1 50 21 https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/aae8f14bae122c428b2b69747b1bb818.jpg?Expires=1773878400&Signature=v%7ELY3pKEggfQ8UIENvRwcEKxMMbb-pJ%7E0h-zJQ-uOMQfWPNGYgLtDagwHdxN2N2VOI6GhXvlDLDLjc1ttMNnt7BFVVJr8uwQOUdXQ-R5SlZQ5mf2hqH0s3EQCzZGJViYHev4Ac-fVumwaEDydZeOoym4ottTYRIdwwDWOV%7EbRk7FSq%7EAaT1cK3h4JyHBp9Su4uTgsmH-EkTCAnFTbu21dIq-j8vav0yrW8OGUGU-z1lgR8kon9Gde8ypNAuxnYfKUYV7xdMn5h7qVwBDKG6LaLgutxGC%7EY1Mc1Y6QP8RxwugdksuTELOkouWi68k%7Ef9qN0v2X6q3LTcFmV9JQGDsoQ__&Key-Pair-Id=K6UGZS9ZTDSZM 667efad7c513bdd82bd63382902d7b27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. A cidade do futuro Title The City of the Future Director The director of the film. El/La director/a de la película. Marília Hughes Cláudio Marques Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. <span>Instituto de Radiodifusao Educativa da Bahia (Brazil)</span> <span>Bahia Governo do Estado (Brazil) </span> Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span> A Cidade do Futuro. O filme conta a história de três jovens em uma pequena comunidade no interior da Bahia. Eles vivem uma relação de companheirismo inusitada e malvista na região. São dois garotos, gays, e uma menina, que carrega o filho de um deles. A intenção do trio é que todos cuidem da criança, numa visão familiar moderna e sem preconceitos.O problema é que o cenário não é nada moderno, mas bastante conservador. E eles serão vítimas de intolerância por boa parte da comunidade local, inclusive de suas famílias. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>)</span> <span>In Serra do Ramalho, Brazil, young teacher Milla finds herself pregnant by her colleague Gilmar. Gilmar is in a relationship with Igor, but Milla asserts that the baby will belong to all three of them. Despite some initial conflict between the three, and in defiance to their community’s reaction, they form an unconventional but remarkably uncomplicated family. Billed as the ‘city of the future’, Serra do Ramalho was constructed in the 1970s in order to rehouse thousands of citizens that had been forcefully relocated. The location forms an important backdrop for this elegant, gentle film which is full of hope for a new generation building their own family of the future. (<a href="https://pragda.com/film/the-city-of-the-future/" target="_blank" rel="noreferrer noopener">Pragda</a>)</span> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Romance films / cine romántico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. LGBTQ people / Personas LGBTQ Relationships / Relaciones Romance Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/the-city-of-the-future" target="_blank" rel="noreferrer noopener">https://pragda.com/film/the-city-of-the-future</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/663">https://cinegogia.omeka.net/items/show/663</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A cidade do futuro Description An account of the resource <span> A Cidade do Futuro. O filme conta a história de três jovens em uma pequena comunidade no interior da Bahia. Eles vivem uma relação de companheirismo inusitada e malvista na região. São dois garotos, gays, e uma menina, que carrega o filho de um deles. A intenção do trio é que todos cuidem da criança, numa visão familiar moderna e sem preconceitos.O problema é que o cenário não é nada moderno, mas bastante conservador. E eles serão vítimas de intolerância por boa parte da comunidade local, inclusive de suas famílias. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>)</span> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/40c2cbae0aaa68bd2540c324e338e914.jpeg?Expires=1773878400&Signature=dcorl6kNvg6pGRvl%7E3jU2ec1QLAbRZkBXwY3r6232uVTyxwZ6VNOYTrBXfOG4IvBXwoqxOIAuSfXEhmQgoKnKkFpKy4%7E4XU7-L9%7Eo7E0ekUP1e6vkzhKsaDR-Z0GJLAtY2E6vE7fEZvyYGWvOvHMPsnBlHGXySoFvDQ3KYNoAnlm7fQVvC7fXz5FEV8dYiyKEi5bvyTNBJKdS%7EQ054y7S5I8G0t6W3%7EvT-Nm5tTespePNmTcANu5noSZA2nuoUwcYgr1pfBX4Hrq7l1-2AVWijuYALo0UM-5JHaHkkVFm1GVa5tekBTw58WVSdD9%7EZ6tUY-08BPkfdNHP38RcJgd6Q__&Key-Pair-Id=K6UGZS9ZTDSZM b21dc121c1e535da1fa67cd28c116813 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El acompañante Title The Companion Director The director of the film. El/La director/a de la película. Pavel Giroud Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Areté Audiovisual (Panamá) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Daniel Guerrero (interpretado por Armando Miguel) tiene sida y está interno en el sanatorio de Los Cocos al sur de La Habana. El boxeador Horacio Romero (Yotuel Romero), sancionado por dopaje, es su acompañante, quien le vigilará noche y día para evitar la propagación del virus. <em>El acompañante</em>, la última película del cineasta cubano Pavel Giroud, nominada para representar a Cuba en los Oscar y en los Goya, recrea las vivencias de cubanos contagiados de VIH que fueron encerrados en ese centro en los años ochenta. Las autoridades cubanas cuidaron allí a los enfermos privados de libertad y así trataron de impedir la expansión del virus. “La película termina siendo una metáfora de lo que es Cuba porque Los Cocos es como una isla de la que no puedes salir fácilmente y en la que digamos tienes cubiertas ciertas necesidades básicas”, explica Giroud en una entrevista. (<a href="https://elpais.com/cultura/2016/10/22/actualidad/1477168444_272254.html" target="_blank" rel="noreferrer noopener">El País</a>)</span> <span>Set in 1988 Cuba as the government dispatched HIV patients to AIDS centers under military rule, <em>The Companion</em> narrates the unlikely friendship between a boxing champion and a conflictive patient. After failing a doping test, Horacio Romero has no other choice but to serve a sentence. His fate is in Los Cocos, a sanatorium under military rule where HIV patients are compulsorily confined, with the exception of a weekly pass to visit their families under the supervision of personal wardens called “companions.” As a “companion,” Horacio is supposed to keep an eye on Daniel -the most conflictive patient in the ward- and get him to comply to the regulations. Their interests immediately collide as Daniel is set to spend his last days in freedom and is ready to do anything to make this happen. Horacio, on the other hand, dreams about boxing again to get his champion’s status back. For that to happen, however, he must first win this battle out of the ring… (<a href="https://pragda.com/film/the-companion" target="_blank" rel="noreferrer noopener">Pragda</a>) </span> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Human Rights / Derechos humanos LGBTQ people / Personas LGBTQ Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/the-companion/" target="_blank" rel="noreferrer noopener"><span>https://pragda.com/film/the-companion/</span></a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/657">https://cinegogia.omeka.net/items/show/657</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El acompañante Description An account of the resource <span>Daniel Guerrero (interpretado por Armando Miguel) tiene sida y está interno en el sanatorio de Los Cocos al sur de La Habana. El boxeador Horacio Romero (Yotuel Romero), sancionado por dopaje, es su acompañante, quien le vigilará noche y día para evitar la propagación del virus. <em>El acompañante</em>, la última película del cineasta cubano Pavel Giroud, nominada para representar a Cuba en los Oscar y en los Goya, recrea las vivencias de cubanos contagiados de VIH que fueron encerrados en ese centro en los años ochenta. Las autoridades cubanas cuidaron allí a los enfermos privados de libertad y así trataron de impedir la expansión del virus. “La película termina siendo una metáfora de lo que es Cuba porque Los Cocos es como una isla de la que no puedes salir fácilmente y en la que digamos tienes cubiertas ciertas necesidades básicas”, explica Giroud en una entrevista. (<a href="https://elpais.com/cultura/2016/10/22/actualidad/1477168444_272254.html" target="_blank" rel="noreferrer noopener">El País</a>)</span> Afro-Cuban / afro-cubano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/2103bb2328f7bb3baa02b29315cf312f.jpg?Expires=1773878400&Signature=hnyKxVJjg0liT8qvKOyQ8RlNxBiAmZDondqaaLprZf5gsBo7gh%7ENt2A9lHnzC4SIyYTH4JNeFM6DDt35I%7ETCFTCak09B-Vk-Tpmr50Px4836EUhDVlVraKVuzX83B5KoSTnOWLXXX1paQBm2SxJWnCum0ikNoCe26N6luiBTK3GJh6qwmsstiKpz0HgX5TE1QS0BbJ2cONrRyvNqcp9ttbHLOchFS7LHHfoFUSJHmY37mPZyJOcfgcDK5%7E5WHUub99XWApH9dl-222%7EizWb6bp6S5Pb9Fsnn1Ka-%7E26CbZH9Arsu6Z-4IHj8W4PyZy4etSPUV1j%7EYTWnBm4jLtTVag__&Key-Pair-Id=K6UGZS9ZTDSZM 0cc258bdec0f9dd9b0445b60822aaee0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Atempa, sueños a la orilla del río Title Atempa, Dreams by the River Director The director of the film. El/La director/a de la película. Edson Caballero Trujillo Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2013 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Fondo Nacional para la Cultura y las Artes (México) Consejo Nacional para la Cultura y las Artes - CONACULTA (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Tino desea lograr su sueño: ser Reina Muxe. Siendo niño homosexual asume el rol de niña para desarrollar su feminidad adolescente, busca solucionar su pasado y su economía pese a las carencias sociales. Esta película es un retrato de San Blas Atempa, a partir de las historias de tres de sus habitantes de la vida actual, y es a la vez un viaje íntimo a las entrañas del Istmo de Tehuantepec, Oaxaca, en el cual existe la identidad de la dualidad sexo-genérica, quien no es hombre ni mujer, es Muxe (homosexual zapoteco) y que culturalmente desempeña roles femeninos, sociales y sexuales, en un pueblo que busca una sociedad libre y diversa, en la que impera la feminidad, señoras valientes y hombres vestidos de mujer. (<a href="https://www.ficwallmapu.cl/" target="_blank" rel="noreferrer noopener">Ficwallmapu</a>)</span> <span><em>Tino dreams of becoming a “Muxe Queen”. Though born into a male body, as Tino enters adolescence, she begins to dress as a woman and embrace her femininity, all while struggling to resolve a difficult childhood and overcome poverty. Tino considers herself neither male nor female, but rather a “muxe”, a third gender that has been integrated into Zapotec culture. A documentary that films for the first time a muxe child in its growth stage. (<a href="https://pragda.com/film/atempa/" target="_blank" rel="noreferrer noopener">Pragda</a>)</em> </span> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Gender identity / Identidad de género Indigenous peoples / Pueblos indígenas LGBTQ people / Personas LGBTQ Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/atempa/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/atempa/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Atempa, sueños a la orilla del río Description An account of the resource <span>Tino desea lograr su sueño: ser Reina Muxe. Siendo niño homosexual asume el rol de niña para desarrollar su feminidad adolescente, busca solucionar su pasado y su economía pese a las carencias sociales. Esta película es un retrato de San Blas Atempa, a partir de las historias de tres de sus habitantes de la vida actual, y es a la vez un viaje íntimo a las entrañas del Istmo de Tehuantepec, Oaxaca, en el cual existe la identidad de la dualidad sexo-genérica, quien no es hombre ni mujer, es Muxe (homosexual zapoteco) y que culturalmente desempeña roles femeninos, sociales y sexuales, en un pueblo que busca una sociedad libre y diversa, en la que impera la feminidad, señoras valientes y hombres vestidos de mujer. (<a href="https://www.ficwallmapu.cl/" target="_blank" rel="noreferrer noopener">Ficwallmapu</a>)</span> Zapotec / zapoteco https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/02f1ad1d8d4e851d2cb816eb1d3d98bf.png?Expires=1773878400&Signature=Gf6igjuvFcIqNUZPHwG8DTEyxLCPWm8JNDCtnNhchb13l4cIzK9mdk-djixLHTHzYMa1KSQtCVrBlnY111AFzrMWiLT4VxnGiuqDgGYCZyLV-oQk4MxlJlcw4o8xrufYyB6nXJ1zHqE3g41XE71oqt5lznP4pjYigOQWZti5NSvpgvqicnguoCOOHbnZxRrFhGnobvIhNYcvPSYgUnkR35YX1jTrKt87kBV%7EAi5GrqCQcFt0Jqb9uBjVgbfU3-xBCSgEO1WGk6YCDn2ucZn5pAfZbHrEXHBzUhbg4hXJCgn-lTNYGZBucA6qeCxgtl1%7EOTHeaRMAS%7EsSLME11nqscQ__&Key-Pair-Id=K6UGZS9ZTDSZM ba675b103f7bf7945bcc3a93ab03c1cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Café com canela Title Coffee with Cinnamon Director The director of the film. El/La director/a de la película. Glenda Nicácio Ary Rosa Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2017 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Rosza Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Violeta lives in a tight-knit community in Bahia, Brazil. She is far from the only one struggling with grief and loss: there is also a grandmother entirely dependent on care, a woman desperately searching for love and a young doctor who – after 20 years – is left by his great love, a much older man. Everyone thought they lived together as father and son until the old man dies. The loss is complete and the truth comes out. Then Violeta meets the older Margarida who is grieving alone and in silence in a nearby village. Lovingly Violeta helps her out of her isolation with practical rituals: scrubbing, tidying and making coffee with cinnamon. (<a href="https://iffr.com/en/2018/films/caf%C3%A9-com-canela" target="_blank" rel="noreferrer noopener">International Film Festival Rotterdam</a>)<br /><br /></span> <em>Violeta vive en una comunidad unida en Bahía, Brasil, y no es la única que lucha con el dolor y la pérdida. También se encuentra una abuela totalmente dependiente del cuidado de otros; una mujer que busca desesperadamente el amor; y un médico joven quien, después de 20 años, pierde a su gran amor, un hombre mucho más grande que él. Todos pensaban que la pareja vivía como padre e hijo hasta que el anciano muere. La pérdida es completa y la verdad sale. Luego Violeta conoce a Margarida, una señora mayor haciendo el luto sola y en silencio en un pueblo cercano. Cariñosamente Violeta la ayuda a salir de su aislamiento con ritos cotidianos prácticos: frotar, teñir y hacer café con canela. (Translated by Abi Dresser)<br /><br /></em> "In 2018, a duo of filmmakers that included an Afro-Brazilian woman, Glenda Nicácio, and Ary Rosa brought the film <em>Café com Canela </em>(Coffee with cinnamon) to a commercial release. The film features a predominantly Black cast and is set in Salvador, Bahia. Nicácio and Rosa studied film at the Federal University of the Recôncavo of Bahia and founded their own production company. Set in Bahia, the film follows various characters struggling with loss of loved ones, focusing on the friendly relationship between two women, Violeta and Margarida. Violeta helps Margarida out of her isolated life through their interactions and conversations. This film is the first commercial release by a Black woman filmmaker." <span>(Gillam, Reighan. </span><em>Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media</em><span>. U of Illinois P, p. 106)</span> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano LGBTQ people / Personas LGBTQ Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <a href="https://www.youtube.com/watch?v=zjIopxnMV9E" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=zjIopxnMV9E</a> Film Guide / Guía de película Add link to related film guide Guía en español: <a href="https://cinegogia.omeka.net/items/show/866">https://cinegogia.omeka.net/items/show/866</a><br /><span>Guide in English: <a href="https://cinegogia.omeka.net/items/show/865">https://cinegogia.omeka.net/items/show/865</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Café com canela Description An account of the resource <span>Violeta lives in a tight-knit community in Bahia, Brazil. She is far from the only one struggling with grief and loss: there is also a grandmother entirely dependent on care, a woman desperately searching for love and a young doctor who – after 20 years – is left by his great love, a much older man. Everyone thought they lived together as father and son until the old man dies. The loss is complete and the truth comes out. Then Violeta meets the older Margarida who is grieving alone and in silence in a nearby village. Lovingly Violeta helps her out of her isolation with practical rituals: scrubbing, tidying and making coffee with cinnamon. (<a href="https://iffr.com/en/2018/films/caf%C3%A9-com-canela" target="_blank" rel="noreferrer noopener">International Film Festival Rotterdam</a>)</span> Afro-Brazilian / afro-brasileño / afro-brasileiro Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/349f3e08ca81326f94f596080034ac4e.png?Expires=1773878400&Signature=oaEGfXI5VlDh%7E7PXgKHs2Gh4A2SS28uxY4XNeQocxwXvdFyDkb6sYj97esRVTcu1EKEIgOptcQg33dXRQxdO%7EAqDwuopBBK80whLsn75A5BHcPhrp1SkscP4yBa2P1MXI112zlHAjMFCsj-8nO2ICttikJKRMI45gF-SFRwj9FfbzWkdhQuCzqYb1sYGhTqijv7zkDHe3nfUpKhQalBvVXx3bV8PfzGSVYUwR2HgWrEn2XjVynQSApFCn%7Ej5LgMrZVWCNRS4q5rldTid8bwJokPhnmadTrdjpocugF6R2XT6g01UbMPHg%7EuQvm1h0ptIO0cFZBA8YrNaLrKY-%7Eg-aw__&Key-Pair-Id=K6UGZS9ZTDSZM 829e6473fb3bb0dcd517246b9bcd0d02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Brincando el Charco: Portrait of a Puerto Rican Director The director of the film. El/La director/a de la película. Frances Negrón-Muntaner Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1994 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español English / inglés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Puerto Rico United States / Estados Unidos Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Frances Negrón-Muntaner (self-produced)<br />Independent Television Service - ITVS (United States) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Refreshingly sophisticated in both form and content, BRINCANDO EL CHARCO contemplates the notion of “identity” through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, BRINCANDO EL CHARCO tells the story of Claudia Marin, a middle-class, light-skinned Puerto Rican photographer/videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, BRINCANDO EL CHARCO becomes a meditation on class, race and sexuality as shifting differences. (<a href="https://www.wmm.com/catalog/film/brincando-el-charco/" target="_blank" rel="noreferrer noopener">Women Make Movies</a>)</span> <span>Refrescante y sofisticado tanto en forma como en contenido, BRINCANDO EL CHARCO contempla la noción de “identidad” a través de las experiencias de una mujer puertorriqueña que vive en los Estados Unidos. Utilizando una maravillosa mezcla de ficción, material de archivo, entrevistas y drama de telenovela, BRINCANDO EL CHARCO cuenta la historia de Claudia Marin, una fotógrafa/videógrafa puertorriqueña de clase media y piel clara que intenta construir un sentido de comunidad en los Estados Unidos. Enfrentando simultáneamente el privilegio y la opresión, BRINCANDO EL CHARCO se convierte en una meditación sobre la clase, la raza y la sexualidad como diferencias cambiantes. (Translated by Abi Dresser)</span> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Emigration and immigration / Emigración e inmigración Identity / Identidad LGBTQ people / Personas LGBTQ Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brincando el Charco: Portrait of a Puerto Rican Description An account of the resource <span>Refreshingly sophisticated in both form and content, BRINCANDO EL CHARCO contemplates the notion of “identity” through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, BRINCANDO EL CHARCO tells the story of Claudia Marin, a middle-class, light-skinned Puerto Rican photographer/videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, BRINCANDO EL CHARCO becomes a meditation on class, race and sexuality as shifting differences. (<a href="https://www.wmm.com/catalog/film/brincando-el-charco/" target="_blank" rel="noreferrer noopener">Women Make Movies</a>)</span> Afro-Caribbean / afro-caribeño Afro-Puerto Rican / afro-puertorriqueño https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/3eb4bdea60fc5801602aca21bb2d9425.jpg?Expires=1773878400&Signature=SnS9OXggdI924910trpEiQC54U-v7znr5XrZB%7E4XeW5VTSYDmLzckD6zW1da1hv2z9O6qselr6gJyvKhJNvAmGwtPuDk4%7EYIbmtElIfJeihGb2sSUwozKKmCUwiho4vRJG80qHq38Q6mvMeGF0vMUPivAS9xgIcwPrrAewJIyGpeaJZHjohHn1lsCdoS4F4pnpHZhNQmWPfHZ8NAywRYJew6xv3CCvvSXBo5oEZBDhQzcBkJdaHlW6YMkDVWpQHyYlmGYhPxcQdq60b3eWApPcsf3%7EY7LyM1HNvaeO8-Jywk7PtdH9Uw8q2xfZUFvwtCgzEyhRwcX4dxmVPJaqHIGw__&Key-Pair-Id=K6UGZS9ZTDSZM 71283ce9e60b931b80426df27d033195 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Bixa Travesty Director The director of the film. El/La director/a de la película. Claudia Priscilla Kiko Goifman Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Válvula Produções Paleotv Canal Brasil Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>A documentary that follows Ms Linn da Quebrada, a black trans woman, performer and activist living in impoverished São Paulo. Her electrifying performances (with plenty of nudity) brazenly take on Brazil's hetero-normative machismo. (<a href="http://www.imdb.com/" target="_blank" rel="noreferrer noopener">IMDB</a>)</span> <em>Un documental sobre la señorita Linn da Quebrada, una mujer trans negra, artista y activista que vive en São Paolo empobrecido. Sus interpretaciones electrizantes (con mucha desnudez) confrontan descaradamente el machismo heteronormativo brasileño. (Translated by Andrew Magel)</em> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Gender identity / Identidad de género LGBTQ people / Personas LGBTQ Popular Culture / Cultura popular Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/669">https://cinegogia.omeka.net/items/show/669</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bixa Travesty Description An account of the resource <span>A documentary that follows Ms Linn da Quebrada, a black trans woman, performer and activist living in impoverished São Paulo. Her electrifying performances (with plenty of nudity) brazenly take on Brazil's hetero-normative machismo. (<a href="http://www.imdb.com/" target="_blank" rel="noreferrer noopener">IMDB</a>)</span> Afro-Brazilian / afro-brasileño / afro-brasileiro https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/9542069f51c889f1b252e044750b351d.jpg?Expires=1773878400&Signature=Z2n6WXcKkmrI0WLM5ObW5mJA0WuyY5NL1cyo6WgYG9aoN1Yx8TrXj-KKcuy9zFGkZqRce17u505X-6AN25bi5yMe93xOz4ayaA3m045Noo9rBRe5JZPV1PLZXH77tCByJObtktPW4ushgmFNLbUhOq6Zh0Izl3Myt3RVIUkomOxI8wK7vlFVJyMdJz%7E%7E-WzaDD9hYorVnD0mH8BAAq9boJ9xDolrgO0McxgJjOzKhNoTVRVJDpT0fBu1jGIY28CU4xdiTp38-etH9zszu1ots1wSgud1QNBhkBWdIFVgt4hTNdL7zaDgsKnh8yCH6vzM9jMjGHWGxfXOjNFrlItDFw__&Key-Pair-Id=K6UGZS9ZTDSZM 28ee1c124d31297b402c86fdb2930c25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Las herederas Title The Heiresses Director The director of the film. El/La director/a de la película. Marcelo Martinessi Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Paraguay Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. La Babosa Cine La Fabrica Nocturna Cinéma Pandora Film (Germany) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Marcelo Martinessi's film is an autumnal study of a reclusive Paraguayan woman in her 60s who takes tentative steps to reconnect with the world after the companion who has long overseen her affairs goes off to prison. A restrained, stately character study with a deep emotional core, <em>The Heiresses</em> showcases a remarkable performance from Ana Brun as shy, reserved Chela, who has lived in the same Asunción house ever since she was the pampered child of a well-to-do family, sharing it for years with her lover Chiquita (Margarita Irun). Chiquita has taken responsibility for all practical matters, including the sale of many of Chela's prized family belongings to keep them afloat, but when Chiquita goes to jail for fraud--where she makes new friends--Chela must fend for herself. Taking her father's old Mercedes out of the garage to visit Chiquita, Chela is approached by an elderly neighbor for a ride, and soon becomes a professional driver for rich old ladies, learning from them--and a brassy younger woman named Angy (Ana Ivanova)--how to become more self-reliant. By the time Chiquita returns, she finds that the house is a much changed place. A subtle tale of female liberation with a nuanced central performance. Source: Swietek, F. "The Heiresses." <em>Video Librarian, </em>vol. 34, no. 4, 2019, p. 20. </span> <em>La película de Marcelo Martinessi presenta a una mujer paraguaya solitaria en sus sesenta que empieza a reconectar con el mundo después el encarcelamiento de su pareja. Las herederas es un estudio contenido y digno del personaje, con un centro emocional profundo. La actuación de Ana Braun como Chela, una mujer tímida y reservada que ha vivido en la misma casa de famila adinerada en Asunción desde la infancia, es notable. Ella ha compartido la casa por años con su amante Chiquita (Margarita Irun), quien asume toda la responsiblidad de las cuestiones prácticas, incluyendo la venta de reliquias familiares para mantenerse a flote. Pero cuando lleven a Chiquita a la cárcel por fraude, Chela necesita defenderse. Un día, mientras Chela saca el Mercedes antiguo de su padre para visitar a Chiquita, una vecina mayor se acerca para pedirle un favor, y Chela se convierte en chofer profesional para señoras ricas de la tercera edad. Chela aprende de ellas y también de una joven descarada, Angy (Ana Ivanova), a sentirse más segura de sí misma. Cuando Chiquita regresa de la cárcel, ella descubre una casa cambiada. La película es un cuento de liberación femenina con una actuación matizada de protagonista. (Translated by Andrew Magel)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad LGBTQ people / Personas LGBTQ Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Las herederas Description An account of the resource <span>Marcelo Martinessi's film is an autumnal study of a reclusive Paraguayan woman in her 60s who takes tentative steps to reconnect with the world after the companion who has long overseen her affairs goes off to prison. A restrained, stately character study with a deep emotional core, <em>The Heiresses</em> showcases a remarkable performance from Ana Brun as shy, reserved Chela, who has lived in the same Asunción house ever since she was the pampered child of a well-to-do family, sharing it for years with her lover Chiquita (Margarita Irun). Chiquita has taken responsibility for all practical matters, including the sale of many of Chela's prized family belongings to keep them afloat, but when Chiquita goes to jail for fraud--where she makes new friends--Chela must fend for herself. Taking her father's old Mercedes out of the garage to visit Chiquita, Chela is approached by an elderly neighbor for a ride, and soon becomes a professional driver for rich old ladies, learning from them--and a brassy younger woman named Angy (Ana Ivanova)--how to become more self-reliant. By the time Chiquita returns, she finds that the house is a much changed place. A subtle tale of female liberation with a nuanced central performance. Source: Swietek, F. "The Heiresses." <em>Video Librarian, </em>vol. 34, no. 4, 2019, p. 20. </span> Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/6491f71c187390b55972b685f311d272.jpg?Expires=1773878400&Signature=cBcQdc0pP50SAzTFls38Emi2K7pxMpEDMPa-48tg9LFOWU34gtqLVzJhg35zVC9OV%7E475-VxyrsTS3aIcO0v-IwRrRk%7EMnbpkaaPzug7j-pxvsMSYV1LzcZSJOd0YOgFV86wSmrbwggsxUtRY4kGeTidy6PhdZK6Scl4QwX91oBPmZWgZ9o%7ERqpvs6rYTTWHidBokuBCPOJZ3RlIQf98-hwtycGwzyqPl1nozcUiyFlDqTKXfkQh1toSwh%7EU3N68sIhrFWigJO3EE8DdxE0DChmP%7EMz-ZR-LFgRF72VqqI1BGHlsShYnvH61OfEgyDwzYSeV5DvW%7El-4Ryq7-PkyVw__&Key-Pair-Id=K6UGZS9ZTDSZM 249e803839c29cbf9202d3d5d2e73d0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Vestido de novia Title His Wedding Dress Director The director of the film. El/La director/a de la película. Marilyn Solaya Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2014 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Instituto Cubano del Arte e Industrias Cinematográficas - ICAIC (Cuba) Bitart New Media (Spain) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Un relato sobre la transexualidad, la violencia de género y la "doble moral", recreado en los peores años de la crisis cubana de los noventa. Basado en hechos reales. El filme  narra la historia de Rosa Elena y Ernesto, inmersos en la Habana de 1994. Ella, asistente de enfermería; él, jefe de una obra en construcción importante para el desarrollo turístico del país. Ambos se enamoran, se casan e intentan ser felices hasta que un secreto en la vida de ella amenaza esa armonía y los convierte en víctimas de la violencia, el prejuicio y los estereotipos de una sociedad que aún se encuentra regida por actitudes machistas y patriarcales. (<a href="http://cinematecacubana.com/" target="_blank" rel="noreferrer noopener">Kimbara Cine Cubano</a>)</span> <em>A story about transsexuality, gender-based violence and the “double standard”, recreated during the worst years of the Cuban crisis of the nineties. Based on real events, this film tells the story of Rosa Elena and Ernesto, living in Havana in 1994. She is a nursing assistant; he is the head of a construction project that is very important for the growth of tourism in the country. They fall in love, get married and try to be happy, until a secret about Rosa's life threatens this harmony and transforms them into victims of the violence, prejudice and stereotypes of a society that is still governed by sexist and patriarchal views. (Translated by Paola Martinez)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad LGBTQ people / Personas LGBTQ Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vestido de novia Description An account of the resource <span>Un relato sobre la transexualidad, la violencia de género y la "doble moral", recreado en los peores años de la crisis cubana de los noventa. Basado en hechos reales. El filme  narra la historia de Rosa Elena y Ernesto, inmersos en la Habana de 1994. Ella, asistente de enfermería; él, jefe de una obra en construcción importante para el desarrollo turístico del país. Ambos se enamoran, se casan e intentan ser felices hasta que un secreto en la vida de ella amenaza esa armonía y los convierte en víctimas de la violencia, el prejuicio y los estereotipos de una sociedad que aún se encuentra regida por actitudes machistas y patriarcales. (<a href="http://cinematecacubana.com/" target="_blank" rel="noreferrer noopener">Kimbara Cine Cubano</a>)</span> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/84e017603d861db251fdf827d38a6d7c.jpg?Expires=1773878400&Signature=NMlsH-J4GjvxpfzkeZ2P5tu19f5NLhpbBYU3ojpVRsCPAlxD1PEUGfRVXWvBp9XTG6fyhvdY5-NnP13WkFs1oir2bz9QJQI5C0OOAhbMDEd9b5DQWiFKaEyTBrGJKJErIhN3L6bdM3Cmj-byMTJ4FXS24p3KQgsoYyRyI-bYsIcc9DeEilKTs7g1LOnM4ilV36AI5Qjg1FNLSZrrG8pXsPZBIna7IWW5RhX2w7qBn1lnKtJsZgH0LE4QTSj9R7Z5xzV9cTaYTbvD60L0-DZVVaBlwi8VEqubGxUBW9g67pmp3dgqSL4FcKm4U4ZwIFNKfIw6q4DnPM4onHcWpgyv5g__&Key-Pair-Id=K6UGZS9ZTDSZM f6a6a78eab7517ff5e7f1953014f9990 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Conducta impropia Title Improper Conduct Director The director of the film. El/La director/a de la película. Néstor Almendros and Orlando Jimenez Leal Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1984 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español French / francés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba France / Francia Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. France 2 (France) Les Films du Losange (France) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Este documental memorable de Néstor Almendros, trata sobre a persecución de intelectuales y gays desde principios de la Revolución Cubana hasta los años 80. Este es un documento que horroriza y saca a relucir el verdadero trato inhumano de Fidel Castro y de los campos de concentración para los gays. (<a href="http://cinematecacubana.com/" target="_blank" rel="noreferrer noopener">Kimbara Cine Cubano</a>)</span> <em>This memorable documentary by Néstor Almendros highlights the persecution of intellectuals and gays from the beginning of the Cuban Revolution until the 1980s. This is a work which horrifies and brings to light the truly inhumane treatment of gay people by Fidel Castro and in Cuba's concentration camps for homosexuals. (Translated by Paola Martinez)</em> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Authoritarianism / Autoritarismo LGBTQ people / Personas LGBTQ Revolution / Revolución Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. New Latin American Cinema / Nuevo Cine Latinoamericano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Conducta impropia Description An account of the resource <span>Este documental memorable de Néstor Almendros, trata sobre a persecución de intelectuales y gays desde principios de la Revolución Cubana hasta los años 80. Este es un documento que horroriza y saca a relucir el verdadero trato inhumano de Fidel Castro y de los campos de concentración para los gays. (<a href="http://cinematecacubana.com/" target="_blank" rel="noreferrer noopener">Kimbara Cine Cubano</a>)</span> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/99272974992eb8ecc172c956e8b3ace3.png?Expires=1773878400&Signature=VOYyEWnGqeZsb5lEl05VldL886UTABCFKYnGNnY3RuozPJ9fCTU23yOt2w0fo6M8m603BfrW-0H96VM2ReZhzMD1nSt3D6mGuMV0-v3wheiuknDEVFEO5aUCvbpG0cK6G4hUGQ7KnujD7qgBxAL4PdKPEqhmpl0VKbodmTcAk1QswvadfonKDNzVBFNKXMnQBiaC%7EGCWTWzPMbjArku-75nMv16HnBlNlCnIyZLleAEZtOybib52i9piaaLdZjRiuDUwJjGjnxrnDP4X4BJ8LCwX5ZgUJ4ZTiqs9aUJihcqjwYdyQxyglWugxy-sRoosPa8CP1eYAErNxnAj4PG-ew__&Key-Pair-Id=K6UGZS9ZTDSZM a3fc65159031a0a166815810917e3905 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Retablo Director The director of the film. El/La director/a de la película. Álvaro Delgado-Aparicio Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2017 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Peru / Perú Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Siri Producciones (Perú) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Segundo Paucar, un chico ayacuchano de 14 años que quiere ser retablista, está siendo entrenado por su padre, un maestro reconocido, para continuar con el legado familiar. Camino a una fiesta patronal, Segundo observa casi por accidente a su padre en un acto que hace que su mundo se le venga abajo. (<a href="https://cineaparte.com/" target="_blank" rel="noreferrer noopener">Cine Aparte</a>)</span> <em>Segundo Paucar is a 14-year-old from Ayacucho, Peru, who wants to be a "retablista," an artisan who makes the traditional Ayacuchan art pieces called "retablos." Segundo is training under his father, a recognized master, in order to continue the family legacy. On his way to a patron saint festival, Segundo accidently observes his father in an act which causes his world to turn upside down. (Translated by Sarah Shorter)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad Indigenous peoples / Pueblos indígenas LGBTQ people / Personas LGBTQ Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/885">https://cinegogia.omeka.net/items/show/885</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Retablo Description An account of the resource <span>Segundo Paucar, un chico ayacuchano de 14 años que quiere ser retablista, está siendo entrenado por su padre, un maestro reconocido, para continuar con el legado familiar. Camino a una fiesta patronal, Segundo observa casi por accidente a su padre en un acto que hace que su mundo se le venga abajo. (<a href="https://cineaparte.com/" target="_blank" rel="noreferrer noopener">Cine Aparte</a>)</span> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/2fc9eab5b9bbc2556158894dc4883f5a.png?Expires=1773878400&Signature=UXJuDS7Jk0O4wU4oMMPPGzcSm-SgU5VC2mIWRCuWcODsJ2tHZIj0iNd2b5tRJ-RxTLpHd7Etmt7qfRwuHOPexLt8Pnn37UqWA7AKpQsRGs96A1iio1I6%7E%7EBCR87S2t5ttcvfdBVcD6St0gliZcjUo6SbSCG-vW-%7EJ726EmN4mkpfxmNPlKk5MzfdJOR%7E-%7Ec4I0swX7u64mbt2eVk8QUot3qB6D27m4ShmcpbnK0GJhqyoH15P5KHnE3ZsMGfLLhloIPgeo9YLt2UC4xvq2wDlnGNoMzgnl0gXiyLIbItMa-BnogrL9sZdKTYqPCLrt4d9bIPOWxB5xsH2F8enulQxg__&Key-Pair-Id=K6UGZS9ZTDSZM 4b3bee3cb1d2f47207c38f1ac7e9854c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Santa y Andrés Director The director of the film. El/La director/a de la película. Carlos Lechuga Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Producciones de la 5ta Avenida (Cuba) Promenades Films (France) Igolai Producciones (Colombia) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Santa y Andrés es una película que transcurre en el Oriente de Cuba, a principios de los años 80. Es la historia de la relación que surge entre dos personas que, aparentemente son muy distintas, pero que poco a poco se van percatando que las cosas que los unen son más importantes que las que los separan. Santa es una solitaria campesina que es enviada a vigilar a Andrés, un escritor homosexual, que no le inspira “confianza” a la Revolución; y a lo largo de estos días de vigilancia, entre los dos ocurre algo. Ocurre un encuentro. (<a href="http://cinelatinoamericano.org/" target="_blank" rel="noreferrer noopener">Portal del cine y audiovisual latinoamericano y caribeño</a>)</span> <em>Santa y Andrés takes place in eastern Cuba during the beginning of the 1980s. The film is the story of a relationship that develops between two people who appear very different yet, little by little, find that the things that unite them are more important than those which separate them. Santa is a lonely peasant who is sent by the Cuban government to watch over Andrés. Andrés is a homosexual writer who does not support the revolution and is consequently on house arrest. During the long days of surveillance, something happens between the two characters. A unique friendship is created. (Translated by Sarah Shorter)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. LGBTQ people / Personas LGBTQ Revolution / Revolución Political violence / Violencia política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Santa y Andrés Description An account of the resource <span>Santa y Andrés es una película que transcurre en el Oriente de Cuba, a principios de los años 80. Es la historia de la relación que surge entre dos personas que, aparentemente son muy distintas, pero que poco a poco se van percatando que las cosas que los unen son más importantes que las que los separan. Santa es una solitaria campesina que es enviada a vigilar a Andrés, un escritor homosexual, que no le inspira “confianza” a la Revolución; y a lo largo de estos días de vigilancia, entre los dos ocurre algo. Ocurre un encuentro. (<a href="http://cinelatinoamericano.org/" target="_blank" rel="noreferrer noopener">Portal del cine y audiovisual latinoamericano y caribeño</a>)</span> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c1b383357ddc0097fdf82e0c76b2442c.png?Expires=1773878400&Signature=tctANs2kdOQ6yQPC6wnDeHHGSloq%7EJtID26SgVS2IZAjeFcv0Q2vlFPq2OQh38FMuzQd4OF9tolpHbw%7EsOL1Ic-AcTuBpMxZLfdtNtSqsKJIz9YCBDHPyKGW6emCCcxKzdR4VvZ9DuNYsqcgNV78LqmV1mvD9cuqLYRMStCRHz8u1%7EWAKxOgxnZ8PTbw4BnUbSa%7Eai8-yXjJ4L8UqWtxr72tltjAFauOZO%7EuUY2FruEn83HNmgiJwXB8Sw5Svt8Nz0i3sg1ZX1Rg%7ECQxZ9PYZ7jK387OEVaAACzObeqy60bi1SjYohkxuTjaMS8aQ6E6QaWyj-8A14wQnjD1vjB0dA__&Key-Pair-Id=K6UGZS9ZTDSZM 2b9cd4ac107d9ed5e19a5db8843acf97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Dólares de arena Title Sand Dollars Director The director of the film. El/La director/a de la película. Laura Amelia Guzmán Israel Cárdenas Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2014 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español French / francés English / inglés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Dominican Republic / República Dominicana Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Aurora Dominicana (Dominican Republic) Canana Films (México) Rei Cine (Argentina) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Noelí, una joven dominicana, viaja todas las tardes a las playas de las Terrenas. Allí, junto con su pareja, busca la manera de sacar ventaja y ganar algunos dólares a costa de alguno de los centenares de turistas que rondan el lugar. Entre sus clientes ocasionales, Noelí mantiene uno fijo: Anne, una francesa de edad madura que con el paso del tiempo ha encontrado en la isla un refugio ideal donde pasar sus últimos años. El novio de Noelí se hace pasar por su hermano y elabora un plan en el que Noelí viaje a París con la francesa y le envíe dinero todos los meses. Para Noelí, la relación con Anne se basa primordialmente en la conveniencia, aunque los sentimientos se tornan ambiguos a medida que el tiempo de partir se avecina. Adaptado de la novela “Dólares de Arena” de Jean-Noël Pancrazi. <a href="http://cinelatinoamericano.org/" target="_blank" rel="noreferrer noopener">http://cinelatinoamericano.org/</a></span> <em>Noelí, a young Dominican girl, goes every afternoon to the beaches at Las Terrenas. Along with her boyfriend, she looks for a way to make a living at the expense of one of the hundreds of tourists that wander around there. As people parade through her days, Noelí has a steady client: a mature French woman, who as time goes by, has found in the island the ideal refuge to spend her last years. Noelí’s boyfriend feigns to be her brother and outlines a plan in which Noelí travels to Paris with the old lady and sends him money every month. For Noelí, the relationship with the old lady is based on convenience, but feelings become more intense as the departure date closes in.</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Romance films / cine romántico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano LGBTQ people / Personas LGBTQ Relationships / Relaciones Social inequality / Desigualdad social Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dólares de arena Description An account of the resource <span>Noelí, una joven dominicana, viaja todas las tardes a las playas de las Terrenas. Allí, junto con su pareja, busca la manera de sacar ventaja y ganar algunos dólares a costa de alguno de los centenares de turistas que rondan el lugar. Entre sus clientes ocasionales, Noelí mantiene uno fijo: Anne, una francesa de edad madura que con el paso del tiempo ha encontrado en la isla un refugio ideal donde pasar sus últimos años. El novio de Noelí se hace pasar por su hermano y elabora un plan en el que Noelí viaje a París con la francesa y le envíe dinero todos los meses. Para Noelí, la relación con Anne se basa primordialmente en la conveniencia, aunque los sentimientos se tornan ambiguos a medida que el tiempo de partir se avecina. Adaptado de la novela “Dólares de Arena” de Jean-Noël Pancrazi. <a href="http://cinelatinoamericano.org/" target="_blank" rel="noreferrer noopener">http://cinelatinoamericano.org/</a></span> Afro-Caribbean / afro-caribeño Afro-Dominican / afro-dominicano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/5a91eb7418fbd53be97efc3cf48dc417.jpg?Expires=1773878400&Signature=eJIQaDPom8AkLtvGEJ6qTgQ7JnPpPa7MuW7KtfasL%7EYprSUi44kahdzqBLWpdamIuBItDnCbFFbbqifOTGGJ6z1zbYJkbD0JJLRNZdDxogu7WcbJMdSjbhhTUI383%7EsGVVDyGgV60XX8xGofaJqUUHQCzOJwG-qKLmdTNssVLTVtLu-syXNo1RMHwunFk1ZKs3hfYZ3HviRAk67EyELMk646gR7ejWg9TytSUvd7Yw0pKpHdBDSvUwmCTg6SJNqeKMUS0aBgBFl0meiuJ-N2j9k%7EfV%7EYWp2dV3gfE3uNUcAcQY5ngMM8urozEJU-i2FgBMtcJalE-D20a8rOqHTYeA__&Key-Pair-Id=K6UGZS9ZTDSZM e60c015cfba8589560aecde023fad970 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Amor maldito Title Cursed Love Damned Love Director The director of the film. El/La director/a de la película. Adélia Sampaio Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1984 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. A.F. Sampaio Produções Artísticas Gaivota Filmes Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span><span>Duas jovens mulheres, Fernanda, uma executiva, e Sueli, uma ex-miss, se apaixonam e decidem morar juntas. Porém, Sueli se cansa do relacionamento amoroso que leva com Fernanda e envolve-se com um jornalista. A moça engravida do amante e ele a abandona. Em desespero, Sueli se atira da janela do apartamento de Fernanda, que passa a ser acusada de homicídio. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>)<br /><br /><strong>Nota editorial:</strong> <em>Amor maldito</em> es el primer largometraje de ficción dirigida por una mujer afro-brasileña, un reconocimiento que Adélia Sampaio no recibió hasta el siglo veintiuno. Ver también: Dennison, Stephanie. "Practising Inclusive Citation in Modern Languages Research: The View from Brazilian Film Studies." <i>Modern Languages Open</i>, vol. 0, no. 1, 2023, p. 4. DOI: <a href="https://doi.org/10.3828/mlo.v0i0.448" target="_blank" rel="noreferrer noopener">10.3828/mlo.v0i0.448</a>.</span></span><span><br /></span> <em><br />Dos mujeres jóvenes, Fernanda, una ejecutiva, y Sueli, ganadora de un concurso de belleza, se enamoran y deciden vivir juntas. Pero, Sueli se cansa del compromiso amoroso que tiene con Fernanda y se engancha con un periodista. La chica se embaraza y el amante la abandona. Desesperadamente, Sueli se lanza del techo del apartamento de Fernanda quien está acusada de homicidio. (Traducido por Éowyn Bailey)</em><em><br /></em> <em><br />Two young women, Fernanda, an executive, and Sueli, a former beauty pageant winner, fall in love and decide to live together. However, Sueli tires of her relationship with Fernanda and gets involved with a journalist. The young woman becomes pregnant and her lover abandons her. In desperation, Sueli throws herself off the roof of Fernanda's apartment, who is then accused of her murder. (Translation by Éowyn Bailey)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano LGBTQ people / Personas LGBTQ Relationships / Relaciones Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amor maldito Description An account of the resource <span>Duas jovens mulheres, Fernanda, uma executiva, e Sueli, uma ex-miss, se apaixonam e decidem morar juntas. Porém, Sueli se cansa do relacionamento amoroso que leva com Fernanda e envolve-se com um jornalista. A moça engravida do amante e ele a abandona. Em desespero, Sueli se atira da janela do apartamento de Fernanda, que passa a ser acusada de homicídio. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>)<br /><br /><strong>Nota editorial:</strong> <em>Amor maldito</em> es el primer largometraje de ficción dirigida por una mujer afro-brasileña, un reconocimiento que Adélia Sampaio no recibió hasta el siglo veintiuno. Ver también: Dennison, Stephanie. "Practising Inclusive Citation in Modern Languages Research: The View from Brazilian Film Studies." <i>Modern Languages Open</i>, vol. 0, no. 1, 2023, p. 4. DOI: <a href="https://doi.org/10.3828/mlo.v0i0.448" target="_blank" rel="noreferrer noopener">10.3828/mlo.v0i0.448</a>.<br /></span> Afro-Brazilian / afro-brasileño / afro-brasileiro Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c550cc5ea78682f071dceb6e292f3214.png?Expires=1773878400&Signature=lc5g-QxtR0Qid5uhtLefhdAYUAlT1nACa342cY0WPIcEDcq2UCAwWi1HEeDjLsR4GHCp0UFcGfYuIpSLkgDhbURXyoKYamLdxsmaJlqhmsPqvHXm-hMGABC3ARnh1Cpket1IVcpIPc5NeuqDmF4SLRwZx-N996B4YpxlATZ%7EpIs7kZnlNoP06jvC7Jj18RaNgXZNcI7HFdms3JQCVgNvKRmc%7EaunapzgZCO2rypjDRMi508Mz9ochIEKypcXCEaOhhzEMHlS78R1-uNE0EqHsTmJ%7EIK7stRYFVrerpr6qdybCEryAgwjJXP3178%7EJ7y7BZDuY9cK0Ea%7EhPNkODsNCQ__&Key-Pair-Id=K6UGZS9ZTDSZM d2f2c72f1bf93dc0da6476e25df8f0e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. José Director The director of the film. El/La director/a de la película. Li Cheng Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Guatemala Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>José lives with his mother in Guatemala City, where, dominated by conservative Catholic and Evangelical Christian religion, living one’s life as an openly gay man is hard for José to imagine. His mother has never had a husband and is determined to hold on to him. José fills his free time with dating apps, but when he meets attractive and gentle Luis, they pursue an unexpected relationship with more emotion than José has ever felt. He is thrust into new passion and pain, and self-reflection, that push him to rethink his life. (<a href="https://strandreleasing.com/films/jose/" target="_blank" rel="noreferrer noopener">Strand Releasing</a>)</span> <em><br />José vive con su madre en la Ciudad de Guatemala. Dominado por las religiones conservadoras del catolicismo y el cristianismo evangélico, es difícil imaginarse la vida como un hombre abiertamente homosexual. Su madre nunca ha tenido un marido y está decidida a no dejar ir a su hijo. José pasa su tiempo libre en las apps de citas, pero al conocer al atractivo y amable Luis, se encuentra en una relación emocional inesperada. Esta nueva relación de pasión lo lleva al dolor y a la reflexión, forzándole a reconsiderar su vida. (Traducido por Éowyn Bailey)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. LGBTQ people / Personas LGBTQ Relationships / Relaciones Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <span>José</span> Description An account of the resource <span>José lives with his mother in Guatemala City, where, dominated by conservative Catholic and Evangelical Christian religion, living one’s life as an openly gay man is hard for José to imagine. His mother has never had a husband and is determined to hold on to him. José fills his free time with dating apps, but when he meets attractive and gentle Luis, they pursue an unexpected relationship with more emotion than José has ever felt. He is thrust into new passion and pain, and self-reflection, that push him to rethink his life. (<a href="https://strandreleasing.com/films/jose/" target="_blank" rel="noreferrer noopener">Strand Releasing</a>)</span> Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c0a819290abbcf2d5ff449776865664b.png?Expires=1773878400&Signature=OygcbUSuccCymGjAjCFxisPX%7EUTvixO6A5UHUBhIVrtDnJabtlFjTLQNC-vHa-IR6hP0ts7zIaXWZ3CKdYUaSBQTVdR95OuIbLeEa%7E7wEfVMyRh1wN3AHHNSFa0KvWeB2XyQ7Ok0ij79c94R9kTiLmWifWXY1iHm%7EoN7SxJqZB3%7ELjDn8S2KfFYWIiC49f%7E6MVnuOgmYwoE%7E%7EXbdPIwUN7FW5dDuoX0hAKE0erfd7GHQaaRCLidgt-SN7wHNRVnt3U-Q6vHCHLmevrQVTSXmx5Rxhmy7xeg8hZrYXT34u3GlBd8oFxFWHXGbLFL8z3zHXdXKObrEOFHx0bA53FGltw__&Key-Pair-Id=K6UGZS9ZTDSZM be8eeac6400446bbd11cfe404b877a98 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Pixote: A Lei Do Mais Fraco Title Pixote: la ley del más débil Pixote: the Law of the Weakest Director The director of the film. El/La director/a de la película. Héctor Babenco Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1980 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Embrafilme Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Pixote, a child from the streets of São Paulo, is arrested by the police and sent to a juvenile detention center where he and the other adolescents endure abuse and sexual violation by police officers. When two runaways are murdered and the police frame Lilica, a transgender woman, Pixote escapes with her and their friends to begin living a life of crime. (Film synopsis by Éowyn Bailey)</span> <em><br />Pixote, un niño de la calle de São Paulo, es detenido por la policía y enviado a un reformatorio en donde él y los otros adolescentes sufren abuso y violación por los guardias. Cuando dos fugitivos son asesinados y la policía incrimina a Lilica, una mujer transgénero, Pixote huye con ella y sus amigos, para empezar una vida criminal (Resumen de Éowyn Bailey).</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Crime and Gangster films / cine de crimen y gángsters Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Drug traffic / Narcotráfico LGBTQ people / Personas LGBTQ Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <a href="https://archive.org/details/pixote-1980-english-subtitles" target="_blank" rel="noreferrer noopener">https://archive.org/details/pixote-1980-english-subtitles</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pixote: A Lei Do Mais Fraco Description An account of the resource <span>Pixote, a child from the streets of São Paulo, is arrested by the police and sent to a juvenile detention center where he and the other adolescents endure abuse and sexual violation by police officers. When two runaways are murdered and the police frame Lilica, a transgender woman, Pixote escapes with her and their friends to begin living a life of crime. (Film synopsis by Éowyn Bailey)</span> Afro-Brazilian / afro-brasileño / afro-brasileiro Literary adaptation / Adaptación literaria https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0b70f71be600e109c8d4112db4fc0b7d.png?Expires=1773878400&Signature=WJqZHOndkmcG9AqcVGt0oxnNo90N-SA4Hg6qdrWXHqOtROZI8r9Z5tedAWs2qluIn47juxcf4yjgJ%7EdNRbh6weEW5ALm-TiGnZZJXd-4GrFTmM13T4JH5Rmcp-2U0QRVBZBQl6Lhqw-0RqOMcw%7ELF3Dd8wIVcfoCh2PzQCPray8hO3f-SEIJTTKDXSq8pVxZObT95oFfC1ot5Oa2jdeuuYNmPbzeW8XUn3OUAqcVfArjI83w2xdK20GiEaPF2TiSTVt6j7F2g35qfqqyREPsgxt7Al6TpvlBljWysSM%7E-KcqJgo2Xs7c7PgVHiFjnlfkpuhZDIu%7Et09E%7EpoVQbBPXg__&Key-Pair-Id=K6UGZS9ZTDSZM eeae59f73e2f58e0c280e43cb3791a00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Sublime Director The director of the film. El/La director/a de la película. <span>Mariano Biasin</span> Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2022 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Argentina Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Tarea Fina Verdadera Imagen Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Teen Manuel spends his days hanging out with his girlfriend and playing in a rock band with his childhood best friend, Felipe. But Manuel’s latent feelings for Felipe come bubbling to the surface - could they be more than friends? Will he take the plunge to discover whether the feelings are mutual, or will that put their friendship in peril? (<a href="https://www.peccadillopod.com/film/sublime/" target="_blank" rel="noreferrer noopener">Peccadillo Pictures</a>)</span> <span><br /><em>El adolescente Manuel pasa todos los días con su novia o tocando la guitarra en su banda de rock con su mejor amigo Felipe. Pero empiezan a surgir sentimientos latentes de Manuel hacia Felipe, su amigo de infancia, provocando preguntas como: ¿Podrían ser más que amigos? ¿Se atreverá a descubrir si sus sentimientos son mutuos? ¿Pondrá su amistad en peligro? (Translated by Éowyn Bailey)</em></span> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad LGBTQ people / Personas LGBTQ Music / La música Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/sublime/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/sublime/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sublime Description An account of the resource <span>Teen Manuel spends his days hanging out with his girlfriend and playing in a rock band with his childhood best friend, Felipe. But Manuel’s latent feelings for Felipe come bubbling to the surface - could they be more than friends? Will he take the plunge to discover whether the feelings are mutual, or will that put their friendship in peril? (<a href="https://www.peccadillopod.com/film/sublime/" target="_blank" rel="noreferrer noopener">Peccadillo Pictures</a>)</span> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/847ed9b7f304079a000b6992baf694e6.jpeg?Expires=1773878400&Signature=mEmvcvZ6IMI-dlWi2EneMmWQrDBXnMlqb2zxYP%7EJ0v0wQxLMx6bNNO1BqCuK5Pt6mNHx5GoQEGieNZ3xhnHI5B-Ynn2vcL%7E0Lx52C9KBSl4ata91vDHk0s7-lUJ15rAq49KaM5LLMruklJewPzhwi7HcHupYsDwNljFCM72Gkjv0PicJb-pFnzaWF6hw6L3euN-20CqQGMj3qsdyNPuIT4HbUDOgCF6QbE-5wxXNmp48jyHubZIG2oX7OYHwcXUgUBXqBAz34hEmu0C7AI%7EgwRdj8ZbL-ilxJ18GF2D3JCyPvTOg52F0G-mLAE0u9sLudNXoa742r-D-I9Yu1VCwWg__&Key-Pair-Id=K6UGZS9ZTDSZM 08b5f6e7233fb0c1eb16be948f729725 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Dos estaciones Title Two Seasons Director The director of the film. El/La director/a de la película. Juan Pablo González Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2022 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Sin Sitio Cine (Mexico) In Vivo Films (US/France) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>María García, heredera de una fábrica tradicional de tequila en Los Altos de Jalisco, intenta mantener su fábrica a flote en un mercado dominado, cada vez más, por corporaciones extranjeras. Ella contrata a Rafaela, una nueva administradora, quien reaviva sus esperanzas de sobrevivir a sus múltiples crisis. Cuando una plaga y una inundación dañan irreversiblemente la ya limitada plantación de agave de María, ella se ve obligada a reaccionar en contra de la presión extranjera que intenta ahorcar su negocio y también parte de su identidad. (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>)</span> <span><br /><em>Fifty-year-old Maria Garcia is the owner of the Dos Estaciones, a once-majestic tequila factory struggling to stay afloat, and the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco; the rest have folded to foreign corporations. Once one of the wealthiest people in town, Maria knows her current financial situation is untenable. When a persistent plague and an unexpected flood cause irreversible damage, she is forced to do everything she can to save her community's main source of economy and pride. </em>(<a href="http://www.luxboxfilms.com/dos-estaciones" target="_blank" rel="noreferrer noopener">Luxbox Films</a>) </span> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. LGBTQ people / Personas LGBTQ Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dos estaciones Description An account of the resource <span>María García, heredera de una fábrica tradicional de tequila en Los Altos de Jalisco, intenta mantener su fábrica a flote en un mercado dominado, cada vez más, por corporaciones extranjeras. Ella contrata a Rafaela, una nueva administradora, quien reaviva sus esperanzas de sobrevivir a sus múltiples crisis. Cuando una plaga y una inundación dañan irreversiblemente la ya limitada plantación de agave de María, ella se ve obligada a reaccionar en contra de la presión extranjera que intenta ahorcar su negocio y también parte de su identidad. (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>)</span> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/afb5dd6259b76de201c3b51a36014ae1.jpg?Expires=1773878400&Signature=gEMZklP-Mze8fjt55Voq0I9rfd2MsX66LDKtZ-CVFzvk6iw2tMuEjjtjcGTA7yII9vZ2pfMEvgaoXRqqcGxN%7EVs89PnQrPZqkKwCMIVQHP7kaMvDWsHMWU4rep0AvavVB8zeZTtvXAByOuPZnvYy%7EeN5iF7uHvOiTXW00Gqj8OdTD4S%7EXVLnnzSPKttv7%7E5iIBrzsFcqfpNylUZVv9IDdYOxXcR2BaSIxbBOxWKUBSx6eofgGGilsjxIh2ftYPwAlAAS9PgxyMBjYX6vDuxoycSg-4d0S0QGVbOiknQdzuyM0dSMHDapKrn6c-amREc8mfDtgFZ6DJBwm7rtFxEKxw__&Key-Pair-Id=K6UGZS9ZTDSZM 72e0a0680fb1f5df1d61f4cd8520413f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Favela Gay Title Gay Favela Director The director of the film. El/La director/a de la película. Rodrigo Felha Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2014 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Luz Magica (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <em>Favela Gay</em> tells the story of eleven individuals in their own words. Living in eight slums (favelas) in Rio de Janeiro, these members of the LGBTQ community – two transgender women, a crossdressing man, a travesti (in South America, a person who was designated male at birth who has a feminine, transfeminine or femme gender identity) prostitute, a famous carnival dancer, two community activists, and even a young man who used to be transgender, but transitioned back – have fought prejudice and seen some of the most unsavoury sides of the city. (<a href="https://soundsandcolours.com/articles/brazil/favela-gay-30141/" target="_blank" rel="noreferrer noopener">Sounds and Colours</a>) <em><br />Este documental aborda la realidad de los habitantes de la comunidad LGBT de las favelas de Rio de Janeiro en Brasil. Retrata la historia de once personas distintas - dos mujeres transgénero, un hombre que se traviste, una prostituto travesti (una persona que ha sido designado como hombre pero quien tiene una identidad de género femenina o transfemenina), una bailarina famosa de Carnaval, dos activistas de la comunidad, y hasta un joven quien era transgénero. Cuentan sus experiencias de resistir los prejuicios y ver los lados más oscuros de la sociedad de Rio de Janeiro. (Translated by Quetzali Gómez)</em> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano LGBTQ people / Personas LGBTQ Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Favela Gay Description An account of the resource <em>Favela Gay</em> tells the story of eleven individuals in their own words. Living in eight slums (favelas) in Rio de Janeiro, these members of the LGBTQ community – two transgender women, a crossdressing man, a travesti (in South America, a person who was designated male at birth who has a feminine, transfeminine or femme gender identity) prostitute, a famous carnival dancer, two community activists, and even a young man who used to be transgender, but transitioned back – have fought prejudice and seen some of the most unsavoury sides of the city. (<a href="https://soundsandcolours.com/articles/brazil/favela-gay-30141/" target="_blank" rel="noreferrer noopener">Sounds and Colours</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/96c79f98feacfb9580de3cc79e8e12ba.jpg?Expires=1773878400&Signature=D%7EjJN17oL-VRsvrSTv3KKFwBdEdBkG0WooBL2-YyTRp2H88jb0%7EqvyLr2kh%7E8pG6OwueaUYizQXNGwGoey6DBIc5ZmE1AYfeMV6RBXjniwPIshZvLtGXa9ZuX8SF1crGxBIvgDd0Oi1hJXpkBO9ZHoIfk-KfZGY%7EAtxRQLTQFIPdCfnZMrIbRUYgmiPcRKpIKA2X954AMGGG34q3AO46695qtv7qQjq8W8-JzedKDr8vch5s5LqZVnhD2FEr1AzgAJcgjjD60nerx-vn8is3CqN%7Eso3fqouXuDVsVMBcgow-5lBOuxChdxE2xYmenx1Ol9tSuH2kSZacNQ5otR5nBA__&Key-Pair-Id=K6UGZS9ZTDSZM d13fc76b379a1b00f5b0fd6e961728d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Mãe só há uma Title Don't Call Me Son Director The director of the film. El/La director/a de la película. Anna Muylaert Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Dezenove Som e Imagens (Brazil) Africa Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>A vida do adolescente Pierre vira de cabeça pra baixo quando ele recebe uma denúncia e é obrigado a fazer um teste de DNA. Após o resultado, descobre que a mulher que o criou não é sua mãe biológica, e sim uma estranha que o roubou na maternidade. Assim, ele é obrigado a trocar de família, de nome, de casa, de escola. No meio desse processo, talvez acabe trocando também até de gênero. (<a href="https://www.papodecinema.com.br/filmes/mae-so-ha-uma/" target="_blank" rel="noreferrer noopener">Papodecinema</a>)<br /><br /></span> <span><em>Pierre (the volcanic Naomi Nero) is a teenager seemingly happy in his own skin. He's handsome in an androgynous way, attractive to both the girls and boys at his school, playing in a garage rock band and occasionally wearing women's clothing when the mood suits him. His open-hearted, open-minded approach to life seems to stem in part from his permissive single mother (Daniela Nefussi). Except that the police come knocking, and it turns out that Pierre and his younger sister were stolen from different families. Now his rich biological parents (Matheus Nichtergaele and, in a stunning piece of double casting, Nefussi again) want him back. Abruptly, Pierre is uprooted from his working class neighborhood and brought inside his new family's gated community. His father shows him off to friends like his son is a trophy long overdue, while his mother fusses over him incessantly. Pierre is polite at first, but grows uncomfortable under the gaze of his new parents, and his natural instinct to rebel starts to brew. Only Pierre's new younger brother Joca (Daniel Botelho), a snotty rich kid clearly unhappy at losing his parents' attention, reacts honestly to Pierre's presence. One of the subtle touches of Muylaert's film is seeing the similarities between the two boys despite their different upbringings. "Don't Call Me Son" presents an impossible situation for all involved, and in a film that's only 82 minutes, Muylaert doesn't try to resolve all the tensions and conflicting emotions. Instead, uncertainty -- whether it's about gender or family -- feels like the healthiest and most natural state of all.</em> Source: Thomas, Rob. "Movie review: Brazilian drama 'Don't Call Me Son' is a tangled family affair." </span><em>UWIRE Text</em><span>, 16 Nov. 2016, p. 1.<br /><br /></span> <span>Pierre (el volcánico Naomi Nero) es un adolescente que parece feliz en su propia piel. Es guapo de una manera andrógina, atractivo tanto para las chicas como los chicos en su colegio; toca en una banda de rock de garaje y a veces lleva ropa de mujeres cuando tiene ganas. Su acercamiento abierto y honesto a la vida se le debe a su madre soltera y permisiva (Daniela Nefussi). Pero la policía llega y revela que Pierre y su hermana menor fueron secuestrados de distintas familias. Ahora sus padres biológicos ricos (Matheus Nichtergaele, y en un impactante doble casting, Nefussi de nuevo), quieren que vuelva. Trasladan a Pierre abruptamente de su vecindario de clase trabajadora al barrio privado de su nueva familia. Su padre muestra a Pierre como un ansiado trofeo a sus amigos, mientras su madre se preocupa por él sin cesar. Pierre se muestra educado al principio, pero se siente incómodo bajo la mirada de sus padres nuevos, y su instinto natural de rebelarse crece. Solo el nuevo hermano menor de Pierre, Joca (Daniel Botelho), un niño rico engreído enojado por la pérdida de atencion de sus padres, reacciona auténticamente a Pierre. Uno de los elementos sutiles del cine de Muylaert es la semejanza entre los dos chicos a pesar de su niñez tan differente. "Don't Call Me Son" presenta una situación imposible para todos, y en esta película que solo dura 82 minutos, Muylaert no intenta resolver todas las tensiones y emociones conflictivas. Al contrario, la incertidumbre - bien sea sobre el género o la familia - es el estado más sano y natural de todos. (Translated by Andrew Magel)<br /><br /></span> <span><em>This poignant coming-of-age film from Brazil is focused on Pierre, seventeen and in the middle of puberty. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when his mother is arrested for having stolen him from a hospital when he was a newborn baby, Pierre’s life changes dramatically. His biological parents Gloria and Matheus have spent seventeen years searching for him; they are now desperate to make up for the lost years and spend time with their eldest son, whom they call Felipe. Observed from a critical distance by his younger brother Joca, Pierre/Felipe moves in with his well-heeled new family, who are determined to mould him according to their ideals. But Pierre has his own designs for his life.</em> (<a href="https://pragda.com/film/dont-call-son/" target="_blank" rel="noreferrer noopener">Pragda</a>)</span> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Gender identity / Identidad de género LGBTQ people / Personas LGBTQ Relationships / Relaciones Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/dont-call-son/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/dont-call-son/</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/813">https://cinegogia.omeka.net/items/show/813</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mãe só há uma Description An account of the resource <span>A vida do adolescente Pierre vira de cabeça pra baixo quando ele recebe uma denúncia e é obrigado a fazer um teste de DNA. Após o resultado, descobre que a mulher que o criou não é sua mãe biológica, e sim uma estranha que o roubou na maternidade. Assim, ele é obrigado a trocar de família, de nome, de casa, de escola. No meio desse processo, talvez acabe trocando também até de gênero. (<a href="https://www.papodecinema.com.br/filmes/mae-so-ha-uma/" target="_blank" rel="noreferrer noopener">Papodecinema</a>)</span> Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/b5e48171ccf5e6fa51d90eb31aab4a62.jpg?Expires=1773878400&Signature=oeNd8PIWHfbO3Rt5TuvdotXmMFaFTysebRGq-u5aawbvGiTPdHfmO%7EZfWsXZRQ-GvqbFOx9kfF3ch5%7E%7EbFb78OUivRj6bIpaJyk8GO8gZpY%7EPnuZo8u1nkqfmvEFnoIxWP4t5sm5YZQljCiwMQxgTXX8aYlL-jSAMnCV2-naS18pQ%7EfTjBchjuPlTZWOP7llkKMnrwUqC6S9-WtAsHgzBj0sZdcOzhjyClDXODtU0l6LFDGkjfiauZ4Q%7E4Y8UKb0HjjCWvQS03yUB%7ErtRwUlVmeZwgN%7ECn1ZYbEIwvJw0ik96FI4wbS-7IuixuB9fA6iPLxv8VtwZlEdtFdJQe1jaw__&Key-Pair-Id=K6UGZS9ZTDSZM f0f8469118790edf3ffda0a182b6f404 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. 108 (Cuchillo de palo) Title 108 Director The director of the film. El/La director/a de la película. Renate Costa Perdomo Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2010 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Paraguay Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span>Rodolfo fue el único hermano de mi padre que no quiso ser herrero como mi abuelo. En el Paraguay de los ochenta, bajo la dictadura de Stroessner, quería ser bailarín. Esta es la búsqueda de las huellas de su vida y el descubrimiento de que fue incluido en una de las 'LISTAS DE HOMOSEXUALES O 108', arrestado y torturado por ello. Todavía hoy en Paraguay cuando te dicen '108' te están diciendo 'puto, maricón' y es una ofensa grave. Durante más de una generación, el tiempo que duró la dictadura de Stroessner, los hombres que despertaban sospecha de ser homosexuales o contrarios al régimen eran el blanco preferido de los 'pyraguë' (vecinos colaboradores con el régimen). La historia de Rodolfo desvela una parte de la Historia escondida y silenciada de mi país. Una película donde se enfrentan dos generaciones, la que ha vivido la dictadura y calla y la que viviendo en democracia no tiene nada que decir porque desconoce el origen del significado de '108'. El silencio sigue instaurado. (<a href="https://www.elmundo.es/elmundo/trailers/fichas/2011/12/6771_108_cuchillo_de_palo.html" target="_blank" rel="noreferrer noopener">ElMundo</a>)<br /><br /></span> <em>When Rodolfo Costa was found naked on the floor of his home in Paraguay, he had been dead for days. Though ostensibly jobless, he had mysteriously amassed a small fortune. He also had a secret alias - Hector Torres - and a secret life. At the time. Renate Costa Perdomo was a young girl. Asked to select her uncle's burial garb, she found his closet empty. Surely the lively, colorfully-dressed Rodolfo she knew could not, as those around her claimed, have died of sadness. In her powerful debut feature, which unfolds like a mystery novel, Costa Perdomo investigates the shadowy circumstances of Rodolfo's death. Witnesses and clues gently reveal Rodolfo's true identity as a persecuted gay man and the terrifying "108" homosexual blacklists that ruined lives, careers, and families. The film is also a fascinating portrait of the relationship between the filmmaker, who has left Paraguay and now lives in Spain, and her now-divorced father, Pedro Costa, who remains in the family blacksmithing shop. 108 is a moving illustration of the impact that the right-wing dictatorship of Alfredo Stroessner, who ruled Paraguay from 1954 to 1989, had on the so-called "108"s living in the country as experienced by a single Paraguayan gay man and his family. </em>(<a href="https://icarusfilms.com/if-108" target="_blank" rel="noreferrer noopener">Icarus Films</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Authoritarianism / Autoritarismo Human Rights / Derechos humanos LGBTQ people / Personas LGBTQ Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Estudi Playtime (Spain) Fondo Municipal de Desarrollo Cinematográfico de la Ciudad de Asunción - Fodecica (Paraguay) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 108 (Cuchillo de palo) Description An account of the resource <span>Rodolfo fue el único hermano de mi padre que no quiso ser herrero como mi abuelo. En el Paraguay de los ochenta, bajo la dictadura de Stroessner, quería ser bailarín. Esta es la búsqueda de las huellas de su vida y el descubrimiento de que fue incluido en una de las 'LISTAS DE HOMOSEXUALES O 108', arrestado y torturado por ello. Todavía hoy en Paraguay cuando te dicen '108' te están diciendo 'puto, maricón' y es una ofensa grave. Durante más de una generación, el tiempo que duró la dictadura de Stroessner, los hombres que despertaban sospecha de ser homosexuales o contrarios al régimen eran el blanco preferido de los 'pyraguë' (vecinos colaboradores con el régimen). La historia de Rodolfo desvela una parte de la Historia escondida y silenciada de mi país. Una película donde se enfrentan dos generaciones, la que ha vivido la dictadura y calla y la que viviendo en democracia no tiene nada que decir porque desconoce el origen del significado de '108'. El silencio sigue instaurado. (<a href="https://www.elmundo.es/elmundo/trailers/fichas/2011/12/6771_108_cuchillo_de_palo.html" target="_blank" rel="noreferrer noopener">ElMundo</a>)</span> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/4fbfa5bbb5be85ac4cda869b6148d189.png?Expires=1773878400&Signature=Ei55znrk9pSDWirpREmIi88Uu1xGlPUi%7EHB0cvFClUCPeXP5PvatEIW8f3n1iSbacmIUVSjt2vRBKQ7diJaKqbxx5fQtFK0d%7EfyGUX8jSGK16Q2F5XLDX-sNrmGsN92xdikYmxAsR9ogR6JU19DEBPRnBfL%7EVUjNa%7E1Le2iSoE03gkcxARhHcgUgoBkqO4fFyKEEFu3xLzA5BfcykKPEyFLxguz9pS2BfLZKY0pBrPDf3m5pseDPBOHhBwWn-y3sl4stLnb6kDlTeisYp3kH2uUQ3xnHgsi2i4EcXoaU2wb3tykJjjWMhu7BAC%7Et5SeP6h-atUETDgNQnApe5XXSJA__&Key-Pair-Id=K6UGZS9ZTDSZM 02d4f99cb810144fb191d1e36613432a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El lugar sin límites Title The Place Without Limits Hell Has No Limits Director The director of the film. El/La director/a de la película. Arturo Ripstein Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1978 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. <span><em>El lugar sin límites</em> (1978), directed by Arturo Ripstein, is a film about a male transvestite who owns a brothel in a sleepy town in rural Mexico. The protagonist, La Manuela, refuses to sell it to the local cacique (strongman) much to the disappointment of his daughter who wants to move elsewhere to work. The film chronicles the return of Pancho, a hot-headed individual who desires La Manuela. As the plot unravels we are able to see a clash of personalities, power relations and gender dynamics. In the film La Manuela and Pancho represent to opposites that attract. Pancho is an indebted, hot-headed truck driver that is down and out. He is a virile and strong man overcome by desire and obsessed with control over women and men. In short he is the stereotypical macho. La Manuela is also a strong character, a desirable and confident feminine transvestite. Her transvestism threatens the machismo represented by Pancho. She is a destabilizing force for heterosexual and masculine anxieties. Source: Agredano, Hector. "El lugar sin límites." <em>(Re)Queering Mexican History, </em>2013, <a class="in-cell-link" href="https://opencuny.org/rqmh/historical-vignettes/el-lugar-sin-limites/" target="_blank" rel="noreferrer noopener">https://opencuny.org/rqmh/historical-vignettes/el-lugar-sin-limites/</a>.</span> <em>El lugar sin límites (1978), dirigida por Arturo Ripstein, es una película sobre un travesti quien es dueño de un burdel en un pueblo somnoliento en una zona rural de México. La protagonista, La Manuela, se niega a vender el negocio al cacique local para la decepción de su hija quien quiere mudarse a otro lugar para trabajar. La película documenta el regreso de Pancho, un hombre impulsivo que desea a La Manuela. A medida que la trama se desenmaraña vemos choques de personalidad, relaciones de poder y dinámicas de género. La Manuela y Pancho representan dos opuestos que se atraen entre sí. Pancho es un conductor de camión endeudado y desposeído que se enoja facilmente. Es un hombre viril y fuerte, abrumado por el deseo y obsesionado por controlar a las mujeres y a los hombres. En resumen, es el macho estereotípico. La Manuela es un personaje fuerte también, un travesti femenina deseable y segura de sí misma. Su travestismo amenaza el machismo representado por Pancho. Ella es una fuerza desestabilizadora para las ansiedades heterosexuales y masculinas. (Translation by Julia Kallen)</em> Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Gender identity / Identidad de género LGBTQ people / Personas LGBTQ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El lugar sin límites Description An account of the resource <span><em>El lugar sin límites</em> (1978), directed by Arturo Ripstein, is a film about a male transvestite who owns a brothel in a sleepy town in rural Mexico. The protagonist, La Manuela, refuses to sell it to the local cacique (strongman) much to the disappointment of his daughter who wants to move elsewhere to work. The film chronicles the return of Pancho, a hot-headed individual who desires La Manuela. As the plot unravels we are able to see a clash of personalities, power relations and gender dynamics. In the film La Manuela and Pancho represent to opposites that attract. Pancho is an indebted, hot-headed truck driver that is down and out. He is a virile and strong man overcome by desire and obsessed with control over women and men. In short he is the stereotypical macho. La Manuela is also a strong character, a desirable and confident feminine transvestite. Her transvestism threatens the machismo represented by Pancho. She is a destabilizing force for heterosexual and masculine anxieties. Source: Agredano, Hector. "El lugar sin límites." <em>(Re)Queering Mexican History, </em>2013, <a class="in-cell-link" href="https://opencuny.org/rqmh/historical-vignettes/el-lugar-sin-limites/" target="_blank" rel="noreferrer noopener">https://opencuny.org/rqmh/historical-vignettes/el-lugar-sin-limites/</a>.</span>