1 50 591 https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/a75a005f402a6272eccf3e19355da276.pdf?Expires=1779926400&Signature=BZSjeObmWtVB-oSQOqK1EeFscCt-aixDHPIAgYTwrUg5wzKFtRoZUH-uCz1q1Cm99jVfikYy5bhZkPgKUbVkOQjMKc%7ESppjbbKJOWnqSHj2GiFEug0n2Tg0tTg%7EHQHr1t2mDvs%7EbJtpj94X56H4XdlRr9-5-Bsg9cDxkTc5vhfnsuuaS5cvRXEYZbsfTQLbq4SUjP9285z6iHLkavY1DNedNuo6j12GLm9LiXURZbAKhERoeECShKzZ%7E2zP%7EtuctYw8SyK1jn3EH75X7BC626Ba4U4vekwYloakerSZL9zsEPbYMENg1mvDG0YtEvzwV7JTzbpX83PtPMFxXjGkvfg__&Key-Pair-Id=K6UGZS9ZTDSZM a9215e9fd84b908a3a16e42a1f2ea8af PDF Text Text SPAN 325 The Female Gaze: Women Directors in Latin American Cinema Lycoming College Spring 2025 Dr. Maybel Mesa Morales E-mail: mesamorales@lycoming.edu Course EdTech Tools Canva Dra. Mesa Morales Moodle OER Padlet Perusall 1 �Course description This course delves into Latin American cinema through the lens of female directors and filmmakers, exploring how women have challenged power structures and representation in the film industry while addressing themes such as gender, identity, social justice, violence, historical memory, human rights, colonialism, and postcolonialism. Students analyze films from various regions of Latin America and the Caribbean, focusing on countries such as Cuba, Mexico, Peru, Puerto Rico, Costa Rica, and Bolivia. The course examines both aesthetic aspects and sociocultural contexts, highlighting the unique narratives and perspectives brought forth by these filmmakers. Special emphasis is placed on independent productions and the contributions of female filmmakers traditionally marginalized or underrepresented in mainstream narratives. The course methodology integrates theoretical readings, group discussions, presentations, and multimedia projects, fostering critical dialogue on the role of women in Latin American cinema. Ultimately, this course provides students with a deeper understanding of the impact and evolution of cinema made by women and its connection to broader struggles for equity, representation, and decolonial thought, while encouraging active participation and inclusive dialogue. Course objectives By the end of the course, students will be able to: 1. Critically analyze films directed by women in Latin America and the Caribbean. 2. Understand the historical, political, and social contexts that frame these productions. 3. Identify and discuss representations of gender, identity, and power in cinema. 4. Apply theoretical frameworks (feminist, decolonial, postcolonial) to film analysis. 5. Present their analyses through written essays, reflections, oral presentations, and creative projects. Dra. Mesa Morales 2 �The course material supports the Department's learning outcomes: 1. Speak Spanish in a way intelligible to native speakers, including the ability to converse comfortably on general topics; 2. Demonstrate familiarity with Hispanic cultures; 3. Demonstrate critical thinking skills and formulate and defend a thesis in a written and oral format; 4. Demonstrate mastery of the basic research skills necessary to write a paper or give a research presentation in Spanish; The course also addresses the institutional learning outcomes of: 1. Achieving depth of learning in a field of study; 2. Demonstrating intellectual breadth; 3. Understanding cultural diversity; 4. Communicating effectively in both written and oral forms; 5. Thinking critically; and 6. Demonstrating appropriate information literacy skills and technological competence. 5. Demonstrate greater proficiency in written communication in Spanish. Course Materials There are no commercial materials required for this class. All the materials come from OERs collections/repositories or can be accessed through Moodle or Lycoming College´s Library. The final course grade is determined by the following scale of percentage points A 94-100 B 83-86 C 73-76 A- 90-93 B- 80-82 C- 70-72 D- 60-62 B+ 87-89 C+ 77-79 D+ 67-69 F 0-59 Dra. Mesa Morales D 63-66 NOTE: The professor reserves the right to adjust grades based on overall performance in the course. Consideration will be given to progress, or lack thereof, when determining borderline grades. 3 �Grading and Explanation of evaluation procedures Component Participation Film Analysis Essays Writing Assignments Oral Presentation Creative Project Final Paper Conversation Tables and Film Series Dra. Mesa Morales Description Active participation in class and online forums, demonstrating critical engagement with films and readings. Two film analyses and reflections completed during the class, where students must apply the content learned in the course. Short writing tasks, both in-class and out-of-class, will assess your ability to critically analyze films and engage with course themes. These may include reflections, scene analyses, or brief essays. Clarity, depth, and proper use of film terminology will be key evaluation criteria. An oral presentation focused on one of the chosen films, demonstrating a deep understanding of its themes and cinematic techniques. A Conference where students will present their final essay ideas and analysis in the form of a video essay, podcast, or interactive poster. This project serves as the initial phase of the Final Paper and allows students to incorporate feedback from peers and Dr. Morales. A comprehensive written analysis integrating course themes and personal research, refined with peer feedback from the conference. This paper is submitted on the date of the final exam. Students are required to attend at least 8 conversation tables (4 before week 7 and 4 after). Additionally, they must attend at least one film screening from the course's film series as part of their extracurricular activities. Percentage 15% 15% 10% 15% 15% 20% 10% 4 �How to Succeed in this Course? Aspect Recommendation Engage with Films and Readings Watch films attentively, take notes, and complete readings. Participate in Discussions Share insights respectfully and connect ideas to course themes. Think Critically Analyze deeper meanings, symbols, and social contexts. Collaborate in Groups Contribute equally and respect deadlines. Be Open-Minded Approach discussions with cultural sensitivity and respect. Analyze Aesthetics Pay attention to cinematography, editing, and symbolism. Apply Theoretical Frameworks Use feminist and postcolonial theories in analysis. Stay Organized Track deadlines and submit quality work on time. Ask Questions Seek clarification and attend office hours. Respect Stories Honor the voices and narratives of female directors. Make Connections Relate course themes to real-world issues. Stay Curious Approach the course with curiosity and passion. Dra. Mesa Morales 5 �Tentative Schedule Syllabus Modifications: I reserve the right to update, revise, or adjust the syllabus, including the assignment schedule, as necessary for educational purposes SEM/ DÍA Semana 1 L 1/13 M 1/15 Semana 2 L 1/20 M 1/22 Remember to: Check Moodle daily for upcoming activities and submissions! Make sure to study the materials before class. TEMAS DE LA CLASE Fechas Importantes y Filmes Tema: Introducción al curso. Metodologías activas (Active learning) e inclusivas (Inclusive Pedagogies). Selección de presentaciones orales. Tarea: 1.Escribir Biografía y usar una foto. Moodle 2. Buscar una crítica, reseña o video-ensayo de una película. Tema: El cine de mujeres en el contexto del cine Latinoamericano Video: Cine de directoras latinoamericanas Hoja de trabajo sobre directoras de cine latinoamericano. Cinco directoras de cine (Colombia y México), (Argentina y Chile) Tarea: Buscar un video que analice una secuencia de una película preferiblemente dirigida por mujer y preferiblemente de cine iberoamericano. Anota las ideas principales y comparte con la clase. Tema: ¿Cómo analizar una película?: Herramientas y ejemplos. Film Glossary: https://cineglos.holycross.edu/ Visionado de cortometrajes y análisis de videoensayos. Tarea: Fase 1 Proyecto Final. Traer tres posibles temas para el proyecto final Brainstorming para proyecto Tarea: Enviar tema del proyecto final Ver filme Yuli, Icíar Bollaín, Cuba-España, 2019 Dra. Mesa Morales 6 �Semana 3 L 1/27 M 1/29 Semana 4 L 2/3 M 2/5 Semana 5 L 2/10 M 2/12 Tema 1: Género, Raza y Resiliencia en la Cuba Contemporánea. Filme Yuli, Icíar Bollaín, Cuba-España, 2019 Tarea: Ver Moodle Presentación 1 Debate grupal y Hoja de trabajo Tarea: Ver Y también la lluvia, Icíar Bollaín, España-Bolivia, 2010. Completar tarea en Moodle. Tema 2 Perspectivas decoloniales, resistencia y memoria histórica. Filme Y también la lluvia, Icíar Bollaín, España-Bolivia, 2010. Enviar Participación 1 Presentación 2 Debate grupal y Hoja de trabajo Tarea: Ver filme La capa azul, Alejandra López, Puerto Rico, 2019. Moodle Tema 3: Infancia, duelo y resiliencia en el cine caribeño dirigido por mujeres. Filme La capa azul, Alejandra López, Puerto Rico, 2019 Trabajar en la propuesta y el bosquejo Tarea: Moodle Presentación 3 (1 estudiante) Debate grupal y Hoja de trabajo Tarea: Ver Filme: Biopsia, Glorimar Marrero, Puerto Rico, 2016. Ver Moodle Fase 2 Proyecto Final. Enviar propuesta y bosquejo del ensayo final Dra. Mesa Morales 7 �Semana 6 L 2/17 M 2/19 Semana 7 L 2/24 M 2/26 Semana 8 L 3/3 M 3/5 Tema 4: Cuerpo, enfermedad y memoria: narrativas decoloniales. Filme: Biopsia, Glorimar Marrero, Puerto Rico, 2016 Tarea: Moodle Presentación 4 Debate grupal y Hoja de trabajo Tarea: Moodle Composición y reflexión 1 Trabajo en el proyecto final Tarea: Ver filme: La Camarista/ The Chambermaid, Lila Avilés, México, 2018. Ver Moodle Tema 5: Invisibilidad, desigualdad y deshumanización en trabajadoras domésticas. Filme: La Camarista/ The Chambermaid, Lila Avilés, México., 2018 Tarea: Ver Moodle Enviar Participación 2 Presentación 5 Debate grupal y Hoja de trabajo Tarea: Ver Filme: Canción sin nombre, Melina León, Perú, 2020. Moodle Fase 3: Investigación y Bibliografía Enviar bibliografía anotada de al menos 3 fuentes académicas. SPRING BREAK DEL 10 AL 14 DE MARZO Semana 9 L 3/17 Tema 6 Maternidad, desaparición y desigualdad social en Perú: violencia institucional a mujeres indígenas. Filme: Canción sin nombre, Melina León, Perú, 2020 Tarea: Moodle Dra. Mesa Morales 8 �M 3/19 Presentación 6 Debate grupal y Hoja de trabajo Tarea: Ver filme: Clara sola, Nathalie Álvarez Mesén, Costa Rica, 2022. Moodle Enviar bibliografía anotada del proyecto final. Semana 10 L 3/24 Tema 7: Deseo, espiritualidad y liberación femenina en el cine costarricense. Filme: Clara sola, Nathalie Álvarez Mesén, Costa Rica, 2022 Tarea: Ver Moodle M 3/26 Presentación 7 Debate grupal y Hoja de trabajo Tarea: Ver el Filme: Noche de fuego/Prayers for the Stolen, Tatiana Huezo, Méx.-El Salvador, 2021 (Netflix). Ver Moodle Semana 11 L 3/31 Tema 8: Infancia y narcotráfico. Filme: Noche de fuego/Prayers for the Stolen, Tatiana Huezo, Méx.-El Salvador, 2021 (Netflix) M 4/2 Presentación 8 Debate grupal y Hoja de trabajo Tarea: Moodle Semana 12 L 4/7 M 4/9 Composición y reflexión 2 Tarea: Moodle Taller de escritura e investigación: Peer-review Semana 13 L 4/14 Balance cine de mujeres en latinoamérica. Situación actual, tópicos recurrentes. M 4/16 Preparación para la conferencia. Elaboración del póster, programa. Dra. Mesa Morales Enviar Paticipación 3 9 �Selección de moderadores, elaboración grupal de la rúbrica. Semana 14 L 4/21 M 4/23 Día 1 de la Conferencia Paneles 1,2 Día 2 de la Conferencia Paneles 3,4 Resumen del curso ¡Último día de clases! ¡Muchas gracias! EXAMEN FINAL Entrega del ensayo final Dra. Mesa Morales 10 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Syllabi Syllabus Title / Título (Original) A name given to the resources. El nombre original del recurso. The Female Gaze: Women Directors in Latin American Cinema Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. This course delves into Latin American cinema through the lens of female directors and filmmakers, exploring how women have challenged power structures and representation in the film industry while addressing themes such as gender, identity, social justice, violence, historical memory, human rights, colonialism, and postcolonialism. Students analyze films from various regions of Latin America and the Caribbean, focusing on countries such as Cuba, Mexico, Peru, Puerto Rico, Costa Rica, and Bolivia. The course examines both aesthetic aspects and sociocultural contexts, highlighting the unique narratives and perspectives brought forth by these filmmakers. Special emphasis is placed on independent productions and the contributions of female filmmakers traditionally marginalized or underrepresented in mainstream narratives. The course methodology integrates theoretical readings, group discussions, presentations, and multimedia projects, fostering critical dialogue on the role of women in Latin American cinema. Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Bolivia Cuba Costa Rica Mexico / México Puerto Rico Peru / Perú Region / Región The broad geographic region covered in the resource. La región geográfica general cubierta en el recurso. Latin America / Latinoamérica Caribbean / Caribe Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Films taught / Películas <a href="https://cinegogia.omeka.net/items/show/376">Yuli</a> <a href="https://cinegogia.omeka.net/items/show/213">También la lluvia</a> <a href="https://cinegogia.omeka.net/items/show/986">La capa azul</a> <a href="https://cinegogia.omeka.net/items/show/987">Biopsia</a> <a href="https://cinegogia.omeka.net/items/show/988">La camarista</a> <a href="https://cinegogia.omeka.net/items/show/563">Canción sin nombre</a> <a href="https://cinegogia.omeka.net/items/show/985">Clara sola</a> <a href="https://cinegogia.omeka.net/items/show/917">Noche de fuego</a> Creator / Creador(a) The individual who created and contributed the resource. La persona que creó o publicó el recurso. Maybel Mesa Morales, Lycoming College Copyright / Derechos de propiedad Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso. Attribution Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Female Gaze: Women Directors in Latin American Cinema Description An account of the resource This course delves into Latin American cinema through the lens of female directors and filmmakers, exploring how women have challenged power structures and representation in the film industry while addressing themes such as gender, identity, social justice, violence, historical memory, human rights, colonialism, and postcolonialism. Students analyze films from various regions of Latin America and the Caribbean, focusing on countries such as Cuba, Mexico, Peru, Puerto Rico, Costa Rica, and Bolivia. The course examines both aesthetic aspects and sociocultural contexts, highlighting the unique narratives and perspectives brought forth by these filmmakers. Special emphasis is placed on independent productions and the contributions of female filmmakers traditionally marginalized or underrepresented in mainstream narratives. The course methodology integrates theoretical readings, group discussions, presentations, and multimedia projects, fostering critical dialogue on the role of women in Latin American cinema. Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/9e18d56d5b6826f22dc6db47ca1f6005.jpg?Expires=1779926400&Signature=ldFmXH5Dll%7Ed1wDi7A4oZ-ZqcbkC-I39QsyCksikx2QClU7JFdrhY9B77gG15N8zciOQ0JQqZ65zWW2cmtIk0t7wVvGq8dvNxUptF0S4NzMr7pLaASfPGRTLSDJqm08mJ2EhQkbotdXeavAsW-col05fHVzhuWReTVIYqSMqs2LV88iSdZUqB3FZCjuiH-kQCHrBeTnMCcpBcOk1jyRewqAhUwqKMEr4BkRp4ANpVWQ9AL-lO-sx3ByVHBjThT6T7Mh4cI0DvkFjtbMue-s469FC0D2awtS2QBpK3py9NheymI1KoJ40vitZIj587PQNrESj104Vmw0YrWs2vO%7EmLg__&Key-Pair-Id=K6UGZS9ZTDSZM 83d3c60fc7d7279e12f81539446b5c19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Cuban Roots/Bronx Stories Title Cuban Roots Cuban Roots Bronx Stories Director The director of the film. El/La director/a de la película. Pam Sporn Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2000 2024 (re-release, 4K restoration) Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español English / inglés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba U.S. Latino Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Grito Productions (U.S.) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Cuban Roots/Bronx Stories highlights the experience of a black Cuban American family, revealing that the Cuban-American experience is more diverse, racially and ideologically, than we are often led to believe. The film explores the various experiences that each family member had in dealing with the realities of life as black Cuban-Americans in the Bronx. One son, stuck between his family and the code of the streets, became a drug addict before he found religion. Another became a physician assistant, but his curiosity about his roots brings him back to a Havana very different from the one where he was born, and where he discovers he cannot fit in. The experiences of this one family speak to the larger issues of race, social class, and nation that help to shape the identities of everyday people. (<a class="in-cell-link" href="https://film.twn.org/products/cuban-roots-bronx-stories" target="_blank" rel="noreferrer noopener">https://film.twn.org/products/cuban-roots-bronx-stories</a>) Cuban Roots/Bronx Stories destaca la experiencia de una familia afro cubano-americana, revelando que la experiencia cubano-americana es más diversa, racial e ideológicamente, de lo que a menudo se nos hace creer. La película explora las diversas experiencias de cada miembro de la familia al lidiar con las realidades vividas de los cubano-americanos negros en el Bronx. Un hijo, atrapado entre los valores de su familia y la calle, se convirtió en drogadicto antes de encontrar la religión. Otro se convirtió en asistente médico, pero la curiosidad por sus raíces lo lleva de vuelta a una Habana muy diferente a la ciudad donde nació y donde descubre que ya no encaja. Las experiencias de esta familia hablan de distintos aspectos de la raza, la clase social y la nación que moldean las identidades de la gente cotidiana. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Emigration and immigration / Emigración e inmigración Race / Raza Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Educational Distributors: <ul><li>Third World Newsreel: <a href="https://film.twn.org/products/cuban-roots-bronx-stories" target="_blank" rel="noreferrer noopener">https://film.twn.org/products/cuban-roots-bronx-stories</a></li> <li>Kanopy: <a href="https://www.kanopy.com/product/cuban-rootsbronx-stories" target="_blank" rel="noreferrer noopener">https://www.kanopy.com/product/cuban-rootsbronx-stories</a></li> </ul> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuban Roots/Bronx Stories Description An account of the resource Cuban Roots/Bronx Stories highlights the experience of a black Cuban American family, revealing that the Cuban-American experience is more diverse, racially and ideologically, than we are often led to believe. The film explores the various experiences that each family member had in dealing with the realities of life as black Cuban-Americans in the Bronx. One son, stuck between his family and the code of the streets, became a drug addict before he found religion. Another became a physician assistant, but his curiosity about his roots brings him back to a Havana very different from the one where he was born, and where he discovers he cannot fit in. The experiences of this one family speak to the larger issues of race, social class, and nation that help to shape the identities of everyday people. (<a class="in-cell-link" href="https://film.twn.org/products/cuban-roots-bronx-stories" target="_blank" rel="noreferrer noopener">https://film.twn.org/products/cuban-roots-bronx-stories</a>) Afro-Cuban / afro-cubano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/8914ee5c640d51b1adb4de0208527f29.jpg?Expires=1779926400&Signature=g5k%7Ei%7EMnq5S4Zf4AoxLRDz2rdA0WpO7%7EjrireImcRA6geqipy4gmdCcT2yCBlEKZF7Ti3Pvyt%7EOMn%7ETqr6r7gyjy7wKkGwfa2RiJPJtwD8CJLPRhFzNbaeXtIRrsDap6c8JHByFtY5jeHBsrWjZv5FAKQEOWrWza5FwjqXenTv0gbfHUQ-nfZZDofpHAQJGjnOEj--o7dt7ll6sd0qaFj3zcDuE%7EZxuZgbToL7ArdeSLzItQg0Sv9mAtS6g-vBiT4JLBSFf64GNKzHhJfrlr-z8IJWmA3gPnFD4g3dL0i697AraPZqtU4evsMd7NQXp2425Jf9EM52roCNz1qLEl%7Ew__&Key-Pair-Id=K6UGZS9ZTDSZM 2da8688fd6993f91638ffe2fb86e32fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Kuifi ül Title Sonido antiguo Ancient Sounds of Water Director The director of the film. El/La director/a de la película. Francisco Huichaqueo Pérez Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2020 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Chile Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Kuifi ül/Sonido Antiguo (Ancient Sounds of Water) highlights the forms of racialized violence that the Mapuches continue to endure under the Chilean state in southern Chile, and their praxes of resistance, by centering the Mapuche water practices during the winter solstice in Chile. To celebrate "the return of the sun" or Wiñoy Tripantu in Mapuzugun in June each year, there is a ceremonial bathing that occurs four times for the four points of the earth. In this film, Huichaqueo captures this ceremony via reflecting upon the journey of a father and daughter who ritually renew the river on horseback. More broadly, the film also connects historical traumas and the environment as the film’s cinematography seeks to capture both the significance of the rivers for these Indigenous communities and the cosmovision of Mapuche communities. Huichaqueo asserts that this film presents Indigenous understandings of "energy" that expand our cluster’s understanding of this term to also include Indigenous epistemologies around aquatic ecosystems, the earth, the cosmic, and sustainable Indigenous ways of "futuring." (Source: <a href="https://vtape.org/event/streaming-kuifi-ul-sonido-antiguo-ancient-sounds-of-water-by-francisco-huichaqueo-perez" target="_blank" rel="noreferrer noopener">VTape.org</a>) Kuifi ül (Sonido antiguo) resalta las formas de violencia racializada que los mapuches siguen soportando bajo el estado chileno en el sur de Chile, y su praxis de resistencia, enfocándose en los ritos de agua que se practican durante el solsticio de invierno en Chile. Para celebrar el "regreso del sol" (Wiñoy Tripantu, en mapuzungun) cada junio, se lleva a cabo un baño ceremonial cuatro veces para representar los cuatro puntos de la tierra. En esta película, Huichaqueo captura la ceremonia mientras reflexiona sobre el viaje de un padre y su hija para renovar ritualmente el río a caballo. En términos más generales, la película también conecta traumas históricos con el medioambiente, ya que la cinematografía de la película busca captar tanto la importancia de los ríos para estas comunidades indígenas como la cosmovisión mapuche. Huichaqueo afirma que esta película presenta entendimientos indígenas de la "energía" que amplían nuestra comprensión de este término para incluir también epistemologías indígenas sobre los ecosistemas acuáticos, la tierra, las formas cósmicas, y práticas sostenibles e indígenas de imaginar el futuro. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Environment / El medio ambiente Indigenous peoples / Pueblos indígenas Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Vimeo: <a href="https://vimeo.com/449092188" target="_blank" rel="noreferrer noopener">https://vimeo.com/449092188</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kuifi ül Description An account of the resource Kuifi ül (Sonido antiguo) resalta las formas de violencia racializada que los mapuches siguen soportando bajo el estado chileno en el sur de Chile, y su praxis de resistencia, enfocándose en los ritos de agua que se practican durante el solsticio de invierno en Chile. Para celebrar el "regreso del sol" (Wiñoy Tripantu, en mapuzungun) cada junio, se lleva a cabo un baño ceremonial cuatro veces para representar los cuatro puntos de la tierra. En esta película, Huichaqueo captura la ceremonia mientras reflexiona sobre el viaje de un padre y su hija para renovar ritualmente el río a caballo. En términos más generales, la película también conecta traumas históricos con el medioambiente, ya que la cinematografía de la película busca captar tanto la importancia de los ríos para estas comunidades indígenas como la cosmovisión mapuche. Huichaqueo afirma que esta película presenta entendimientos indígenas de la "energía" que amplían nuestra comprensión de este término para incluir también epistemologías indígenas sobre los ecosistemas acuáticos, la tierra, las formas cósmicas, y práticas sostenibles e indígenas de imaginar el futuro. (Traducido por Jocelyn Zhingri) Indigenous filmmaking / producciones indígenas Mapuche / Mapudungun Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/2cd5274387010d596a6e9db3f046da48.jpg?Expires=1779926400&Signature=OoFf4JZ48xawmspHNAcv-jkjgvVIpE90iDMFLTagvb8HRcgbadMM6ccVGF2rrsZcHO1cQZwJKlAB9Q5dMvfntivXV5RCWBPSQCf1Y5QMCSHff8mOC7mfW7Veiv3xZ8bFkNO9ZR6NYOXNJw%7EImHDR8Q3Zmnt3UK2LjkcojwBs-wR9CPlAnLqA6Aowy7KOu7VS499qahBuR5GDvqdal-1fII5Z2VVMpCLzbuI7ID1L58GOgPZ8DoDo0QC7JXyf0QOWv6m4WSIaV97FHkRE7Ckv-qsRDnaGgZ08T2180wf0Agqr53MP08p3awdrfJLX45WgZ3YrErCWtuQ39lf%7EdTAYMQ__&Key-Pair-Id=K6UGZS9ZTDSZM ed551a240197d530bd5beeeed628c913 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Kalül trawün Title Reunion of the Body Director The director of the film. El/La director/a de la película. Francisco Huichaqueo Pérez Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2012 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Indigenous / indígena Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Chile Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Kalül Trawün was conceived and filmed during an exhibition in a room of the National Museum of Fine Arts located in a shopping mall, in Santiago de Chile. In this beautiful piece, Huichaqueo highlights the forms of violence and dispossession that the Mapuche people continue to endure, as well as their resistance. Working alongside a Mapuche family and the spontaneous audience, the filmmaker recorded improvised performances that responded to the conflicts in place in several Mapuche lands in southern Chile. Several symbolic elements are part of the setting, such as the eucalyptus leaves (referring to logging companies), the barbed wire (referring to territorial reductions), and the names of political prisoners from those days. (<a href="https://sk.tranzit.org/en/project/0/2022-11-15/francisco-huichaqueo-perez-kaluel-trawuen-an-action-out-of-tenderness-to-heal" target="_blank" rel="noreferrer noopener">Tranzit.org</a>) Kalül trawün fue concebido y filmado durante una exposición en una sala de Museo Nacional de Bellas Artes ubicada en un centro comercial en Santiago de Chile. En esta hermosa pieza, Huichaqueo destaca las formas de violencia y despojo que siguen afectando al pueblo mapuche, así como su resistencia a estas fuerzas. Trabajando con una familia mapuche y el público espontáneo, el cineasta grabó actuaciones improvisadas que respondieron a los conflictos que se están produciendo en varios territorios mapuche en el sureste de Chile. Varios elementos simbólicos forman parte del escenario, como las hojas de eucalipto (en referencia a las empresas madereras), el alambre de púas (representando las reducciones territoriales) y los nombres de presos políticos de tiempos anteriores. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Experimental Films / Cine experimental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Human Rights / Derechos humanos Indigenous peoples / Pueblos indígenas Memory / Memoria Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Vimeo: <a href="https://vimeo.com/340230530" target="_blank" rel="noreferrer noopener">https://vimeo.com/340230530</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kalül trawün Description An account of the resource Kalül Trawün was conceived and filmed during an exhibition in a room of the National Museum of Fine Arts located in a shopping mall, in Santiago de Chile. In this beautiful piece, Huichaqueo highlights the forms of violence and dispossession that the Mapuche people continue to endure, as well as their resistance. Working alongside a Mapuche family and the spontaneous audience, the filmmaker recorded improvised performances that responded to the conflicts in place in several Mapuche lands in southern Chile. Several symbolic elements are part of the setting, such as the eucalyptus leaves (referring to logging companies), the barbed wire (referring to territorial reductions), and the names of political prisoners from those days. (<a href="https://sk.tranzit.org/en/project/0/2022-11-15/francisco-huichaqueo-perez-kaluel-trawuen-an-action-out-of-tenderness-to-heal" target="_blank" rel="noreferrer noopener">Tranzit.org</a>) Indigenous filmmaking / producciones indígenas Mapuche / Mapudungun Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/2f5b50d2bc478897fda4384de7591de7.jpg?Expires=1779926400&Signature=jWxc1XE6XNHABDYXuwmXblk%7EUNtGAuyQxWVyN0FCLQd%7EYTVGrz2rROiElwyPpqpGUDlBKgkhvd06t4-%7EtPOlGGK7Hzlpw6ejlGdnV6nm255ftQt4pW12lDp%7E3WWM5bONuEYIeIUo2HqkY%7E8QtbA1shaHygk1JkUF84mSGl%7E00JtpexsaygZ7U70RT%7E88KBdOs52P3QjEj7KZD7WgInkejCO77XGUjIRxm3wz3nmQelgUlMqLLrHb262PlJnvwF6jmOS2OMaMFZhDeqOT2ZlJ%7EJ2dklq3UWUhSAoF%7Ev1e2AW0TCbOh89Z%7E7HQx3o2EqokQNhOEUzJW0azXVVPg7kxLw__&Key-Pair-Id=K6UGZS9ZTDSZM 27bfcac98d975b8b775b65de7d6222d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Los colonos Title The Settlers Director The director of the film. El/La director/a de la película. Felipe Gálvez Haberle Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2023 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Chile Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Quijote Films Rei Cine Quiddity Films Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. A fines del siglo XIX las estancias ovejeras cubren cada vez más territorio en la Patagonia chilena. En 1893, Segundo, un mestizo chileno; Maclenan, un militar inglés y Bill, un mercenario estadounidense, emprenden una expedición a caballo para delimitar y reclamar las tierras que el Estado le ha otorgado a José Menéndez. Lo que parece ser una expedición administrativa, se transforma en una violenta cacería de onas, los nativos del archipiélago de Tierra del Fuego. (<a href="https://www.filmaffinity.com/es/film931693.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) At the end of the nineteenth century, sheep ranches are taking over more and more territory in the Chilean Patagonia. In 1893, Segundo, a Chilean mestizo; Maclenan, an English soldier; and Bill, an American mercenary, embark by horseback on an expedition to demarcate and claim the lands that the Chilean State has granted to José Menéndez. What begins as an administrative expedition becomes a violent persecution against the Selk'nam (Ona / Onawo), the indigenous people native to the Tierra del Fuego archipelago. (Translated by Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Western films / Western Thrillers / thriller; cine de suspenso Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Borderlands & Boundaries / Fronteras Indigenous peoples / Pueblos indígenas Political violence / Violencia política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Los colonos Description An account of the resource A fines del siglo XIX las estancias ovejeras cubren cada vez más territorio en la Patagonia chilena. En 1893, Segundo, un mestizo chileno; Maclenan, un militar inglés y Bill, un mercenario estadounidense, emprenden una expedición a caballo para delimitar y reclamar las tierras que el Estado le ha otorgado a José Menéndez. Lo que parece ser una expedición administrativa, se transforma en una violenta cacería de onas, los nativos del archipiélago de Tierra del Fuego. (<a href="https://www.filmaffinity.com/es/film931693.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Selk’nam / Ona / Onawo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/f2b2d5fb7097a5c7f3740449d54ae30f.jpg?Expires=1779926400&Signature=XZ5RcVjZJ3hJJC57uV%7EBu8TDKG0Stchihwfb15yo3MP%7ECziSq9W1Tf68MyzpmrfmVbwMI-GbpA0xOitzNjeXZ2NuFkg6YddO6O6lJCr5H8nyggLXfYtU9TyMbTmQT0fo479vA9zGK%7Ec%7EopqJVJKylqmfW6oZRkQWCIdNQS5dnGoDLC6mVuiRMl5ZlYfZ9k4fopnxV0maMdZemBSk1jTc9k24LFJZBfV0hINK5aQcrc8sj7JHzCw3ruXIuh5BCScBV7-4czMwSk7hDy17XGmTEFs8j5xGkhlyaX%7EyBAnfR8kaYEOTrFXLW5rf1RztPg-EVsCTEPguWf4Bmf-Nwh2qkw__&Key-Pair-Id=K6UGZS9ZTDSZM d4aed6e3e2c169d763b91c2efa73da51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La pecera Title The Fishbowl Director The director of the film. El/La director/a de la película. Glorimar Marrero Sánchez Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2023 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Puerto Rico Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Auna Producciones Canica Films Filmes Zapatero Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Noelia, a 40-year-old Puerto Rican visual artist, discovers her cancer has metastasized after spending several years in remission. Despite the insistence of her partner, Jorge, she refuses to continue her treatment and decides to return to Vieques, the small Caribbean island east of Puerto Rico where she grew up and where her mother, Flora, lives. Once there, she keeps her cancer a secret in order to live freely and throws herself into the work she had dedicated herself to years before - denouncing pollution left by the U.S. Army after years of military exercises on the island. However, as Noelia's health worsens and she joins her neighbors to secretly enter closed testing areas to document undetonated bombs and toxic remains, her struggle to survive and the struggle of Vieques to recover from decades of bomb testing become inextricably intertwined. When an approaching hurricane threatens the island and Noelia rekindles an old romance, she faces the decision to leave and seek treatment or stay with her community. (<a href="https://www.imdb.com/title/tt17078354/" target="_blank" rel="noreferrer noopener">IMDb</a>) Noelia, enferma de cáncer, no quiere tratarse y decide buscar vías de escape regresando a su Vieques natal, una isla paradisíaca puertorriqueña en cuyas aguas se esconden toneladas de residuos contaminantes provocados por el ejército norteamericano. La trama personal de esta mujer en busca de que respeten sus decisiones se entreteje con su implicación en un grupo de denuncia política y medioambiental por la situación que vive la isla de su hogar materno. (<a href="https://www.filmaffinity.com/es/film325498.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Environment / El medio ambiente Health & Medicine / La salud y la medicina Migration, Internal / Migración interna Politics / La política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La pecera Description An account of the resource Noelia, a 40-year-old Puerto Rican visual artist, discovers her cancer has metastasized after spending several years in remission. Despite the insistence of her partner, Jorge, she refuses to continue her treatment and decides to return to Vieques, the small Caribbean island east of Puerto Rico where she grew up and where her mother, Flora, lives. Once there, she keeps her cancer a secret in order to live freely and throws herself into the work she had dedicated herself to years before - denouncing pollution left by the U.S. Army after years of military exercises on the island. However, as Noelia's health worsens and she joins her neighbors to secretly enter closed testing areas to document undetonated bombs and toxic remains, her struggle to survive and the struggle of Vieques to recover from decades of bomb testing become inextricably intertwined. When an approaching hurricane threatens the island and Noelia rekindles an old romance, she faces the decision to leave and seek treatment or stay with her community. (<a href="https://www.imdb.com/title/tt17078354/" target="_blank" rel="noreferrer noopener">IMDb</a>) Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/3d3284fadd6dcf062e806abeadc814d0.png?Expires=1779926400&Signature=Q3sf1RcmfD4RwnX65h0r76YTdhPnY7snxS6gWWKkj7MbcJJdM5q471ZaHqjlLpxIYmLgskM5QN9OhDIVL7HQEuraQrGt8DgOLo52ewGTx7VeGN77U9mJlPP%7Elf-hb6dn823GJHGs3xQkoQpLFb4WSr3Y7FYtBJ8JASJPHJ6ZgGHoOrDC9Bh6tUPqysZ%7EPiuaawmOngqvkqFW28c5sGHsAyrXle1T9RbM6got%7EvtUnExZ8re%7EREU4lT-DuA-yo0nGRm6qzwWjMkYi8BDH3dYdNazzf0P3Dn0nlIATTolD4AiO%7EvOp9IQDBMl4bRwgf7mCfklrUHvHYWqXjKLCrKkQhA__&Key-Pair-Id=K6UGZS9ZTDSZM 180bd129ec2fdd50a26a529d4079a8cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. O dia que te conheci Title The Day I Met You Director The director of the film. El/La director/a de la película. André Novais Oliveira Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2023 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Filmes de Plastico Canal Brasil Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Zeca empieza su mañana entregado a las pequeñas contrariedades: cada vez le cuesta más levantarse, viaja una hora y media en colectivo para llegar a la escuela donde trabaja y, a lo largo del recorrido, los imprevistos complican aún más el asunto. Pero no sabe que ese día, que parece igual a los demás, su rutina va a quebrarse: no solo porque van a despedirlo, sino porque una inesperada conexión con Luisa, la compañera que le anuncia la noticia y que un poco por compasión se ofrece a acercarlo a su casa en auto, quizás pueda ayudarlo a alivianar el viaje, en más de un sentido. (<a href="https://www.filmaffinity.com/es/film422723.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Zeca's routine is about to be disrupted - not just because he is about to be fired, but also because of an unforeseen bond with Luisa, the coworker who breaks the news and who, somewhat kindly, offers to drive him home. (<a href="https://www.imdb.com/es/title/tt30005147/plotsummary/?ref_=tt_ov_pl" target="_blank" rel="noreferrer noopener">IMDb</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Comedy films / comedia Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Relationships / Relaciones Romance Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O dia que te conheci Description An account of the resource Zeca empieza su mañana entregado a las pequeñas contrariedades: cada vez le cuesta más levantarse, viaja una hora y media en colectivo para llegar a la escuela donde trabaja y, a lo largo del recorrido, los imprevistos complican aún más el asunto. Pero no sabe que ese día, que parece igual a los demás, su rutina va a quebrarse: no solo porque van a despedirlo, sino porque una inesperada conexión con Luisa, la compañera que le anuncia la noticia y que un poco por compasión se ofrece a acercarlo a su casa en auto, quizás pueda ayudarlo a alivianar el viaje, en más de un sentido. (<a href="https://www.filmaffinity.com/es/film422723.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0e0e6245e914c12a54fea84c2f4333c7.jpg?Expires=1779926400&Signature=Gli20yaRznHu%7EmRauVDuvf-ZoKxUMZpLM4934HsRKvIZcWtbx5PkVGsHO6ee03ujH%7E-EQu2P1lqChO2TbHYixqS7wLNwnVkCr5t0DLb2KHYRza4qmVypLCqeSjKumxW28lMJmAQVv3-SfJSpfpddfwrqHCTo2aaHDY7RDIhrg3wElS3PjCYfawZ6v8N80uX1Kuhvtfo-JzEW2oEWBC5%7EDcpg1QWWgdOdhGBV25dAwb8ApYGz9d2i%7EM8rYiVb1nARQS3PKgA4Mclm%7ENWVZs3fIMcaBGHvKz42SD82dGkqIcKJ1-8kEHG67kZ3kjxWLkoBHohz1emz-eG3jGJkvDV5Dw__&Key-Pair-Id=K6UGZS9ZTDSZM d41065e912fad3d86f4e80840194ae4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Las cosas indefinidas Title Undefined Things Director The director of the film. El/La director/a de la película. María Aparicio Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2023 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Argentina Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Eva se dedica a editar películas. Mientras trabaja junto a su asistente Rami en un largometraje sobre personas con ceguera, parece haber perdido el entusiasmo por el cine. A esto se suma la reciente muerte de su amigo Juan, un director de cine cuyas películas ella editaba. (<a href="https://www.filmaffinity.com/es/film496930.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Eva is a film editor. While working with her assistant Rami on a feature film about blind people, she seems to have lost her enthusiasm for cinema. Added is the recent death of her friend Juan, a film director whose films she edited. (<a href="https://www.imdb.com/es/title/tt28632082/plotsummary/?ref_=tt_ov_pl" target="_blank" rel="noreferrer noopener">IMDb</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Memory / Memoria Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Las cosas indefinidas Description An account of the resource Eva se dedica a editar películas. Mientras trabaja junto a su asistente Rami en un largometraje sobre personas con ceguera, parece haber perdido el entusiasmo por el cine. A esto se suma la reciente muerte de su amigo Juan, un director de cine cuyas películas ella editaba. (<a href="https://www.filmaffinity.com/es/film496930.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/736fb938f3155046e22d10a1ae73b48b.jpg?Expires=1779926400&Signature=CvC46VHvBSXy3ZT670oEkhFtvDuIaFKY3iw7EWsLZflXIjAGuEf2z-co6ZxkE8p-TeNNsTbwjk2NAz3Nz0zdENfowTTAYn75Dft%7EjguxcsWGImO7Zef2m6FHyUmHSJV6%7EhO5Xj6HMNLP2JAlfsLHscW7tLSfQ2j6Sek8iTA4FRVG5Rp6BYht3P6jQDQZtSJob09AZYf3pPzuB7qBh7hUZBGwe1tDc8Ao%7ErdlxbTq1pLDqFLgu-88ym0HHGinqIUYSIlflA6uGOQ4OLEuk%7EsVyT-l2qGyqJqA1m9KUEeW4k5adWiRa4dJq7qWP2lolXnDqXGTOnGg2V64p8aSN1Flrg__&Key-Pair-Id=K6UGZS9ZTDSZM efc4cac2f697b02223c746c28c82850c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Los que se quedan Title Those Who Remain Director The director of the film. El/La director/a de la película. Juan Carlos Rulfo Carlos Hagerman Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2008 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Sombra del Guayabo Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Those Who Remain is a film about the families of those who have crossed the border to the United States in search of better opportunities. During eleven months the directors followed the everyday life of nine families in six different states of Mexico. They developed a personal relationship with children, grandparents, mothers, husbands, and teenagers. In the film we see them at work, at rest, and playing while they reveal their hopes, fears and dreams through the simple things that they enjoy in life. The result is a deep and intimate conversation with the Mexican soul. (<a href="https://www.imdb.com/title/tt1384779/" target="_blank" rel="noreferrer noopener">IMDb</a>) Los que se quedan es una película sobre las familias de quienes han cruzado la frontera hacia Estados Unidos en busca de mejores oportunidades. Durante once meses los directores siguieron la vida cotidiana de nueve familias en seis estados diferentes de México. Desarrollaron una relación personal con niños, abuelos, madres, maridos y adolescentes. En la película los vemos en el trabajo, en reposo y jugando mientras revelan sus esperanzas, miedos y sueños a través de las cosas simples que disfrutan en la vida. El resultado es una conversación profunda e íntima con el alma mexicana. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Emigration and immigration / Emigración e inmigración Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Cinema Tropical: <a class="in-cell-link" href="https://www.cinematropical.com/educational/those-who-remain" target="_blank" rel="noreferrer noopener">https://www.cinematropical.com/educational/those-who-remain</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Los que se quedan Description An account of the resource Those Who Remain is a film about the families of those who have crossed the border to the United States in search of better opportunities. During eleven months the directors followed the everyday life of nine families in six different states of Mexico. They developed a personal relationship with children, grandparents, mothers, husbands, and teenagers. In the film we see them at work, at rest, and playing while they reveal their hopes, fears and dreams through the simple things that they enjoy in life. The result is a deep and intimate conversation with the Mexican soul. (<a href="https://www.imdb.com/title/tt1384779/" target="_blank" rel="noreferrer noopener">IMDb</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/6fa0eb78bdd243c280f1c6a6cea1c637.jpg?Expires=1779926400&Signature=UNdw2Ux%7EZhOFZeF3Dtur-rEb117OAkMvTATNq2M1qJYAo5atj3yezbidrWJOG8KwZs8L3t2b0w9fo-zd9M-RLQVFvY9eZnmP0UiAJ33U8Zeh-8gbl36jDnOxuIKI1QAn9cgDr%7EdO9i-DKD-IdrswvZ9q8%7EckUnrXCiDLrobCjXBBudzh-JworDJUBKFcWtJmxoFGcVi0UZ2rBL%7Epiu3qulmLvpridoh5a-7-cLVOheiSnjwrgavk7Gfa3TObmNv-gf8tjArHXaC0goxrS1qqOtSyxkso2uG1IQYd0lZEbK4cYLwoSbHj2YTdmfzHzTxXQZeZALfSXLS2usZoQhiXrQ__&Key-Pair-Id=K6UGZS9ZTDSZM d6e7b11c90d8fd8875a1c7712b6dcce3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Ser grande Director The director of the film. El/La director/a de la película. Karen Rossi Coughlin Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Puerto Rico Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Aurora Docs Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. The daily life of Juan, Rushian and Ivianyd, three Puerto Rican teenagers, is challenged when they decide to participate in a series of workshops to discover their aspirations and overcome personal limitations. The support of new mentors provokes awareness, but moving forward is not so simple. Obstacles pertaining to social, emotional and sexual identity issues are part of this choral portrait on the margins of Caribbean society. (<a href="https://letterboxd.com/film/ser-grande/" target="_blank" rel="noreferrer noopener">Letterboxd</a>) La vida cotidiana de Juan, Rushian e Ivianyd, tres adolescentes puertorriqueños, se ve desafiada cuando deciden participar en una serie de talleres para descubrir sus aspiraciones y superar sus limitaciones personales. El apoyo de sus mentores provoca una nueva conciencia, pero el cambio no es tan sencillo. Los obstáculos relacionados a cuestiones sociales, emocionales y de identidad sexual forman parte de este retrato de la juventud al margen de la sociedad caribeña. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Coming-of-age film Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ser grande Description An account of the resource The daily life of Juan, Rushian and Ivianyd, three Puerto Rican teenagers, is challenged when they decide to participate in a series of workshops to discover their aspirations and overcome personal limitations. The support of new mentors provokes awareness, but moving forward is not so simple. Obstacles pertaining to social, emotional and sexual identity issues are part of this choral portrait on the margins of Caribbean society. (<a href="https://letterboxd.com/film/ser-grande/" target="_blank" rel="noreferrer noopener">Letterboxd</a>) Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/9d9d02327af2d19e84cf9ecc402cf596.jpg?Expires=1779926400&Signature=SwKMp6aiD2IrUPiamlVY2MWOtNoA4EZbRC1Eaur6o3UMNMwEwkv6gjZ9l9bdTqX-zEYyJHFP2l6HDZHB39UqXFdlPPCoBeq4oIHevZHCIWVZ1Oo0XX4PNqo7PHcrG0mqUiwIYyKZLYQ845G%7ELCe7zP5OF6qM3s15MjvExdaswTMzyZRbtbbTZtcp58XkUr%7EHL5se72RgV6syoCOboqy9Tpe3Ag7wYYwF9Rit6F%7EWSyF18%7ELQ-z6PMFiJmKxU4JFzA416HcTcKAJV85qckt8Q6vBBfXbG1ZbhYBeIXQrFof2hxmkgoBSxcjkzOSZaAhmz0YxPbExN1sd9HVbz5BEtdg__&Key-Pair-Id=K6UGZS9ZTDSZM be06a428a65795ffd0bbf9ddd08f6d4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Valentina o la serenidad Title Valentina or the Serenity Director The director of the film. El/La director/a de la película. Ángeles Cruz Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2023 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Instituto Mexicano de Cinematografía - IMCINE (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Valentina anda por los nueve años, usa un trapo de la casa como capa y se convierte en una superheroína con poderes sobre el viento, la tierra y los árboles. Pero un suceso inesperado la devasta: su padre fallece en un accidente y debe lidiar con su ausencia: reconocer a la muerte y reaprender la vida que sigue, a pesar de aquella. (<a href="https://www.filmaffinity.com/es/film366084.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Mexican filmmaker Ángeles Cruz returns to her Indigenous community of Villa Guadalupe for her second feature film, a tenderly poignant tale of loss inspired by her own childhood. Valentina’s life is shattered when her beloved father drowns in a nearby river. Refusing to accept the body at the funeral as his, Valentina becomes convinced he’s still alive and will return home. Her conviction deepens when she accidentally falls into the same river and hears his voice speaking in Mixtec, a language she’s never learned. Valentina’s unwavering belief affects her grieving family and begins to impact her schoolwork as she waits by the river for another message, enlisting her friend Pedro to teach her Mixtec. An exploration of love and mortality from a child’s perspective, Valentina or the Serenity is ultimately an uplifting ode to life. (<a href="https://pragda.com/film/valentina-or-the-serenity/" target="_blank" rel="noreferrer noopener">Pragda</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/valentina-or-the-serenity/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/valentina-or-the-serenity/</a> <iframe width="640" height="360" src="https://player.vimeo.com/video/988740369?badge=0&autopause=0&player_id=0&app_id=58479" frameborder="0" title="Valentina or the Serenity - Trailer subtitled in English"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Valentina o la serenidad Description An account of the resource Valentina anda por los nueve años, usa un trapo de la casa como capa y se convierte en una superheroína con poderes sobre el viento, la tierra y los árboles. Pero un suceso inesperado la devasta: su padre fallece en un accidente y debe lidiar con su ausencia: reconocer a la muerte y reaprender la vida que sigue, a pesar de aquella. (<a href="https://www.filmaffinity.com/es/film366084.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Indigenous filmmaking / producciones indígenas Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/7aadd7e0f93239572f50e2d60c6755ed.jpg?Expires=1779926400&Signature=rrL2NuX4KFcpYINqkI9AC1XK6znacP00c21cBJJdytYrJiXPGQN-tl4dqPvSjyAclYXpHqg5zFi-pdwFnPnB%7Es3bQNt7iJ6hVk8%7E-h5Glu9nBLxNeCG%7EybzFbMOtsPqaKAOR3bGnCwdeH%7EuVurGUZD8fMTbquH2KJ3WfqWHpQqs2qjFjzHweGjgNbz%7EbydZlZwSVsH8pPU7wgBPssYjJD4jVxO8U3ZdDu10nqlIGE2Y0Ag2xhpYrfY9cs4wW5y-5LXK15cN0RbgqmWkYEgE418dpnwOdiNDVYF%7E-q9XvvZtzNmx2BNS4XNvoStXIeaLSkhb7wUkF%7ESmf4CfRWs0m6Q__&Key-Pair-Id=K6UGZS9ZTDSZM d294daaff915c69896ebbf32d71ff5ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Vento na Fronteira Title The Wind Blows the Border Director The director of the film. El/La director/a de la película. Laura Faerman Marina Weis Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2022 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Indigenous / indígena Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Laboratório Cisco (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. On the violent border between Brazil and Paraguay, a battle between agribusiness and indigenous sovereignty wages. Filmmakers Laura Faerman and Marina Weis outline the clash between lawyer Luana Ruiz, heiress to the contested land and staunch Jair Bolsonaro supporter, and Alenir Ximendes, Guarani-Kaiowá leader, teacher, and activist. A powerful cinematic chronicle of Ximendes’s courageous fight against Ruiz and agribusiness to protect her community, culture, and indigenous lands. The land in dispute is the Ñande Ru Marangatu Indigenous Territory, which has been inhabited by the Guarani-Kaiowá Indigenous people for at least 1500 years. Farmers only arrive in the region in the 1940s. (<a href="https://pragda.com/film/the-wind-blows-the-border/" target="_blank" rel="noreferrer noopener">Pragda</a>) En la violenta frontera entre Brasil y Paraguay, hay una batalla entre la industria agraria y la soberanía indígena. Las cineastas Laura Faerman y Marina Weis documentan el enfrentamiento entre la abogada Luana Ruiz, heredara de la tierra en disputa y firme partidaria de Jair Bolsonaro, y Alenir Ximendes, líder, maestra y activista guaraní kaiowá. Una poderosa crónica cinematográfica de la valiente lucha de Ximendes contra Ruiz y la industria agraria para proteger su comunidad, su cultura y los territorios indígenas. La tierra en disputa es el territorio indígena Ñande Ru Marangatu que ha sido habitado por el pueblo guaraní kaiowá por 1.500 años. Los agricultores llegaron a la región apenas durante la década de 1940. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Borderlands & Boundaries / Fronteras Environment / El medio ambiente Human Rights / Derechos humanos Indigenous peoples / Pueblos indígenas Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/the-wind-blows-the-border/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/the-wind-blows-the-border/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vento na Fronteira Description An account of the resource On the violent border between Brazil and Paraguay, a battle between agribusiness and indigenous sovereignty wages. Filmmakers Laura Faerman and Marina Weis outline the clash between lawyer Luana Ruiz, heiress to the contested land and staunch Jair Bolsonaro supporter, and Alenir Ximendes, Guarani-Kaiowá leader, teacher, and activist. A powerful cinematic chronicle of Ximendes’s courageous fight against Ruiz and agribusiness to protect her community, culture, and indigenous lands. The land in dispute is the Ñande Ru Marangatu Indigenous Territory, which has been inhabited by the Guarani-Kaiowá Indigenous people for at least 1500 years. Farmers only arrive in the region in the 1940s. (<a href="https://pragda.com/film/the-wind-blows-the-border/" target="_blank" rel="noreferrer noopener">Pragda</a>) Guaraní https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/7b10e41087a6ae8d935e64c110accb4e.jpg?Expires=1779926400&Signature=dTmADxksKMUR8uVdNymq-zHfekCv-c4qhJtZbyqX4ma0fJR2aNUlc0y1NeBrQQBXwwhRchzM8QSCPqn06eIkInn5pKQFtPgU%7E0nxD-V3EuKlyaX5hbuq0sYxayK4%7EA01eply1T84IVrK9VVrAw9Yx4QdpAwmpO7XEU5sSQ0vy6oKPPZvmTE3tqdWqyc%7EUH0DSOHVtQqyv3OrUSCAVPMGmr8Q8Nt%7E%7EMGrXqyRiefvAMOAG9VqiQAC9AEKggB5kTp2ly47ORn%7EqoT7oEoHiMhSmL7%7ETAi%7EvOD%7EkLU3lKIBRrztIl%7ECZ4P54qa4OuFT2Izxf83ftB3BtMBQIOETSFlR4w__&Key-Pair-Id=K6UGZS9ZTDSZM 439b301dc01a137a083eab3be57bda8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Albertina y los muertos Title Albertina and the Dead Director The director of the film. El/La director/a de la película. César Borie Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2022 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Chile Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Mimbre Films (Chile) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. San Miguel es un pueblo construido sobre tumbas indígenas y Albertina es su líder espiritual. Ella es la encargada de comunicarse con el Ño, una deidad cuya forma física es un muñeco de trapo, al que los habitantes veneran en la semana del carnaval. Al ser la única que se comunica con el Ño, la anciana organiza los preparativos y rituales en su honor con la ayuda de su familia y vecinos. Con esta premisa, César Borie capta la atención de cualquiera, un documental que parece más una película de misterio. En diversas entrevistas, el personaje principal va contando la historia de su vida, llena de magia, de una gran vulnerabilidad y un discurso de empoderamiento digno de cualquier mujer que se sabe líder. Mientras Albertina entrega su experiencia personal con esta entidad mágica, el Ño, sus hijas, nietos y vecinos van contando cómo es el vivir y presenciar esta tradición, y a la vez reflexionar sobre sus propias creencias, y la fe en lo que su querida matriarca les ha contado por años. Sin embargo, ante la vejez de la protagonista se esconde la incertidumbre sobre qué va a pasar con todo esto al momento en que muera. (<a href="https://bitacoradecine.cl/albertina-y-los-muertos-2022-la-matriarca-que-sobrepasa-los-limites-de-lo-real/" target="_blank" rel="noreferrer noopener">Bitácora de Cine</a>) San Miguel is a village built over indigenous tombs and Albertina (78) is its spiritual leader. She is in charge of communicating with the Ño, a deity whose physical form is a rag doll, which the inhabitants worship during carnival week. The old woman organizes the rituals in his honor with the help of her family and neighbors. With this premise, César Borie captures the attention of everyone in a documentary that seems more like a mystery film. In several interviews, the main character tells the story of her life, full of magic, significant vulnerability, and a speech of empowerment worthy of any woman who knows she is a leader. While Albertina delivers her personal experience with this magical entity, Ño, her daughters, grandchildren, and neighbors tell how it is to live and witness this tradition, and at the same time reflect on their own beliefs and faith in what their beloved matriarch has told them for years. However, the protagonist’s old age hides the uncertainty of what will happen to these traditions at the moment of her death. (<a href="https://pragda.com/film/albertina-and-the-dead/" target="_blank" rel="noreferrer noopener">Pragda</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Memory / Memoria Religion & Spirituality / Religión & Espiritualidad Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a class="in-cell-link" href="https://pragda.com/film/albertina-and-the-dead/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/albertina-and-the-dead/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albertina y los muertos Description An account of the resource San Miguel es un pueblo construido sobre tumbas indígenas y Albertina es su líder espiritual. Ella es la encargada de comunicarse con el Ño, una deidad cuya forma física es un muñeco de trapo, al que los habitantes veneran en la semana del carnaval. Al ser la única que se comunica con el Ño, la anciana organiza los preparativos y rituales en su honor con la ayuda de su familia y vecinos. Con esta premisa, César Borie capta la atención de cualquiera, un documental que parece más una película de misterio. En diversas entrevistas, el personaje principal va contando la historia de su vida, llena de magia, de una gran vulnerabilidad y un discurso de empoderamiento digno de cualquier mujer que se sabe líder. Mientras Albertina entrega su experiencia personal con esta entidad mágica, el Ño, sus hijas, nietos y vecinos van contando cómo es el vivir y presenciar esta tradición, y a la vez reflexionar sobre sus propias creencias, y la fe en lo que su querida matriarca les ha contado por años. Sin embargo, ante la vejez de la protagonista se esconde la incertidumbre sobre qué va a pasar con todo esto al momento en que muera. (<a href="https://bitacoradecine.cl/albertina-y-los-muertos-2022-la-matriarca-que-sobrepasa-los-limites-de-lo-real/" target="_blank" rel="noreferrer noopener">Bitácora de Cine</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/2756e014db55d764b2d6a74a1244b945.jpg?Expires=1779926400&Signature=K9yqtSR7AggCdeq8Oi%7EvCaIjByzeVINOckBX9Ya2b31kbF3zs3L8-gotI4Hxf2YDm0%7Ex7vOmlff3Ay1yDXa7RCuco7f5BwoQiT38P%7Emih%7ERlnbpoI-9UbVNHyTlJHk37ODZYVjfl45jyDq5uFD4cTzh9i6LKps4QbF7KBj3Du38%7E8J7db6jgcS-%7E57fJ9vwet%7Eb-GIDeXi6lC3Ykv9Gb3uqQp4NLnIWtaq679jr9osYX1mq5vSCQiJYdcgZjeFMcG6j2-voc-TgOYVO-axu9nIfbepGT5SM-JSZ7NzDeP8U1v1B6pDrV80PJxyz1QKwhWSmLp2xKozGoFmjrocu15w__&Key-Pair-Id=K6UGZS9ZTDSZM 956b9137c6ec130ab09e123114d192fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Alba Director The director of the film. El/La director/a de la película. Ana Cristina Barragán Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Ecuador Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Caleidoscopio Cine (Ecuador) Leyenda Films (Argentina) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Alba, una niña de 11 años, debe ir a vivir con su padre, Igor, debido a la enfermedad de su madre. Igor es un hombre obsesivo y solitario, a quien ella apenas conoce, que después de separarse de la familia se encerró en una casa pequeña. La convivencia para Alba es casi insoportable; su padre le recuerda todo aquello que la acompleja de sí misma. (<a href="https://cinematecanacionalcce.com/evento/alba/" target="_blank" rel="noreferrer noopener">Cinemateca Nacional Ecuador</a>) Alba is eleven years old. One afternoon, her mother is admitted in the hospital and she has to move to live with Igor, a father she barely knows. Igor’s attempts to get closer to Alba, school girls, her first kiss…all are stimulus that pave her way into adolescence and to accept her family. Alba is a coming-of-age film that is both heart-rending and unsentimental. It’s striking that such a mature and powerful debut comes from Ecuador, the country that until the beginning of this century had only made one film a year. Young leading actress Macarena Arias is one to keep an eye on. She manages to use a minimum of dialogue to devastating effect. (<a href="https://pragda.com/film/alba/" target="_blank" rel="noreferrer noopener">Pragda</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Coming-of-age film Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/alba/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/alba/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alba Description An account of the resource Alba, una niña de 11 años, debe ir a vivir con su padre, Igor, debido a la enfermedad de su madre. Igor es un hombre obsesivo y solitario, a quien ella apenas conoce, que después de separarse de la familia se encerró en una casa pequeña. La convivencia para Alba es casi insoportable; su padre le recuerda todo aquello que la acompleja de sí misma. (<a href="https://cinematecanacionalcce.com/evento/alba/" target="_blank" rel="noreferrer noopener">Cinemateca Nacional Ecuador</a>) Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/d104175be946ba53d33ade37e60391df.png?Expires=1779926400&Signature=mINB3xT8cr4y36pB20M2d47XgRcCziksBoigkhYFPb9aKuTEG%7E6Q-BlZUOfl-gBnK5g-Y3yNSMKDe3dHP0C3Z%7EMRhNWIvMOH-nos3CKJEOLNbCW58l%7EaIwQIZDuC%7Ea7fPX5KrAwQBHLmJs1Po33uvi7By6Gr2fMZWG2-BdiTQWmLzZWQBcvulCV80HgTaQxScgxA%7ERjF0AGSGIOwsf6SC2tSaIAU-g1GlLYshb5EJvZ1nBhsBm4Nits6Rga98X0wg35W8X4dIKiOlKq2i6r-CINKwLxyBV74H6ypKm9NKALXBrhD35Qa9ppUvq3dsdxitYrSW%7EVv4mxOl%7E-i00Balw__&Key-Pair-Id=K6UGZS9ZTDSZM 0c8b3926a44213781386739c447636cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. A todos nos gusta el plátano Title We All Like Plantain Director The director of the film. El/La director/a de la película. Rubén H. Bermúdez Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2021 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Spain / España Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. And when he woke up, Black Lives Matter was also Spanish. Photographer Rubén H. Bermúdez, whose 2018 book “Y tú, ¿por qué eres negro?” was a pivotal moment in the visibility of the Afro-descendant community in Spain, now presents the audiovisual evolution of his work. In this compelling and mature ensemble film, Bermúdez relinquishes the camera to seven individuals of African descent in Spain, empowering them to craft a film that delves into self-representation, grappling with doubts in an intimate, fragmented, and necessarily partial portrait. The screen becomes a canvas for the diverse and nuanced stories of these individuals—capturing their skins and bodies in private moments, where they speak, listen, and vulnerably expose themselves in a powerful exploration of identity and community. (<a href="https://pragda.com/film/we-all-like-plantain/" target="_blank" rel="noreferrer noopener">Pragda</a>) Y cuando despertó, el Black Lives Matter también era español. El fotógrafo Rubén H. Bermúdez, cuyo libro Y tú, ¿por qué eres negro? supuso en 2018 un punto de inflexión en la visibilización de la comunidad afrodescendiente en España, presenta ahora la evolución audiovisual de su trabajo. Un largometraje coral en el que confía la cámara a siete personas negras en España para que intenten hacer una película. Autorrepresentación, dudas, en un retrato íntimo, fragmentario, y necesariamente parcial. Pieles, cuerpos que se filman en la intimidad, que hablan, se escuchan y se exponen. (<a href="https://www.filmaffinity.com/es/film295570.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Identity / Identidad Race / Raza Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/we-all-like-plantain/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/we-all-like-plantain</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A todos nos gusta el plátano Description An account of the resource And when he woke up, Black Lives Matter was also Spanish. Photographer Rubén H. Bermúdez, whose 2018 book “Y tú, ¿por qué eres negro?” was a pivotal moment in the visibility of the Afro-descendant community in Spain, now presents the audiovisual evolution of his work. In this compelling and mature ensemble film, Bermúdez relinquishes the camera to seven individuals of African descent in Spain, empowering them to craft a film that delves into self-representation, grappling with doubts in an intimate, fragmented, and necessarily partial portrait. The screen becomes a canvas for the diverse and nuanced stories of these individuals—capturing their skins and bodies in private moments, where they speak, listen, and vulnerably expose themselves in a powerful exploration of identity and community. (<a href="https://pragda.com/film/we-all-like-plantain/" target="_blank" rel="noreferrer noopener">Pragda</a>) Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/cd3fc87d57c07d56f4e4d963b5abe46a.jpg?Expires=1779926400&Signature=L%7EUlTC2WkZntdbEHb-5RoTxePrwgda3MLUuGZJ3qPQarMmLUu4adVK3cvFd7cjLTUowKdmkt5iPApE0P5VxHZ3R92PDbXElivqg-Y7P6DWeQtOAsfQsJTqQZnIanWm06FtA4abMXyyvqAl56x8LcvPhdxCcg8erIhvY-H8ASm37J0hBgRIZyZ1jvrkiYLnRcW0U-TUj5ijqTAeYWM%7EFSvukYcRSR9D6dsLJGM9fJExO96I0c3G5Wa737KQWJCYt3KHfZnbjAa6dCJu-qTbY4ZbLif3BmH94j1acuvmPrcv9pNPDAZ7KJPCQwd16nbBo1ZsbRDWHJ0Qkj1-P9bXRDQw__&Key-Pair-Id=K6UGZS9ZTDSZM a6a713e07a7006ff85ba0f6ff44d29c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Bongó Itá Director The director of the film. El/La director/a de la película. Mayckell Pedrero Mariol Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2022 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Q'Bola Producciones (Mexico) Fondo de Fomento del Cine Cubano Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. La sociedad secreta Abakuá es una hermandad religiosa Afrocubana que permaneció vedada a los no iniciados hasta hace poco tiempo. Con imágenes rara vez expuestas antes, Bongó Itá logra capturar la esencia de un fenómeno que ha sido símbolo de resistencia desde hace más 200 años; sobreviviendo a la esclavitud, a la dominación colonial española y a la Revolución. (<a href="https://habanerofilmsales.com/portfolio/bongo-ita" target="_blank" rel="noreferrer noopener">Habanero Films</a>) Bongó Itá offers a rare close-up of the Abakuá, an Afro-Cuban religious brotherhood historically hidden from outsiders. For over 200 years, the Abakuá community has symbolized resilience, surviving slavery, Spanish rule, and the Revolution, despite persistent prejudice and misunderstandings surrounding their traditions and rituals. (<a href="https://pragda.com/film/bongo-ita/" target="_blank" rel="noreferrer noopener">Pragda</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Religion & Spirituality / Religión & Espiritualidad Race / Raza Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/bongo-ita/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/bongo-ita/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bongó Itá Description An account of the resource La sociedad secreta Abakuá es una hermandad religiosa Afrocubana que permaneció vedada a los no iniciados hasta hace poco tiempo. Con imágenes rara vez expuestas antes, Bongó Itá logra capturar la esencia de un fenómeno que ha sido símbolo de resistencia desde hace más 200 años; sobreviviendo a la esclavitud, a la dominación colonial española y a la Revolución. (<a href="https://habanerofilmsales.com/portfolio/bongo-ita" target="_blank" rel="noreferrer noopener">Habanero Films</a>) Afro-Caribbean / afro-caribeño Afro-Cuban / afro-cubano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c9a967419b72dc97473da4e4faa43c5c.jpg?Expires=1779926400&Signature=ItKHCwhiQglriCHsOWC-FXgDJ1gSQiQ7IFIQ3vPeOVMQ%7E7rSPJz%7EguOgDnU9PmN9FExwJrtLMeo6PqTticMA4K2znn%7E488MAoYo%7ELSnrFOFPOKy8EOBYXRcnZ3TLI-gD44jdyBPV7CYcgA7YzS2NPbHNuT-VE3zbW-BMgh3X-Vj-BXVuPIj1887tz%7EeDG0ETXNC%7E%7ElhnRsyEf9EILv35K4bO-1wdJy0RVsw7RsBkV91qOaRV8vIdDV8zFiiWBrsJ%7EG%7EJMaooJt7CDX7Z8q01Lntgoprl9Dvpck8%7EEyi5k%7EhkQm%7E2H3ynhX2HI0HDcHZLkF6raM-6G-ku8ft6Oel%7EoA__&Key-Pair-Id=K6UGZS9ZTDSZM 307461103beac43482d7686518fc00c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Cabeça de Nêgo Title A Bruddah's Mind Director The director of the film. El/La director/a de la película. Déo Cardoso Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2020 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Agência Nacional do Cinema - Ancine (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Based on real events, this political drama fuses Brazilian history with international anti-racist movements. Saulo, a black introverted student and fan of the Black Panther Movement, challenges his school in the largely white city of Fortaleza. After Saulo’s reaction to a racial insult from a classmate, his teachers describe him as a young delinquent and swiftly attempt to expel him ignoring his usually calm and articulate demeanor. Outraged, Saulo refuses to leave the school until justice is done. His solitary occupation ends up challenging the school’s board and mobilizes the entire community. A Bruddah’s Mind effectively calls out racism, misogyny, and militarism. It reminds us about the importance of activism, political engagement, and the sacrifices that come with it. (<a href="https://pragda.com/film/a-bruddahs-mind/" target="_blank" rel="noreferrer noopener">Pragda</a>) Basado en hechos reales, este drama político fusiona la historia brasileña con movimientos antiracistas internacionales. Saulo, un estudiante afrobrasileño introvertido y fan de los Black Panthers, desafía a su escuela, ubicada en Fortaleza, una cuidad principalmente blanca. Después de la reacción de Saulo a un insulto racial de un compañero de clase, sus maestros lo caraterizan como un joven delincuente e intentan expulsarlo rápidamente, ignorando su comportamiento generalmente tranquilo y elocuente. Indignado, Saulo se niega a abandonar la escuela hasta que se haga justicia. Su ocupación solitaria termina desafiando a la junta directiva de la escuela y moviliza a toda la comunidad. Cabeça de Nêgo efectivamente identifica y critica el racismo, la misoginia y el militarismo. Nos recuerda la importancia del activismo y del compromiso político, y también los sacrificios que los acompañan. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Docu-drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race / Raza Race relations / Relaciones raciales Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/a-bruddahs-mind/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/a-bruddahs-mind/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cabeça de Nêgo Description An account of the resource Based on real events, this political drama fuses Brazilian history with international anti-racist movements. Saulo, a black introverted student and fan of the Black Panther Movement, challenges his school in the largely white city of Fortaleza. After Saulo’s reaction to a racial insult from a classmate, his teachers describe him as a young delinquent and swiftly attempt to expel him ignoring his usually calm and articulate demeanor. Outraged, Saulo refuses to leave the school until justice is done. His solitary occupation ends up challenging the school’s board and mobilizes the entire community. A Bruddah’s Mind effectively calls out racism, misogyny, and militarism. It reminds us about the importance of activism, political engagement, and the sacrifices that come with it. (<a href="https://pragda.com/film/a-bruddahs-mind/" target="_blank" rel="noreferrer noopener">Pragda</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/1eeeaf83968f50ca6c4c1683dd8be3c2.jpg?Expires=1779926400&Signature=kaMAjZVuG08BXHCDTByOjzZXkvJRwD92634K-4tF-mPE7gZftH7OFe%7E6wqAdjzxm4JriHcIjL%7EYOKjYSCzno8mVRmNMYWD8CbM55hqeo2wV1ja41YufgmGKUSg8Dq55G5Xwo-qkdGwmzkDSXnUIYAgzhMSEE8GNswbLzZuvAvmr3ZgNqyqQewmDEQvZ6H04T9jgp9KEXNJ5s0a0DjyZKJYVrgJsoWp76fnsT%7EWheCSucJsODMQdsvdy8crnLsoKYtBeo8Qi0kg9YB%7Eya19oBmLwAoApS%7EoyVmwagWNRmavbLomdrdm1CLUlEb9NB8BBCS7-aWnxORMxowxpCAHIM5Q__&Key-Pair-Id=K6UGZS9ZTDSZM b35f3bd3459bd9052801a65441eef18e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Meu amigo Fela Title My Friend Fela Director The director of the film. El/La director/a de la película. Joel Zito Araújo Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Casa de Criação Cinema e Artes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. My Friend Fela provides a new perspective on the Nigerian musician Fela Kuti, in order to counter the most often portrayed narrative of Fela "as an eccentric African pop idol of the ghetto", according to director Joel Zito Araújo. The complexity of Fela's life is unravelled through the eyes and conversations of his close friend and official biographer, the African-Cuban Carlos Moore. As the documentary unfolds, it reveals the many influences and forces that shaped Fela's extraordinary life: from the relationship he had with his mother to his many and problematic relationships with women, from his ties with his spiritual advisor Professor Hindu to his mutually influential encounters with African Americans. By placing Fela's personal history in a pan-African context, the film becomes not only a portrait of one man but also of a pan-African generation. (<a href="https://www.imdb.com/pt/title/tt9736160/plotsummary/?ref_=tt_ov_pl" target="_blank" rel="noreferrer noopener">IMDb</a>) Meu amigo Fela [Mi amigo Fela] ofrece una nueva perspectiva sobre el músico nigeriano Fela Kuti, con el fin de contrarrestar la narrativa más frecuentemente retratada de Fela "como un excéntrico ídolo africano del pop del gueto", según el director Joel Zito Araújo. La complejidad de la vida de Fela se desentraña a través de la perspectiva de y las conversaciones con el afrocubano Carlos Moore, su amigo cercano y biógrafo oficial. A lo largo del documental, se revelan las influencias y fuerzas que moldearon la extraordinaria vida de Fela: desde la relación que tuvo con su madre hasta sus múltiples y problemáticas relaciones con las mujeres; el vínculo con su asesor espiritual el profesor Hindu, hasta sus encuentros mutuamente influyentes con los afroamericanos. Al colocar la historia personal de Fela en un contexto panafricano, la película retrata no solamente a un hombre individual sino también a una generación panafricana. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Docu-drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Music / La música Race / Raza Revolution / Revolución Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meu Amigo Fela Description An account of the resource My Friend Fela provides a new perspective on the Nigerian musician Fela Kuti, in order to counter the most often portrayed narrative of Fela "as an eccentric African pop idol of the ghetto", according to director Joel Zito Araújo. The complexity of Fela's life is unravelled through the eyes and conversations of his close friend and official biographer, the African-Cuban Carlos Moore. As the documentary unfolds, it reveals the many influences and forces that shaped Fela's extraordinary life: from the relationship he had with his mother to his many and problematic relationships with women, from his ties with his spiritual advisor Professor Hindu to his mutually influential encounters with African Americans. By placing Fela's personal history in a pan-African context, the film becomes not only a portrait of one man but also of a pan-African generation. (<a href="https://www.imdb.com/pt/title/tt9736160/plotsummary/?ref_=tt_ov_pl" target="_blank" rel="noreferrer noopener">IMDb</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0527c99dacebe11c1e0a947fbc3d9c31.jpg?Expires=1779926400&Signature=gkHyqkHWcLfF24UpWxDlU4%7EN2cmC59o6vKOFxgGhfB6BYlbrg9NccRMG7C6iauLQxCD4r2eD9dQMCqNQAoUryWRht6FUL4vnw%7EdkP5WRyuiQHASk1U%7EDTkTtAKA2kgj2N8hEFMg2nJJXY1IQY8E3su0A0Hh%7EJEBM-QeqqIoUfH9LQRHcTbi2mW8GeBx8YRIvDpg1-HC%7EGOaMJ8GvOUawq7CnYR0dKcIWoRI7HJ7ZtvyIqqvN7vjFEQ9zSqhNuuHfKQHYIp7zwJz7HxF8W5wlf2JmjvAeoh73pyGVi8RkiSm%7E4aH%7EL3HXyiL2WvzAgfw6DPDRMTOC-xiD1mRN-w-5yQ__&Key-Pair-Id=K6UGZS9ZTDSZM 2fddcc2120b3f25a833bf518df72f4df Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Filhas do Vento Title Daughters of the Wind Director The director of the film. El/La director/a de la película. Joel Zito Araújo Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2004 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. In a small town in the State of Minas Gerais, Brazil, two sisters meet again after years apart. One of them headed for the big city, trying to secure a career as an actress. The other stayed to look after their father. (<a href="https://www.imdb.com/title/tt0422238/" target="_blank" rel="noreferrer noopener">IMDb</a>) En un pequeño pueblo del estado de Minas Gerais (Brasil), dos hermanas se reúnen de nuevo después de muchos años. Una de ellas se dirigió a la gran ciudad, tratando de asegurar una carrera como actriz. La otra se quedó a cuidar a su padre. (Traducido por Jocelyn Zhingri) Numa pequena cidade em Minas Gerais as irmãs Maria "Cida" Aparecida (Taís Araújo) e Maria "Ju" da Ajuda (Thalma de Freitas) têm objetivos bem distintos. A primeira quer se tornar uma famosa atriz e para isto é imperativo que deixe o lugarejo, já a segunda só pensa em namorar. Vivem com Zé das Bicicletas (Mílton Gonçalves), o pai delas, que foi abandonado pela mulher e é muito rigoroso com o comportamento das filhas. Quando ele acusa injustamente Cida de estar se envolvendo com Marquinhos (Rocco Pitanga), o namorado de Ju, ela fica tão magoada que deixa a cidade e vai para o Rio de Janeiro na esperança de ser atriz, e consegue. A vida de cada irmã seguiu seu curso e elas ficam sem se falar por mais de 4 décadas. Com a morte de Zé das Bicicletas, Cida retorna para a sua cidade natal para o enterro do pai. O encontro dela com Ju será inevitável, mas elas têm muita mágoa uma da outra e talvez seja difícil resolver 40 anos em alguns dias. (<a href="https://www.adorocinema.com/filmes/filme-202122/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Migration, Internal / Migración interna Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Filhas do Vento Description An account of the resource Numa pequena cidade em Minas Gerais as irmãs Maria "Cida" Aparecida (Taís Araújo) e Maria "Ju" da Ajuda (Thalma de Freitas) têm objetivos bem distintos. A primeira quer se tornar uma famosa atriz e para isto é imperativo que deixe o lugarejo, já a segunda só pensa em namorar. Vivem com Zé das Bicicletas (Mílton Gonçalves), o pai delas, que foi abandonado pela mulher e é muito rigoroso com o comportamento das filhas. Quando ele acusa injustamente Cida de estar se envolvendo com Marquinhos (Rocco Pitanga), o namorado de Ju, ela fica tão magoada que deixa a cidade e vai para o Rio de Janeiro na esperança de ser atriz, e consegue. A vida de cada irmã seguiu seu curso e elas ficam sem se falar por mais de 4 décadas. Com a morte de Zé das Bicicletas, Cida retorna para a sua cidade natal para o enterro do pai. O encontro dela com Ju será inevitável, mas elas têm muita mágoa uma da outra e talvez seja difícil resolver 40 anos em alguns dias. (<a href="https://www.adorocinema.com/filmes/filme-202122/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/f16482b9b841f44badce73586f3aa36a.jpg?Expires=1779926400&Signature=qerxrn0AW14KoYiZAr72NQlmntS4qdtU7Syq4GNSVxxGqIKtAeJBu63V0C0K103errEljrm91qg0G%7EvWrsGzKhzDlf9rdJwVI9CCabz1qVhG49g%7E7sW24%7E4ChLOtAx30UNV5zKSMwtjCwbsjVv0BwSvNyjogyobIuGzzEfKGYTZtizDmFmvXlei4otxNpt9NMrw11cKPN1iJkOuoBZhNnbWl-I%7EUe8UU4rcf%7E-Y5Jk5A8AS9G1hEvFwMXaFWSYm6KNOKwxe7QbyBvbC%7ELFjdvb5khkqQ%7Ef3NSJO9i%7EAqWWdHxiwNiISBFPE7dGWJaOqd5X5kc5XabdkMt5F6vbY87g__&Key-Pair-Id=K6UGZS9ZTDSZM 4a24cf60afffe27b7db35fb2665db8dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Con el toque de la chaveta Title With a Stroke of the Chaveta Director The director of the film. El/La director/a de la película. Pam Sporn Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2020 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Grito Productions Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. With a Stroke of the Chaveta takes viewers into the legendary cigar factories of Cuba to witness the unique practice of "la lectura de tabaquería", the collective reading of literature while tabaqueros roll habanos. From "lectores" Odalys, Aguila and Gricel we learn about the challenges of meeting the expectations of a knowledgeable and demanding workforce and the satisfaction of receiving the applause of hundreds of "chavetas" in unison. Cigar makers inform us that they can't imagine working without a reader to accompany them. (<a class="in-cell-link" href="https://www.gritoproductions.com/with-a-stroke-of-the-chaveta" target="_blank" rel="noreferrer noopener">https://www.gritoproductions.com/with-a-stroke-of-the-chaveta</a>) Con el toque de la chaveta nos lleva a las legendarias fábricas de tabaco en Cuba para presenciar la práctica única de "la lectura de tabaquería" - la lectura colectiva de la literatura mientras los tabaqueros enrollan los habanos (cigarros puros). De los lectores Odalys, Aguila y Gricel nos enteramos de los retos de cumplir con las expectivas de un público conocedor y exigente y la satisfacción de recibir los aplausos de cientos de chavetas al unísono. Los tabaqueros nos informan que no pueden imaginar trabajar sin un lector que los acompañe. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <iframe width="640" height="396" src="https://player.vimeo.com/video/480828636?badge=0&autopause=0&player_id=0&app_id=58479" frameborder="0" title="WITH_A_STROKE_OF_THE_CHAVETA_TRAILER_1080_2"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Con el toque de la chaveta Description An account of the resource With a Stroke of the Chaveta takes viewers into the legendary cigar factories of Cuba to witness the unique practice of "la lectura de tabaquería", the collective reading of literature while tabaqueros roll habanos. From "lectores" Odalys, Aguila and Gricel we learn about the challenges of meeting the expectations of a knowledgeable and demanding workforce and the satisfaction of receiving the applause of hundreds of "chavetas" in unison. Cigar makers inform us that they can't imagine working without a reader to accompany them. (<a class="in-cell-link" href="https://www.gritoproductions.com/with-a-stroke-of-the-chaveta" target="_blank" rel="noreferrer noopener">https://www.gritoproductions.com/with-a-stroke-of-the-chaveta</a>) Afro-Cuban / afro-cubano Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/52f86e2aa3d144c40748fa055bfa7e4d.jpg?Expires=1779926400&Signature=NDdQ3gEUJZoqSYBFyA9-0r6wem7Aw5BJZawPYauH8sUFU5nkKbNpuB039MLrTaeJLZOVRF6IRqHbtyFFRTcdZRaPuQPxlPax5d9pjFiCl3M1xLBSlX07PcttFqfIwLtjsdpyF77HQbi1ozOrXTpeG-JeC9Mc1iPE-jALYMFotQe842FCQrs4PcxVtTPkty2wRLdgi2Bp3-TqfhIOR3eq%7Ee0Nn%7Emv7Pui9JHgv4KfEp2CFlHtqzJlej5uoSGETrrS3SnvfgZpBBmPMHQWLYRrpm0M8ZNcNdfqID9YqNmA02GLxIsw4i8fLBOXNhtDjzduNLQ4iD5lFI0I7OQlFh5Ucg__&Key-Pair-Id=K6UGZS9ZTDSZM 8b42f3f7983e84bf9af45629cc2f1292 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La camarista Title The Chambermaid Director The director of the film. El/La director/a de la película. Lila Avilés Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Bright Sight Pictures Kino Lorber Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. In her feature debut, theater director Lila Avilés turns the monotonous work day of Eve (Gabriela Cartol), a chambermaid at a high-end Mexico City hotel, into a beautifully observed film of rich detail. Set entirely in this alienating environment, with extended scenes taking place in the guest rooms, hallways, and cleaning facilities, this minimalist yet sumptuous movie brings to the fore Eve’s hopes, dreams, and desires. As with Alfonso Cuarón’s ROMA, set in the same city, The Chambermaid salutes the invisible women caretakers who are the hard-working backbone of society. (<a class="in-cell-link" target="_blank" href="https://www.moma.org/calendar/events/5343" rel="noreferrer noopener">MOMA, New Directors/New Films Series, 2019</a>) Una joven camarera que trabaja en uno de los hoteles más lujosos de la Ciudad de México se inscribe en el programa de educación para adultos del hotel para ayudar a mejorar su vida. (<a href="https://www.rottentomatoes.com/m/the_chambermaid" target="_blank" rel="noreferrer noopener">Reseña de Rotten Tomatoes</a> traducida por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Kanopy: <a href="https://www.kanopy.com/en/product/10564905" target="_blank" rel="noreferrer noopener">https://www.kanopy.com/en/product/10564905</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La camarista Description An account of the resource In her feature debut, theater director Lila Avilés turns the monotonous work day of Eve (Gabriela Cartol), a chambermaid at a high-end Mexico City hotel, into a beautifully observed film of rich detail. Set entirely in this alienating environment, with extended scenes taking place in the guest rooms, hallways, and cleaning facilities, this minimalist yet sumptuous movie brings to the fore Eve’s hopes, dreams, and desires. As with Alfonso Cuarón’s ROMA, set in the same city, The Chambermaid salutes the invisible women caretakers who are the hard-working backbone of society. (<a class="in-cell-link" target="_blank" href="https://www.moma.org/calendar/events/5343" rel="noreferrer noopener">MOMA, New Directors/New Films Series, 2019</a>) Domestic labor / trabajo doméstico https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/74142a21ed4c3eee2702648028059e9e.png?Expires=1779926400&Signature=jZixfrbUYA3l6Fuk1Lsq2kIixZ4AfzQ1pvBP%7EkPN3s8CjvISmR65BlMUBteEq51-3hpYcDt3PH5T6aO2HpGZr4NMviS%7EcikVSim%7EaMgwWPX5suYwP47GishKQbFfV7znRbXdlzBIMHtMnltbVGpfo8jCIqPzMOZH0xefcmHftK5MXDtlnYrXauS9qkClFFGSctbEu3C%7EVaue42FxdHoOrXFEjrVOKDZDovH3-39KON6VflKljulf053aEaTp7UdB9951VcY7C5hujeN3deoOwPA3FWWlJ8XI3mwNgHLXzigdP4OCDnlbjeB0QNFmr2QuuTg9xZUkQmVswI8ZfxMOHA__&Key-Pair-Id=K6UGZS9ZTDSZM d295df5a636df48d890a52717d866d07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Biopsia Title Biopsy Director The director of the film. El/La director/a de la película. Glorimar Marrero Sánchez Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Puerto Rico Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Carmen accompanies a group of women who must travel from the island of Vieques to San Juan, capital of Puerto Rico, in order to perform breast biopsies. The long journey is by water and road. Amid many fears and vicissitudes, Carmen confirms once again the need for appropriate medical services for both women and for the rest of the Vieques population. (<a href="https://letterboxd.com/film/biopsia/" target="_blank" rel="noreferrer noopener">LetterBoxd</a>) Carmen acompaña a un grupo de mujeres que deben viajar desde la isla de Vieques a San Juan, capital de Puerto Rico, para realizar biopsias de mama. El largo viaje es por agua y carretera. A pesar del miedo y de los altibajos, Carmen confirma una vez más la necesidad de los servicios médicos adecuados, tanto para las mujeres como para el resto de la población de Vieques. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Health & Medicine / La salud y la medicina Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor YouTube: <a href="https://youtu.be/-kfeIe5xnto?feature=shared" target="_blank" rel="noreferrer noopener">https://youtu.be/-kfeIe5xnto?feature=shared</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Biopsia Description An account of the resource Carmen accompanies a group of women who must travel from the island of Vieques to San Juan, capital of Puerto Rico, in order to perform breast biopsies. The long journey is by water and road. Amid many fears and vicissitudes, Carmen confirms once again the need for appropriate medical services for both women and for the rest of the Vieques population. (<a href="https://letterboxd.com/film/biopsia/" target="_blank" rel="noreferrer noopener">LetterBoxd</a>) Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/daffde9ecc2bac94269f5e7b0d1e5955.jpg?Expires=1779926400&Signature=HQl0UvxcqdKi%7EJ5YEQxf2QPY6xk70hIqZACQAEMbu%7E-QONasVuT41kebOw6yMUf9DrKomxchE9S9GqYwJxrJBeTrAGTSei-nFmvBtKxn2xzjUi41-M9STtZ6QbQWtX6vR5EjpMWURcAkqezB7oFsEuu41TGHUVza-KkaOgIqzB-mDno6CuFYgDfnBnUmjJPbllqFTMl-VVa7xxhxM%7EpSNqtsCm0RV23vSxrWUVfcWzGgAvbJ2qwWAcUvmc0oq%7E9JTJQTR6B9D1CRoomlBR8H1TBQMm6KuIK9chfyFB2LERyBSUulguvy5THA69kchr3JyVarn-y26CJx7pnbvJrAGQ__&Key-Pair-Id=K6UGZS9ZTDSZM d187374f0ce6ee36a6986b65f56c57be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La capa azul Title The Blue Cape Director The director of the film. El/La director/a de la película. Alejandra López Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Puerto Rico Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Producciones Acento Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Two months after Hurricane Maria landed on the shores of Puerto Rico, the power remains out and the infrastructure continues to collapse. Junior, a ten-year-old boy, is summoned by his mother to search for the medicine his grandfather so desperately needs. He puts on a blue cape, made of the tarp that covers his roof, to overcome the obstacles in his journey and save his grandfather’s life. (<a href="https://letterboxd.com/film/la-capa-azul/" target="_blank" rel="noreferrer noopener">LetterBoxd</a>) Dos meses después de que el huracán María golpeara las costas de Puerto Rico, no se ha restaurado la electricidad y la infraestructura de la isla sigue en estado de crisis. Junior, un niño de diez años, es reclutado por su madre para buscar la medicina que su abuelo necesita desesperadamente. Se pone una capa azul, hecha de la lona que cubre el techo de su casa, para superar los obstáculos en su camino y salvar la vida de su abuelo. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Action and adventure films / cine de acción, cine de aventuras Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Environment / El medio ambiente Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Vimeo: <a href="https://vimeo.com/289329151" target="_blank" rel="noreferrer noopener">https://vimeo.com/289329151</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La capa azul Description An account of the resource Two months after Hurricane Maria landed on the shores of Puerto Rico, the power remains out and the infrastructure continues to collapse. Junior, a ten-year-old boy, is summoned by his mother to search for the medicine his grandfather so desperately needs. He puts on a blue cape, made of the tarp that covers his roof, to overcome the obstacles in his journey and save his grandfather’s life. (<a href="https://letterboxd.com/film/la-capa-azul/" target="_blank" rel="noreferrer noopener">LetterBoxd</a>) Afro-Caribbean / afro-caribeño Short Film / cortometraje Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/d63e8bd56eb169a56fe70b0943536dea.jpg?Expires=1779926400&Signature=A9AH5rqlZI1ZI%7EIHW4ElNDCVnU-NXJHj8RUfXozAze8mp7V8bnvQxtMMAU-HPlokIhba11uYKGe12-1w2zegIbUbAPzvKNzbE5%7E5sBg1JkLaEXluR9evYFvPUp-yNZiHrXnGKZ0RApos0ZbCJU6RKz2%7EJ0JvFBPhbsQLG46Omf0g4Pxw1mXkb0hKk%7E0PhhBMU6CfodO68Inc7JJ41htgUuP0iQvdJFj7-oB2pohX4tHNlrrmT-RljX7GN3J5DJNPzTkSMn5kXJuAMF6ZSu9d8s1gJ82DkXkoXzWvGOUOL7Ab%7EeMWY7wDXlcILod-rK9ex4wV0Bp51ZlFBYdISch6Ew__&Key-Pair-Id=K6UGZS9ZTDSZM cf34bc599154fc721a385efdd3ee4603 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Clara sola Director The director of the film. El/La director/a de la película. Nathalie Álvarez Mesén Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2021 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Costa Rica Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Oscilloscope Laboratories (US) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life. (<a href="https://www.imdb.com/title/tt12637442/plotsummary/" target="_blank" rel="noreferrer noopener">IMDB</a>) En un pueblo remoto de Costa Rica, Clara, una mujer introvertida de 40 años, experimenta un despertar sexual y místico al comenzar un viaje para liberarse de las convenciones religiosas y sociales represivas que han dominado su vida. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad Nature / La naturaleza Religion & Spirituality / Religión & Espiritualidad Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Kanopy: <a href="https://www.kanopy.com/en/product/13003467" target="_blank" rel="noreferrer noopener">https://www.kanopy.com/en/product/13003467</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clara sola Description An account of the resource In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life. (<a href="https://www.imdb.com/title/tt12637442/plotsummary/" target="_blank" rel="noreferrer noopener">IMDB</a>) Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/e25a274cefaca49526a92ed769f56a4a.jpg?Expires=1779926400&Signature=UPAlohNos8XhVxLfrCmkWwh6D7L62zeuHpqGtV45icjf9BhPgCa1%7EV65qnBlxJrnShoFKz-uehWuFj45ajMwmpxmLoVjnrZ-gEpgBoEskwZSX-FRX%7EBCVA9ViwcYxo%7EbdyqFsx8ZesOrsrmxh8pTaV4hx044hszIzEAP5gQgOzIRMpyKYleW12BmwO7UM3f25LrX5FVJwoPmwouOYmNwJsaLgNafMyBlf1CyUiQBZM4IPnGJtiLvRtYcksmNeUUk3tRvp08QEqsqMZfkldnXkHUCDL1ALXWUOP8-nLXMZzNYEgSY-yPiie%7EHGWXcyz3HMRZX4%7Ek-3%7Emu4qkcO7CO2A__&Key-Pair-Id=K6UGZS9ZTDSZM 56d2286ba99d426313dcec5e9ac1fcf9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Herencia Title Heritage Director The director of the film. El/La director/a de la película. Ana Hurtado Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2017 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Spain / España Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Mallerich Films (France) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Havana is still alive. Its people are in the streets, squares, churches, parks, ballrooms, and schools. And it still conveys a legacy made of old laughter, African rhythms, and strong dyes. Music becomes the channel to transgress, to transcend, to reach different aspects of society and daily life. A story of emotions where images talk for themselves and traditional time rules are bent, Heritage is a showcase of modern Cuban culture and the centuries of history that precede it. The documentary exposes the miscegenation and transculturation present in Cuba. These two words sum it all up. Stories of lives, characters who while living their “Cubanness” carry at the same time a rich, ancient cultural heritage that comes from afar. (<a href="https://pragda.com/film/heritage/" target="_blank" rel="noreferrer noopener">Pragda</a>) La Habana sigue viva. Su gente está en las calles, en las plazas, en las iglesias, en los parques, en las salas de baile, en las escuelas. Y continúa transmitiendo una herencia hecha de risas antiguas, de ritmos africanos, de tintes fuertes. “Herencia” es una historia de emociones en la que la imagen habla por sí sola saltándose el orden tradicional del tiempo. Todo entra por los ojos, para transgredir lo normal, lo ordinario. El viaje no sigue un camino. El océano ya ha sido atravesado hace cientos de años. Y “Herencia” muestra lo que esto ha significado. (<a href="https://www.filmaffinity.com/es/film333239.html" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Music / La música Race / Raza Religion & Spirituality / Religión & Espiritualidad Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/heritage/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/heritage/</a> <iframe width="400" height="225" src="https://player.vimeo.com/video/834370449?badge=0&autopause=0&player_id=0&app_id=58479" frameborder="0" title="Heritage - Trailer subtitled in English"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Herencia Description An account of the resource Havana is still alive. Its people are in the streets, squares, churches, parks, ballrooms, and schools. And it still conveys a legacy made of old laughter, African rhythms, and strong dyes. Music becomes the channel to transgress, to transcend, to reach different aspects of society and daily life. A story of emotions where images talk for themselves and traditional time rules are bent, Heritage is a showcase of modern Cuban culture and the centuries of history that precede it. The documentary exposes the miscegenation and transculturation present in Cuba. These two words sum it all up. Stories of lives, characters who while living their “Cubanness” carry at the same time a rich, ancient cultural heritage that comes from afar. (<a href="https://pragda.com/film/heritage/" target="_blank" rel="noreferrer noopener">Pragda</a>) Afro-Cuban / afro-cubano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/364a4e93bc54252138b5699e18763587.jpg?Expires=1779926400&Signature=wPDFpFwV15Zs0%7Ek5CixlpFyd4niyCxHlfo9XvhcJjWc4L85rtcs3%7EzvLWYOficyvw%7EWA5kYOsQj6qQD0u3xfvRT8fM5ev29yoj5jcgTO9XGKeadk70Z0757-VSoSpUTaV1a6UsBY2JKPYVQPTHhOO-KC4RN5dn35SuYtL6pw8nVo6YitSj8JATxKO67DJLCenFJJSNMYCOMY9Q7F%7EHTIZZNRmGkuC8d12XASXG7HoYTp8ZVAhBi2c-Xx4H5fQdgrirPn5Few0UMPcgrcMT-tVL51ov%7EY4bRaRDdHrneEj507NGu%7EgLjh1XqWFw4SvFQQRPCOCG3XfhMSyKf3VfROtQ__&Key-Pair-Id=K6UGZS9ZTDSZM eb93aa7d21a9db66c96d0fd6fff372af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La hija natural Title Love Child Director The director of the film. El/La director/a de la película. Leticia Tonos Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2011 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Dominican Republic / República Dominicana Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Producciones Línea Espiral Isla Films Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Maria, 18 year old daughter of a single mother, decides to look for the father she has never met after her mother dies in a tragic accident. She finally finds him in a nearby town, living in what appears to be a haunted old country house in the middle of a neglected banana plantation. Amidst the peculiarities and superstitions of the Dominican country side, father and daughter will have to face the ghosts of the past that haunt them both. (<a href="https://www.imdb.com/es/title/tt1733536/plotsummary/?ref_=tt_ov_pl" target="_blank" rel="noreferrer noopener">IMDb</a>) Maria, de 18 años, e hija de una madre soltera, decide buscar al padre que nunca conoció después de la muerte de su madre en un accidente trágico. Finalmente lo encuentra en un pueblo cercano, vivendo en lo que parece ser una antigua casa de campo embrujada en medio de una hacienda platanero abandonada. En medio de las peculiaridades y supersticiones del campo dominicano, tanto el padre como su hija tendrán que enfrentar a los fantasmas del pasado que los atormenta a ambos. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Coming-of-age film Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Country life / El campo Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La hija natural Description An account of the resource Maria, 18 year old daughter of a single mother, decides to look for the father she has never met after her mother dies in a tragic accident. She finally finds him in a nearby town, living in what appears to be a haunted old country house in the middle of a neglected banana plantation. Amidst the peculiarities and superstitions of the Dominican country side, father and daughter will have to face the ghosts of the past that haunt them both. (<a href="https://www.imdb.com/es/title/tt1733536/plotsummary/?ref_=tt_ov_pl" target="_blank" rel="noreferrer noopener">IMDb</a>) Afro-Dominican / afro-dominicano Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c86d7975f6d988a8077fef3d1d4db708.jpg?Expires=1779926400&Signature=OhWPnwe3bV8K4RQG83qB77f1Hget3A-Y0Zo-tblz1pPUKAIwaqt877myfaCyOQgCxs8VHTTvM1mUWkKLw3s1LiaC9wvkaPQKrKaLA84WQYr-Jvi2Y8E9zuEGRfiKCIrZRl-9cXywrSZ0vrRV6RG7T2MuuAKkRjsGEtn9oxMdPnxC1ZUuz78i5MF1bToxp4ZPQU1SS24h7ZAX7M2JCZr9cORKl7km8S85tpY3xRoA5JhUyvsLxRhLzGqA2Pf6VqICdyTQjIpixrxbpDD2s%7E2Ie3uiDrHOJEIJh00iX2EmwLuwI03ZxqMOYsTzOpV2xh09GBx8t%7EdbGf1m-k6TV-%7EOew__&Key-Pair-Id=K6UGZS9ZTDSZM cad17dbd67cd7db75d5ca78d856f0d41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. O Nó de Diabo Title The Devil's Knot Director The director of the film. El/La director/a de la película. Gabriel Martins Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2017 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Vérmelho Profundo Produções Audiovisuais (Brasil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. (<a href="https://www.imdb.com/title/tt9064564/plotsummary/" target="_blank" rel="noreferrer noopener">IMDb</a>) Durante los tiempos de la esclavitud en Brasil, una granja de caña de azúcar fue el escenario de los horrores más oscuros imaginables. Décadas más tarde, el cruel pasado del lugar persiste desapercibido hasta que una serie de extraños acontecimientos empiezan a suceder y la muerte vuelve a la granja. La película está dividida en cinco historias cortas de terror. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Horror films / cine de horror Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Slavery / Esclavitud Violence / Violencia Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O Nó de Diabo Description An account of the resource During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. (<a href="https://www.imdb.com/title/tt9064564/plotsummary/" target="_blank" rel="noreferrer noopener">IMDb</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/25ccff6e490d1475c7ca2069d11371c5.jpg?Expires=1779926400&Signature=qqW5pJ%7EshPJyqKltqau5QjTpTu7BlrJnpz-LrYF78RUJbiSKYyhzETNOsikAvfOFObGjvdz7lvvJdWDEQr8qs-OOMZRq7MhXFo4ZGBu0Q9VMjY%7E-PXy%7EHGmQVfCV69v4ST6FdA2nnkfXKiVInPOuP47rxE%7EY47ikNuBK-f10g520LLEbIBg6XZMwYdlzfkOex2H-UQngwWiV5aj1MHE1oLOsovLHzzWN9Y6q1LiBUO4rQ0wGzrNlpOuTzS-Ioq2NnDBOUP8GeEjmRxxVtjaMzmOsSOvlBvQlKSBJE6N-h5xgNLvFYQHY7AXCleNdN2j7%7Eluw6iOoThm6V0kVLW%7E7wA__&Key-Pair-Id=K6UGZS9ZTDSZM 45f5e34c8cd8a60628601af8447ca3bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. No Coração do Mundo Title In the Heart of the World Director The director of the film. El/La director/a de la película. Gabriel Martins Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Filmes de Plástico (Brasil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Contagem, Minas Gerais. Dentro da comunidade local, Marcos (Leo Pyrata) se vira diariamente com os pequenos crimes que comete. Quando reencontra Selma (Grace Passô), uma antiga amiga, ele se convence da possibilidade de executar um assalto bem-sucedido. Mas o plano só pode ser colocado em prática com a ajuda de uma terceira pessoa, e Ana (Kelly Crifer), namorada de Marcos, hesita em participar. (<a href="https://www.adorocinema.com/filmes/filme-272043/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier. (<a href="https://www.imdb.com/title/tt9646768/" target="_blank" rel="noreferrer noopener">IMDb</a>) Los habitantes de la cuidad brasileña de Contage anhelan una vida mejor. En el centro de todo está Selma, una mujer que sueña con el corazón del mundo: podría estar en cualquier lugar, siempre y cuando sea un lugar donde se siente más feliz. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Identity / Identidad Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <a href="https://www.adorocinema.com/filmes/filme-272043/trailer-19561546/" target="_blank" rel="noreferrer noopener">No Coração do Mundo Trailer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No Coração do Mundo Description An account of the resource Contagem, Minas Gerais. Dentro da comunidade local, Marcos (Leo Pyrata) se vira diariamente com os pequenos crimes que comete. Quando reencontra Selma (Grace Passô), uma antiga amiga, ele se convence da possibilidade de executar um assalto bem-sucedido. Mas o plano só pode ser colocado em prática com a ajuda de uma terceira pessoa, e Ana (Kelly Crifer), namorada de Marcos, hesita em participar. (<a href="https://www.adorocinema.com/filmes/filme-272043/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/9bb2ff828d19580c757fd473fb468400.jpg?Expires=1779926400&Signature=tdn9uoHNotwk9C-BUSZTQZMBPZ9orNqIxSpZnFbtmL-YtVbFH-T2wALoPxuq2J8G9gOZdR3FndJS11bohBe1IO0AkJPXoFq7B7qLYbTP4ifMqRTTNNhO3fZdk4E2hHD4rMLi3OHckxqRozRSSi2LkS6IrjSsS7Z7A0iaD3XlkmU6%7E8uX%7Eo16TQmuhA-9NXtIMNOXaCH-VgX6EnnXA%7EC3XVG9jlmyx7CE71847yUIa5k5ZmL%7EOaFu3BTrBdhBuLLb5tC46QQd75fmog3kzFwMaQUKulVIh%7EXOt9EammOWNqom3uNQVJTC3EhwJktQoGZ-X8sF0Dtak48q%7EK-yhXUtYw__&Key-Pair-Id=K6UGZS9ZTDSZM 5b683493157bad0e640ce773bbcc4e2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Balomania Director The director of the film. El/La director/a de la película. Sissel Morell Dargis Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2024 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. In the heart of Brazil's favelas, filmmaker Sissel Morell Dargis gains unprecedented access to the hidden world of the “balloon mafia.” For baloeiros in Rio and Sao Paolo, hot air balloon construction, flying and chasing is a treasured and competitive art form -- as well as central to their sense of community and cultural heritage since colonial times. Now, authorities have made their art illegal, ranking them just below drug cartels in the law, and driving them underground. With police and bounty hunters hot on their heels, Dargis embarks on a wild ride to witness the extreme obsession and sacrifice required to build these spectacular balloons that reach over 70 meters high and that require over 100 people to launch into the sky. Intimate and explosive, ‘Balomania’ is a real-life action film about freedom against all odds that will challenge beliefs about favelas, gang life and the power of art. (<a class="in-cell-link" href="https://www.cargofilm-releasing.com/balomania" target="_blank" rel="noreferrer noopener">https://www.cargofilm-releasing.com/balomania</a>) En el corazón de las favelas de Brasil, la cineasta Sissel Morell Dargis obtiene un acceso sin precedentes al mundo oculto de la "mafia de los globos". Para los baloeiros de Río y São Paulo, la construcción, el vuelo y la persecución de globos aerostáticos es una forma de arte apreciada y competitiva, además de un elemento central de su sentido de comunidad y patrimonio cultural desde la época colonial. Hoy en día, las autoridades han declarado ilegal su arte, clasificándolo justo por debajo de los cárteles según la ley, y obligando a estos artistas a operar clandestinamente. Con la policía y los cazadores de recompensas persiguiéndolos, Dargis se embarca en un viaje salvaje para documentar la obsesión extrema y el sacrificio necesario para construir estos globos espectaculares que pueden superar los 70 metros de altura y requieren más de 100 personas para lanzarlos al cielo. Íntima y explosiva, Balomania es una película de acción de la vida real sobre la libertad contra todo pronóstico, que desafiará las creencias sobre las favelas, las pandillas y el poder del arte. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Balomania Description An account of the resource In the heart of Brazil's favelas, filmmaker Sissel Morell Dargis gains unprecedented access to the hidden world of the “balloon mafia.” For baloeiros in Rio and Sao Paolo, hot air balloon construction, flying and chasing is a treasured and competitive art form -- as well as central to their sense of community and cultural heritage since colonial times. Now, authorities have made their art illegal, ranking them just below drug cartels in the law, and driving them underground. With police and bounty hunters hot on their heels, Dargis embarks on a wild ride to witness the extreme obsession and sacrifice required to build these spectacular balloons that reach over 70 meters high and that require over 100 people to launch into the sky. Intimate and explosive, ‘Balomania’ is a real-life action film about freedom against all odds that will challenge beliefs about favelas, gang life and the power of art. (<a class="in-cell-link" href="https://www.cargofilm-releasing.com/balomania" target="_blank" rel="noreferrer noopener">https://www.cargofilm-releasing.com/balomania</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/38c59f90ffa8d5ccf141fddfdfd0b109.png?Expires=1779926400&Signature=RUJt4M%7EckRszkVzPNs9S0m9s-El6Rmwb1S4QIWql3AL6%7EBQzM4NV43%7ENMRa5O0D-9pT6ForDVDXpU6GhILYNfbAAhVq4KvQmK77euQNgkOwwyyCULkhK0KYPwjR1NXksuEqyDWM%7E2t5EUKC2y4erDE4QXtgHWqYaMcZYXmwAwZJKoQtpPt6-krg6MkOux2O5fnZrD4VnotxTg%7EtGMHtM7HY8HqSP4-OFx52h59Qa1JBiol5H9yaXQINW%7EiRJrYoKsnvAC%7EIdCfPBPBo29BjRIB7GiZ4L2EVEbtbcVv2v3rcGIrnEse82FMjB9QKFfG5QdmlQl-zbE2g6AYDCumwYqA__&Key-Pair-Id=K6UGZS9ZTDSZM 7d45a782e8a1cdeeea645c7f75bdc6a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Home Is Somewhere Else Title Mi casa está en otra parte Director The director of the film. El/La director/a de la película. Carlos Hagerman Jorge Villalobos Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2023 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español English / inglés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México United States / Estados Unidos Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Brinca Taller de Anmación (México) Shine Global (United States) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Home Is Somewhere Else shares the rich complexity of the emotional experiences of immigrant children and families to better understand and empathize with them. It invites discussion about the need for a new US migratory model based on respect for human rights for all. In this documentary animation, three young immigrants tell their stories. Eleven-year-old Jasmine fears being separated from her undocumented parents and sets off to become an activist to protect families like her own. Sisters Evelyn and Elizabeth. Evelyn was born in the USA but has chosen to return to Mexico, while her sister Elizabeth, an illegal immigrant in Los Angeles, is struggling to realize her ambitions. Finally, Lalo shares the story of his childhood, deportation experience, finding a way back, and transforming his challenges through his work as an artist and activist. Voiced by the actual children and their families, the stories are woven together by spoken word poet José Eduardo Aguilar, also known as Lalo "El Deportee," the film’s host and MC whose vibrant "Spanglish" breaks codes, switches standards, and pushes the viewer to decipher his poems. Their painful experiences and vibrant hopes and dreams lend themselves well to animation. A powerful reminder of how the color of your passport determines your life. (<a class="in-cell-link" href="https://pragda.com/film/home-is-somewhere-else/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/home-is-somewhere-else/</a>) Mi casa está en otra parte comparte la rica complejidad de las experiencias emocionales de los niños y las familias inmigrantes para entenderlos mejor y empatizar con ellos. Invita diálogos sobre la necesidad de crear un nuevo modelo migratorio en los Estados Unidos basado en el respeto de los derechos humanos para todos. En este documental animado tres jóvenes inmigrantes cuentan sus historias. Jasmine, de once años, teme ser separada de sus padres indocumentados y se pone en marcha para convertirse en activista para proteger a familias como la suya. Las hermanas Evelyn y Elizabeth: Evelyn nació en los Estados Unidos, pero ha decidido regresar a México, mientras que su hermana Elizabeth, una inmigrante indocumentada que vive en Los Ángeles, está luchando por hacer realidad sus sueños. Por último, Lalo comparte la historia de su infancia, su experiencia de deportación, y la búsquda del camino de regreso, transformando los desafíos a través de su trabajo como artista y activista. Narrada por los niños y sus familias, se entretejen las historias con la ayuda del poeta José Eduardo Aguilar, también conocido como Lalo "El Deportee", quien presenta la película y cuyo "Spanglish" dinámico rompe las normas establecidas, cambia los estándares, y reta a los espectadores a descifrar sus poemas. Sus experiencias dolorosas, esperanzas, y sueños vibrantes se prestan bien a la animación. Un poderoso recordatorio de cómo el color de tu pasaporte determina tu vida. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Animated films / cine de animación Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Borderlands & Boundaries / Fronteras Emigration and immigration / Emigración e inmigración Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/home-is-somewhere-else/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/home-is-somewhere-else/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Home Is Somewhere Else Description An account of the resource Home Is Somewhere Else shares the rich complexity of the emotional experiences of immigrant children and families to better understand and empathize with them. It invites discussion about the need for a new US migratory model based on respect for human rights for all. In this documentary animation, three young immigrants tell their stories. Eleven-year-old Jasmine fears being separated from her undocumented parents and sets off to become an activist to protect families like her own. Sisters Evelyn and Elizabeth. Evelyn was born in the USA but has chosen to return to Mexico, while her sister Elizabeth, an illegal immigrant in Los Angeles, is struggling to realize her ambitions. Finally, Lalo shares the story of his childhood, deportation experience, finding a way back, and transforming his challenges through his work as an artist and activist. Voiced by the actual children and their families, the stories are woven together by spoken word poet José Eduardo Aguilar, also known as Lalo "El Deportee," the film’s host and MC whose vibrant "Spanglish" breaks codes, switches standards, and pushes the viewer to decipher his poems. Their painful experiences and vibrant hopes and dreams lend themselves well to animation. A powerful reminder of how the color of your passport determines your life. (<a class="in-cell-link" href="https://pragda.com/film/home-is-somewhere-else/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/home-is-somewhere-else/</a>) U.S. Latino / Latinx Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/ed038396cc83938ece1f2f702f2feb3c.jpg?Expires=1779926400&Signature=D%7EgyI26i7OnQZmqGNK8cOA75q9D3S4GEAHj6zMw5o1YE56lsoiapqS94zgI7WQT0S7nX7wz8y5HAaSSX2xlg609YcucgiiSbBYHiXpkgY3UrfiGK5ooLQUpOJ9usn3mrLvQS5RC7QbuqclqGOqNBLUU4p8Hct4Mq08wvfEds03IPmjPsGzWa1TMp53VBugH2-%7EDN3Nfs2h1JGTnCAZexF5ccE-BifbYj16aYTF8VuaCT8TrSYAFu%7ETy6X%7EJlIrJELs9R7kOyML9uV%7EaOuzqK5vBSTXdocU2GXTtmqYwZ9PyEM2-0icVQvFaFUPCKM0dN5Wwj0bO1nRz4krcfadspTA__&Key-Pair-Id=K6UGZS9ZTDSZM e3bb81b3cb94ebb818bff8fb6b5bad51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Vicenta B Director The director of the film. El/La director/a de la película. Carlos Lechuga Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2022 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Dag Hoel Filmproduksjon (Norway) Motto Pictures (United States) Promenades Films (France) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Carlos Lechuga’s poignant third feature follows Vicenta Bravo, a gifted Afro-Cuban woman residing in Havana with the unique ability to see into the future and commune with spirits. Every day, people seek her out for guidance, but her world crumbles when her beloved son decides to emigrate, leaving her adrift in a crisis that blinds her to the unfolding events around her. Struggling with her anxieties and the loss of faith permeating her surroundings, Vicenta embarks on a soul-searching journey across Cuba’s heartland. As she confronts her existential turmoil head-on, she discovers unexpected solidarity and empathy, rediscovering her connection to her ancestors and the island itself. Anchored by Linnett Hernández Valdés’s compelling performance, Vicenta B is a quietly touching exploration of life’s uncertainties and the transformative power of acceptance. (<a class="in-cell-link" href="https://pragda.com/film/vicenta-b/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/vicenta-b/</a>) El tercer largometraje de Carlos Lechuga sigue a Vicenta Bravo, una mujer afrocubana que reside en La Habana con la habilidad excepcional de ver el futuro y comunicarse con los espíritus. Todos los días, la gente la busca pidiendo sus consejos, pero su mundo se desmorona cuando su amado hijo decide emigrar, dejándola a la deriva en una crisis que la ciega ante lo que estás pasando alrededor de ella. Tratando de escapar de la ansiedad y la pérdida de fe en su entorno, Vicenta se embarca en un viaje de introspección por el corazón de Cuba. En el proceso de enfrentar su crisis existencial, descubre inesperadamente la solidaridad y la empatía, y reestablece su conexión con sus antepasados y la isla. Sostenida por la convincente actuación de Linnett Hernández Valdés, Vicenta B es una exploración conmovedora de las incertidumbres de la vida y el poder transformador de la aceptación. (Traducido por Jocelyn Zhongri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Emigration and immigration / Emigración e inmigración Identity / Identidad Religion & Spirituality / Religión & Espiritualidad Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/vicenta-b/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/vicenta-b/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vicenta B Description An account of the resource Carlos Lechuga’s poignant third feature follows Vicenta Bravo, a gifted Afro-Cuban woman residing in Havana with the unique ability to see into the future and commune with spirits. Every day, people seek her out for guidance, but her world crumbles when her beloved son decides to emigrate, leaving her adrift in a crisis that blinds her to the unfolding events around her. Struggling with her anxieties and the loss of faith permeating her surroundings, Vicenta embarks on a soul-searching journey across Cuba’s heartland. As she confronts her existential turmoil head-on, she discovers unexpected solidarity and empathy, rediscovering her connection to her ancestors and the island itself. Anchored by Linnett Hernández Valdés’s compelling performance, Vicenta B is a quietly touching exploration of life’s uncertainties and the transformative power of acceptance. (<a class="in-cell-link" href="https://pragda.com/film/vicenta-b/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/vicenta-b/</a>) Afro-Cuban / afro-cubano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/ac577af3e8d052a1954cd5f0350cc809.jpg?Expires=1779926400&Signature=fWmNTTO1RXhyWJyYHcuEyRhO15q-v9eBsagvWr7F-7ul1ZhPkBOd-q9WVFp7kXZ-Uvy7qM1faJpHMaH%7EGE9bWAa7y7NpEkLCzrh-TGNZz0yIybiZG939ZgvpZOsuuqXVwcWPH7aZr6riRnAs6OoIAjeAtQTprZ3%7EhsN%7EsWZXyir4EwKs7mbhyKMk6w00epo6Q9mqRkVBOE0ZtP44tx9TFFFTYOlcm7hxpboadXVNB4WI0PDkITrf-So9DJn2rpHNooNvMC1CLEE--rug8BMyJrSyLE2oatzGgj3raCw6JK6fqSPOhLor2bIJ2hvVW2cpA6L6E%7Egm3DspRdA445NS6A__&Key-Pair-Id=K6UGZS9ZTDSZM bf97bbfcf3013269587a91f171f87bd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La suprema Director The director of the film. El/La director/a de la película. Felipe Holguín Caro Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2023 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Colombia Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Cumbia Films (Colombia) Ferviente Films (Colombia) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Teeming with irrepressible energy, La Suprema takes us back to 2001 Colombia and to a tiny and remote village in the Caribbean region far from any beach and seemingly lost in time. Laureana is a strong-willed teenager who’s not about to conform to what society or her abuela have in store for her. When she finds out via the newspaper that her estranged uncle is days away from fighting in a boxing world championship in Venezuela, she ignites a spark that will quickly get the whole town on board with watching the match live on national television. The problem? It may be the 21st century, but the village has no electricity and no one has a TV set. Laureana enlists the help of Efraín, the local trainer who discovered her uncle years ago. After much hesitation, he agrees to follow her lead and set sail for the big city. All odds are against them, but they know this history-making moment might put their town on the map and it is worth giving it their all. (<a class="in-cell-link" href="https://pragda.com/film/la-suprema/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/la-suprema/</a>) Llena de energía irrefrenable, La Suprema nos lleva a Colombia en el 2001, a un pequeño y remoto pueblo en la región caribeña pero lejos de cualquier playa y aparentemente perdido en el tiempo. Laureana es una adolescente tenaz que no quiere conformarse a lo que la sociedad y su abuela esperan de ella. Cuando se entera a través del periódico que su tío distanciado está a punto de pelear en un campeonato mundial de boxeo en Venezuela, se enciende una chispa que rápidamente llevará a todo el pueblo a unirse para ver el partido en vivo en la televisión nacional. ¿El único problema? A pesar de ser el siglo veintiuno, el pueblo no tiene electricidad y nadie tiene un televisor. Laureana pide la ayuda de Efraín, el entrenador local que descubrió a su tío hace años. Después de muchas vacilaciones, Efraín acepta el reto y salen hacia la gran ciudad. Todo está en su contra, pero saben que este momento histórico podría situar a su comunidad en el mapa y vale la pena arriesgarlo todo. (Traducido por Jocelyn Zhongri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Sports / Deportes Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/la-suprema/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/la-suprema/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La suprema Description An account of the resource Teeming with irrepressible energy, La Suprema takes us back to 2001 Colombia and to a tiny and remote village in the Caribbean region far from any beach and seemingly lost in time. Laureana is a strong-willed teenager who’s not about to conform to what society or her abuela have in store for her. When she finds out via the newspaper that her estranged uncle is days away from fighting in a boxing world championship in Venezuela, she ignites a spark that will quickly get the whole town on board with watching the match live on national television. The problem? It may be the 21st century, but the village has no electricity and no one has a TV set. Laureana enlists the help of Efraín, the local trainer who discovered her uncle years ago. After much hesitation, he agrees to follow her lead and set sail for the big city. All odds are against them, but they know this history-making moment might put their town on the map and it is worth giving it their all. (<a class="in-cell-link" href="https://pragda.com/film/la-suprema/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/la-suprema/</a>) Afro-Colombian / afro-colombiano Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/703107fb18e2fe537952484703ff2446.jpg?Expires=1779926400&Signature=kIALg74TkVewWtbcqATL2g1jljFU73IbQ8Y%7EC%7Eq3JvSTBgP96yBlr3a44M%7E3hsNs--b5XS54JWe%7EjdB63dj4oO%7EiYk7G9evfC-T8f228AMDA7PfsgE0wian4MhMr5bMv0u%7Ek2gGor0cDdT-Nxevf51TZIz73Ltdo-4W0jXtSvI%7ETtAD45C35iJnZ0g6GmadHSBhLJPS9ffvusJXlF4CcFxcJWHNoGFv686RGTXFohtJ7jv3OBA8Kn%7EnNb%7EWUkKqt1OYdGwsyE5mDM6z2x53nRvTqlMpMEo4F7EhwIh9H2wuyGL3cz%7E7x9JiRXcPfT6FnYs0GhMpcUSBOhzzd7lXd1A__&Key-Pair-Id=K6UGZS9ZTDSZM a5d4958748786d9a77ed9908f2cd733c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Elena Director The director of the film. El/La director/a de la película. Michéle Stephenson Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Haitian Creole/ criollo haitiano Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Dominican Republic / República Dominicana Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Rada Studios (United States) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena has lost her citizenship due to this ruling, and her family stands to lose their rightful access to legal residency in the Dominican Republic if they don’t manage to get their documents on time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society, Elena becomes the face of the struggle to stay in a country built on the labor of her father and forefathers. (<a class="in-cell-link" href="https://pragda.com/film/elena/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/elena/</a>) En 1937, decenas de miles de haitianos y dominicanos de ascendencia haitiana fueron exterminados por el ejército dominicano motivado por el racismo anti-negro. Décadas más tarde, en 2013, la Corte Suprema de la República Dominicana despojó la ciudadanía de cualquier persona con padres haitianos retroactivamente hasta 1929, dejando a más de 200.000 personas apátridas. Elena ha perdido su ciudadanía dominicana debido a esta decisión, y su familia estás en peligro de perder su acceso legítimo a la residencia legal en la República Dominicana si no logran obtener sus documentos a tiempo. En el proceso de negociar un sinfin de procesos burocráticos opacos frente a una sociedad racista y hostil, Elena se convierte en la cara de la lucha por permanecer en un país construido sobre el trabajo de su padre y sus antepasados. (Traducido por Jocelyn Zhongri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Nationalism / Nacionalismo Race / Raza Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda:<a class="in-cell-link" href="https://pragda.com/film/elena/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/elena/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elena Description An account of the resource In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena has lost her citizenship due to this ruling, and her family stands to lose their rightful access to legal residency in the Dominican Republic if they don’t manage to get their documents on time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society, Elena becomes the face of the struggle to stay in a country built on the labor of her father and forefathers. (<a class="in-cell-link" href="https://pragda.com/film/elena/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/elena/</a>) Afro-Dominican / afro-dominicano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/b650aa2c7a58c5645becddbc275ef49d.jpg?Expires=1779926400&Signature=qQLugQZDBgImApFleuyflRwtNbTwUCT0reC5uipRIkkK3g82YW8NBhMlpCdSq122ovFnLZ-nl7Mc%7ELLw1JHeja2RDMqVoZVQ3AGmEFXz%7EEDl3ODMScvD2ik7W5yK4lzVhmU5jJ9nJs74wTTpqgEwklAqWehXFWqg4cE1BFm5EYZStXZ%7E59koT7LEjQtCxJBRT4YGX4S3tZBdAEuhKdl2yo1NEmCXV0D18XylDTbKffHilxAeesGUAhKI6GLRtPzFVB9DDDoCigo1waM0TJs0aCd6FVTQFnGLzlTOppKsX8%7Eu4wP9b5Hk84N9NoyOFBKSNtL1XEgMi5EAzQSFuV-21w__&Key-Pair-Id=K6UGZS9ZTDSZM 6eede1efdd4bd1b181d64f61c91fea96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El Blanco Title The White Man Director The director of the film. El/La director/a de la película. Alejandro Andújar Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2021 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Dominican Republic / República Dominicana Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Lantica Media (Dominican Republic) Ecah Film (Dominican Republic) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. In this tale of racism and gender violence, the woman is the center of the story. As a wife, daughter, or sister, Genesis must respond to a way of being and a way of life attentive to what the men in her life dictate. She must fulfill the role established for her by a hostile and perennial patriarchy. Genesis is forced to enter into an arranged marriage with a mysterious white man called El Blanco to "improve the race" of the family and attain a better social status. But when Genesis fails to become pregnant and her sister arrives for an unannounced visit, a feverish love triangle begins to take shape in their isolated cabin. (<a class="in-cell-link" href="https://pragda.com/film/el-blanco/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/el-blanco/</a>) En este cuento de racismo y violencia de género, una mujer es el centro de la historia. Como esposa, hija o hermana, Génesis debe responder a una forma de ser y una forma de vida atenta a lo que dictan los hombres en su vida. Debe cumplir el papel establecido para ella por un patriarcado hostil y perenne. Génesis se ve obligada a entrar en un matrimonio concertado con un misterioso hombre blanco para "mejorar la raza" y alcanzar un mejor estatus social. Pero cuando Génesis no logra embarazarse y su hermana llega para una visita sin previo aviso, un triángulo amoroso comienza a tomar forma en su cabaña aislada. (Traducido por Jocelyn Zhongri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race / Raza Relationships / Relaciones Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda Stream: <a href="https://pragda.docuseek2.com/pr-blanco" target="_blank" rel="noreferrer noopener">pragda.docuseek2.com/pr-blanco</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El Blanco Description An account of the resource In this tale of racism and gender violence, the woman is the center of the story. As a wife, daughter, or sister, Genesis must respond to a way of being and a way of life attentive to what the men in her life dictate. She must fulfill the role established for her by a hostile and perennial patriarchy. Genesis is forced to enter into an arranged marriage with a mysterious white man called El Blanco to "improve the race" of the family and attain a better social status. But when Genesis fails to become pregnant and her sister arrives for an unannounced visit, a feverish love triangle begins to take shape in their isolated cabin. (<a class="in-cell-link" href="https://pragda.com/film/el-blanco/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/el-blanco/</a>) Afro-Dominican / afro-dominicano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/3e9a69a79de221e30d2bd0ce11b7aa9e.jpg?Expires=1779926400&Signature=ZxjGPchx-5vLM9sW0izgTnQiQ9ptFYhuEIJ69s4w9NvatlWeI6swzQ9DDg9LNI02jfXTN3QMfy4wWa8uxHpFjSkGKOdPUY3Jk12s8lAY5aoXvcM6sZBbS0fVKTeCIawU97OuszqgubOQzV0KUdTLR6P4GN3oBCaSOucLt214YsE-seefHMQYLwKUSz0oAWk0N74OSUYcq2x59eGR6fDyflWkPK6my6A-qG9Olu2VscltG97aSp9E8UBPB-qDBuzFUpN4-j8kYa3EnN12dl-InaEV7QXqp21Ed3jrgbhtds0z1gBQpNI53zQ8PmxvvGESgvo8PaT4-zlMYFfi3gF9Ow__&Key-Pair-Id=K6UGZS9ZTDSZM 0626c3f44e1bdd374e96860722302645 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La Llorona Director The director of the film. El/La director/a de la película. Jayro Bustamante Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/954">https://cinegogia.omeka.net/items/show/954</a> Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Guatemala Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. La Casa de Producción (Guatemala) El Ministerio de Cultura Y Deportes de Guatamala (Guatemala) Les Films Du Volcan (France) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Alma, a Maya Kaqchikel woman, is victimized by military commander Enrique during the war in Guatemala. Thirty years later, he is tried and condemned for crimes against humanity, but then absolved by a higher court. Alma comes back to the world of the living as La Llorona, the Weeping Woman, determined to have justice by her own means. (<a href="https://lacasadeproduccion.com.gt/en/films/the-weeping-woman/" target="_blank" rel="noreferrer noopener">Film's Official Website</a>) Alma, una mujer maya kaqchikel, es agredida por el comandante militar Enrique durante la guerra civil en Guatemala. Treinta años después, el comandante es juzgado y condenado por crímenes de lesa humanidad, pero luego absuelto por un tribunal superior. Alma regresa al mundo de los vivos como La Llorona, decidida a obtener justicia por sus propios medios. (Traducido por el equipo de Cinegogía) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Horror films / cine de horror Thrillers / thriller; cine de suspenso Historical films / cine histórico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Authoritarianism / Autoritarismo Indigenous peoples / Pueblos indígenas Memory / Memoria Political violence / Violencia política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Trailer <iframe width="640" height="360" src="https://player.vimeo.com/video/846792628?badge=0&autopause=0&player_id=0&app_id=58479" frameborder="0" title="Trailer - La Llorona Subtítulos en Inglés"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Llorona Description An account of the resource Alma, a Maya Kaqchikel woman, is victimized by military commander Enrique during the war in Guatemala. Thirty years later, he is tried and condemned for crimes against humanity, but then absolved by a higher court. Alma comes back to the world of the living as La Llorona, the Weeping Woman, determined to have justice by her own means. (<a href="https://lacasadeproduccion.com.gt/en/films/the-weeping-woman/" target="_blank" rel="noreferrer noopener">Film's Official Website</a>) Maya https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/8a2cf3d0e2155096c9cdf0a0423451d1.png?Expires=1779926400&Signature=i3iCdN42SKmKTtej1k-jfbYCalgOLEzo9v8UezJi1idxrF882DxKI7iH8rz2EDz2vnNBIKxl9CZEsk9DMWrYwnryq2IAUwN-TQj6Yp88gYvNglqdnTm2EKcySRVZDAsCbBqc%7E06S-ZY4bj2jiMXAEmv-57FQf4ljaf-4qRTLbD%7E%7EoP0FI3LE1RUroXsv2NKTNosiadtPkUWfun2wSkdEdeGeBhJwnSWLHv50u35v4XjpGtoz2WmRvDPRN7x6MV6Emp-ltzsa1Gku6WW-7tt-uRC3HUYAaqeOPpCTxvWNr09PNQZiLJQgCuxUGJMsJNffed5D4Da62IijZ4Y1N%7E%7EONw__&Key-Pair-Id=K6UGZS9ZTDSZM e99910ffcdf6c4b1e5f3491df3780b63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Igualada Title Igualada: Refusing to Know Your Place Director The director of the film. El/La director/a de la película. Juan Mejía Botero Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2024 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Colombia Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Shot in a cinéma verité style, Mejía Botero's film follows Márquez's rise from a local leader in La Toma, a small rural town in Colombia's Pacific Southwest and home to over a quarter-million descendants of enslaved Africans. Rich in natural resources, the region is frequently targeted by multinational corporations and paramilitary groups. It was during a 2020 funeral for five murdered sugarcane workers that Márquez decided to launch her unlikely campaign. The film begins in 2009, when Mejía Botero first began documenting Márquez's efforts as a young land defender. The resulting footage reveals a rare, long-term portrait of a movement and a leader in the making—culminating in a watershed moment in Colombian history. With the support of a small, tireless team, Márquez's grassroots campaign—originally intended to spotlight the struggles of Afro-Colombian, rural, and Indigenous communities—quickly grew into a national movement. Her motto, rooted in African roots, declared: "I am because we are." Despite threats to her life, Márquez defiantly reclaimed the term "igualada"—a pejorative used to belittle those who demand rights seen as above their "place"—and she catapults the struggle for a more just Colombia into the upper echelons of power, rose to become a leading candidate in a broad progressive coalition led by Senator and former guerrilla fighter Gustavo Petro. (<a href="https://www.cinematropical.com/cinema-tropical/francia-mrquez-documentary-igualada-refusing-to-know-your-place-premieres-july-7-on-pbs-pov" target="_blank" rel="noreferrer noopener">Cinema Tropical</a>) <div class="field field-name-field-sinopsis field-type-text-with-summary field-label-above"> <div class="field-items"> <div class="field-item even"> En uno de los países más desiguales de América Latina, Francia Márquez, una activista rural colombiana de ascendencia africana, desafía el status quo con una campaña presidencial que reapropia el término despectivo 'igualada' —alguien que actúa como si mereciera derechos que supuestamente no le corresponden— e inspira a toda una nación a soñar. (<a href="https://cinematecadebogota.gov.co/pelicula/igualada" target="_blank" rel="noreferrer noopener">Cinemateca de Bogotá</a>) </div> </div> </div> <div class="field field-name-field-director field-type-text field-label-above"></div> Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Cinéma vérité films / Cinéma verité Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Politics / La política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <iframe width="560" height="315" src="https://www.youtube.com/embed/VNJkbPW6uDI?si=9SSeK-4EVL5m2Mce" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Igualada Description An account of the resource Shot in a cinéma verité style, Mejía Botero's film follows Márquez's rise from a local leader in La Toma, a small rural town in Colombia's Pacific Southwest and home to over a quarter-million descendants of enslaved Africans. Rich in natural resources, the region is frequently targeted by multinational corporations and paramilitary groups. It was during a 2020 funeral for five murdered sugarcane workers that Márquez decided to launch her unlikely campaign. The film begins in 2009, when Mejía Botero first began documenting Márquez's efforts as a young land defender. The resulting footage reveals a rare, long-term portrait of a movement and a leader in the making—culminating in a watershed moment in Colombian history. With the support of a small, tireless team, Márquez's grassroots campaign—originally intended to spotlight the struggles of Afro-Colombian, rural, and Indigenous communities—quickly grew into a national movement. Her motto, rooted in African roots, declared: "I am because we are." Despite threats to her life, Márquez defiantly reclaimed the term "igualada"—a pejorative used to belittle those who demand rights seen as above their "place"—and she catapults the struggle for a more just Colombia into the upper echelons of power, rose to become a leading candidate in a broad progressive coalition led by Senator and former guerrilla fighter Gustavo Petro. (<a href="https://www.cinematropical.com/cinema-tropical/francia-mrquez-documentary-igualada-refusing-to-know-your-place-premieres-july-7-on-pbs-pov" target="_blank" rel="noreferrer noopener">Cinema Tropical</a>) Afro-Colombian / afro-colombiano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/136bbbb28f050301f5dc7af36ff7798b.jpg?Expires=1779926400&Signature=JjZHNyjML97bF8FOnooMz3lj9hV12fXZzGoqikQc7wiXl1AlSYDwnoZK%7EUY6xwzi8o2mVWT4A5gWLls60h1bgYGWDTCuPvHheJ3GSoTYUb4lpg7Ck5w-3nIH6t0%7EtwOBsaV4bq%7EcbFUwTBRrTnVJ-oXRusDVPB1aYXly2hA34cpzIW2CQzzw3hm1Xp3bEkFbWXVcQBRTXkoBFxYdsM1tj09kMjVywb-QGNCmrXKJJiX5eY%7ER9cUUxj56qIDS4m3XtCCTvQPJTxAmuB1kZS-nypt2ulRZLhjj3-zYBBI-efq3hz2VQ%7EtQz2qP-n1MMlNZgyWInwk62mHqrUH6H2Exlw__&Key-Pair-Id=K6UGZS9ZTDSZM 33a7b5b306b22dae2caf52dedf0441b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Mala reputación Title Bad Reputation Director The director of the film. El/La director/a de la película. Marta García Sol Infante Zamudio Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2024 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Uruguay Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Cordón Films (Uruguay) Instituto Nacional de Cine y Artes Audiovisuales - INCAA (Argentina) Ah Cine! (Argentina) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Karina Nuñez se gana la vida como trabajadora sexual desde hace 30 años y desde hace 10 es activista feminista y lidera el movimiento por los derechos laborales de su colectivo. A sus 45 años, está buscando cambiar de trabajo, pero las opciones son escasas por su edad, su forma de vida y por el estigma social con el que carga. Karina pudo existir desde otro espacio, redefinió su lugar en el mundo. (<a href="https://ahcine.com/pelicula/puta-historia/" target="_blank" rel="noreferrer noopener">AH! Cine</a>) For the past 30 years, Karina Nuñez has earned her living as a sex worker, and for the past 10 years she has also been a feminist activist in Uruguay, leading the movement for sex workers' rights on behalf of her union. Now 45 years old, she is looking for a different job, but her options are limited due to her age, her lifestyle, and the social stigma she is forced to carry. Karina managed to exist, but now redefines her own place in the world. (Translation by Dania Fermin) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Human Rights / Derechos humanos Politics / La política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide Guide in English: <a href="https://cinegogia.omeka.net/items/show/957">https://cinegogia.omeka.net/items/show/957</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mala reputación Description An account of the resource Karina Nuñez se gana la vida como trabajadora sexual desde hace 30 años y desde hace 10 es activista feminista y lidera el movimiento por los derechos laborales de su colectivo. A sus 45 años, está buscando cambiar de trabajo, pero las opciones son escasas por su edad, su forma de vida y por el estigma social con el que carga. Karina pudo existir desde otro espacio, redefinió su lugar en el mundo. (<a href="https://ahcine.com/pelicula/puta-historia/" target="_blank" rel="noreferrer noopener">AH! Cine</a>) Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/8a8b258abb3301d95961fae78d17a0d5.pdf?Expires=1779926400&Signature=PJQfWV%7EsSZDN274hrZJb%7EfEjdQz8e3EFEt7AKBaYfzzdga4o-96nc-pIWvKX6qNUoR0e4sKKMXdYu5K8s69-cWdVoFytsvQexhmxfYT3fLqtGWs9pN2fHLm%7E%7EDN2sonxjgN2lHnN1fpVeTb7a81lqvx8rJgY7A0oq2kKTleaFOLKZTJhaXIl49fdEe2jcyX5N%7EZLfpeVkQkzQ-dw47gLBwV2cJN8UMJHiAp0ErMgfV3G3iBz%7EfOJgkaOnr63V-f3bEw8BJgSTiEHxsAGJf47Sm%7EeWzWR8am1R0nBQXB8ZuaJyImXFHfVuzeB9HM0pNBDfqgrKg9f17Zy27lyCBi9dw__&Key-Pair-Id=K6UGZS9ZTDSZM 1a055ea8c4a55a84ef3dd80fabee8445 PDF Text Text Latin American Cinema Amherst College – Fall 2024 Meeting times: Classroom:: Professor: Email: Office: Office hours: lunes y miércoles, 2:00-3:20 pm Chapin Hall 103 Paul A. Schroeder Rodríguez pschroeder@amherst.edu Grosvenor 10 lunes y miércoles 3:30-4:30pm y por cita previa Welcome to SPAN 330, SWAG 332, LLAS 330, FAMS 338: Latin American Cinema Still from Pataki, dir. Everlane Moraes, Cuba, 2019 What is this course about? This course is a survey of Latin American cinema. We will watch approximately one film per week and discuss them in Spanish in a small classroom setting. Throughout the course we will pay special attention to how cinematic constructions of multiple modernities are linked to different understandings of gender, race, ethnicity, sexuality, and nationality. The course will cover the following major cinematic periods: • • • • • silent cinema (1890s-1930s) studio cinema (1930s-1950s) Neorealism/Art Cinema (1950s) the New Latin American Cinema (1960s -1980s) contemporary cinema (1990s to today) �The course features workshops to help you decide on and prepare a final project from among the following options: • • • 5 - 7 minute videoessay on a Latin American film (practice audiovisual argumentation) 5-7 minute short film in Spanish, fiction or nonfiction (practice artistic creativity) 8-10 page written essay on a film or films of your choice (practice written argumentation) You will share your final projects at the end of the semester, and we will decide as a class if the presentations will be open to the public or not. How will I be evaluated? Grade breakdown: Attendance and class participation Attend three Spanish-language events Film review Lead discussion of a film Two video assignments for final project Proposal for the final project First version of the final project Second version of the final project Total 200 points 50 points (17 points each) 100 points 100 points 200 points 50 points 100 points 200 points --------------1000 points Attendance and class participation (200 points). Attendance is required for this course. Your participation grade will be based on both attendance and your involvement and engagement in the classroom discussions and activities. You are allowed one unexcused absence during the semester. Each additional unexcused absence will automatically deduct 25 points. For absences to be excused they must be supported in writing by a medical doctor, a counselor, or similar professional. One film review (100 points). The objective of this exercise is to practice synthesizing information and applying the language of film analysis (see handout “Major terms and concepts in film studies”) to a film seen during class. The review should be approximately 500 words long, or about 2 double-spaced pages. Use the following as a guide: • Identification and brief summary of the film (director or responsable, year, genre, period, and narrative summary) – approximately 150 words �• • • • • The context of production (When and where it was produced? What contemporary events help situate the film?) – approximately 50 words The film’s mode of production and mode(s) of representation (was it an industrial or artisanal production, or perhaps a combination of both? How does this affect the film’s aesthetics, narrative form, ideology, etc.?) – approximately 100 words Select one sequence that stood out to you, and discuss how its aesthetic and narrative choices affect the production of meaning – approximately 100 words Your personal assessment of the film. – approximately 100 words An appropriate title, given what you have written (it could be as simple as “Review of X”, or something more original.) You may write as many reviews as you want and I will gladly read them and give you feedback on each. For grading purposes, I will count only one review, the one with the highest grade. Presentation of a film in pairs or small groups (100 points). This includes doing a brief introduction that should cover, at a minimum, the information outlined above for the film reviews. For the Q&A, be prepared with one or two questions to ask the audience, in case they do not raise any questions. Two audiovisual assignments: We will hold in-class workshops for these low-stakes assignments designed to give you the technical skills necessary to prepare a final videoessay or short original film. You may work individually or in pairs to create these assignments. Then, during class time, we will screen these assignments and give each other constructive feedback. Audiovisual assignment #1 (100 points): Select one of several pre-selected sequences in our shared class folder, or select your own sequence, and create a 1-2 minute video that highlights two cinematographic aspects of the sequence, for example mise-en-scène, lighting, editing, voice/sound, special effects, etc. Aim to use at least three terms from the handout “Major terms and concepts in film studies.” Open with 2-4 seconds of a title sequence that reads: “Tarea audiovisual #1,” followed by a subtitle that clearly communicates your main point, and/or prepares/engages the viewer for what follows. The slide should also include the title of the film, its director, country, year of release, your name(s), and today’s date. For example: Tarea audiovisual #1 Primeros planos y voz en off en De cierta manera (Sara Gómez, Cuba, 1974) por Nombre del Estudiante 13 de octubre de 2024 �Audiovisual assignment #2 (100 points): Using the same sequence or a new one, think of what you want to say about that sequence in terms of its form and its content. Then, prepare and include a voiceover narration and at least one form of text (for example, an intertitle) that together support one main point that you are presenting. Aim to use at least three terms from the handout “Major terms and concepts in film studies.” Proposal for your final project (100 points). The written proposal for your final project will take the form of an abstract. It should be 250 to 300 words in length, and include an appropriate title, a clearly stated topic or hypothesis, a sketch of your argument, and a bibliography of at least one primary source (i.e., the film) and two secondary sources (e.g., a peer-reviewed (video)essay of the film, a theoretical essay, etc.) The objective of this exercise is to help you to think about the most important elements of your final project, and to present these in a concise form that will then guide your work. First version of the final project (100 points). This version should come close to what you have in mind for the project, so that in-class peer-reviews are more productive. Second version of the final project (200 points). We will hold a public presentation of all the final projects on the last day of classes, in Keefe Auditorium. Those who choose to write an essay for their final project will share it electronically on the same day as the presentations, and create a slideshow to illustrate the main arguments of the essay. We will decide as a class whether these presentations will be open to the public or not. Student Responsibilities • • • • • • • Come to all screenings with an open mind and something to write on. Come to all discussions having viewed and reflected on the film to be discussed, as well as having completed any assigned readings for that day. Turn off and stow away all your electronic devices during screenings and class discussion, unless we agree otherwise. Adhere to Amherst College’s Honor Code at all times. This includes plagiarism, a form of theft that consists of using citations or ideas from others without properly acknowledging the source. Please take a few minutes to do the online tutorial on plagiarism at http://www.lib.usm.edu/plagiarism_tutorial/, and review the list of previous sanctions at Amherst College, posted at https://www.amherst.edu/offices/student-affairs/community-standards/csrbprecedents/ir-and-plagiarism-precendents/node/668841 If you need special accommodations, please see me as soon as possible to arrange them. If you must miss a class or a screening, regardless of the reason, try to communicate with a classmate about what you missed, and contact me afterwards for any additional questions or concerns. �• Silence and stow away all your electronic devices during class. Laptops may only be used for special class activities. This means you should use a notebook for taking notes during screenings and during class discussions. The reason for this is that writing things by hand helps to process and retain information better than typing does. (For the evidence, see: Ose Askvik, Eva; van der Weel, F. R. (Ruud); and van der Meer Audrey L. H., “The Importance of Cursive Handwriting Over Typewriting for Learning in the Classroom: A High-Density EEG Study of 12-Year-Old Children and Young Adults”, Frontiers in Psychology 11 (2020), https://www.frontiersin.org/journals/psychology/articles/10.3389/fpsyg.2020.0181 0.) Required Texts: Schroeder Rodríguez, Paul A. Una historia comparada del cine latinoamericano, trad. Juana Suárez. Madrid: Iberoamericana-Vervuert (2020). Notifications regarding the availability of the textbook will be sent from customerservice@efollett.com. Textbook distribution is at the Alumni House from Aug. 27 through Sept. 13, Monday through Friday, from 10 a.m. to 4 p.m. Frost Library has print and electronic copies of the English-language version of the text, Latin American Cinema. You may refer to this version if you’re not sure about what the Spanish-language version is saying. All of the films will be screened during class and be available in Moodle or as hyperlinks in the calendar below.. Also required: a paper notebook and pencil or pen to write with. Course Resources The Writing Center. An invaluable resource for help on your papers, located at 101 Charles Pratt Hall. They can help with thesis development, structure, and incorporating evidence, as well as with public speaking. Office of Information Technology (IT). Staff from IT will lead in-class workshops for the two low-stakes video-graphic assignments. They will also be available outside of class by appointment, for additional help with these two assignments, and with the final videoessay or original film for those who choose either of these as their final project. �Calendar Date Before class During class Wednesday, Sept. 4 n/a · Actividades para conocernos · Repasar el syllabus · Describir una secuencia con el Esquema de conceptos para el estudio del cine Taller: cómo usar tu celular para crear un video de un minuto. Monday, Sept. 9 Tarea: ir preparando un video de un minuto sobre tu realidad. Objetivo de la tarea: Explorar cómo la realidad no se accede directamente, sino que siempre está mediada. Wednesday, Sept. 11 Subir los videos de 1 minuto de tu realidad aquí. Leer: Una historia comparada del cine latinoamericano, pp. 81-83 y 88-100. Proyección de ¡Que viva México! (dir. Sergei Eisenstein, México, 1931, 1:27) Discutir ¡Que viva México! Repasar Esquema de conceptos para el estudio del cine para escribir una reseña del episodio de “Maguey". Ver y discutir los videos sobre tu realidad. �Monday, Sept. 16 El lunes nos acompañará el director Mapuche Francisco Huichaqueo Pérez. Ver su película Kümü: https://vimeo.com/793352386/1c6f720605 Conversatorio con Francisco Huichaqueo Pérez por Zoom. Leer: Schroeder Rodríguez, Paul A., et. al. “Cine comunitario en Abiayala: una práctica del buen convivir” (borrador) Wednesday, Sept. 18 Monday, Sept. 23 Wednesday, Sept. 25 n/a Leer: Proyección de María Candelaria (dir. Emilio Fernández, México, 1943, 1:37) Discutir María Candelaria Una historia comparada del cine latinoamericano, pp. 111-121 y 151-160. n/a Proyección de Los olvidados (dir. Luis Buñuel, México, 1950, 1:16) �Monday, Sept. 30 Leer: Discutir Los olvidados Una historia comparada del cine latinoamericano, pp.191-208. Wednesday, October 2 Monday, October 7 Wednesday, October 9 Monday, October 14 Proyección de Roma (Alfonso Cuarón, México, 2018) Leer: Una historia comparada del cine latinoamericano, pp. 17-35 y 427-432. Escoger una secuencia para el videotaller #1 Visita de Luisela Alvaray a la clase. Charla de Luisela Alvaray en el CHI a las 4:30pm Taller Videotarea #1 October break �Wednesday, October 16 n/a La clase de hoy no será a la hora regular sino que será una proyección de Febre (Maya Da-Rin, Brazil, 2019) seguido de un Q&A con Paul Schroeder Rodríguez y Manuela Picq a las 19h, en Pruyne Hall (Fayerweather 115). Monday, October 21 n/a Taller audiovisual #2 Wednesday, October 23 Monday, October 28 Wednesday, October 30 Proyección de Araya (dir. Margot Benacerraf, Venezuela, 1:22) Leer: Discutir Araya Una historia comparada del cine latinoamericano, pp. 240-244. n/a Proyección de De cierta manera (dir. Sara Gómez, Cuba, 1976, 1:15) �Discutir De cierta manera Monday, November 4 Leer: Una historia comparada del cine latinoamericano, pp. 293-295. Wednesday, November 6 n/a Proyectar Pattaki y discutirla. Monday, November 11 Proyectar algunos cortos del Colectivo los Ingrávidos y discutirlos. Wednesday, Nov. 13 Taller trabajos finales Taller trabajos finales Monday, November 18 Wednesday, November 20 No voy a estar en clase porque estaré en Wellesley College. Taller trabajos finales �Thanksgiving Break Monday, December 2 Taller trabajos finales Wednesday, December 4 Taller trabajos finales Monday, December 9 Presentaciones finales Wednesday, December 11 Presentaciones finales Pre-selected sequences: Secuencias para los talleres: 1. ¡Que viva México! – digging their own graves - 01:14:00 – 01:17:09 2. Opening sequences in ¡Que viva México! (00:05:11- 00:07:35) and María Candelaria 00:02:13-00:02:37 3. Los olvidados – Pedro’s dream – 00:27:50 – 00:31:00 4. Deus e o Diabo na Terra do Sol – final sequence – 01:57:20 – 01:58-50 5. Frida, naturaleza viva – opening sequence – 00:04:14 – 00:07:14 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Syllabi Syllabus Title / Título (Original) A name given to the resources. El nombre original del recurso. Latin American Cinema Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. This course is a survey of Latin American cinema. We will watch approximately one film per week and discuss them in Spanish in a small classroom setting. Throughout the course we will pay special attention to how cinematic constructions of multiple modernities are linked to different understandings of gender, race, ethnicity, sexuality, and nationality. The course will cover the following major cinematic periods: <ul class="ul1"><li class="li3">silent cinema (1890s-1930s)</li> <li class="li3">studio cinema (1930s-1950s)</li> <li class="li3">Neorealism/Art Cinema (1950s)</li> <li class="li3">the New Latin American Cinema (1960s -1980s)</li> <li class="li2">contemporary cinema (1990s to today)</li> </ul> Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Chile Cuba Mexico / México Venezuela Region / Región The broad geographic region covered in the resource. La región geográfica general cubierta en el recurso. Abya Yala / Indigenous Americas Latin America / Latinoamérica Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Silent Cinema / Cine mudo Studio Cinema / Cine clásico de estudio New Latin American Cinema / Nuevo Cine Latinoamericano Contemporary / Contemporáneo Films taught / Películas <div id="syllabus-item-type-metadata-films-taught--pelculas" class="element"> <div class="element-text"><a href="https://cinegogia.omeka.net/items/show/109">Araya</a> <a href="https://cinegogia.omeka.net/items/show/270">De cierta manera</a> <a href="https://cinegogia.omeka.net/items/show/403">Deus e o Diabo na Terra do Sol</a> Febre <a href="https://cinegogia.omeka.net/items/show/707">Frida, naturaleza viva</a> <a href="https://cinegogia.omeka.net/items/show/114">Maria Candelaria</a> <a href="https://cinegogia.omeka.net/items/show/271">Los olvidados</a> <a href="https://cinegogia.omeka.net/items/show/112">¡Que viva México!</a> <a href="https://cinegogia.omeka.net/items/show/471">Roma</a></div> </div> <div id="syllabus-item-type-metadata-creator--creadora" class="element"></div> Creator / Creador(a) The individual who created and contributed the resource. La persona que creó o publicó el recurso. Paul A. Schroeder Rodríguez, Amherst College Copyright / Derechos de propiedad Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso. Attribution - NonCommercial Related Course Materials / Materiales relacionados Add links to any related course materials (instructions for essays, exams, etc.). Be sure to add as HTML and check the hyperlink when it is live. <a href="https://cinegogia.omeka.net/items/show/35">Esquema de conceptos para el estudio de cine</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Latin American Cinema Description An account of the resource This course is a survey of Latin American cinema. We will watch approximately one film per week and discuss them in Spanish in a small classroom setting. Throughout the course we will pay special attention to how cinematic constructions of multiple modernities are linked to different understandings of gender, race, ethnicity, sexuality, and nationality. The course will cover the following major cinematic periods: <ul class="ul1"><li class="li3">silent cinema (1890s-1930s)</li> <li class="li3">studio cinema (1930s-1950s)</li> <li class="li3">Neorealism/Art Cinema (1950s)</li> <li class="li3">the New Latin American Cinema (1960s -1980s)</li> <li class="li2">contemporary cinema (1990s to today)</li> </ul> https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0d6787549eec1b7cfc692db663f27e5e.jpg?Expires=1779926400&Signature=RP7S9W4qJU41GvEYzjZ4KlXxDjzWOhp9aJ4cUAYYRS6BcMLV%7EYenVjggwrowDYEjcPK7SxiuuIWqi9cRPCGLkDdzSP2FQiGw81%7E7gOdSD1cKzfRjfYUkxAS92nUuGSBKlawrJVndSa8H44SnWmF706dLQPqSOrivcPEHyCbfM1UUvY2F7Nct8dKQTxX5%7ExCCkReI0fCiUzC106iBVtUpkJFQeCXZLbKQW8lOCR11jH4xgdxP01N8%7EdtNptrEFJNQMM003AyPOBtHQoVjfIczz%7E%7EMaJXaLPytMXp4iEiafAApNbDy2rGEEl8gvV7yoQi3xX%7E0swhvbqA0k4ufY5jT-g__&Key-Pair-Id=K6UGZS9ZTDSZM fa352303b02ec053b0b6f52f0bfaab4d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El espinazo del diablo Title The Devil's Backbone Director The director of the film. El/La director/a de la película. Guillermo del Toro Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2001 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Horror films / cine de horror Drama Thrillers / thriller; cine de suspenso Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Authoritarianism / Autoritarismo Nationalism / Nacionalismo Political violence / Violencia política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. El Deseo (Spain) Tequila Gang (Mexico) Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Spain / España Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Esta historia, ambientada durante los últimos días de la Guerra Civil, tiene lugar en el orfanato Santa Lucía, un impresionante edificio de piedra situado en una meseta desolada. Carlos, un niño de 12 años, se enfrenta al escalofriante lugar ya que su tutor no puede hacerse cargo de él. Nada más llegar, el niño notará la presencia de un ser extraño. Poco a poco, Carlos descubre que esa misteriosa presencia corresponde a un niño asesinado brutalmente en el pasado, cuyo fantasma vaga sin rumbo por el orfanato... (<a href="https://www.sensacine.com/peliculas/pelicula-33420/" target="_blank" rel="noreferrer noopener">Sensa Cine</a>) Coming on the heels of Cronos and Mimic, The Devil’s Backbone, Del Toro’s third feature, feels more like his first, thanks to the creative freedom he enjoyed making the film, which he considers among his best. After losing his father in the Spanish Civil War, Carlos (Fernando Tielve) is placed in an orphanage haunted by a ghost. When gold is revealed to be hidden on the grounds, the orphanage doctor (Federico Luppi) and a band of children must defend themselves against Jacinto, the corrupt caretaker (Eduardo Noriega) who will stop at nothing to have it for himself. Naturally, the ghost, looming ominously in the background, intervenes in the proceedings in a memorable way. Del Toro’s auteurist vision comes to the fore here, as we encounter the symbols and character types that are often repeated in his later work. Notably, the Jacinto character can be seen as the inspiration for Stanton Carlisle (Bradley Cooper) in Nightmare Alley, and the ghost’s embrace of a character underwater introduces a visual motif that is most notably seen again in The Shape of Water. (<a href="https://www.moma.org/calendar/events/8410" target="_blank" rel="noreferrer noopener">MOMA Film Series Event</a>) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El espinazo del diablo Description An account of the resource Esta historia, ambientada durante los últimos días de la Guerra Civil, tiene lugar en el orfanato Santa Lucía, un impresionante edificio de piedra situado en una meseta desolada. Carlos, un niño de 12 años, se enfrenta al escalofriante lugar ya que su tutor no puede hacerse cargo de él. Nada más llegar, el niño notará la presencia de un ser extraño. Poco a poco, Carlos descubre que esa misteriosa presencia corresponde a un niño asesinado brutalmente en el pasado, cuyo fantasma vaga sin rumbo por el orfanato... (<a href="https://www.sensacine.com/peliculas/pelicula-33420/" target="_blank" rel="noreferrer noopener">Sensa Cine</a>) Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/ec79904be57f7b29152dede845438c44.jpg?Expires=1779926400&Signature=cbUQbsrIMsO-McbRcCt%7EHVYl4dMM466ClE9KwYeZ5li2HnM4N6z0aG8hEUwH-Ga%7ELd4MHD-nt4YXrjjpKhw3eXgIIhS-tShspuON9xkn5vwyqwwAPAxXjD6khYGe%7EWpjDG7GByar44WU7IFVFwvLubcMAPbZ-XjJ92YcbwGrl4juXKSaPGGOiXcWFm2Iw7tlPTsUfpNuLV2HK-3GU3jPGPf3YmPJdoPuBz%7E5hnxF7ZFM8nzNMOhkTvgXNcgu2UP2luSX%7EWZJR5td2-nev9W8cZs-lRb3QgkL0ZPz6bAFZYowbY7MJMSsEVbHs8kFzEg09XPd44jhgCc1vN4MY0Iy8w__&Key-Pair-Id=K6UGZS9ZTDSZM 6a720b6ef3cdd851f5719f0fbacb8a95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La vida es silbar Title Life is to Whistle Director The director of the film. El/La director/a de la película. Fernando Pérez Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1998 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Instituto Cubano del Arte e Industrias Cinematográficas - ICAIC (Cuba) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Bebé, una joven de 18 años relatará la vida de personas en La Habana: Mariana, una joven bailarina ninfómana; Julita, una mujer madura que oculta un secreto de su pasado y Elpidio, un joven mulato inadaptado que fue abandonado por su madre. (<a href="https://www.premiosgoya.com/pelicula/la-vida-es-silbar/" target="_blank" rel="noreferrer noopener">Premios Goya</a>) Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss. (<a href="http://cinelatinoamericano.org/" target="_blank" rel="noreferrer noopener">Portal del cine y audiovisual latinoamericano y caribeño</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Experimental Films / Cine experimental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/948">https://cinegogia.omeka.net/items/show/948</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La vida es silbar Description An account of the resource Bebé, una joven de 18 años relatará la vida de personas en La Habana: Mariana, una joven bailarina ninfómana; Julita, una mujer madura que oculta un secreto de su pasado y Elpidio, un joven mulato inadaptado que fue abandonado por su madre. (<a href="https://www.premiosgoya.com/pelicula/la-vida-es-silbar/" target="_blank" rel="noreferrer noopener">Premios Goya</a>) Afro-Cuban / afro-cubano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/fd683c70c5b53ce59648f87b2d7c6efa.png?Expires=1779926400&Signature=Z6K3EYLAcdnOteA4XtHoc6pSdgmUfltPzjFzCRk5JIXU5oWhIPJtid8Sy2fiKU2lfQOLlOVqgvMaXoDhhHgstfaKDNLqXN8zOLFMBlECVee9r14aWg5m6WltFyf%7E7P8xeleUl88a6ZNE9r6Raj%7ElDE7NZJlqJiV1p3DZzHHsYsZdaAHsv-dbUfgkAQwzToKPzbwAoVhrsa7cmcj6tX%7EdRaEGIy7SkDrbYroSXizlone0WoIDQbOqpsHhCUlxWXoZz4TCCxE6kq4ujbprSNs-bZPD8vGXYkP6JkVFEHRz2kw%7ELIbtwYiLf8tQjcyNfvvac3XmA5gONwtRql-nYaKCxA__&Key-Pair-Id=K6UGZS9ZTDSZM ad83b935addbc47bc4bcd8513f66b8c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. O que é isso companheiro Title Four Days in September Director The director of the film. El/La director/a de la película. Bruno Barreto Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1997 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués English / inglés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Produçoes Cinematográficas Luiz Carlos Barreto (Brazil) Columbia Pictures do Brasil (Brazil) Filmes do Equador Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. O jornalista Fernando (Pedro Cardoso) e seu amigo César (Selton Mello) abraçam a luta armada contra a ditadura militar no final da década de 60. Os dois alistam num grupo guerrilheiro de esquerda. Em uma das ações do grupo militante, César é ferido e capturado pelos militares. Fernando então planeja o sequestro do embaixador dos Estados Unidos no Brasil, Charles Burke Elbrick (Alan Arkin), para negociar a liberdade de César e de outros companheiros presos. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) El periodista Fernando (Pedro Cardoso) y su amigo César (Selton Melio) apoyan la lucha armada contra la dictadura militar al final de la década de los 60. Los dos se unen a un grupo guerrillero de izquierda. En una de las acciones del grupo militante, César es herido y capturado por los militares. Entonces Fernando planea el secuestro del embajador de los Estados Unidos en Brasil, Charles Burke Elbrick (Alan Arkin), para negociar la libertad de César y los otros compañeros presos. (Traducido por Éowyn Bailey) Journalist Fernando (Pedro Cardoso) and his friend César (Selton Melio) embrace the armed resistance against the military dictatorship at the end of the 1960s. They both join a leftist guerrilla group. During one of the militant group's attacks, César is hurt and captured by the military. Fernando then plans the kidnapping of Charles Burke Elbrick (Alan Arkin), the United States ambassador to Brazil, in order to negociate the release of César and the other imprisoned comrades. (Translated by Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Historical films / cine histórico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Authoritarianism / Autoritarismo Politics / La política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor YouTube: <a href="https://www.youtube.com/watch?v=3FqB35BLt8I" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=3FqB35BLt8I</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O que é isso companheiro Description An account of the resource O jornalista Fernando (Pedro Cardoso) e seu amigo César (Selton Mello) abraçam a luta armada contra a ditadura militar no final da década de 60. Os dois alistam num grupo guerrilheiro de esquerda. Em uma das ações do grupo militante, César é ferido e capturado pelos militares. Fernando então planeja o sequestro do embaixador dos Estados Unidos no Brasil, Charles Burke Elbrick (Alan Arkin), para negociar a liberdade de César e de outros companheiros presos. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/9e74627a375be82778b2fe798af0ad6c.png?Expires=1779926400&Signature=O555HvR29j1l9dMoUFwCwLa%7EkAjJX-ptp6DJn1diN28JrspwAGJYRAv10p2NH2ISSfjv9XW%7EDcoFPcxe9pkE2-j%7EbILuqaVbcqEwhu%7ESFhGcPpd8MEeAnH8xLWbfxx2M-DPYatxKA4scv6jKKcq8HZcJ1cK3N5OhQZMnh7XxRLEnMT75ZXyLJDv9Seu%7Eg532lw9Z-OJRrtC7Jn4xev68QNEE4qdgL0i1nKXqRW962Q%7EAOvYPcy84q6CoWHH0Q0iZZjuVJVTJ-o%7EBXLmgzvSRtfn-tkRFDXaZ4H-H6iGd3hc5VzWYXGohoh85AUFymVfpjmDekr0O%7ESoidIjmT1ayfA__&Key-Pair-Id=K6UGZS9ZTDSZM 9f7674ef354b7098afdd23721576bc1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El Libertador Title The Liberator Director The director of the film. El/La director/a de la película. Alberto Arvelo Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2014 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Venezuela Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Producciones Insurgentes San Mateo Films Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Starring Édgar Ramírez, The Liberator narrates the story of Simón Bolívar, who fought over 100 battles against the Spanish Empire in South America. He rode over 70,000 miles on horseback. His military campaigns covered twice the territory of Alexander the Great.  His army never conquered -  it liberated. (<a href="https://pragda.com/films/" target="_blank" rel="noreferrer noopener">Pragda</a>) Protagonizado por Édgar Ramírez, El Libertador narra la historia de Simón Bolívar, quien emprendió más de 100 batallas contra el imperio español en Suramérica. Montó a caballo por más de 70.000 millas. Sus campañas militares cubrieron doble el territorio de Alejandro Magno. Su ejercicio nunca conquistó sino que liberó. (Traducido por Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Historical films / cine histórico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Nationalism / Nacionalismo Revolution / Revolución Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El Libertador Description An account of the resource Starring Édgar Ramírez, The Liberator narrates the story of Simón Bolívar, who fought over 100 battles against the Spanish Empire in South America. He rode over 70,000 miles on horseback. His military campaigns covered twice the territory of Alexander the Great.  His army never conquered -  it liberated. (<a href="https://pragda.com/films/" target="_blank" rel="noreferrer noopener">Pragda</a>) War Films https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/b3b83ddb94a8f58023c3544df760a87c.png?Expires=1779926400&Signature=q0JdcCLz7Og-dANiHE%7E33nVJWjdzXcfABKgzLFgb0dz00zZi7zducv3VwUOGzNmPPKLTe2InQqz2fty84acrcA%7EYbErcauaxNm0bx2xZwWxyD1r5jcFq9fd7YYTPKpzgeAUGU91gePWX0tFwxZznt7%7ENNXIiZXQJn6C1kTFI1K3nfPeE%7ESHwaFfzrW24gJa8Pfpid9kLgASC4Gt0EBRanAyVnmknHxefAoCMeyCtPqEWHf1P5mxBghT4fTO7nsV0%7EJn6Dh0lRa3bz9XOZfx6dTjobE%7EeKrmZx-6vNGAMq%7E3MFRYqW7G51aU%7EQaPuwTwOeQoWRC7Z29NANLm9NA6fig__&Key-Pair-Id=K6UGZS9ZTDSZM 410d910bcb03baa9bf966af8d1a9bd29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. O contador de histórias Title The Storyteller Director The director of the film. El/La director/a de la película. Luiz Villaça Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2009 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Ramalho Filmes Nia Filmes Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Anos 70. Aos 6 anos Roberto Carlos Ramos (Marco Ribeiro) foi escolhido por sua mãe (Jú Colombo) para ser interno em uma instituição oficial que, segundo apregoava a propaganda, visava a formação de crianças em médicos, advogados e engenheiros. Entretanto a realidade era bem diferente, o que fez com que Roberto aprendesse as regras de sobrevivência no local. Pouco depois de completar 7 anos ele é transferido, passando a conviver com crianças até 14 anos. Aos 13 anos, ainda analfabeto, Roberto tem contato com as drogas e já acumula mais de 100 tentativas de fuga. Considerado irrecuperável por muitos, Roberto recebe a visita da psicóloga francesa Margherit Duvas (Maria de Medeiros). Tratando-o com respeito, ela inicia o processo de recuperação e aprendizagem de Roberto. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) Los años 70. A los seis años, Roberto Carlos Ramos (Marco Ribeiro) es enviado por su madre (Jú Colombo) a una institución del estado que, según la propaganda, aspira a convertir los niños en médicos, abogados e ingenieros. Sin embargo, la realidad es muy diferente en este lugar, y Roberto tiene que aprender a sobrevivir allí. Poco después de cumplir siete años es transferido y empieza a convivir con niños que tienen hasta 14 años. Ya a los 13 años, todavía analfabeto, Roberto ha sido expuesto a las drogas y ha tratado de escapar más de 100 veces. Considerado un caso perdido por muchos, Roberto recibe una visita de la psicóloga francesa Margherit Duvas (Maria de Medeiros). Tratando a Roberto con respeto, ella inicia su proceso de recuperación y aprendizaje. (Traducido por Éowyn Bailey) The 70s. Six-year old Roberto Carlos Ramos (Marc Ribeiro) is sent by his mother (Jú Colombo) to an official institution which, according to its propaganda, aspires to convert children into doctors, lawyers and engineers. However, the reality is very different, and Roberto is forced to learn how to survive. Shortly after turning seven, he is transferred to live with other children up to 14 years old. At 13, still illiterate, Roberto has already been exposed to drugs and has tried to escape more than 100 times. Considered a lost cause by many, Roberto receives a visit from French psychologist Margherit Duvas (Maria de Medeiros). Treating Roberto with respect, she begins his recovery and education process. (Translated by Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Identity / Identidad Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor YouTube: <a href="https://youtu.be/kRJwQg-oavc?feature=shared" target="_blank" rel="noreferrer noopener">https://youtu.be/kRJwQg-oavc?feature=shared</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O contador de histórias Description An account of the resource Anos 70. Aos 6 anos Roberto Carlos Ramos (Marco Ribeiro) foi escolhido por sua mãe (Jú Colombo) para ser interno em uma instituição oficial que, segundo apregoava a propaganda, visava a formação de crianças em médicos, advogados e engenheiros. Entretanto a realidade era bem diferente, o que fez com que Roberto aprendesse as regras de sobrevivência no local. Pouco depois de completar 7 anos ele é transferido, passando a conviver com crianças até 14 anos. Aos 13 anos, ainda analfabeto, Roberto tem contato com as drogas e já acumula mais de 100 tentativas de fuga. Considerado irrecuperável por muitos, Roberto recebe a visita da psicóloga francesa Margherit Duvas (Maria de Medeiros). Tratando-o com respeito, ela inicia o processo de recuperação e aprendizagem de Roberto. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/ca967376b9da1ab7f1e930f2181da902.png?Expires=1779926400&Signature=ORNejPVNInxqceaoH5RsRtAiKw9lTpVRGKDjAScT1xHclkb72Z9IukVrCYsRIjFQz6QELfFeFgLWdyC23Yysf77Np4P3uJysNJxw-FWplrunzk5aDrceVMLWaKwxB0lMEepVRxmU4QA%7EqRSNRuEGVSDwtG9XoQru1Tv5meErLIYI3Vz5M14B78ZpHJKj%7E1jcL7JHkP6VH2UP47AO-oXenVlqK5GE4O2ie2Pkp8X6vPeLbls3AZ9b8fvP5skHSTdD0ptC1tTxVdwNgohYzAOFKodJLbAq59jqYAmpA0C01yO3frTkcUrGEUbBTHWBmB2fnshPb9CrqTOSoQkSRMcfOw__&Key-Pair-Id=K6UGZS9ZTDSZM ac8c4a4ea3f140748a8ba6f2f5948372 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Rio 2096: Uma História de Amor e Fúria Title Rio 2096: A Story of Love and Fury Director The director of the film. El/La director/a de la película. Luiz Bolognesi Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2013 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Buriti Filmes Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Rio 2096: A Story of Love and Fury is an animated film about Abeguar, an immortal Tupinambá hero, who has been in love with Janaína for 600 hundred years. While narrating their love story, he recounts Brazil’s history of colonization, slavery and the Brazilian military regime, before describing the future, in 2096, when a war for water occurs. (Film synopsis by Éowyn Bailey) Rio 2096: Una historia de amor y furia es una película animada que cuenta la historia de Abeguar, un héroe inmortal tupinambá que ha estado enamorado de Janaína durante 600 años. Mientras narra su historia de amor, recuenta la historia de la colonización, la esclavitud y el régimen militar en Brasil, antes de describir una futura guerra por el agua que ocurrirá en 2096. (Resumen de Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Animated films / cine de animación Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Authoritarianism / Autoritarismo Indigenous peoples / Pueblos indígenas Memory / Memoria Slavery / Esclavitud Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor YouTube: <a href="https://www.youtube.com/watch?v=USq6wiWu2SA" target="_blank" rel="noreferrer noopener">https://www.youtube.com/watch?v=USq6wiWu2SA</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rio 2096: Uma História de Amor e Fúria Description An account of the resource Rio 2096: A Story of Love and Fury is an animated film about Abeguar, an immortal Tupinambá hero, who has been in love with Janaína for 600 hundred years. While narrating their love story, he recounts Brazil’s history of colonization, slavery and the Brazilian military regime, before describing the future, in 2096, when a war for water occurs. (Film synopsis by Éowyn Bailey) Tupinambá / Tupi https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/62883fff1472a1e0b1bcde6b8b5339f6.png?Expires=1779926400&Signature=cLTTPOLHfXLEAkgIp8VaSbTOk5bL646D7zlU7%7EaJg1py1tiQXTv-aDI9%7EH2fbQ4hDNmtdqrnIt3co-aVcITw4p2oJNeJ-u%7EJqhdfArFA2m-Hgi1z39GctxS-SCqpK-ngEPVDF6IFBHZk98-00aKTJJ8xMGo-zmRaX1qQc5aJtrc7Am1gH8djpEWlv09LQ%7EAmq8rcFEZXvLRCNZ%7Emzw3I9DVjynMRtye5EokxmRzsHF1FGzRSnNquv7-LUnoUfE4mvqtrzpnRjXk5s-j%7E%7E46ueX3FDj8LVKsM8auyxjdQX%7EuDHpEWGz54y6DI%7EyHGSCybHo%7EFDgATNEZMC6InhUMdOw__&Key-Pair-Id=K6UGZS9ZTDSZM e8949b5f3cfa96c42c74da028d064b87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Bakosó: AfroBeats of Cuba Director The director of the film. El/La director/a de la película. Eli Jacobs-Fantauzzi Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba U.S. Latino Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Clenched Fist Productions Guampara Films Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. What does "Está Rico" by Marc Anthony, Will Smith & Bad Bunny have in common with "Made For Now" by Janet Jackson x Daddy Yankee? They both high-jacked AfroBeats and did not give the genre's origin props. Bakosó is a film that does the opposite, following DJ Jigüe to his hometown of Santiago de Cuba to find inspiration from the new sounds. He finds Afrobeats has helped create a new genre called Bakosó, which itself is beautiful proof that the exchange between Cuba and Africa did not end with the Transatlantic slave trade. Through stunning visuals and a score created by the founders of the genre, the film shows the technology, culture and landscape that shape this African-Caribbean fusion. (<a href="https://worldchannel.org/episode/bakoso-afrobeats-cuba-gfeqri/" target="_blank" rel="noreferrer noopener">WORLD Channel</a>) ¿Qué tienen en común la canción "Está Rico" de Marc Anthony, Will Smith y Bad Bunny, y "Made For Now" de Janet Jackson y Daddy Yankee? Ambas se apropiaron de Afrobeats sin dar crédito al origen del género. Bakosó es una película que hace lo contrario, siguiendo a DJ Jigüe a su ciudad natal de Santiago de Cuba para inspirarse en los sonidos nuevos. Encuentra que estos ritmos han ayudado a crear un género nuevo conocido como Bakosó, una hermosa prueba que el intercambio cultural entre Cuba y África no terminó con el comercio transatlántico de esclavos. A través de elementos visuales deslumbrantes y una banda sonora creada por los fundadores del Bakosó, esta película muestra la tecnología, la cultura y el paisaje que moldearon esta fusión musical afrocaribeña. (Traducido por Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Music / La música Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <iframe width="560" height="315" src="https://www.youtube.com/embed/ZgR7N8zXdrE?si=8yKZ5MTauv3ZhIHl" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bakosó: AfroBeats of Cuba Description An account of the resource What does "Está Rico" by Marc Anthony, Will Smith & Bad Bunny have in common with "Made For Now" by Janet Jackson x Daddy Yankee? They both high-jacked AfroBeats and did not give the genre's origin props. Bakosó is a film that does the opposite, following DJ Jigüe to his hometown of Santiago de Cuba to find inspiration from the new sounds. He finds Afrobeats has helped create a new genre called Bakosó, which itself is beautiful proof that the exchange between Cuba and Africa did not end with the Transatlantic slave trade. Through stunning visuals and a score created by the founders of the genre, the film shows the technology, culture and landscape that shape this African-Caribbean fusion. (<a href="https://worldchannel.org/episode/bakoso-afrobeats-cuba-gfeqri/" target="_blank" rel="noreferrer noopener">WORLD Channel</a>) Afro-Cuban / afro-cubano Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas Afro-Latinx / afro-latino https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/02d8d051f197b3b6606184771eead5e0.png?Expires=1779926400&Signature=M2XAI6nbSpT0rFQ-HbRdx%7EQ3HSGaxXnaxgPtuIdlDh5jrs6%7EjPWyqKDHYwqn1LK0g1fKFmDOmJp0b6gJx%7EnSkn%7Exp5Vfpgh1gRSDvQ2E9mRHaoOlzRICM78B5fImXEigFZkbz59R28hM%7EjlvBj38ngFXweuEFAsG7cU1Tf3MxeAVUiC-NnnSq4NtNLs0CodXPP-UYqDGeoiSwC12fy53BMU-Uda7ItA4hksPe9VpPPpAE6mEYelK0Qhr9Puw-2RRHlc%7E4CEFWLSsppCmGRUa5I74dgJ%7Ei87Ikv6p7pi130YsHB%7EmHGB2GUSjgOHOoTMCt0GKE1cBj2tpIokgHin%7E2g__&Key-Pair-Id=K6UGZS9ZTDSZM 78285b434f4253fdabd6098e625d0bcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Silvestre Pantaleón Director The director of the film. El/La director/a de la película. Roberto Olivares Ruiz Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2011 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Ojo de Agua Comunicación (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Silvestre Pantaleón es la historia de la lucha cotidiana de un anciano del pueblo Nahua de San Agustín Oapan, Guerrero, por conseguir el dinero necesario para que le hagan una ceremonia de curación: "Levantamiento de sombra". Para conseguirlo, Don Silvestre hace lo único que sabe hacer y que quizá sólo él hace hoy en día: producir objetos tanto de uso cotidiano como religioso con la fibra de maguey y la palma. (<a href="https://ojodeaguacomunicacion.org/silvestre-pantaleon/" target="_blank" rel="noreferrer noopener">Ojo de Agua Comunicación</a>) Silvestre Pantaleón is the story of an elderly man from the Nahuatl-speaking village of San Agustín Oapan, Guerrero, who struggles to earn the money needed for a healing ceremony known as "Shadow lifting." In order to pay for the ceremony, Don Silvestre does the only thing he knows how: create handcrafted objects out of maguey and palm tree fibers for daily and religious use. (Translation by Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Religion & Spirituality / Religión & Espiritualidad Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <iframe width="640" height="360" src="https://player.vimeo.com/video/298483643?h=c3ecfaef52&title=0&byline=0&portrait=0" frameborder="0" allowfullscreen="allowfullscreen"></iframe> <a href="https://vimeo.com/298483643">Silvestre Pantaleón English subtitles.</a> from <a href="https://vimeo.com/ojodeaguacomunicacion">Ojo de Agua Comunicación</a> on <a href="https://vimeo.com">Vimeo</a>. También disponible con subtítulos en español: <a href="https://vimeo.com/104928410" target="_blank" rel="noreferrer noopener">https://vimeo.com/104928410</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Silvestre Pantaleón Description An account of the resource Silvestre Pantaleón es la historia de la lucha cotidiana de un anciano del pueblo Nahua de San Agustín Oapan, Guerrero, por conseguir el dinero necesario para que le hagan una ceremonia de curación: "Levantamiento de sombra". Para conseguirlo, Don Silvestre hace lo único que sabe hacer y que quizá sólo él hace hoy en día: producir objetos tanto de uso cotidiano como religioso con la fibra de maguey y la palma. (<a href="https://ojodeaguacomunicacion.org/silvestre-pantaleon/" target="_blank" rel="noreferrer noopener">Ojo de Agua Comunicación</a>) Indigenous filmmaking / producciones indígenas Nahuatl / náhuatl https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c550cc5ea78682f071dceb6e292f3214.png?Expires=1779926400&Signature=WI0pLD7e3FKwVxxUxa4zxELFCc%7E67D5zRYO1xJaGMH4F68VKRcwADeDn2lbtS8x4uHncspUYvu7jGm3oGN6p1tdFPfOdkeKR%7EuzWJ4LRlqJjnxsrRJ%7EvKEfkODckqlI1yhoeVoAftiLHA2167f6YEnAwCEDRaRL%7EqS6Ui%7E%7EsRZmQaYKIKW%7ExQrl9v9eMy3z7ChZG6L9MupdUBYMbF-xlR%7EJcnCG2nmCbl%7EnKhztuJBDH3QrO%7EGlKJzgrwbwnddVshrf1ItBy4DSDJEeoQVRPD7zNIbS2EITkEys6eqHD-vx3N4JXeAgVZR0lS02bWR5ZIYvxSwf0VFYYeTtcWYo3DA__&Key-Pair-Id=K6UGZS9ZTDSZM d2f2c72f1bf93dc0da6476e25df8f0e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. José Director The director of the film. El/La director/a de la película. Li Cheng Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Guatemala Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. José lives with his mother in Guatemala City, where, dominated by conservative Catholic and Evangelical Christian religion, living one’s life as an openly gay man is hard for José to imagine. His mother has never had a husband and is determined to hold on to him. José fills his free time with dating apps, but when he meets attractive and gentle Luis, they pursue an unexpected relationship with more emotion than José has ever felt. He is thrust into new passion and pain, and self-reflection, that push him to rethink his life. (<a href="https://strandreleasing.com/films/jose/" target="_blank" rel="noreferrer noopener">Strand Releasing</a>) José vive con su madre en la Ciudad de Guatemala. Dominado por las religiones conservadoras del catolicismo y el cristianismo evangélico, es difícil imaginarse la vida como un hombre abiertamente homosexual. Su madre nunca ha tenido un marido y está decidida a no dejar ir a su hijo. José pasa su tiempo libre en las apps de citas, pero al conocer al atractivo y amable Luis, se encuentra en una relación emocional inesperada. Esta nueva relación de pasión lo lleva al dolor y a la reflexión, forzándole a reconsiderar su vida. (Traducido por Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. LGBTQ people / Personas LGBTQ Relationships / Relaciones Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource José Description An account of the resource José lives with his mother in Guatemala City, where, dominated by conservative Catholic and Evangelical Christian religion, living one’s life as an openly gay man is hard for José to imagine. His mother has never had a husband and is determined to hold on to him. José fills his free time with dating apps, but when he meets attractive and gentle Luis, they pursue an unexpected relationship with more emotion than José has ever felt. He is thrust into new passion and pain, and self-reflection, that push him to rethink his life. (<a href="https://strandreleasing.com/films/jose/" target="_blank" rel="noreferrer noopener">Strand Releasing</a>) Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/a4a19bc5bc1d8897515bdf40b05ac7a4.png?Expires=1779926400&Signature=L9v0DDy9-ZzbyqsRM0tZmKPCRTPwMB7zjtCUtylJuMaFqDWEG7NzwPPDZr5qRn4DQb9jB1JnBHLYg-rPb9PSkrkPHvFELFmsa8d5ahKHyo8bwVr1Y82MnQ6bRhqHi5dCcOA149MG7Dp0HV%7EhR1bwsJiJyZpoa27LFn4g%7E-v%7EVtXmsmpqb8OPbWPDoztUik%7E0kCP69bd9ncRQsfo9BkYeCnpnmLzL4o8p7Xe9u6LLSPT1roOg7tjO2DU-K-SuGFDr7X5c1VJMF0yvKHJNUBrJ-7pVUgRBosu%7EkMUjjT9cUjk7LRMDYh7xyrI83IsfdSv9XRZZWttwsiTAXwNH9ssHWA__&Key-Pair-Id=K6UGZS9ZTDSZM a2e84852039cbc0abb28e54e70c70ab4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Empoderadas Title Empowered Women Director The director of the film. El/La director/a de la película. Renata Martins Joyce Prado Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2015 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Dandara Produções (Brazil) Oxalá Produções (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Empoderadas é uma websérie que apresenta entrevistas com mulheres negras das mais diversas áreas, profissionais bem sucedidas que falam sobre suas trajetórias, sobre o mercado de trabalho e o racismo e o machismo que o envolvem. Cada capítulo nos apresenta uma personagem real e uma história única. Foram entrevistadas atrizes, artesãs, cantoras, professoras, dentre várias outras profissionais que conversam com a câmera e falam sobre negritude, gênero, suas vidas e suas lutas. (<a class="in-cell-link" href="https://arteaberta.com/serie-para-empoderar/" target="_blank" rel="noreferrer noopener">Arte Aberta</a>) Empoderadas es una serie web que presenta entrevistas con mujeres afrodescendientes de diversas áreas, profesionales exitosas que hablan sobre sus trayectorias, sobre el mercado de trabajo y el racismo y el machismo que las rodean. Cada capítulo nos presenta una persona real y una historia única. Entrevistaron a actrices, artesanas, cantantes, profesoras, entre otras profesionales quienes conversan con las directoras y hablan sobre la negritud, el género, sus vidas y sus luchas. (Traducido por Éowyn Bailey) Empoderadas is a webseries that presents interviews with Black women from most diverse fields, successful professionals who talk about their trajectories, about the job market, and the racism and machismo that surrounds them. Each chapter highlights a real person and a unique story. The interviews include conversations with actresses, artisans, singers, and teachers, among various other professionals who discuss Blackness, gender, their lives and their struggles. (Translation by Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race / Raza Race relations / Relaciones raciales Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor YouTube: <a href="https://www.youtube.com/@EMPODERADAS" target="_blank" rel="noreferrer noopener">https://www.youtube.com/@EMPODERADAS</a> <iframe width="560" height="315" src="https://www.youtube.com/embed/videoseries?si=cdn-a84xtFOBgAgs&list=PL8P8qXff7HyBmicPEAoNUCURGXicBacb_" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Empoderadas Description An account of the resource Empoderadas é uma websérie que apresenta entrevistas com mulheres negras das mais diversas áreas, profissionais bem sucedidas que falam sobre suas trajetórias, sobre o mercado de trabalho e o racismo e o machismo que o envolvem. Cada capítulo nos apresenta uma personagem real e uma história única. Foram entrevistadas atrizes, artesãs, cantoras, professoras, dentre várias outras profissionais que conversam com a câmera e falam sobre negritude, gênero, suas vidas e suas lutas. (<a class="in-cell-link" href="https://arteaberta.com/serie-para-empoderar/" target="_blank" rel="noreferrer noopener">Arte Aberta</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/bc0983cfdaf8663e9ef53fcbe1cce235.png?Expires=1779926400&Signature=Jm-jQu5A%7EhCepGz1-cHL%7Ef-UnNmpjRSYjLWPXJY7pZ9aMVBMDlCgfcf3upoghqbt0cv%7EpMD5dSAShEXUIp%7EiBkcmGVZpWPVGm3KGQpfk9dYTEaQqy6iMqIXHMv-LxlXE-jolX7HJ7XGMVcymck57mvX3JsduyZI9G%7E%7EgoWVICw4zyyUMizfp%7EHBmLo2E3vG%7EaufVs9xCVTSOTpf1pr%7E8nIRfjKemz0nRlBVj6LIGWPElPqagPg0QUUy5ukADnoMtlAIJYvFcdeH4jzZYM2brO3OolA2rQQZL190SMQqcj84cCw9E4Hj2prsx8DzlPOWu4lpuhaAD4VLIswvzM4D3hQ__&Key-Pair-Id=K6UGZS9ZTDSZM 7f2bf24bbad692b36c8216255fde6b39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Afrolatinos Director The director of the film. El/La director/a de la película. Edwin Pitti Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Panama / Panamá United States / Estados Unidos Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. El cortometraje Afrolatinos es un reportaje que cuenta la historia de los africanos y sus descendientes en América Latina, recalcando la importancia de su influencia en la cultura e historia de varias regiones. Inspirado por la vida del director afropanameño Edwin Pitti, el documental explora lo que significa ser afrodescendiente, apoyándose en la investigación y entrevistas. Pitti muestra cómo los afrodescendientes enfrentan la desigualdad social, luchando contra el racismo y abogando por la representación y mejor acceso a los sistemas de educación, salud, y política. (Resumen de Éowyn Bailey) The short film Afrolatinos recounts the history of African people and their descendants in Latin America, highlighting the importance of their influence on the culture and history of various regions. Inspired by Afro-Panamanian director Edwin Pitti’s life, the film explores what it means to be Afrolatino, using research and interviews. Pitti shows how Afro-descendants confront social inequality, fighting against racism and advocating for representation and better access to education, health and political systems. (Film synopsis by Éowyn Bailey). Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Identity / Identidad Race / Raza Race relations / Relaciones raciales Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afrolatinos Description An account of the resource El cortometraje Afrolatinos es un reportaje que cuenta la historia de los africanos y sus descendientes en América Latina, recalcando la importancia de su influencia en la cultura e historia de varias regiones. Inspirado por la vida del director afropanameño Edwin Pitti, el documental explora lo que significa ser afrodescendiente, apoyándose en la investigación y entrevistas. Pitti muestra cómo los afrodescendientes enfrentan la desigualdad social, luchando contra el racismo y abogando por la representación y mejor acceso a los sistemas de educación, salud, y política. (Resumen de Éowyn Bailey) Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas Afro-Latinx / afro-latino Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/1a2f4d51b3deee7b4e3f43534e7b323e.png?Expires=1779926400&Signature=mlUUIZ9U2MKJBwgGZ6JSxhVtVVMD3%7E8kFid-n%7ElJWvwuxV8XRVTe1Dad2vLor2DgjMTW2LXOeN8Pe2JtSLV%7ESsafYUCdT7uY-5JUpAi0OFRLMTSEwbEVl7MLYnfoVvHW1gpLIPyoiPy%7EBiNBL17Fugh%7E9bUe3eAVAWQ8kHfpDDIDOa0QdC6wrr1aj9I0nI79r6QXTmgraRY7AgSpdf4HEHypmDIwKWJwJ1zFxsgQmpOTwPacbETceqaBouklFf34ycPsYDThYKc2jf1V2neyinDpG-Y349HwAcr-aafNnZTHYxKr5DNKzEiTFO6y%7EBRLVWISUxl0Fg8IZ1n190ZFew__&Key-Pair-Id=K6UGZS9ZTDSZM d1a3eafe6e460fdafb2829f62c9c0b55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Cores pretas Title Black Colors Director The director of the film. El/La director/a de la película. Stella Tó Freitas Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Kök Films Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Cores Pretas es un documental corto que, a través de varias entrevistas, cuenta las historias de cinco afrobrasileñas y sus experiencias enfrentando el racismo y la discriminación de género diariamente desde su niñez. (Sinopsis de Éowyn Bailey) Cores Pretas (Black Colors) is a short documentary film that through interviews focuses on the stories of five Afro-Brazilian women and their daily experiences of dealing with racism and gender discrimination since childhood. (Synopsis by Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Identity / Identidad Race / Raza Race relations / Relaciones raciales Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cores pretas Description An account of the resource Cores Pretas es un documental corto que, a través de varias entrevistas, cuenta las historias de cinco afrobrasileñas y sus experiencias enfrentando el racismo y la discriminación de género diariamente desde su niñez. (Sinopsis de Éowyn Bailey) Afro-Brazilian / afro-brasileño / afro-brasileiro Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas Short Film / cortometraje