enviar bibliografía anotada de al menos 3 fuentes académicas. SPRING BREAK DEL 10 AL 14 DE MARZO Semana 9 L 3/17 Tema 6 Maternidad, desaparición y desigualdad social en Perú: violencia institucional a mujeres indígenas. Filme: Canción sin nombre, Melina León, Perú, 2020 Tarea: Moodle Dra. Mesa Morales 8 �M 3/19 Presentación 6 Debate grupal y Hoja de trabajo Tarea: Ver filme: Clara sola, Nathalie Álvarez Mesén, Costa Rica, 2022. Moodle Enviar bibliografía anotada del proyecto final. Semana 10 L 3/24 Tema 7: Deseo, espiritualidad y liberación femenina en el cine costarricense. Filme: Clara sola, Nathalie Álvarez Mesén, Costa Rica, 2022 Tarea: Ver Moodle M 3/26 Presentación 7 Debate grupal y Hoja de trabajo Tarea: Ver el Filme: Noche de fuego/Prayers for the Stolen, Tatiana Huezo, Méx.-El Salvador, 2021 (Netflix). Ver Moodle Semana 11 L 3/31 Tema 8: Infancia y narcotráfico. Filme: Noche de fuego/Prayers for the Stolen, Tatiana Huezo, Méx.-El Salvador, 2021 (Netflix) M 4/2 Presentación 8 Debate grupal y Hoja de trabajo Tarea: Moodle Semana 12 L 4/7 M 4/9 Composición y reflexión 2 Tarea: Moodle Taller de escritura e investigación: Peer-review Semana 13 L 4/14 Balance cine de mujeres en latinoamérica. Situación actual, tópicos recurrentes. M 4/16 Preparación para la conferencia. Elaboración del póster, programa. Dra. Mesa Morales Enviar Paticipación 3 9 �Selección de moderadores, elaboración grupal de la rúbrica. Semana 14 L 4/21 M 4/23 Día 1 de la Conferencia Paneles 1,2 Día 2 de la Conferencia Paneles 3,4 Resumen del curso ¡Último día de clases! ¡Muchas gracias! EXAMEN FINAL Entrega del ensayo final Dra. Mesa Morales 10 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Syllabi Syllabus Title / Título (Original) A name given to the resources. El nombre original del recurso. The Female Gaze: Women Directors in Latin American Cinema Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. This course delves into Latin American cinema through the lens of female directors and filmmakers, exploring how women have challenged power structures and representation in the film industry while addressing themes such as gender, identity, social justice, violence, historical memory, human rights, colonialism, and postcolonialism. Students analyze films from various regions of Latin America and the Caribbean, focusing on countries such as Cuba, Mexico, Peru, Puerto Rico, Costa Rica, and Bolivia. The course examines both aesthetic aspects and sociocultural contexts, highlighting the unique narratives and perspectives brought forth by these filmmakers. Special emphasis is placed on independent productions and the contributions of female filmmakers traditionally marginalized or underrepresented in mainstream narratives. The course methodology integrates theoretical readings, group discussions, presentations, and multimedia projects, fostering critical dialogue on the role of women in Latin American cinema. Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Bolivia Cuba Costa Rica Mexico / México Puerto Rico Peru / Perú Region / Región The broad geographic region covered in the resource. La región geográfica general cubierta en el recurso. Latin America / Latinoamérica Caribbean / Caribe Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Films taught / Películas <a href="https://cinegogia.omeka.net/items/show/376">Yuli</a><br /><a href="https://cinegogia.omeka.net/items/show/213">También la lluvia</a><br /><a href="https://cinegogia.omeka.net/items/show/986">La capa azul</a><br /><a href="https://cinegogia.omeka.net/items/show/987">Biopsia</a><br /><a href="https://cinegogia.omeka.net/items/show/988">La camarista</a><br /><a href="https://cinegogia.omeka.net/items/show/563">Canción sin nombre</a><br /><a href="https://cinegogia.omeka.net/items/show/985">Clara sola</a><br /><a href="https://cinegogia.omeka.net/items/show/917">Noche de fuego</a> Creator / Creador(a) The individual who created and contributed the resource. La persona que creó o publicó el recurso. <p class="p1">Maybel Mesa Morales, Lycoming College</p> Copyright / Derechos de propiedad Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso. Attribution Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Female Gaze: Women Directors in Latin American Cinema Description An account of the resource <p class="p1">This course delves into Latin American cinema through the lens of female directors and filmmakers, exploring how women have challenged power structures and representation in the film industry while addressing themes such as gender, identity, social justice, violence, historical memory, human rights, colonialism, and postcolonialism. Students analyze films from various regions of Latin America and the Caribbean, focusing on countries such as Cuba, Mexico, Peru, Puerto Rico, Costa Rica, and Bolivia. The course examines both aesthetic aspects and sociocultural contexts, highlighting the unique narratives and perspectives brought forth by these filmmakers. Special emphasis is placed on independent productions and the contributions of female filmmakers traditionally marginalized or underrepresented in mainstream narratives. The course methodology integrates theoretical readings, group discussions, presentations, and multimedia projects, fostering critical dialogue on the role of women in Latin American cinema.</p> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/f2b2d5fb7097a5c7f3740449d54ae30f.jpg?Expires=1780531200&Signature=obGXrCc1LfM2mwrtfbUB54c%7EAuBFNwXhT1TW10msZMTgmVnckTG1GCzQebOKVTzu2MlhOke7HZZPfo8l3bHR0bgOOBCrgnfavyDIMD9bksDjWMqYLAyxpci0VMt1tIqWwAmJHZWt2vzq-jyUUnrhHD7fpU0WQZ7FzHQX2qzM9NY7W5OhwCTVv6eDmLuDY3pryCY70DVnqp5VKgszCHqGEV9YU-U-6GT1OeqxOxwu%7EStlDInp4qUbs2SryLl%7EEpKxLAwUeBC4IDE14vP33uM%7EjBv3VL%7EeULH3yRQ8TKWZKvrDwawiLcgO9avz6IFoA2uB9kgxrwWIJRCti2tmZZsK6A__&Key-Pair-Id=K6UGZS9ZTDSZM d4aed6e3e2c169d763b91c2efa73da51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La pecera Title The Fishbowl Director The director of the film. El/La director/a de la película. <span>Glorimar Marrero Sánchez</span> Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2023 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Puerto Rico Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Auna Producciones Canica Films Filmes Zapatero Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Noelia, a 40-year-old Puerto Rican visual artist, discovers her cancer has metastasized after spending several years in remission. Despite the insistence of her partner, Jorge, she refuses to continue her treatment and decides to return to Vieques, the small Caribbean island east of Puerto Rico where she grew up and where her mother, Flora, lives. Once there, she keeps her cancer a secret in order to live freely and throws herself into the work she had dedicated herself to years before - denouncing pollution left by the U.S. Army after years of military exercises on the island. However, as Noelia's health worsens and she joins her neighbors to secretly enter closed testing areas to document undetonated bombs and toxic remains, her struggle to survive and the struggle of Vieques to recover from decades of bomb testing become inextricably intertwined. When an approaching hurricane threatens the island and Noelia rekindles an old romance, she faces the decision to leave and seek treatment or stay with her community. (<a href="https://www.imdb.com/title/tt17078354/" target="_blank" rel="noreferrer noopener">IMDb</a>)</span> <em><br />Noelia, enferma de cáncer, no quiere tratarse y decide buscar vías de escape regresando a su Vieques natal, una isla paradisíaca puertorriqueña en cuyas aguas se esconden toneladas de residuos contaminantes provocados por el ejército norteamericano. La trama personal de esta mujer en busca de que respeten sus decisiones se entreteje con su implicación en un grupo de denuncia política y medioambiental por la situación que vive la isla de su hogar materno. (<a href="https://www.filmaffinity.com/es/film325498.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Environment / El medio ambiente Health & Medicine / La salud y la medicina Migration, Internal / Migración interna Politics / La política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La pecera Description An account of the resource <span>Noelia, a 40-year-old Puerto Rican visual artist, discovers her cancer has metastasized after spending several years in remission. Despite the insistence of her partner, Jorge, she refuses to continue her treatment and decides to return to Vieques, the small Caribbean island east of Puerto Rico where she grew up and where her mother, Flora, lives. Once there, she keeps her cancer a secret in order to live freely and throws herself into the work she had dedicated herself to years before - denouncing pollution left by the U.S. Army after years of military exercises on the island. However, as Noelia's health worsens and she joins her neighbors to secretly enter closed testing areas to document undetonated bombs and toxic remains, her struggle to survive and the struggle of Vieques to recover from decades of bomb testing become inextricably intertwined. When an approaching hurricane threatens the island and Noelia rekindles an old romance, she faces the decision to leave and seek treatment or stay with her community. (<a href="https://www.imdb.com/title/tt17078354/" target="_blank" rel="noreferrer noopener">IMDb</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/d63e8bd56eb169a56fe70b0943536dea.jpg?Expires=1780531200&Signature=IaiD-NxR3vqoJqmx3hGsBZsLG07KtWjtVMEzVi4BLuXP3O%7EMYqI-A5b5%7EgXAD2rGJfo364-IWjtbBfeamw8g%7EOpXEMVvB4R9lpQeFMUad9SmWD7VSSxLOZDAA9-lvh223pdhZVkqOGSPMCuXTXuz98UYOxpbUVgAF2uAaEpHSEw%7EvMYXmcnD1H-PYvLFFZzN93RfyGUzF0VllQ2XTtIJ4JA%7EeJTyjQGJnE6jeNOJpzofuabErD%7Enn5KFDNLIa6brJR5vsV7P0fk-yZ8Y-1YTCyvOGjlzUd-hqK2QC-8UfkWv3Ykx0gwLLct83ry-aRiV%7Eru1243wv17QGiJcYYXQ-A__&Key-Pair-Id=K6UGZS9ZTDSZM cf34bc599154fc721a385efdd3ee4603 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Clara sola Director The director of the film. El/La director/a de la película. <span>Nathalie Álvarez Mesén</span> Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2021 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Costa Rica Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Oscilloscope Laboratories (US) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life. (<a href="https://www.imdb.com/title/tt12637442/plotsummary/" target="_blank" rel="noreferrer noopener">IMDB</a>)</span> <em><br />En un pueblo remoto de Costa Rica, Clara, una mujer introvertida de 40 años, experimenta un despertar sexual y místico al comenzar un viaje para liberarse de las convenciones religiosas y sociales represivas que han dominado su vida. (Traducido por Jocelyn Zhingri)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad Nature / La naturaleza Religion & Spirituality / Religión & Espiritualidad Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Kanopy: <a href="https://www.kanopy.com/en/product/13003467" target="_blank" rel="noreferrer noopener">https://www.kanopy.com/en/product/13003467</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clara sola Description An account of the resource <span>In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life. (<a href="https://www.imdb.com/title/tt12637442/plotsummary/" target="_blank" rel="noreferrer noopener">IMDB</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/136bbbb28f050301f5dc7af36ff7798b.jpg?Expires=1780531200&Signature=PXyt96hX72peBHx64BguwYQUA5cjKgpil5Tn9i8s6ajanSPO2FlIzUh7iAUSYaDV2ZQnO3bmr-HxH4w5thCfqpeQXYJ92Ng3vDpG6X2PtSMwIZgcWYBZPgjsVffNDsqpugYeLjXxABXNc35h0WkBIQURt6dtl4H6Mb94MGRWflI2CaTLcdbCGgZ-yOlxmK-7zalfK81mWZXjuWit3tGekTEK0946u2eHvXYgvTq0ydpWpJey86nKEDToZRYfEOrgz2Ov45EzHsisR9ZEgyPWVCNZYcu6Vhcg-Bisl6sho62wMuE912B5RKM9RkG4uHiWEAyerfkEU99QT0zrMEBQOg__&Key-Pair-Id=K6UGZS9ZTDSZM 33a7b5b306b22dae2caf52dedf0441b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Mala reputación Title Bad Reputation Director The director of the film. El/La director/a de la película. Marta García Sol Infante Zamudio Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2024 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Uruguay Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Cordón Films (Uruguay) Instituto Nacional de Cine y Artes Audiovisuales - INCAA (Argentina) Ah Cine! (Argentina) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Karina Nuñez se gana la vida como trabajadora sexual desde hace 30 años y desde hace 10 es activista feminista y lidera el movimiento por los derechos laborales de su colectivo. A sus 45 años, está buscando cambiar de trabajo, pero las opciones son escasas por su edad, su forma de vida y por el estigma social con el que carga. Karina pudo existir desde otro espacio, redefinió su lugar en el mundo. (<a href="https://ahcine.com/pelicula/puta-historia/" target="_blank" rel="noreferrer noopener">AH! Cine</a>)</span> <em><br />For the past 30 years, Karina Nuñez has earned her living as a sex worker, and for the past 10 years she has also been a feminist activist in Uruguay, leading the movement for sex workers' rights on behalf of her union. Now 45 years old, she is looking for a different job, but her options are limited due to her age, her lifestyle, and the social stigma she is forced to carry. Karina managed to exist, but now redefines her own place in the world. (Translation by Dania Fermin)</em> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Human Rights / Derechos humanos Politics / La política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide Guide in English: <a href="https://cinegogia.omeka.net/items/show/957">https://cinegogia.omeka.net/items/show/957</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mala reputación Description An account of the resource <span>Karina Nuñez se gana la vida como trabajadora sexual desde hace 30 años y desde hace 10 es activista feminista y lidera el movimiento por los derechos laborales de su colectivo. A sus 45 años, está buscando cambiar de trabajo, pero las opciones son escasas por su edad, su forma de vida y por el estigma social con el que carga. Karina pudo existir desde otro espacio, redefinió su lugar en el mundo. (<a href="https://ahcine.com/pelicula/puta-historia/" target="_blank" rel="noreferrer noopener">AH! Cine</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/4feb2fa19e4aad39f05642d5fad62bf4.png?Expires=1780531200&Signature=kReAEpNvUlrXWzkpcDkFsGacdAghLiJD2rPPo90aTM7RMadsR%7E7y9HZb%7ESCNCmCJ0-bzSyJ6ZAsDwTAJS6p8KBgbUaQOgiTsjIgB1RUzHugECPVtxHouQ1z1b3HnctRTWkZ2KxuEgJ%7ERO8EXZkqivvFKfPYtC075CTiU4R-zAG6Yau6VGXTSyT%7ECNl0hQ-PCIhd2-7IQZRN8MxdMD0AYH9n78ZcgG64APF53QcG94wrLPk7CJl8NVaEoP0TaHGdansOBr4zcmMmXwSqCpOLVjQCvsbZEuajJZbFaT3p1Y0OU2TYxVCR1dbWj1W-%7EdY%7E8fSpZX-0T0snVe0zs%7EZ2yww__&Key-Pair-Id=K6UGZS9ZTDSZM 0555359a0126a86c4f2dfaa98ab4b701 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Marea verde Title The Road to the Law Director The director of the film. El/La director/a de la película. Ángel Giovanni Hoyos Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2021 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Argentina Colombia Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Libero Films (Argentina) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span><em>Marea Verde</em> es un documental que recorre la historia del uso de Misoprostol y la historia del aborto en la Argentina, visibilizando la lucha feminista que desde más de 20 años exigen a un Estado esquivo y sin respuestas a una problemática social que diariamente deja como saldos mujeres muertas en abortos clandestinos. Pasando por relatos en primera persona, marchas, noticias, vigilias y discusiones políticas hasta lograr el aborto legal en Argentina. (<a href="http://www.proimagenescolombia.com" target="_blank" rel="noreferrer noopener">Proimágenes Colombia</a>)</span> <span><br />The Road to the Law (Marea Verde) <em>is a documentary that recounts the history of the use of Misoprostol and abortion in Argentina, bringing awareness to the feminist struggle that for more than 20 years has demanded answers from an evasive government about a social problem that has resulted in the daily deaths of women from underground abortions. The film is told through first person accounts, marches, news, vigils and political discussions until legal abortion is achieved in Argentina. (Translated by Éowyn Bailey)</em></span> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Health & Medicine / La salud y la medicina Human Rights / Derechos humanos Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marea verde Description An account of the resource <span><em>Marea Verde</em> es un documental que recorre la historia del uso de Misoprostol y la historia del aborto en la Argentina, visibilizando la lucha feminista que desde más de 20 años exigen a un Estado esquivo y sin respuestas a una problemática social que diariamente deja como saldos mujeres muertas en abortos clandestinos. Pasando por relatos en primera persona, marchas, noticias, vigilias y discusiones políticas hasta lograr el aborto legal en Argentina. (<a href="http://www.proimagenescolombia.com" target="_blank" rel="noreferrer noopener">Proimágenes Colombia</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/089dd4c3c6f6ec33595c85b1e0530f1a.jpg?Expires=1780531200&Signature=F38L%7EnLicXjskpSQmmDMSmYK7PKzwe5ckh2pIZZV8KJGGXZvhInRCOMBDsm2dM2iisjnRbfjmFQNSdJKQ95GC46mPHsVee3es-ZPCC2OL-YE6zaucpDKMUpdjGfd9rj3hdk8fz7J0WsvERKurlvEWHvCEN8gB2PJg-IRBImzEoZoNIxJ%7EkElJInx1iuWZ3uIIOEoeqHiGRpf7N%7ECfdNsEqMGT62m%7Ey1QShYJO-VmufdOozgN7rllrU-hlNe2lSGQellFmxwIAO-75l774I-vZ5y-qqFUmQAQFugoDFFs8oqHspDtz1%7Ecw5ychucow8JfQb5giKTVyy-Fo8RHeEkYhQ__&Key-Pair-Id=K6UGZS9ZTDSZM 31d3f34664ba0aa9785d077352e21e99 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Señorita Extraviada Title Missing Young Woman Director The director of the film. El/La director/a de la película. Lourdes Portillo Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2022 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español English / inglés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Producciones Xochitl (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span><em>Señorita Extraviada</em> (Missing Young Woman) unfolds like the unsolved mystery that it examines—the kidnapping, rape and murder of over 350 young women in Juárez, Mexico. Visually poetic, yet unflinching in its gaze, this haunting documentary unravels the layers of complicity that have allowed these brutal murders to continue just south of the US-Mexican border. Relying on what Portillo comes to see as the most reliable of sources—the testimonies of the families of the victims—Señorita Extraviada documents a two-year search for the truth in the underbelly of the new global economy. The result is a shocking and brutal portrait of Ciudad Juárez, "The City of the Future." (<a href="https://www.lourdesportillo.com/" target="_blank" rel="noreferrer noopener">Official Website: lourdesportillo.com</a>)</span> <span><br /><em>Señorita extraviada documenta la progresión irracional de los crímenes sistemáticos de cientos de mujeres jóvenes en Ciudad Juárez, Chihuahua, México.</em> (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>)</span> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Borderlands & Boundaries / Fronteras Human Rights / Derechos humanos Violence / Violencia Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Señorita Extraviada Description An account of the resource <span><em>Señorita Extraviada</em> (Missing Young Woman) unfolds like the unsolved mystery that it examines—the kidnapping, rape and murder of over 350 young women in Juárez, Mexico. Visually poetic, yet unflinching in its gaze, this haunting documentary unravels the layers of complicity that have allowed these brutal murders to continue just south of the US-Mexican border. Relying on what Portillo comes to see as the most reliable of sources—the testimonies of the families of the victims—Señorita Extraviada documents a two-year search for the truth in the underbelly of the new global economy. The result is a shocking and brutal portrait of Ciudad Juárez, "The City of the Future." (<a href="https://www.lourdesportillo.com/" target="_blank" rel="noreferrer noopener">Official Website: lourdesportillo.com</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/1c05457777b78929bb3bc3b1d029fab1.jpg?Expires=1780531200&Signature=YKbK3BxxU4LWrxfSXDENQL17rc%7E5JPsKYx1kFHooy6lMP8A0nX7sFrcbGQuFb10MPe6mDwbrvLFmlImLzfaPahjTo7u928QI3S%7EWDfDZKsLW2or8gApbKUHL7HeWxfFPE7-F0g3%7EvX4knIOGj20p8faLr78aPNyRZ-GgmEmd6CnOvm3I3hkpDEKaj-SJAJus2dR%7Ew2ETKh0M-Ib2t952Bseio%7EowNltks5gzi--ATsIL1xXbnUYkX02vjC7v9uRhm0vT760fYHcAzgDhzJoT%7ExkbzZM-8MqcfhK43%7EVjAh62OpK-GnvhrWdN40y-NMhSVIOoGAQgC5ohP3b44I2G6A__&Key-Pair-Id=K6UGZS9ZTDSZM cd909ecd92faacff2203fdf78b3c53ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La rebelión de las oaxaqueñas Title The Rebellion of the Oaxacan Women Director The director of the film. El/La director/a de la película. Tonatiuh Díaz Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2007 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Consorcio para el Diálogo Parlamentario y La Equidad Oaxaca (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>El conflicto actual en Oaxaca comenzó el 14 de junio de 2006 cuando el gobernador del estado ordenó a la policía desalojar el plantón magisterial instalado en el zócalo de la ciudad. Las acciones de ese día desataron la rebelión, conformando la Asamblea Popular de los Pueblos de Oaxaca. Miles de mujeres se involucraron en la lucha y su activismo adoptó diversas formas, incluyendo la instalación y sostenimiento de barricadas por toda la ciudad. Este documental narra la historia de estas mujeres, quienes a partir de distintas realidades se unieron en una sola lucha. (<a href="https://sic.gob.mx/ficha.php?table=produccion_cine&amp;table_id=594" target="_blank" rel="noreferrer noopener">Sistema de Información Cultural</a>, México)</span> <em><br />The present conflict in Oaxaca started on June 14th 2006 when Gobernor of the State sent the State Police to evict the Teachers´ Sit-In installed in the central square of the city. The actions of June 14th unleashed the popular rebellion and took shape in the form of the Asamblea Popular de los Pueblos de Oaxaca. Thousands of women got involved in the struggle and their activism took different forms, including the installation and defense of barricades all over the city. This documentary tells the story of these women who, being from different backgrounds, came together in a single struggle. (<a href="https://sic.gob.mx/ficha.php?table=produccion_cine&amp;table_id=594" target="_blank" rel="noreferrer noopener">Sistema de Información Cultural</a>, México)</em> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Gender identity / Identidad de género Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <iframe width="560" height="315" src="https://www.youtube.com/embed/LjM6HkbOrYw" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br /><br />YouTube: <a href="https://youtu.be/LjM6HkbOrYw" target="_blank" rel="noreferrer noopener">https://youtu.be/LjM6HkbOrYw</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La rebelión de las oaxaqueñas Description An account of the resource <span>El conflicto actual en Oaxaca comenzó el 14 de junio de 2006 cuando el gobernador del estado ordenó a la policía desalojar el plantón magisterial instalado en el zócalo de la ciudad. Las acciones de ese día desataron la rebelión, conformando la Asamblea Popular de los Pueblos de Oaxaca. Miles de mujeres se involucraron en la lucha y su activismo adoptó diversas formas, incluyendo la instalación y sostenimiento de barricadas por toda la ciudad. Este documental narra la historia de estas mujeres, quienes a partir de distintas realidades se unieron en una sola lucha. (<a href="https://sic.gob.mx/ficha.php?table=produccion_cine&amp;table_id=594" target="_blank" rel="noreferrer noopener">Sistema de Información Cultural</a>, México)</span> Feminism / Feminismo Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/f58de0d4690b489f271ceafe4ce7474f.png?Expires=1780531200&Signature=UwcSUis5DjXStFNqdD1kXk-7UUBqhAodkFlb4Oj8MVe0hI3pfDJTLvbg%7EN9K0colCtdcdfoX%7E27DiGnu2I%7EexqfjRwHw3tO-GNUctsSA8b-xcPBGNcoWkQIgKpsLLwstXlkE-EjXf2cUN3EFKEUtMzprUVOz3ClLETV6kdyQ9liFb34fApPundoZqSfxlzPDuFyvvNp%7ED3bWZi6nlh3pjW7EFbudrP5VhrNKmT2uduDEh65NaBsSKCOjYMKfTT8OoS%7ESZFppRNLvAh1ZDlZRAZf-u64c0rVASnf37qKd6z%7EfEHna0lnVW2Vr3UaWdxDsZrnAA1fjq7rbbq9Y6Lj3tg__&Key-Pair-Id=K6UGZS9ZTDSZM fd0b29e47fc5bee3f5ca3564ffc28a03 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Tempestad Title Tempest Director The director of the film. El/La director/a de la película. Tatiana Huezo Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/810">https://cinegogia.omeka.net/items/show/810</a> Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Pimienta Films (México) Cactus Film and Video (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Un "roadtrip" a lo largo del país que busca ofrecer un retrato de la vida en México, da voz a dos mujeres que paralelamente narran sus historias en las que la violencia se apoderó de sus vidas. Miriam, acusada injustanente por delincuencia organizada y tráfico de personas, es detenida y encerrada en una prisión en Matamoros de características únicas, con un "autogobierno" ejercido por un cártel de la droga que se dedica a extorsionar a los familiares de los detenidos. Adela, un payaso de circo, busca a su hija secuestrada y desaparecida hace 12 años. Ambas se enfrentan a la corrupción y a la complicidad de la policía. El documental aborda las ruinas, los desechos y las cicatrices que deja en el paisaje y en las personas la tormenta de la violencia que actualmente abate a México. (<a href="http://www.filmografiamexicana.unam.mx" target="_blank" rel="noreferrer noopener">Filmoteca UNAM</a>)<br /><br /></span> <p class="dcr-139bh9t"><em><span class="dcr-139bh9t">Tatiana Huezo’s exquisite documentary speaks painful truths but is worth every minute. It pares everything back to long-held shots that unfold like a cinematic slideshow, accompanied almost entirely by voiceover tracks from two Mexican women whose stories mirror each other. Miriam was working at Cancún airport when she was arrested on spurious charges of human trafficking and sent to a prison run by a criminal cartel where she was tortured while her family were forced to pay for her “upkeep”. Then, just as suddenly as she was arrested, she was discharged. </span>As she describes her ordeal of many years, heard but not seen, shots of random people travelling on buses, landscapes reeling by and other kinds of photogenic material scroll across the screen, as illustrating her lonely homeward journey. Meanwhile, Adela, a professional clown from a long line of circus folk, who is shown on camera, describes how her daughter Monica, a university student, was kidnapped 10 years ago and has never been found. Adela still looks for her child everywhere, even though both the police and criminal elements (there’s barely any difference between the two) threaten her and her family if she doesn’t stop her search. Luminous cinematography and a plangent but sparingly used score buttress the powerfully composed storytelling.</em> (Felperin, Leslie. Review of Tempestad. <em>The Guardian. </em>Sec. Film, 11 January 2018,  <a href="https://www.theguardian.com/film/2018/jan/11/tempest-review-mexican-documentary-tempestad-tatiana-huezo" target="_blank" rel="noreferrer noopener">www.theguardian.com/film/2018/jan/11/tempest-review-mexican-documentary-tempestad-tatiana-huezo</a>)</p> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Road films / road movie Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Human Rights / Derechos humanos Political violence / Violencia política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tempestad Description An account of the resource <span>Un "roadtrip" a lo largo del país que busca ofrecer un retrato de la vida en México, da voz a dos mujeres que paralelamente narran sus historias en las que la violencia se apoderó de sus vidas. Miriam, acusada injustanente por delincuencia organizada y tráfico de personas, es detenida y encerrada en una prisión en Matamoros de características únicas, con un "autogobierno" ejercido por un cártel de la droga que se dedica a extorsionar a los familiares de los detenidos. Adela, un payaso de circo, busca a su hija secuestrada y desaparecida hace 12 años. Ambas se enfrentan a la corrupción y a la complicidad de la policía. El documental aborda las ruinas, los desechos y las cicatrices que deja en el paisaje y en las personas la tormenta de la violencia que actualmente abate a México. (<a href="http://www.filmografiamexicana.unam.mx" target="_blank" rel="noreferrer noopener">Filmoteca UNAM</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/467975ed81aabb374ff12ea49e818192.jpg?Expires=1780531200&Signature=TO1FV7DyGmner4cwhatSyVyiA7KYEnJFAzGTzio2IJ3iS46IIrCsJxQnXp%7EMSW9kl1zZ-vrcMkHRWUUe6obiUPMCXEy6xe9dzVyi-q%7E4TJ5Y4jb7JCYsRTQGcufIgmEgo3J6U9uj7P6JgWBErkq4SWBCFdpUDyZ50xZP1o-Zgn9-w3lAbPxGufbhL6GKuQw4W20CdLlVyYjEAWm3z44Kfle2AFQ0s0RWzebGYFkbwAivGZwTwGOeso8lsZG0C9ZMzd7lEjW9SPIQVJSjMZVbI-zTGnYH%7EaWAZGdOd%7E0ykAwNi6lpgWMlIkkbjB0fC4asmJfnnYysJfiGMprhLCjffw__&Key-Pair-Id=K6UGZS9ZTDSZM 2f3c285da9f225a1d0eb71f1bc82c788 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Ema Director The director of the film. El/La director/a de la película. Pablo Larraín Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Chile Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Fabula (Chile) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Ema, una joven bailarina, decide separarse de Gastón luego de entregar a Polo en adopción, el hijo que ambos habían adoptado y que fueron incapaces de criar. Desesperada por las calles del puerto de Valparaíso, Ema busca nuevos amores para aplacar la culpa. Sin embargo, ese no es su único objetivo, también tiene un plan secreto para recuperarlo todo. (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>)<br /><br /></span> <p>Adoptive parents Ema (<em>Variety’s</em> 10 Latinxs To Watch 2020’s Mariana Di Girolamo) and Gastón (Gael García Bernal) are artistic free spirits in a contemporary dance troupe whose lives are thrown into chaos when their adopted son Polo is involved in a shockingly violent incident. As her marriage crumbles in the wake of the couple’s decision to reverse the adoption, Ema embarks on an odyssey of liberation and self-discovery as she dances and seduces her way into a daring new life. Centering on the sinuous, electrifying art of reggaeton dance,<span> </span><em>Ema</em><span> </span>is an incendiary portrait of a lady on fire, the story of an artistic temperament forced to contend with societal pressure and the urge to conform. From one of Chile’s greatest living filmmakers, Pablo Larraín, comes a psychologically acute exhumation of Latin American life under restriction featuring an unforgettable heroine who is determined to move freely through the world, as she electrifies everyone and everything around her. (<a href="https://pragda.com/film/ema/" target="_blank" rel="noreferrer noopener">Pragda synopsis</a>)</p> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Music / La música Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/ema/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/ema/</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/807">https://cinegogia.omeka.net/items/show/807</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ema Description An account of the resource <span>Ema, una joven bailarina, decide separarse de Gastón luego de entregar a Polo en adopción, el hijo que ambos habían adoptado y que fueron incapaces de criar. Desesperada por las calles del puerto de Valparaíso, Ema busca nuevos amores para aplacar la culpa. Sin embargo, ese no es su único objetivo, también tiene un plan secreto para recuperarlo todo. (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c3427eec511465396c161e429ff7ca4c.png?Expires=1780531200&Signature=kkQLbETP%7EZ7yvutD-APZThJ33w8P8rnUDH1OztThzm7xMalg7EjJDs1YoO%7EYProLIpj%7EXfFmLGKSLAHHnXh7h0F9PQekxpJpHLornwJR1j2rqgmsBzKNnHWHF9Q%7EQWhqjDYHSYz1T-sgO1UZfo46R2X4Q2vF0HpRkWbtPVv92L9J7jvzbKvnNP9kzFoL4oMmWZ49sBGM65jpO0hqMQmTfrzvB-OBoTys1C11udS0kNHbmZylmwGFM9HhiX13fKkNwMVRMx7AIohWMYxWwVflCz-%7E%7EzD2KGUFZpGp1QtJny4oYOP2I9fLyo69XqpHxq9DDXNJyPrAk4J17AL5GaF4oA__&Key-Pair-Id=K6UGZS9ZTDSZM 8ca9fdd2e90f7340cf43e48d8c268569 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El despertar de las hormigas Title The Awakening of the Ants Director The director of the film. El/La director/a de la película. Antonella Sudasassi Furniss Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Costa Rica Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Solita Films (Spain) Betta Films (Costa Rica) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Isa es modista y vive con su familia en un pequeño pueblo de Costa Rica. Su esposo Alcides desea que tengan un tercer hijo: un varón. Isa, sin embargo, no quiere otro embarazo. Quiere enfocarse en el trabajo y ya tiene más que suficiente en su vida con dos hijas. Hasta ahora, nunca ha cuestionado su papel dentro de la familia. Sin embargo, cuando se da cuenta de que Alcides no parece estar escuchando y persiste con su deseo de tener un tercer hijo, se da cuenta de que algo debe cambiar. (<a href="https://www.filmaffinity.com/es/film359508.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>)</span> <span><em>Isa has more than enough on her plate with two children and the household, which she manages on her own. When her husband persists with his wish for a third child, she realizes that something must change.</em> (IMDB)</span> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/771">https://cinegogia.omeka.net/items/show/771</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El despertar de las hormigas Description An account of the resource <span>Isa es modista y vive con su familia en un pequeño pueblo de Costa Rica. Su esposo Alcides desea que tengan un tercer hijo: un varón. Isa, sin embargo, no quiere otro embarazo. Quiere enfocarse en el trabajo y ya tiene más que suficiente en su vida con dos hijas. Hasta ahora, nunca ha cuestionado su papel dentro de la familia. Sin embargo, cuando se da cuenta de que Alcides no parece estar escuchando y persiste con su deseo de tener un tercer hijo, se da cuenta de que algo debe cambiar. (<a href="https://www.filmaffinity.com/es/film359508.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/89a6a81b7e7321a379f78127eb34cd11.jpg?Expires=1780531200&Signature=j5rUqLy%7EkOva62DsAHIjCEG2bjH0i9EO0ITbdTeDqp-WrgL5uxrP0cJ4hIkRhK7haJvv-tITBdvRvQiJRfu%7E%7ExaJ-Q-68vh8jTi5ml1ki2ZRYMgO2ntI0RGALPZjhLbdhc9zvJyfW8yX7Xht4LK195SRbwMppuNb9q0%7Ev82NcdDapoWu1S%7EekbsXHdAvzJ4BU3We9dqeU%7EmetO9RCYVpn%7ECJrOZdZtE-OvPmQEScDdOXYVdzlqDKTHOIwN0MkH9gomoBmK%7E3WkLeuBbigBxSQcN2UbWsj3448htKopKjRhTQiOO4KAAcE16phKq%7El6VzGt2KTgczw9iznAIsa9izUw__&Key-Pair-Id=K6UGZS9ZTDSZM c013cd3d0ea9c9d841d6f7084bac4956 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Frida, naturaleza viva Title Frida, Still Life Director The director of the film. El/La director/a de la película. Paul Leduc Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1983 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Clasa Films Mundiales (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>The most prominent female painter of Latin America, Frida Kahlo, is agonizing in her Coyoacán home. She evokes memories of her childhood, of the streetcar accident that caused her to terrible pain and affliction, her friendship with Trotsky and painter Alfaro Siquieros, her marriage to Diego Rivera, her miscarriage, her political commitment, her long affairs and the anticipated exhibition of her works. (<a href="http://www.imdb.com/" target="_blank" rel="noreferrer noopener">IMDB</a>)</span> <em>La pintora más reconocida de Latinoamérica, Frida Kahlo, agoniza en su hogar en Coyoacán. Evoca recuerdos de su niñez, del accidente de carro que le provocó un terrible dolor, su amistad con Trotsky y el pintor Alfaro Siquieros, su matrimonio con Diego Rivera, su malparto, su compromiso politico, sus largos amoríos y la exhibición de sus obras tan esperada. (Translation by Quetzali Gomez)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Bio pic / Película biográfica Drama Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. New Latin American Cinema / Nuevo Cine Latinoamericano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frida, naturaleza viva Description An account of the resource <span>The most prominent female painter of Latin America, Frida Kahlo, is agonizing in her Coyoacán home. She evokes memories of her childhood, of the streetcar accident that caused her to terrible pain and affliction, her friendship with Trotsky and painter Alfaro Siquieros, her marriage to Diego Rivera, her miscarriage, her political commitment, her long affairs and the anticipated exhibition of her works. (<a href="http://www.imdb.com/" target="_blank" rel="noreferrer noopener">IMDB</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/cb37fd4674a4ff2e7a7a5536c8f0e362.jpeg?Expires=1780531200&Signature=ssAU4kztLEoAzjFO5d-3dJXg%7ElbMB745ulAtEUf8uIMeJUMU57os39UqsFGZzriASwQWvBoFjogmt1wqkxip3-L9g8kulJJ7jvT0j7VYZt1wdJ-kRLxcUyEzxvtra1i%7EXboH%7E1MM9nxNp5w-iYqfHZ1fV7lVI1YsANEA5BigGr3jA%7EDjiEQVLmQ23iFoyp8y4FTJOoGFdv4k1n-N4bATUFVBjcp-SzTeze7mXpaDmW8ei4TExWLg5nt5Ve0b-LkC13G9637pAwHubC23Ofb0B5VBJeTtk5Hv%7EVAhuceGyZPFbMtvc4rcH0eormUK-PkkfFqeCHfKXa9rL8y82GxesQ__&Key-Pair-Id=K6UGZS9ZTDSZM 089eaf5f73b10d974b4abe19523327e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Doña Bárbara Director The director of the film. El/La director/a de la película. Fernando de Fuentes Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1943 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Cinematográfica latinoamericana (CLASA) Producciones Grovas Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. En Venezuela, el abogado Santos Luzardo arriba a los llanos para hacerse cargo de sus tierras, entrando en un terrible conflicto con la terrateniente doña Bárbara, una bravía mujer a quien el destino la ha convertido en una devoradora de hombres, que tiene pacto con el Maligno y es dueña de vidas y haciendas. Esta adaptación fílmica de la clásica novela de Rómulo Gallegos es considerada como uno de los más depurados ejemplos de la calidad de producción que el cine mexicano alcanzó durante su "época de oro". (<span><a href="http://www.cinetecanacional.net/" target="_blank" rel="noreferrer noopener">Cineteca Nacional México</a>)</span> <em>In Venezuela, the lawyer, Santos Luzardo takes charge of his lands, entering a terrible conflict with the landowner, Doña Bárbara, a brave woman whose fate has turned her into a devourer of men, who has covenant with the evil one and is an owner of lives and estates. This film adaptation of the classic novel by Rómulo Gallegos is considered as one of the most refined examples of a quality production that Mexican cinema saw during its golden age. (Translation by Julia Kallen)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Western films / Western Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Authoritarianism / Autoritarismo Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Studio Cinema / Cine clásico de estudio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doña Bárbara Description An account of the resource En Venezuela, el abogado Santos Luzardo arriba a los llanos para hacerse cargo de sus tierras, entrando en un terrible conflicto con la terrateniente doña Bárbara, una bravía mujer a quien el destino la ha convertido en una devoradora de hombres, que tiene pacto con el Maligno y es dueña de vidas y haciendas. Esta adaptación fílmica de la clásica novela de Rómulo Gallegos es considerada como uno de los más depurados ejemplos de la calidad de producción que el cine mexicano alcanzó durante su "época de oro". (<span><a href="http://www.cinetecanacional.net/" target="_blank" rel="noreferrer noopener">Cineteca Nacional México</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/5e79f6db1870f99ed911adac20bbf501.jpeg?Expires=1780531200&Signature=c6ziS9lChjgWamLkOsAtIMdM7iJw2MAVdRo0-0VX8EZQg4CCrp%7EFVGFYrMFEghEL0ZSH3ThpQkrNMNR9VKmwYiT7yA75-Y9H1Q0%7ENIy-fMatEZroqm3-0SG-0GrCTvQHKQt2lopRcajt46RrLKv-nyLFgyEWE%7EhYQJP6qmywFap1fcSUT7WLGvnSrnrl-LIKG2BqOIHmMw8XxgNVGIqePnpyH6nitGEwWoXuswNu2z4qQibagsfgMr61DldyDOND7NGfNIBc-KthGXk8TFR29FMFiHSv-5ELqTQYXMMCJeiu2O7iXEbim9uPq%7EjbWu3bkDoTBaqY1lHhTvXXQxUdYg__&Key-Pair-Id=K6UGZS9ZTDSZM f0c2dd6cad851e71ee737f0f3e005adb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. 7 semanas Title 7 Weeks Director The director of the film. El/La director/a de la película. Constanza Figari Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Chile Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. <span>Banco Estado Cine (Chile)</span> <span>Universidad de Desarrollo (Chile)</span> Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Inspirada en hechos reales, y protagonizada por Paulina Moreno, Camilo Carmona y Luz Croxatto, el largometraje cuenta la historia de Camila, una joven estudiante de danza, que queda embarazada de su novio Simón. La noticia se esparce vertiginosamente, ilusionando a todos con la llegada de un bebé, pero Camila no está segura de ser madre, por lo que deberá enfrentarse a una compleja decisión. (<a href="https://culturizarte.cl/7-semanas-pelicula-sobre-el-aborto-lanza-afiche-y-anuncia-fecha-de-estreno/" target="_blank" rel="noreferrer noopener">Culturiz Arte</a>)</span> <em>Camila is a young dance student. She has a committed boyfriend and supporting family, but when she discovers she is pregnant, all that love and encouragement become a burden. Her boyfriend is delighted and can’t wait to get married and start a family; while her family is already dreaming of nursery rooms. But has anybody asked her if she wants to become a mother? Camila will have to set other people’s expectations aside and make her own decision, no matter how difficult. (<a href="https://pragda.com/film/7-weeks/" target="_blank" rel="noreferrer noopener">Pragda</a>)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/7-weeks" target="_blank" rel="noreferrer noopener">https://pragda.com/film/7-weeks</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/662">https://cinegogia.omeka.net/items/show/662</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 7 semanas Description An account of the resource <span>Inspirada en hechos reales, y protagonizada por Paulina Moreno, Camilo Carmona y Luz Croxatto, el largometraje cuenta la historia de Camila, una joven estudiante de danza, que queda embarazada de su novio Simón. La noticia se esparce vertiginosamente, ilusionando a todos con la llegada de un bebé, pero Camila no está segura de ser madre, por lo que deberá enfrentarse a una compleja decisión. (<a href="https://culturizarte.cl/7-semanas-pelicula-sobre-el-aborto-lanza-afiche-y-anuncia-fecha-de-estreno/" target="_blank" rel="noreferrer noopener">Culturiz Arte</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c2f91812b86f6608aef76091929f3ac3.jpg?Expires=1780531200&Signature=tL45atxJ6jTIShe7glwQ--7LairLLA33dSHzBK204F1okYM5xwky1WwKUw4NgUvkFAVVVYURsawSp3aBzZ3883n%7EvlPcXFAORkBdM8rHnGaZVHF%7ERmOAfk6UTtpKlxfl98bN82ImS4g0cSnXgUHqlYj0mfbt%7ErrTM9wgvS3cIkZH40OiETIEobV7PlJAr54QNbCMFhhMgeIUS9VGLSm5f8aqI06q4QtJyl6v5%7E%7E40OMrxV3t-JHqMi1Erc9ITReEj%7EO%7E8PgbV-DhLtU3ePWM%7EcnyEkJz1pdvHN1nVjzhR64Y3p9I26v1X3oXDWyvNK7lf1xk1-Gy-nptkWakIKeU3w__&Key-Pair-Id=K6UGZS9ZTDSZM 276e2d5060c94af032737a0bc92d3b22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Chega de fiu fiu Title Enough with Catcalling Director The director of the film. El/La director/a de la película. Amanda Kamanchek Fernanda Frazão Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Brodagem Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Were the cities made for women? While the #MeToo Movement united sexual harassment victims throughout the world, this crucial documentary goes beyond and explicitly illustrates how the participation of women in open urban spaces is marked by insecurity. The film explores the public space as a place of violence—especially sexual harassment—and analyzes how campaigns promoted by activists and feminists have changed power relationships between men and women in the streets and on the Internet in Brazil. <em>Enough With Catcalling</em> follows Raquel, Rosa, and Teresa, in three different Brazilian cities, who share with us their experiences with catcalling. The film also includes insightful footage from hidden cameras worn by women in their day to day life, as well as eye-opening conversations between specialists and men about harassment, body image, and masculinity. (<a href="https://pragda.com/film/enough-with-catcalling/" target="_blank" rel="noreferrer noopener">Pragda</a>)</span> <span><em>Uma pesquisa de 2015 da ONG ActionAid revelou que 86% das brasileiras já sofreram assédio em espaços urbanos. Entre elas, 77% já receberam assobios e 57% ouviram comentário de cunho sexual. Não é difícil encontrar mulheres que comprovem a veracidade desses números. O documentário </em>Chega de fiu fiu<em> inicia sua narrativa com relatos em off de vítimas de assédio sexual. Elas relembram agressões verbais, psicológicas e físicas que sofreram em locais públicos. As vozes são tantas que se somam, confundemse e ecoam pela cena rotineira da cidade.</em> (<a href="http://fimcine.com.br/en/cont/592-Critica-Elviras-Chega-de-Fiu-Fiu" target="_blank" rel="noreferrer noopener">Fim20</a>)</span> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Urban Life / Vida urbana Violence / Violencia Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/enough-with-catcalling/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/enough-with-catcalling</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chega de fiu fiu Description An account of the resource <span>Were the cities made for women? While the #MeToo Movement united sexual harassment victims throughout the world, this crucial documentary goes beyond and explicitly illustrates how the participation of women in open urban spaces is marked by insecurity. The film explores the public space as a place of violence—especially sexual harassment—and analyzes how campaigns promoted by activists and feminists have changed power relationships between men and women in the streets and on the Internet in Brazil. <em>Enough With Catcalling</em> follows Raquel, Rosa, and Teresa, in three different Brazilian cities, who share with us their experiences with catcalling. The film also includes insightful footage from hidden cameras worn by women in their day to day life, as well as eye-opening conversations between specialists and men about harassment, body image, and masculinity. (<a href="https://pragda.com/film/enough-with-catcalling/" target="_blank" rel="noreferrer noopener">Pragda</a>)</span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/cb6d0dbeb01a818096401ecb2c73e2a4.jpg?Expires=1780531200&Signature=roCLglcMfMsF9SACtiVAAGIahZ20NITCcDH5tdENDrKn0JuCJ4CELM8d7mF6u2GoXjP42rCkTS4WN-Rwz0tjMXHL1lDmpQsCt1P18hHYJjqIQI%7EjbXDCh%7EXi-HvV2J5QWPAsarc6X2KDvknpFwohWAE5%7ESTsumXU-gMAxa9E1KnPnFoFrR3XaCL8qTygjg0XFqCTooe%7Ei04UhvVf5AoOZxNzjaiAvvSmS6iFV%7EeGXMF%7E0luudO5oB92Yoa6k05RBX4rCm6JXBJOhqd-KhZfStE4BZg7gR9%7EnzajNz%7ERanDPbwsVwS44iRjBQ0fo7LMe5haQUq4B%7EbxEt6F78gjAqOA__&Key-Pair-Id=K6UGZS9ZTDSZM c7a68c09cf3dccea061386ff4ba5329f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Que horas ela volta? Title The Second Mother Director The director of the film. El/La director/a de la película. Anna Muylaert Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2015 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Globo Filmes (Brazil) Africa Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span><em>Que horas ela volta?</em> tells the story of Val, a woman from the Northeastern region of Brazil who works as a live-in maid for a well-to-do São Paulo family. At first, as a very brief scene in the beginning of the film indicates, she worked as a nanny for the family's only child, Fabinho (Michel Joelsas), now a late teen, and for that reason she still has very strong quasi-maternal ties with him. She and her employer, Barbara (Karina Teles), appear to have a warm, friendly, relationship until the arrival of Jéssica (Camila Márdila), Val's daughter, who comes to São Paulo in order to prepare for a university entrance examination ("vestibular") at the School of Architecture. Having been raised unaware of her mother's actual situation, and not having seen her mother for over 10 years, Jéssica finds herself, unexpectedly, living temporarily at the house of Val's employers. She is a self-assured young woman who does not understand her mother's social resignation. With time, her presence at the house creates all kinds of problems: Barbara is driven to distraction and Carlos (Lourenço Mutarelli), Barbara's husband (who is responsible for the family's fortune), becomes so infatuated with Jéssica that he ends up proposing to her. The film has a happy, light-comedy ending: Jessica obtains much better results than Fabinho in the university examination, and Val quits her job and rents a house with her daughter in order to help the latter look after her own son, whose existence is revealed only towards the end of the film. (Source: Sá, Lúcia. “Intimacy at Work: Servant and Employer Relations in <em>Que Horas Ela Volta</em>? (The Second Mother).” <em>Journal of Iberian &amp; Latin American Studies</em>, vol. 24, no. 3, Dec. 2018, pp. 311–327.)</span> <span>A pernambucana Val (Regina Casé) se mudou para São Paulo a fim de dar melhores condições de vida para sua filha Jéssica. Com muito receio, ela deixou a menina no interior de Pernambuco para ser babá de Fabinho, morando integralmente na casa de seus patrões. Treze anos depois, quando o menino (Michel Joelsas) vai prestar vestibular, Jéssica (Camila Márdila) lhe telefona, pedindo ajuda para ir à São Paulo, no intuito de prestar a mesma prova. Os chefes de Val recebem a menina de braços abertos, só que quando ela deixa de seguir certo protocolo, circulando livremente, como não deveria, a situação se complica. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>)</span> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Comedy films / comedia Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Relationships / Relaciones Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/935">https://cinegogia.omeka.net/items/show/935</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Que horas ela volta? Description An account of the resource <span><em>Que horas ela volta?</em> tells the story of Val, a woman from the Northeastern region of Brazil who works as a live-in maid for a well-to-do São Paulo family. At first, as a very brief scene in the beginning of the film indicates, she worked as a nanny for the family's only child, Fabinho (Michel Joelsas), now a late teen, and for that reason she still has very strong quasi-maternal ties with him. She and her employer, Barbara (Karina Teles), appear to have a warm, friendly, relationship until the arrival of Jéssica (Camila Márdila), Val's daughter, who comes to São Paulo in order to prepare for a university entrance examination ("vestibular") at the School of Architecture. Having been raised unaware of her mother's actual situation, and not having seen her mother for over 10 years, Jéssica finds herself, unexpectedly, living temporarily at the house of Val's employers. She is a self-assured young woman who does not understand her mother's social resignation. With time, her presence at the house creates all kinds of problems: Barbara is driven to distraction and Carlos (Lourenço Mutarelli), Barbara's husband (who is responsible for the family's fortune), becomes so infatuated with Jéssica that he ends up proposing to her. The film has a happy, light-comedy ending: Jessica obtains much better results than Fabinho in the university examination, and Val quits her job and rents a house with her daughter in order to help the latter look after her own son, whose existence is revealed only towards the end of the film. (Source: Sá, Lúcia. “Intimacy at Work: Servant and Employer Relations in <em>Que Horas Ela Volta</em>? (The Second Mother).” <em>Journal of Iberian &amp; Latin American Studies</em>, vol. 24, no. 3, Dec. 2018, pp. 311–327.)</span> Domestic labor / trabajo doméstico Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/9542069f51c889f1b252e044750b351d.jpg?Expires=1780531200&Signature=UfFs6TMXGwnCAQqFL6TkgRr0c-bvWAK1x1sNb8fmsZ0PwHj7Gr-C4uHimY%7EXad8CjufTpr-GJuMukPuOfvfk9dlI%7ElRifcIXSj%7Eao3THQIYKU8b9NNYgDnVQhE51hgcGSmLnUOMBQ%7EPCGP0%7ExMSk1KLkTZsd4Ay5EBaHxzBVF3iNfXAX07EszfTIXmVSOVsO7yxSUUhec5UdIHoyIbN9SHGsscuxngIQgeSL0qA5roLqrm1kCHsC-02UuDOrIlyrZxW3eCYNEpEUaYgauOm6x%7EOFxMbovO9Kfatk8srHH%7EtyQ-ZubSyxOtxkNUuDwfvXQY5usBZXEKAIZpVwjub-xg__&Key-Pair-Id=K6UGZS9ZTDSZM 28ee1c124d31297b402c86fdb2930c25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Las herederas Title The Heiresses Director The director of the film. El/La director/a de la película. Marcelo Martinessi Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Paraguay Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. La Babosa Cine La Fabrica Nocturna Cinéma Pandora Film (Germany) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Marcelo Martinessi's film is an autumnal study of a reclusive Paraguayan woman in her 60s who takes tentative steps to reconnect with the world after the companion who has long overseen her affairs goes off to prison. A restrained, stately character study with a deep emotional core, <em>The Heiresses</em> showcases a remarkable performance from Ana Brun as shy, reserved Chela, who has lived in the same Asunción house ever since she was the pampered child of a well-to-do family, sharing it for years with her lover Chiquita (Margarita Irun). Chiquita has taken responsibility for all practical matters, including the sale of many of Chela's prized family belongings to keep them afloat, but when Chiquita goes to jail for fraud--where she makes new friends--Chela must fend for herself. Taking her father's old Mercedes out of the garage to visit Chiquita, Chela is approached by an elderly neighbor for a ride, and soon becomes a professional driver for rich old ladies, learning from them--and a brassy younger woman named Angy (Ana Ivanova)--how to become more self-reliant. By the time Chiquita returns, she finds that the house is a much changed place. A subtle tale of female liberation with a nuanced central performance. Source: Swietek, F. "The Heiresses." <em>Video Librarian, </em>vol. 34, no. 4, 2019, p. 20. </span> <em>La película de Marcelo Martinessi presenta a una mujer paraguaya solitaria en sus sesenta que empieza a reconectar con el mundo después el encarcelamiento de su pareja. Las herederas es un estudio contenido y digno del personaje, con un centro emocional profundo. La actuación de Ana Braun como Chela, una mujer tímida y reservada que ha vivido en la misma casa de famila adinerada en Asunción desde la infancia, es notable. Ella ha compartido la casa por años con su amante Chiquita (Margarita Irun), quien asume toda la responsiblidad de las cuestiones prácticas, incluyendo la venta de reliquias familiares para mantenerse a flote. Pero cuando lleven a Chiquita a la cárcel por fraude, Chela necesita defenderse. Un día, mientras Chela saca el Mercedes antiguo de su padre para visitar a Chiquita, una vecina mayor se acerca para pedirle un favor, y Chela se convierte en chofer profesional para señoras ricas de la tercera edad. Chela aprende de ellas y también de una joven descarada, Angy (Ana Ivanova), a sentirse más segura de sí misma. Cuando Chiquita regresa de la cárcel, ella descubre una casa cambiada. La película es un cuento de liberación femenina con una actuación matizada de protagonista. (Translated by Andrew Magel)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad LGBTQ people / Personas LGBTQ Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Las herederas Description An account of the resource <span>Marcelo Martinessi's film is an autumnal study of a reclusive Paraguayan woman in her 60s who takes tentative steps to reconnect with the world after the companion who has long overseen her affairs goes off to prison. A restrained, stately character study with a deep emotional core, <em>The Heiresses</em> showcases a remarkable performance from Ana Brun as shy, reserved Chela, who has lived in the same Asunción house ever since she was the pampered child of a well-to-do family, sharing it for years with her lover Chiquita (Margarita Irun). Chiquita has taken responsibility for all practical matters, including the sale of many of Chela's prized family belongings to keep them afloat, but when Chiquita goes to jail for fraud--where she makes new friends--Chela must fend for herself. Taking her father's old Mercedes out of the garage to visit Chiquita, Chela is approached by an elderly neighbor for a ride, and soon becomes a professional driver for rich old ladies, learning from them--and a brassy younger woman named Angy (Ana Ivanova)--how to become more self-reliant. By the time Chiquita returns, she finds that the house is a much changed place. A subtle tale of female liberation with a nuanced central performance. Source: Swietek, F. "The Heiresses." <em>Video Librarian, </em>vol. 34, no. 4, 2019, p. 20. </span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/75854fb4f8e0994e6b947741bf092edc.png?Expires=1780531200&Signature=DzUNGil252Idxy5n4XKDgRYyz8TyYpQUMYBPswvRj%7EUy%7EDzbsBwBICYO7iGkDDalCOnuiUJpmvPdZiheNVOQOW9SQabD5G2vOdxIAgt7x9%7En8Uc-ZDD0KxYVtZTj2C%7EPQcHT1XrfwwyAya-SED4WuXS-50ytmJgCoCw%7EZIoVCQc03jbVS6yXFepY73NEQsGuk62WwEevXEVI3zqyKHvnwrXXMeVWy4Hvph4n%7E%7Ei7kvvE4KXBsxsdIgmjhUPkDbuVmPtPaPdh0z%7EigyUsw8J6jCU-s1%7E%7Ewx9laMU%7EyKdgBs%7El0X1d%7EumGGIZKQnsWZ6Uke8EZKaaymjPI-MU00tKb4g__&Key-Pair-Id=K6UGZS9ZTDSZM 2cfd69da9a37a8806adbe9285e3a04b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. A Crushing Love Director The director of the film. El/La director/a de la película. Sylvia Morales Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2009 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. English / inglés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. United States / Estados Unidos Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Women Make Movies / WMM (US) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>A CRUSHING LOVE, Sylvia Morales’ sequel to her groundbreaking history of Chicana women, CHICANA (1979), honors the achievements of five activist Latinas—labor organizer/farm worker leader Dolores Huerta, author/educator Elizabeth “Betita” Martinez, writer/playwright/educator Cherrie Moraga, civil rights advocate Alicia Escalante, and historian/writer Martha Cotera - and considers how these single mothers managed to be parents and effect broad-based social change at the same time. (<a class="in-cell-link" href="https://www.wmm.com/" target="_blank" rel="noreferrer noopener">https://www.wmm.com/</a>)</span> <em>A Crushing Love es la continuación de Chicana (1979), una historia de mujeres chicanas dirigida por Sylvia Morales. A Crushing Love honra los logros de cinco activistas latinas -- Dolores Huerta, organizadora de labor y una líder de trabajadores agrícolas; Elizabeth "Betita" Martinez, autora y educadora; Cherrie Moraga, escritora, educadora, y dramaturga; Alicia Escalante, defensora de los derechos civiles y la ayuda social; y Martha Cotera, historiadora y escritora. La película revela cómo estas madres solteras mantenían a su hijos mientras trataban de crear cambios sociales importantes al mismo tiempo. (Translated by Sarah Shorter)</em> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Gender identity / Identidad de género Human Rights / Derechos humanos Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Crushing Love Description An account of the resource <span>A CRUSHING LOVE, Sylvia Morales’ sequel to her groundbreaking history of Chicana women, CHICANA (1979), honors the achievements of five activist Latinas—labor organizer/farm worker leader Dolores Huerta, author/educator Elizabeth “Betita” Martinez, writer/playwright/educator Cherrie Moraga, civil rights advocate Alicia Escalante, and historian/writer Martha Cotera - and considers how these single mothers managed to be parents and effect broad-based social change at the same time. (<a class="in-cell-link" href="https://www.wmm.com/" target="_blank" rel="noreferrer noopener">https://www.wmm.com/</a>)</span> Feminism / Feminismo