1 50 82 https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/bebf75f4a17edfbb3aee0ac4a6822a16.pdf?Expires=1777507200&Signature=TLCWf4b6s9oo6zdGPhHJwLrFYCUWTMWfpTpq6ouPZdQFMvRf061DUWyOeG8KT2R6qh1UEU8FF4IAVvK42582pNqkZXFF9AvQqGM3ZqZ1YeRF5-8kA4YWrv%7EUDh0cHkiRDnalbvguXp2JtUywG%7EDR4Fhdsi3Gr85wJf7IITtDbjxars-aGUfPq8Re3Apa71JKPH7NjVZx2IOVCWV4qWSzV89DT-ZuV8lig3Oj03h%7EI3WS%7E5iD9t7fHCdfR9GM8q1NRp0veov3e%7EA-%7EZFTgSr0acbadPdZBV%7ESuQPfoisQTQLGpijQ8IqKDU7%7E7cClmLEwRSjZcUq2XdTF1ODNDv9HYw__&Key-Pair-Id=K6UGZS9ZTDSZM 70c1db15a7124f830b6fa59573f8f6d7 PDF Text Text CASA GRANDE Fellipe Gamarano Barbosa, Brazil, 2014 Film Guide created by: Michael L. & Peter K (Worcester State University) Technical Details Director: Fellipe Gamarano Barbosa Screenplay: Fellipe Gamarano Barbosa & Karen Sztajnberg Production Companies: Migdal Film (Brazil) Duration: 1 hr 55 minutes Cast Marcello Novaes Suzana Pires Thales Cavalcanti Clarissa Pinheiro Marília Coelho Gentil Cordeiro Bruna Amaya Alice Melo Georgiana Góes Sandro Rocha Christian Gazzetta (Hugo Cavalcanti) (Sônia Cavalcanti) (Jean Cavalcanti) (Rita) (Noêmia) (Severino Marinho) (Luiza) (Nathalie Cavalcanti) (Lia) (Wilton) (Roberto) Discussion Questions 1) The film opens with a 3-minute sequence of the family turning off the lights. How may this scene foreshadow what is to come for the Cavalcanti family’s situation? 2) In Casa Grande, the film features shots focusing on Jean’s movement around Rio de Janeiro, Brazil. How does the director use these environments —walls, bridges, gates— to reflect social class in Brazil? How does Jean’s movement between these locations relate to his journey throughout the film? 3) Describe the relationship between the members of the Cavalcanti family and the other characters in Casa Grande. What do they reveal about power dynamics between employees and employers in Brazil? What are some scenes that illustrate these dynamics? �4) A major conflict in the film is between Jean and his father, Hugo. In what ways does Jean challenge his father’s ideas regarding race, class, and social status? How does Jean push back against his father’s authority? How effective do you think Jean is? 5) How does Hugo Cavalcanti’s financial downfall influence Jean and the rest of his family? In what ways does Jean’s understanding of class and privilege change as he witnesses his family’s loss of financial stability? 6) Throughout the film, we observe various nonverbal interactions between Noêmia and Severino and other characters. How does their body language convey underlying tension or differences in power regarding society? 7) Paul Dervis argues that Casa Grande exposes “the fragility of the Brazilian 1%.” How does the film express this fragility with respect to the Cavalcanti family? What are some actions the Cavalcanti family takes to maintain their appearance? 8) How does the director use Jean and Luiza’s relationship to challenge ideas of social relations in Brazil? How does Brazil’s “law of quotas” manifest in their interactions? 9) In an interview with Violet Lucca, the director Fellipe Barbosa explains, “I was also interested in showing how a crisis can transform into an opportunity for this young man, and to explore dramatic ironies that can arise from it”. What are some opportunities that present themselves for Jean? What ironies was he forced to face because of his family’s financial crisis? 10)How do you understand the film’s ending? What role does Jean’s final encounter with Rita play in his personal journey? Suggested Readings de Luca, Tiago. “ ‘Casa Grande & Senzala’: Domestic Space and Class Conflict in Casa Grande and Que Horas Ela Volta?”. Space and Subjectivity in Contemporary Brazilian Cinema, edited by Antônio Márcio da Silva and Mariana Cunha, Palgrave Macmillan, 2017, pp. 203-219. Dervis, Paul. “When the 1% Takes a Tumble.” Film Review of Casa Grande. The Arts Fuse, 7 March 2015, artsfuse.org/123952/fuse-film-review-casa-grande-when-the-1-takes-a-tumble. Lucca, Violet. Interview with Fellipe Barbosa. Film Comment, 14 July 2014, www.filmcomment.com/blog/interview-fellipe-barbosa. Accessed 18 Nov. 2025. Weissberg, Jay. “Film Review: Casa Grande.” Variety, 29 May 2014, variety.com/2014/film/festivals/film-review-casa-grande-1201120381. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Guides Film Guide Title / Título (Original) A name given to the resources. El nombre original del recurso. Casa grande More information in Film Database add link to corresponding entry in film database <a href="https://cinegogia.omeka.net/items/show/769">https://cinegogia.omeka.net/items/show/769</a> Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race relations / Relaciones raciales Social inequality / Desigualdad social Creator / Creador(a) The individual who created and contributed the resource. La persona que creó o publicó el recurso. Michael L. & Peter K (Worcester State University) Copyright / Derechos de propiedad Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso. Open Educational Resources (OER) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Casa grande Description An account of the resource <div id="filmography-item-type-metadata-description--descripcin" class="element"> <div class="element-text">Coming-of-age as rude awakening: one high school senior’s dawning sexuality is shadowed by the discovery of his upper-class white family’s looming financial ruin. Polished and penetrating, Casa Grande renders a sharp social canvas of contemporary Brazil through the eyes of young Jean (Thales Cavalcanti), who struggles with newfound knowledge of his racial and class privilege as he sweetly courts a mixed-race girl from a lower-ranked school than his, and sows his oats with the family’s nubile cinnamon-skinned maid. Jean’s parents, meanwhile, clutch at straws merely to survive. His father (Brazilian screen staple Marcello Novaes), a failed hedge-fund baron, tries vainly to conceal the true extent of the damage, as his formerly sheltered wife resorts to peddling cosmetics. (<a href="https://cinemaslate.com/product/casa-grande" target="_blank" rel="noreferrer noopener">Cinema Slate</a>)</div> </div> <div id="filmography-item-type-metadata-category--categora" class="element"></div> Afro-Brazilian / afro-brasileño / afro-brasileiro https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c9a967419b72dc97473da4e4faa43c5c.jpg?Expires=1777507200&Signature=Xq9qm1AHS3C6JxDE54RawcBUhrGR5qR6c8swkkXAN2Z9CYTJktZhYh9v9rOdoV6Nzf4vBHts38EStwmd%7E3PLxW7cQFtEP7x9DIpJtyC6WbjFBYm3REiyBSoYap1ohyXWorp2NrL8qyDzRcIroCzZq0F3RFWEuJQmVhLh%7EFdT1mfVk0gpKqxqLUNpy-2DegUEdE2FxiUv0diqwGLM9FlRTJFbMSjjh6m38gjvi8m2ERF6KreQn-AUVN7XbXJcImpu0sj5cfKe2U4rtZXxSPBFOXnTZu%7EIQxB9yqJVP71cgFtBGgM4rpa6bvF-pXjwduK7CnKBSpmrTNB0uCAdaw5FJg__&Key-Pair-Id=K6UGZS9ZTDSZM 307461103beac43482d7686518fc00c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Cabeça de Nêgo Title A Bruddah's Mind Director The director of the film. El/La director/a de la película. Déo Cardoso Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2020 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Agência Nacional do Cinema - Ancine (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Based on real events, this political drama fuses Brazilian history with international anti-racist movements. Saulo, a black introverted student and fan of the Black Panther Movement, challenges his school in the largely white city of Fortaleza. After Saulo’s reaction to a racial insult from a classmate, his teachers describe him as a young delinquent and swiftly attempt to expel him ignoring his usually calm and articulate demeanor. Outraged, Saulo refuses to leave the school until justice is done. His solitary occupation ends up challenging the school’s board and mobilizes the entire community. A Bruddah’s Mind effectively calls out racism, misogyny, and militarism. It reminds us about the importance of activism, political engagement, and the sacrifices that come with it. (<a href="https://pragda.com/film/a-bruddahs-mind/" target="_blank" rel="noreferrer noopener">Pragda</a>) Basado en hechos reales, este drama político fusiona la historia brasileña con movimientos antiracistas internacionales. Saulo, un estudiante afrobrasileño introvertido y fan de los Black Panthers, desafía a su escuela, ubicada en Fortaleza, una cuidad principalmente blanca. Después de la reacción de Saulo a un insulto racial de un compañero de clase, sus maestros lo caraterizan como un joven delincuente e intentan expulsarlo rápidamente, ignorando su comportamiento generalmente tranquilo y elocuente. Indignado, Saulo se niega a abandonar la escuela hasta que se haga justicia. Su ocupación solitaria termina desafiando a la junta directiva de la escuela y moviliza a toda la comunidad. Cabeça de Nêgo efectivamente identifica y critica el racismo, la misoginia y el militarismo. Nos recuerda la importancia del activismo y del compromiso político, y también los sacrificios que los acompañan. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Docu-drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race / Raza Race relations / Relaciones raciales Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda: <a href="https://pragda.com/film/a-bruddahs-mind/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/a-bruddahs-mind/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cabeça de Nêgo Description An account of the resource Based on real events, this political drama fuses Brazilian history with international anti-racist movements. Saulo, a black introverted student and fan of the Black Panther Movement, challenges his school in the largely white city of Fortaleza. After Saulo’s reaction to a racial insult from a classmate, his teachers describe him as a young delinquent and swiftly attempt to expel him ignoring his usually calm and articulate demeanor. Outraged, Saulo refuses to leave the school until justice is done. His solitary occupation ends up challenging the school’s board and mobilizes the entire community. A Bruddah’s Mind effectively calls out racism, misogyny, and militarism. It reminds us about the importance of activism, political engagement, and the sacrifices that come with it. (<a href="https://pragda.com/film/a-bruddahs-mind/" target="_blank" rel="noreferrer noopener">Pragda</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/52f86e2aa3d144c40748fa055bfa7e4d.jpg?Expires=1777507200&Signature=qVq1W%7EkDXcnfcLlTDYRAYiX7mLD02QwjsI1ocyaiWe6jAzqD2aShtqLlPqjoT7jhY0dISPa3HpmAHNXcIA96UsPtmMFiZaHAHKjoIWrcje2ONnfGWSm1L2k8y8som1-xztDbwBgBCTF4Lca7nFhPy19R1Y5u50Ty6JL7DXuzDrM8sTB11Au964UwQpSdlMBe3lJxoK68R4BOCvom6ebKAIJunaY6Am9SS6G9TNTnqAevcKJH0GL79jnivsuQtRqq27rvgJ4Ndq1fbtkFTpfhC2dCd7hOk7wYRkmOe8V9bQCsZZTYe8jWiNWkTi5CUrSGUYAWSTt02-Q4uq17wHDToQ__&Key-Pair-Id=K6UGZS9ZTDSZM 8b42f3f7983e84bf9af45629cc2f1292 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La camarista Title The Chambermaid Director The director of the film. El/La director/a de la película. Lila Avilés Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Bright Sight Pictures Kino Lorber Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. In her feature debut, theater director Lila Avilés turns the monotonous work day of Eve (Gabriela Cartol), a chambermaid at a high-end Mexico City hotel, into a beautifully observed film of rich detail. Set entirely in this alienating environment, with extended scenes taking place in the guest rooms, hallways, and cleaning facilities, this minimalist yet sumptuous movie brings to the fore Eve’s hopes, dreams, and desires. As with Alfonso Cuarón’s ROMA, set in the same city, The Chambermaid salutes the invisible women caretakers who are the hard-working backbone of society. (<a class="in-cell-link" target="_blank" href="https://www.moma.org/calendar/events/5343" rel="noreferrer noopener">MOMA, New Directors/New Films Series, 2019</a>) Una joven camarera que trabaja en uno de los hoteles más lujosos de la Ciudad de México se inscribe en el programa de educación para adultos del hotel para ayudar a mejorar su vida. (<a href="https://www.rottentomatoes.com/m/the_chambermaid" target="_blank" rel="noreferrer noopener">Reseña de Rotten Tomatoes</a> traducida por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Kanopy: <a href="https://www.kanopy.com/en/product/10564905" target="_blank" rel="noreferrer noopener">https://www.kanopy.com/en/product/10564905</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La camarista Description An account of the resource In her feature debut, theater director Lila Avilés turns the monotonous work day of Eve (Gabriela Cartol), a chambermaid at a high-end Mexico City hotel, into a beautifully observed film of rich detail. Set entirely in this alienating environment, with extended scenes taking place in the guest rooms, hallways, and cleaning facilities, this minimalist yet sumptuous movie brings to the fore Eve’s hopes, dreams, and desires. As with Alfonso Cuarón’s ROMA, set in the same city, The Chambermaid salutes the invisible women caretakers who are the hard-working backbone of society. (<a class="in-cell-link" target="_blank" href="https://www.moma.org/calendar/events/5343" rel="noreferrer noopener">MOMA, New Directors/New Films Series, 2019</a>) Domestic labor / trabajo doméstico https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/daffde9ecc2bac94269f5e7b0d1e5955.jpg?Expires=1777507200&Signature=TSJo4sWy5sSA8aVdHonKOBtukzr-6SqoerczDpUtl0bYionfPlMINRLGswPN7b91JWkEg%7E0iIcl9eQli5uNMzHFuAMWtPO2vRe0kXhzr-LUMlGtLFVymvwV5jJOgJo5%7EPQJRUpxP%7E-xoxAogn0IYzv2cQHX%7E2%7EHBNdgDI0cmcv2Qfd7TfLDT6mCIAe2J4ZpsBLZNxUQ4lXzmKgFq3pF0dlJ0CBfPXEgCfE4oplU%7EGhiqQnHRjqBC7ujwZ-aFkHaY1Qa8ztwMWa4RUVZUMYRdGWmbuGKUPVqXYOOnvCo%7Eyfr6Ejy8QT5u9SwrTGTPciI6Eb2wmcaFIaN7Q6HzfJIjkw__&Key-Pair-Id=K6UGZS9ZTDSZM d187374f0ce6ee36a6986b65f56c57be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La capa azul Title The Blue Cape Director The director of the film. El/La director/a de la película. Alejandra López Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Puerto Rico Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Producciones Acento Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Two months after Hurricane Maria landed on the shores of Puerto Rico, the power remains out and the infrastructure continues to collapse. Junior, a ten-year-old boy, is summoned by his mother to search for the medicine his grandfather so desperately needs. He puts on a blue cape, made of the tarp that covers his roof, to overcome the obstacles in his journey and save his grandfather’s life. (<a href="https://letterboxd.com/film/la-capa-azul/" target="_blank" rel="noreferrer noopener">LetterBoxd</a>) Dos meses después de que el huracán María golpeara las costas de Puerto Rico, no se ha restaurado la electricidad y la infraestructura de la isla sigue en estado de crisis. Junior, un niño de diez años, es reclutado por su madre para buscar la medicina que su abuelo necesita desesperadamente. Se pone una capa azul, hecha de la lona que cubre el techo de su casa, para superar los obstáculos en su camino y salvar la vida de su abuelo. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Action and adventure films / cine de acción, cine de aventuras Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Environment / El medio ambiente Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Vimeo: <a href="https://vimeo.com/289329151" target="_blank" rel="noreferrer noopener">https://vimeo.com/289329151</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La capa azul Description An account of the resource Two months after Hurricane Maria landed on the shores of Puerto Rico, the power remains out and the infrastructure continues to collapse. Junior, a ten-year-old boy, is summoned by his mother to search for the medicine his grandfather so desperately needs. He puts on a blue cape, made of the tarp that covers his roof, to overcome the obstacles in his journey and save his grandfather’s life. (<a href="https://letterboxd.com/film/la-capa-azul/" target="_blank" rel="noreferrer noopener">LetterBoxd</a>) Afro-Caribbean / afro-caribeño Short Film / cortometraje Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/9bb2ff828d19580c757fd473fb468400.jpg?Expires=1777507200&Signature=aqKzx-jGF2S1pmvft23%7EQEKhXN%7EaM%7E88qQL4AEoHf9kbi6E01JBrIeG6dWGh-%7E2%7Ehnp-qoQskihOS3gjliYZcqqtgqtpKDhErc16m36Vkw1yrl6TkQCjNqQNQqyXSmVjSgLK40HLwm%7EQM72BZ2tOj-8I2nm%7E%7Etx%7EfAivIAd10eZd778-SHcVuY8gnNbiKCZsZK1nFVqZMVImQI1Ol0POKv-vSWGnjNq-24PYzMPv14AWFrLWh2kKP22iwpW%7EglX9OP-4eRR98fKu1r8s2lCaFjSZfy6NDjVwW%7EF1nLMi-WmR6gkZe7YuVmxvt7ncvhGuh3ptirUw9LDkECNLnIturw__&Key-Pair-Id=K6UGZS9ZTDSZM 5b683493157bad0e640ce773bbcc4e2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Balomania Director The director of the film. El/La director/a de la película. Sissel Morell Dargis Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2024 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. In the heart of Brazil's favelas, filmmaker Sissel Morell Dargis gains unprecedented access to the hidden world of the “balloon mafia.” For baloeiros in Rio and Sao Paolo, hot air balloon construction, flying and chasing is a treasured and competitive art form -- as well as central to their sense of community and cultural heritage since colonial times. Now, authorities have made their art illegal, ranking them just below drug cartels in the law, and driving them underground. With police and bounty hunters hot on their heels, Dargis embarks on a wild ride to witness the extreme obsession and sacrifice required to build these spectacular balloons that reach over 70 meters high and that require over 100 people to launch into the sky. Intimate and explosive, ‘Balomania’ is a real-life action film about freedom against all odds that will challenge beliefs about favelas, gang life and the power of art. (<a class="in-cell-link" href="https://www.cargofilm-releasing.com/balomania" target="_blank" rel="noreferrer noopener">https://www.cargofilm-releasing.com/balomania</a>) En el corazón de las favelas de Brasil, la cineasta Sissel Morell Dargis obtiene un acceso sin precedentes al mundo oculto de la "mafia de los globos". Para los baloeiros de Río y São Paulo, la construcción, el vuelo y la persecución de globos aerostáticos es una forma de arte apreciada y competitiva, además de un elemento central de su sentido de comunidad y patrimonio cultural desde la época colonial. Hoy en día, las autoridades han declarado ilegal su arte, clasificándolo justo por debajo de los cárteles según la ley, y obligando a estos artistas a operar clandestinamente. Con la policía y los cazadores de recompensas persiguiéndolos, Dargis se embarca en un viaje salvaje para documentar la obsesión extrema y el sacrificio necesario para construir estos globos espectaculares que pueden superar los 70 metros de altura y requieren más de 100 personas para lanzarlos al cielo. Íntima y explosiva, Balomania es una película de acción de la vida real sobre la libertad contra todo pronóstico, que desafiará las creencias sobre las favelas, las pandillas y el poder del arte. (Traducido por Jocelyn Zhingri) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Balomania Description An account of the resource In the heart of Brazil's favelas, filmmaker Sissel Morell Dargis gains unprecedented access to the hidden world of the “balloon mafia.” For baloeiros in Rio and Sao Paolo, hot air balloon construction, flying and chasing is a treasured and competitive art form -- as well as central to their sense of community and cultural heritage since colonial times. Now, authorities have made their art illegal, ranking them just below drug cartels in the law, and driving them underground. With police and bounty hunters hot on their heels, Dargis embarks on a wild ride to witness the extreme obsession and sacrifice required to build these spectacular balloons that reach over 70 meters high and that require over 100 people to launch into the sky. Intimate and explosive, ‘Balomania’ is a real-life action film about freedom against all odds that will challenge beliefs about favelas, gang life and the power of art. (<a class="in-cell-link" href="https://www.cargofilm-releasing.com/balomania" target="_blank" rel="noreferrer noopener">https://www.cargofilm-releasing.com/balomania</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/df3fbd6b9e69b4e95997ae78705ab522.pdf?Expires=1777507200&Signature=fheH6Qy6DRWsARaKgMYqtnKLbK0SkbSra%7E8p8dTsp1eOQp6ED3HelUimcVzao79s95OyV31mBhaCNm2Pw6sa7oSaNh8iAc4kcVSCWe3226WBeJNlmMo%7EJYc2q7LoG5yWIM3O4UcMkanemvY4AHKCZrkN5AuAaaT7IH96dgD8VTwHHQdjNzoFJPyJEGjtZEQw8WJRiw6ThQvV9zWCD50F3tYDVyRXxPM-dVbBCwYG44bYZ7AV90TL%7Ee-QPrhvAkh6fwE9iw%7Elg-ZVH4IqNLPNsdGSXuq6destJ7RlereuYJIFMii%7Eyyx2mIgiQnPgvAhbBPegCKYYI7%7EJabtA-O5fEw__&Key-Pair-Id=K6UGZS9ZTDSZM ef3961d1d56598d752d9d8a11b729250 PDF Text Text Raíces de mi corazón (Roots of my Heart) Gloria Rolando, Cuba, 2001 Film Guide created by Dania Fermin ‘25, College of the Holy Cross Technical Details Director: Gloria Rolando Production Company: Imágenes del Caribe (Cuba) Duration: 51 minutes Cast Monse Duane (Mercedes) Sonia Boggiano (Madre de Mercedes) Maria Victoria (Zoraima Segón) José Julián (Renny Arozarena) Discussion Questions 1) Describe the socio-historical context of this film. What happened in Cuba in 1912? 2) Rewatch the scene at the beginning of Raíces de mi corazón that depicts a conversation between Mercedes and her boss. What could you gather from their stances and body language? What does this conversation show, as well as tell us about the space that Black history occupies in Cuba’s present? 3) Listen carefully to the song that plays during the opening credits [00:02:45]. How does this song selection contribute to Mercedes’ story? 4) What is the importance of dreams for Mercedes? How do dreams impact the characters in the film? 5) Identify some of the recurring images or symbols repeated throughout Raíces de mi corazón. Select one of these images and explain your interpretation of its meaning. 6) What is revealed in the images included in the collage of pictures and the overlay of newspaper clippings? Why do you think the director Gloria Rolando uses this editing technique to help tell her story? �7) Describe one of the scenes that depicts normal, everyday life in Cuba. Why is it important to include these scenes? What do they contribute to the film? 8) How does Sarah M. Quesada define “affirmative biopolitics” in her article on “The Dual Biopolitics in the Cuban Postplantation of Gloria Rolando’s Raíces de Mi Corazón”? What are some examples of "affirmative biopolitics" that associate the Black body not only with politics of violence but also sexuality? 9) Research the history of Afro-Latin American film directors in the region. Why is Gloria Rolando an important figure in the history of Latin American, and specifically Cuban, cinema? 10) Who was Sara Gómez? How does her legacy intersect with the production of this specific film? Suggested Readings de la Fuente, Alejandro. “Looking into the Nation’s Heart: Gloria Rolando’s Approximation to 1912.” Caribbean Studies, vol. 36, no. 1, Jan. 2008, pp. 207–10. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=aph&AN=34525311&site=eds-live&scop e=site. Quesada, Sarah Margarita. “The Dual Biopolitics in the Cuban Postplantation of Gloria Rolando’s Raíces de Mi Corazón.” Small Axe: A Caribbean Journal of Criticism, vol. 25, no. 2, July 2021, pp. 1–20. EBSCOhost, https://doi.org/10.1215/07990537-9384212. Rolando, Gloria. Interview with Christopher Laird. Stay Home series, produced by Banyan Archive, 2005. Available on Alexander Street, video.alexanderstreet.com/watch/gloria-rolando-interview-stay-home. Other Resources https://afrocubaweb.com/gloriarolando/raicessummary.htm https://afrocubaweb.com/gloriarolando/raicesdemicorazon.htm � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Guides Film Guide Title / Título (Original) A name given to the resources. El nombre original del recurso. Raíces de mi corazón More information in Film Database add link to corresponding entry in film database <a href="https://cinegogia.omeka.net/items/show/522">https://cinegogia.omeka.net/items/show/522</a> Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Memory / Memoria Political violence / Violencia política Race / Raza Revolution / Revolución Social inequality / Desigualdad social Creator / Creador(a) The individual who created and contributed the resource. La persona que creó o publicó el recurso. <div id="film-guide-item-type-metadata-creator--creadora" class="element"> <div class="element-text"> <div class="element"> <div class="element-text">Dania Fermin '25, College of the Holy Cross</div> </div> </div> </div> Copyright / Derechos de propiedad Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso. Attribution - NonCommercial Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raíces de mi corazón Roots of My Heart Description An account of the resource A present day AfroCuban woman [Mercedes] seeks her roots through her family history. Old photos, newspaper clippings jealously guarded by her grandmother, and her mother's stories reveal her great-grandparents' history. The historical truth raises the curtains through a love story. Reality and fantasy get mixed in, but all the elements integrated into the narration point towards the central figure, the woman, and to a moving chapter of turn of the century Cuba, when there occurred a violent repression of the AfroCubans who protested out of the frustration that fell over Cubans after the War of Independence. Thousands of descendants of Africans dedicated their lives to the struggle against Spanish colonialism in Cuba. They also fought against the slave system which kidnapped men, women, and children from the African continent and converted them into anonymous cogs of the sugar and coffee plantations. In the War of Independence (1868-78 and 1895-98), AfroCubans joined the Liberation Army (the Mambises) following the ideas of important leaders such as Jose Marti, but also inspired by the example of the Black generals of the War, such as Antonio Maceo, Quintin Banderas, and many others. Unfortunately, at the turn of the century, AfroCuban veterans felt the contempt of a Republic born distorted and completely alienated from the principles raised up by Jose Marti: "One Republic with everyone and for the good of everyone." Racism was part of official injustice. The process of cultural, economic, and political marginalization of Blacks in Cuba at the dawn of the present century is connected at a deep level with the fate of other African Americans up and down the continent. Peruvian, Uruguayan, Venezuelan, Columbian, North American, Argentinian, Brazilian, and other Blacks saw themselves deprived of their place of honor in the official history of their own countries. The protest organized by AfroCubans in 1912 was beaten back by the National Army itself and ended in a real human massacre which had its main scene in Oriente Province. This is the synopsis of the story our central figure is going to discover through her family. (<a href="http://www.afrocubaweb.com/" target="_blank" rel="noreferrer noopener">AfroCubaWeb</a>) Afro-Caribbean / afro-caribeño Afro-Cuban / afro-cubano Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/958701164b806a52478760ee580cc013.pdf?Expires=1777507200&Signature=DRgY56xv3Cy7ubZzaKuLG1%7EvSeVsbAO3fEBMdrRC5uNzqC6wsQWgnqmsi7WqoVcnj5XfQvFTk3Oz0JDFBNix%7E7mAWIPZcy1AsABC8UCAm9caeIJqrZTKc9BcpnhzXAUSmjBEXcqmmqVWB4k3RI2HdmwPUOH6elX8B34ARUQbY4vA5e2vy3oZ-gXnDcPhrHNAlVsW1eYMMSiBKw016uUWQE-9Fs6OTz-AHHRa6BLvTxcRac5AYWydQauXTW0JrlNzS0Kzn%7EbHiB8inXLMEc7h5Y8e2q%7EtzguwHHiC5PxZeIssBEShVvCEOdoZr6K2vRZHjKHwQ5c3RRyn%7EH%7Ep2njbtQ__&Key-Pair-Id=K6UGZS9ZTDSZM 813f10796dc8e59273b3a4ea4c9bffe7 PDF Text Text Que Horas Ela Volta? Anna Muylaert, Brazil, 2015 Film Guide created by: Martín Silva Detalles técnicos Director: Anna Muylaert Screenplay: Anna Muylaert Production Companies: Globo Filmes (Brazil), Africa Filmes (Brazil) Duration: 1hr 52m Reparto Regina Casé (Val) Camila Márdila (Jéssica) Karina Teles (Bárbara) Micheal Joelsas (Fabinho) Lourenço Mutarelli (Carlos) Preguntas de discusión 1) Fabinho y Jessica son los “niños” de la película. ¿Qué similitudes y qué diferencias tienen sus vidas? 2) ¿Qué similitudes y qué diferencias tienen Bárbara y Val cumpliendo sus roles de madre? 3) ¿Qué significado tiene el juego de café que Val le regala a Doña Bárbara? ¿Por qué  crees que se lo lleva cuando se muda con Jéssica? 4) A través del film, vemos la toma desde la cocina donde se puede ver sólo una fracción  del comedor por la puerta. ¿Por qué crees que la directora usa esta toma varias veces  en la película? ¿Cómo representa esta toma el rol de Val en la familia? 5) Cuando llega Jessica, comienza a desdibujarse la división entre la clase alta del doctor Carlos y doña Bárbara y la clase trabajadora de Val. ¿Cuáles son algunos símbolos que marcaban esta línea y cómo es que Jessica puede moverse de un lado hacia el otro? 6) En su artículo “Intimacy at Work: Servant and Employer Relations in Que Horas Ela Volta? (The Second Mother)”, Lúcia Sá compara la relación entre empleada doméstica y jefe en el film con sus propias experiencias. Sá explica que esta relación puede ser informal y hasta de afecto, pero que a cualquier momento puede revertir a la dinámica de �jefe-sirvienta. Val vive en la casa de Bárbara y Carlos, y considera esta casa su hogar. Sin embargo, esta relación, que se alterna entre afecto y mandato, no permite que Val sea dueña de nada en su propio “hogar”. ¿Qué nos dice la película sobre lo que significa un hogar? ¿Cuál es el verdadero hogar de Val y cómo es evidente esto? 7) En la escena durante la lluvia, cuando Jessica se va a buscar la casa de Pamela, ella dice “No le tengo miedo al agua”. ¿Cuál crees que es el significado de esta frase? ¿Qué conexión tiene con la piscina?   8) El nombre de la película en inglés (The Second Mother) y en español, (Una segunda madre) no es una traducción directa del título original en portugués. ¿Quiénes son las segundas madres y por qué? ¿Qué piensas de esta interpretación del título original en portugués cuya traducción literal sería “¿A qué hora vuelve ella?”? 9) En una entrevista con la Embajada de Brasil en España, la directora Anna Muylaert habla de dos tipos de educación: “La educación formal, educación que se provee en centros educativos, y la educación afectiva, de quién cría a quién.” ¿Cómo vemos representados estos dos tipos de educación en la película? 10) En su artículo “Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema, Carlos Cortez Minchillo habla sobre la relación entre la empleada doméstica y sus jefes: “Que horas ela volta? and Casa grande make clear that from the standpoint of their employers the maid’s presence in the house is at once vital and undervalued, desired and annoying, pervasive and transparent.” ¿Cuáles son algunos ejemplos que demuestran esta relación contradictoria entre Val y sus jefes? Lecturas recomendadas Cortez Minchillo, Carlos. “Partial affection: The Place(s) of female domestic workers in recent Brazilian cinema.” Domestic Labor in Twenty-First Century Latin American Cinema, edited by Elizabeth Osborne and Sofía Ruiz-Alfaro, Palgrave Macmillan, 2020, pp. 167–190, https://doi.org/10.1007/978-3-030-33296-9_8. Della Torre de Carvalho Lima, Bruna. “Criticism and Condescension: The Triumph of the Poor in The Second Mother.” Latin American Perspectives, vol. 43, no. 6, 2016, pp. 141–43. JSTOR, http://www.jstor.org/stable/26177906. Embajada de Brasil en España. "La cineasta Anna Muylaert habla sobre su última cinta Una Segunda Madre." YouTube, uploaded by @embajadadebrasilenespana5051, 01/07/2015, https://www.youtube.com/watch?v=wKcsF3rMvBQ. Sá, Lúcia. “Intimacy at Work: Servant and Employer Relations in Que Horas Ela Volta? (The Second Mother).” Journal of Iberian and Latin American Studies, vol. 24, no. 3, 2018, pp. 311–327, https://doi.org/10.1080/14701847.2018.1531225. 2 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Guides Film Guide Title / Título (Original) A name given to the resources. El nombre original del recurso. Que horas ela volta? More information in Film Database add link to corresponding entry in film database <a href="https://cinegogia.omeka.net/items/show/546">https://cinegogia.omeka.net/items/show/546</a> Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Relationships / Relaciones Social inequality / Desigualdad social Creator / Creador(a) The individual who created and contributed the resource. La persona que creó o publicó el recurso. Martín Silva, Worcester State University Copyright / Derechos de propiedad Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso. Open Educational Resources (OER) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Que horas ela volta? Description An account of the resource A pernambucana Val (Regina Casé) se mudou para São Paulo a fim de dar melhores condições de vida para sua filha Jéssica. Com muito receio, ela deixou a menina no interior de Pernambuco para ser babá de Fabinho, morando integralmente na casa de seus patrões. Treze anos depois, quando o menino (Michel Joelsas) vai prestar vestibular, Jéssica (Camila Márdila) lhe telefona, pedindo ajuda para ir à São Paulo, no intuito de prestar a mesma prova. Os chefes de Val recebem a menina de braços abertos, só que quando ela deixa de seguir certo protocolo, circulando livremente, como não deveria, a situação se complica. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c0a819290abbcf2d5ff449776865664b.png?Expires=1777507200&Signature=DOzgJrXQEOG4yirQXT%7Epr5-V7tW3P%7EbpzxWx8CGERGgQy0O3fBNnKGVUTMmjMIJBvjNVACTpsmhatI2RIIr605W-xK15fzbtdNe9aRygVIBoJBWfWW719lKUZDOtVNO-X4u43e3tH3-YONdEY9xqYBY2JKGqO40HXYznv7-wQ9KsGuavXOR217LOpG%7E2RzLmVZjYXIlgwRa1nuY6UNTqs16e7gtPRZ5bp75ikqUZYcKoRJRksi9lVHLayBbvcDp7PWiQS7eVra1FYE4SgWmlGxbtfAShKE2XG8sPOH-YKNGt7lqAuHQAAKXSIuIAHgJpgdzdilVX1Yac1rOiy7UaRQ__&Key-Pair-Id=K6UGZS9ZTDSZM be8eeac6400446bbd11cfe404b877a98 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Pixote: A Lei Do Mais Fraco Title Pixote: la ley del más débil Pixote: the Law of the Weakest Director The director of the film. El/La director/a de la película. Héctor Babenco Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1980 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Embrafilme Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Pixote, a child from the streets of São Paulo, is arrested by the police and sent to a juvenile detention center where he and the other adolescents endure abuse and sexual violation by police officers. When two runaways are murdered and the police frame Lilica, a transgender woman, Pixote escapes with her and their friends to begin living a life of crime. (Film synopsis by Éowyn Bailey) Pixote, un niño de la calle de São Paulo, es detenido por la policía y enviado a un reformatorio en donde él y los otros adolescentes sufren abuso y violación por los guardias. Cuando dos fugitivos son asesinados y la policía incrimina a Lilica, una mujer transgénero, Pixote huye con ella y sus amigos, para empezar una vida criminal (Resumen de Éowyn Bailey). Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Crime and Gangster films / cine de crimen y gángsters Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Drug traffic / Narcotráfico LGBTQ people / Personas LGBTQ Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <a href="https://archive.org/details/pixote-1980-english-subtitles" target="_blank" rel="noreferrer noopener">https://archive.org/details/pixote-1980-english-subtitles</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pixote: A Lei Do Mais Fraco Description An account of the resource Pixote, a child from the streets of São Paulo, is arrested by the police and sent to a juvenile detention center where he and the other adolescents endure abuse and sexual violation by police officers. When two runaways are murdered and the police frame Lilica, a transgender woman, Pixote escapes with her and their friends to begin living a life of crime. (Film synopsis by Éowyn Bailey) Afro-Brazilian / afro-brasileño / afro-brasileiro Literary adaptation / Adaptación literaria https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/de265552884175bbaf40aaa4e705c790.png?Expires=1777507200&Signature=eCdtwko8jUnVS1%7EeaziQ3YBNfkiUhCJeRO1iWd8thF-bCJnCR2wayNuDtuD6obZ-bcd0j46tFAFNZYWGFAENTRcxfbuuTzJYGuHydkjbrDY21msfEddGK4PeNcnZkOHJ1N5Y1sLs9zJeIGMTjNzid6eb1I9Hc-n-toTM02lgjRCva7-IxeUSpEeykg7xr0FQS4BGOcjsAEtsUFY4k4AK842c1DMvhOCbppRilrLH6XfBqblADA-pEzcM%7EIQm0z73H7TONHhSS4GInQcQhBHjHknLkxskf9uKGSubzgM0QBUfNmUs-Uqihn%7Esc5y2WTkwMqYCCoj2HpYuYlb%7EgOn2zA__&Key-Pair-Id=K6UGZS9ZTDSZM cf7c56604a900a7af2fa5b4d45e26f25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. A orillas del mar Title By the Sea Director The director of the film. El/La director/a de la película. Bladimir Abud Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2015 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Dominican Republic / República Dominicana Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Fabud Films Código Tres Films Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Es la historia de Pedro, un niño que vive en Samaná y que emprende la búsqueda de su padre, un pescador que se fue hacia Santo Domingo. Allí se encontrará con el más triste panorama de desolación y peligro que un adolescente puede enfrentarse cuando no tiene nada. (<a href="https://dominicancinema.com/peliculas/a-orillas-del-mar/" target="_blank" rel="noreferrer noopener">Dominican Cinema</a>) This is the story of Pedro, a child who lives in Samaná and decides to search for his father, a fisherman who left for Santo Domingo. There, he will find himself in the saddest situation of desolation and danger that a teenager can face when he has nothing. (Translated by Éowyn Bailey) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Migration, Internal / Migración interna Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A orillas del mar Description An account of the resource Es la historia de Pedro, un niño que vive en Samaná y que emprende la búsqueda de su padre, un pescador que se fue hacia Santo Domingo. Allí se encontrará con el más triste panorama de desolación y peligro que un adolescente puede enfrentarse cuando no tiene nada. (<a href="https://dominicancinema.com/peliculas/a-orillas-del-mar/" target="_blank" rel="noreferrer noopener">Dominican Cinema</a>) Afro-Dominican / afro-dominicano Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/a2d1cdfbf908bbeabd9bd676ca960362.pdf?Expires=1777507200&Signature=Xvz1wyCDyS3IqFcS2oYaG94cuYGY9EIO4rk2Xrtmuu2E4gKWE0IW%7E0em2%7EmjFwotYDxqZLepj0qOxGygQMMSj9chsY2V8P9myP%7ECirfED38O4G9BoXZLq4970MDoBj-4M7Q-6KD4iSWu87ZkGDuUG1bbDLbbiwvq6Xub4VSrzawsZhA4MwyBQLa59i3jGAuXXOV6p2gBUOnkEn6plr0MvLvZFU4m4f%7EB5FmTE8V6Kd1KsI8cXNMQ7J95CdHdDP-ZjEQFyv0%7EDVVnkxCJU7WJfOU0htm0beYU70AB%7E%7ErVksbQPqj8muY91GqaqEAcMBbyH4vUzZ-tLdu0qyZOTP4mtQ__&Key-Pair-Id=K6UGZS9ZTDSZM 4cdffc9c9305385d83ec79ac377a1a05 PDF Text Text Chocó Jhonny Hendrix Hinestroza, Colombia, 2012 Guía de pelicula creada por Angel Collazo Detalles técnicos Directora: Jhonny Hendrix Hinestroza Guion: Michéle Stephenson Compañías de producción: Proimágenes (Colombia), Antorcha Films (Colombia) Duración: 1h 20m Reparto Karent Hinestroza (Chocó) Esteban Copete (Everlides) Fabio Restrepo (Ramiro “El paisa”) Daniela Mosquera (Candelaria) Sebastián Mosquera (Jeffrey) Preguntas de discusión 1) Chocó es una película afro-colombiana dirigida por Jhonny Hendrix Hinestroza cuyo enfoque es narrar la vida de una mujer llamada Chocó. ¿De que se trata la película? ¿Cuáles son algunos de los temas más destacados? 2) Al comienzo de la película un grupo de personas canta en el funerario de la mamá de Chocó. ¿Qué tipo de tomas se utilizan en la escena? ¿Qué nos revela esta escena sobre Chocó y su cultura? 3) Chocó comparte su nombre con la provincia (conocida como “departamento” en Colombia) en la cual ella vive. Investiga un poco sobre el departamento colombiano de Chocó. ¿Qué aprendiste? ¿Qué crees que simboliza este paralelo entre el nombre de la protagonista y esta región de Colombia? 4) ¿Dónde trabaja Chocó? ¿Qué efectos parece tener este tipo de trabajo en la salud y el ambiente? ¿Cómo describirías el estado socioeconómico de la comunidad? ¿Y de Chocó? 5) Hacia la mitad de la película, Américo, el nuevo jefe de mina de Chocó dice, “el hombre y las mujeres somos como cuando llueve y cuando hace mucho sol” (00:55:42). ¿Qué quiere decir Américo? ¿Estás de acuerdo? ¿Por qué sí o no? �6) Busca la escena cuando Chocó está sentada en la orilla de un charco y su cuerpo se refleja en el agua (00:56:49). Poco después Chocó conoce a Florencia, una niña solitaria que anda trabajando en el bosque. Describe la relación entre estos dos personajes femeninos. ¿Cuál es la importancia de la conexión entre Chocó y Florencia? 7) Evidentemente Chocó sufrió y soportó el abuso doméstico de parte de Everlides. ¿Qué efectos tuvo este abuso sobre su salud física y psicológica? ¿Qué piensas que la ayudó a superar esta situación? 8) Los símbolos religiosos son sumamente importantes en esta película y muchas veces aparecen cuando Chocó enfrenta adversidades. ¿Qué simbolizan las figuras religiosas en la película? ¿Qué crees que está tratando de decir el director Jhonny Hendrix Hinestroza sobre la fe y la religiosidad? 9) En una entrevista con Ximena González-Parada publicada en la revista Otras Modernidades, Hendrix Hinestroza dice, “Colombia es un país donde nadie habla de lo que está ocurriendo, a todo el mundo le gusta ‘guardar silencio‘“ (287). ¿Cuál es una escena que retrata tal silencio? ¿Cómo logra Hendrix Hinestroza que el silencio en la película también sea una denuncia? 10) ¿Cuál es tu interpretación del final de la película? ¿Qué decide hacer Chocó? ¿Qué mensaje comunica este final? Incluye evidencia de la película para apoyar tu interpretación. Lecturas recomendadas Adorno, Natalie. “La identidad afrodescendiente dentro del cine colombiano.” Cinémas d’Amérique Latine, no. 21, 2013, pp. 110–121, doi.org/10.4000/cinelatino.260. González-Parada, Ximena A. “Re-Imaginando la negridad en los Andes: Una conversación con Jhonny Hendrix Hinestroza.” Otras Modernidades, no. 15, May 2016, pp. 284–290. —. “Black Pacific Narratives: Re-Imagining Blackness in Ecuador and Colombia.” Dissertation. The University of Georgia, 2017. Lozano, Betty Ruth. “Feminism Cannot be Single Because Women are Diverse: Contributions to a Decolonial Black Feminism Stemming from the Experience of Black Women of the Colombian Pacific.” Hypatia, vol. 37, no. 3, pp. 523-543, doi: 10.1017/hyp.2022.35. Ruiz Pulgarín, Yulieth Estefanía. “La relación artística entre imagen y realidad en el cine colombiano.” JSR Funlam Journal of Students’ Research, no. 3, enero-diciembre 2018, pp. 31–42, https://doi.org/10.21501/25007858.3129. 2 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Guides Film Guide Title / Título (Original) A name given to the resources. El nombre original del recurso. Chocó More information in Film Database add link to corresponding entry in film database <a href="https://cinegogia.omeka.net/items/show/749">https://cinegogia.omeka.net/items/show/749</a> Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Relationships / Relaciones Social inequality / Desigualdad social Creator / Creador(a) The individual who created and contributed the resource. La persona que creó o publicó el recurso. Angel Collazo, College of the Holy Cross Copyright / Derechos de propiedad Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso. Open Educational Resources (OER) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chocó Description An account of the resource Chocó es una mujer negra de 27 años, que lleva a cuestas una familia de dos hijos menores y a Everlides, su esposo músico que sólo sabe tocar marimba, beber viche y jugar dominó. Chocó es una mujer fuerte y luchadora. En la mañana ella trabaja buscando oro en el río San Juan y en las tardes lava ropa de otras familias para alimentar y educar a sus hijos. Es el cumpleaños de la pequeña Candelaria, por primera vez Chocó le promete una torta, sin embargo, las cosas se complican al tratar de cumplir esta promesa, desencadenando consecuencias inesperadas para Chocó y toda su familia. (<a href="https://www.antorchafilms.com/largometrajes.html#section2" target="_blank" rel="noreferrer noopener">Film's Official Website</a>) Afro-Colombian / afro-colombiano Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/a1cec1326c6d7948906e7572b939408e.pdf?Expires=1777507200&Signature=NRWjL72RmmzhJYCzF6ek9DzRk5Tq-avoTmnZbg6L%7ENn757pkIY4%7EAo2P8Xjd36QyGXCMyS5RRYXWvxQxdhwyGxSjLMCkiGKELnrRT%7Eg54WNKehsRGzVAJQ6dGl5DZWFxopTW%7Eqv6-K3f-u5Yiiqc2fYuyp-dNWktp-hC52hYrrDrDcfpSrRDD-ANF9%7Ez4sPbyHF2Xf5JwnTQozQQ13IrKJ7IPUuL1x8SlxlZGZ6TQaNwDzvz8ugiAEHDaAsDMOmuq5esTUJe3oR07QETyKA-TC0sc%7EXU3g5XnWZDMRk9JbLXu0L2y0GKSsuL-EwpysabsNVNP3pYODXBYniLMcFIBA__&Key-Pair-Id=K6UGZS9ZTDSZM 973ba99fbc7956b62ad1715838acaac4 PDF Text Text La Soledad Jorge Thielen Armand, Venezuela, 2016 Guía de película creada por Angel Collazo Detalles técnicos Director: Jorge Thielen Armand Guion: Jorge Thielen Armand y Rodrigo Michelangeli Compañías de producción: La Faena, Alfarería Cinematográfica, Ardimages Duración: 1h 29m Reparto José Dolores López (José El Negro) Adrializ López (Adrializ) Marley Alvillares (Marley) Jorge Thielen Hedderich (Jorge) María Agamez Palomino (Rosina Palomino) Cristina Armand (Cristina) Preguntas de discusión 1) Al principio de la película, vemos un montaje de archivo mientras la voz en off del director, Jorge Thielen Armand, habla de los recuerdos que tiene de su tiempo en “La Soledad” (00:00:18-00:01:55). ¿Qué aporta esta escena de apertura a la película? ¿Qué preguntas te surgieron al ver esa escena? 2) ¿Cómo se relaciona Rosina con la familia de Jorge Thielen Hedderich? ¿Por qué vive Rosina en la casa La Soledad? ¿Cuál es la relación entre Jorge (padre) y José? 3) En tu opinión, ¿quién o qué es el antagonista en esta historia? ¿Por qué? 4) A pesar de que La Soledad ha sido clasificada como una película de ficción, casi todos los personajes son personas reales interpretándose a sí mismos. Hasta la mansión de “La Soledad” pertenece a la familia del director Jorge Thielen Armand. ¿Qué partes de la película te parecieron más reales? ¿Cuáles aspectos te parecían más ficticios? ¿Qué le añade esta mezcla entre lo ficticio y lo documental a la película? 5) Durante los momentos en que aumentan la presión económica y la preocupación hacia el bienestar de Rosina, de repente aparece Adrializ (la hija de José y de Marley). Regresa a una de estas escenas y presta atención a lo que dice y lo que hace la niña, además de su actitud y las tomas fílmicas. ¿Qué simboliza Adrializ en estos momentos de tensión y de desesperación? �6) Hay varias escenas en las que el silencio o los sonidos extradiegéticos dominan la experiencia auditiva. ¿Cuándo ocurren estos momentos? ¿Por qué piensas que hay tanto silencio a lo largo de la película? ¿Qué sonidos extradiegéticos notaste? 7) La Soledad se sitúa en un momento de crisis económica para Venezuela, enfocándose específicamente en la vida cotidiana de una familia afro venezolana en Caracas. ¿Qué factores históricos o sociopolíticos pudieron haber contribuido a la situación actual de José y su familia? ¿Cómo difiere la lucha económica entre José y otros venezolanos que aparecen en la película? 8) ¿Qué importancia literal, simbólica, o emocional tiene la casa “La Soledad” para los personajes? ¿Cómo se refleja esto en las decisiones cinematográficas? 9) Ve de nuevo la secuencia al final de la película, empezando con la nadada de José en el mar. ¿Cómo interpretas el final? ¿Qué está tratando de decir el director Jorge Thielen Armand? 10) En su artículo sobre la representación de conflictos sociales en el cine venezolano contemporáneo, Patricia Valladares-Ruiz nota que “debido a las difíciles condiciones de producción, al recorte en los subsidios públicos, al control estatal de las redes de difusión y a la censura oficial, el esfuerzo crítico evade la confrontación explícita [...] y opta por gestos aparentemente más sutiles” (422). Es decir, La Soledad es una película que a través de críticas implícitas, enfrenta problemas sociales e incluso políticos. ¿Cuáles son algunos ejemplos de críticas implícitas que notaste en La Soledad? Lecturas recomendadas Blanco, E. “Enchanted Commons and Politics of Possession: A Reading of Jorge Thielen Armand’s La Soledad (Venezuela, 2016).” A Contracorriente: una revista de estudios latinoamericanos, vol. 20, no. 2, Feb. 2023, pp. 6-24, https://acontracorriente.chass.ncsu.edu/index.php/acontracorriente/article/view/2227. González, Isabel. “Entre la realidad y el cine: La Soledad.” Revista Iberoamericana, vol. 85, no. 266, Jan. 2019, pp. 267–272. López, Magdalena. “Paradojas de la Venezuela (pos)Chavista: Cultura, violencia y poder.” Revista Iberoamericana, vol. 85, no. 266, Jan. 2019, pp. 17–21. Valladares-Ruiz, Patricia. “Subjetividades en crisis y conflicto social en el cine venezolano contemporáneo: Desde allá (2015), La familia (2017) y La Soledad (2016).” Revista de Estudios Hispánicos, vol. 54, no. 2, 2020, pp. 409–429, https://doi.org/10.1353/rvs.2020.0034. 2 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Guides Film Guide Title / Título (Original) A name given to the resources. El nombre original del recurso. La Soledad More information in Film Database add link to corresponding entry in film database <a href="https://cinegogia.omeka.net/items/show/483">https://cinegogia.omeka.net/items/show/483</a> Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Memory / Memoria Race relations / Relaciones raciales Social inequality / Desigualdad social Urban Life / Vida urbana Creator / Creador(a) The individual who created and contributed the resource. La persona que creó o publicó el recurso. Angel Collazo, College of the Holy Cross Copyright / Derechos de propiedad Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso. Open Educational Resources (OER) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Soledad Description An account of the resource La Soledad is a dilapidated villa located in one of the wealthiest neighborhoods of Caracas. It used to be the home of director Jorge Thielen Armand’s great-grandparents, but when the owners passed away fifteen years ago, the property was unofficially inherited by their lifelong maid, Rosina, now 72, who remained to care for the house and raise her grandson, José, now 27, Jorge’s childhood friend. José works as a handyman, dreaming of a better life for his six-year-old daughter Adrializ, amidst Venezuela’s economic crisis. Waiting in long queues for food and the medicine Rosina so desperately needs is part of José’s routine. When he learns that the legal inheritors of the house plan to sell the estate, José struggles to try to find a solution that will keep his family away from the crime-ridden slums. Yet the house holds a secret that could save them all: a treasure that is rumored to be buried in its walls. Set in the beautiful derelict eponymous mansion and played by the real inhabitants, LA SOLEDAD (THE SOLITUDE) poetically depicts Venezuela’s socio-economic crisis through José’s struggle to save his family from homelessness. (<a href="https://www.festivalscope.com/all/film/the-solitude" target="_blank" rel="noreferrer noopener">Festival Scope</a>) Afro-Venezuelan / afro-venezolano Domestic labor / trabajo doméstico https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/005353fe8fd3f16d76b073746289b9ab.jpg?Expires=1777507200&Signature=hDlvKqS6OLRwmXjXTjU-dAitZB5qp1WAfsX1CZv%7EYrG7t1ZBtv-TR7vdCWsVZ5zuXnEpghGEXaIwk1HqyB5EqvtoHV0bVj6SOURVHin83V6djsK70g66Y6O1pS1rBFGOr9hOaI6kGBINDdUMTmd7WsYurzr9vWUov5wrj9E3ndOf89s4STnX%7ET9mEye0eZK16SnrYpWUDQPgd4umNtet3HijkqVa%7EdWF1gY3erhwTAXfPf6I0FFJdgyCbzuRqQFWd3I8DTlX8odum80Rk2Xe%7E9d51lxq1Z37Sg16yuI-G%7EzIqkDV1l3Smnoz3zYp-uolpOkLVmDQRk0MhUKtErmpcg__&Key-Pair-Id=K6UGZS9ZTDSZM 5981d2d7e6acbd7aa8258999ef821b0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Mujeres Unidas Director The director of the film. El/La director/a de la película. Feliciano Santíz Pérez Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1999 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Las mujeres de la región del Municipio Autónomo 17 de Noviembre hablan sobre la importancia de trabajar organizadamente en colectivo, a través de entrevistas realizadas a mujeres colectivos de maíz, hortalizas y pan. (<a href="http://sic.gob.mx/ficha.php?table=produccion_cine&table_id=4868" target="_blank" rel="noreferrer noopener">SIC Mexico</a>) The women of the region of the Autonomous Municipality (better known as, el Municipio Autónomo 17 de noviembre) talk about the importance of working collectively, through interviews with groups who work with corn, vegetables and bread. (Translated by Quetzali Gómez) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Chiapas Media Project / Promedios de Comunicación Comunitaria (México) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mujeres Unidas Description An account of the resource Las mujeres de la región del Municipio Autónomo 17 de Noviembre hablan sobre la importancia de trabajar organizadamente en colectivo, a través de entrevistas realizadas a mujeres colectivos de maíz, hortalizas y pan. (<a href="http://sic.gob.mx/ficha.php?table=produccion_cine&table_id=4868" target="_blank" rel="noreferrer noopener">SIC Mexico</a>) Indigenous filmmaking / producciones indígenas Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/ab392bd4f7b7920ef5b2b7d79cd92d3c.jpg?Expires=1777507200&Signature=DqPbW7H5kVA-fydZu34l-2msY4rSA1KewpnOV5VOk2vTHf4FTeKiMuqSJa-dEQtLobtWHQUIVk4PpK3-4aYA5VqMKD4ekwjsW2qn3nxRaIzDaRisoI5yv1DWNc%7EmGnaoHoAIB%7EByjGLEXxZtJhRie0Vs%7EphIPtSntx3rWEr3MX5FvoTCUDIc3OStmTbQR3JZI5eD6m0Mmeet2st-F7-SeW3ILVfVYx5g0MnsOkXbFSwNNXby-4nIrfk2ipTfRnrWI%7EFhspim-g5RlVQOTfFJm7Pv6sBaSSy-k7uGw7NLOC%7EEFR0M8DqW%7Ez5Mls8u92F-JMRyFczLIH3f3b9KdDfo1w__&Key-Pair-Id=K6UGZS9ZTDSZM 8fe8b9104dbc5e4b8f59a80ff7be2fe7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Dispuesto a todo Director The director of the film. El/La director/a de la película. Ariel Winograd Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2015 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Argentina Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Kocawa Producciones Fundación Huésped (Argentina) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Un actor en decadencia debe competir con la figura del momento por el papel protagónico que le devolverá la fama y el prestigio perdido. Para ello, decide investigar sobre el VIH, y así es que conocerá a una joven con VIH y también a su padre. Después de atravesar situaciones desopilantes, el protagonista entenderá que no es necesario vivir con el virus para comprometerse en la respuesta a la epidemia. (<a href="https://www.huesped.org.ar/que-hacemos/prevencion/programas-de-tv/dispuesto-a-todo/" target="_blank" rel="noreferrer noopener">Fundación Huesped</a>) A decaying actor must compete with the movie star of the moment for the leading role that will restore his fame and lost prestige. To do this, he decides to research HIV, and in the process he meets a young teenager with HIV and her father. After going through daunting situations, the protagonist will understand that it is not necessary to live with the virus to commit to the response to the epidemic. (Translated by Quetzali Gómez) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Comedy films / comedia Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Health & Medicine / La salud y la medicina Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Fundación Huésped: <a href="https://www.huesped.org.ar/que-hacemos/prevencion/programas-de-tv/dispuesto-a-todo/" target="_blank" rel="noreferrer noopener">https://www.huesped.org.ar/que-hacemos/prevencion/programas-de-tv/dispuesto-a-todo/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dispuesto a todo Description An account of the resource Un actor en decadencia debe competir con la figura del momento por el papel protagónico que le devolverá la fama y el prestigio perdido. Para ello, decide investigar sobre el VIH, y así es que conocerá a una joven con VIH y también a su padre. Después de atravesar situaciones desopilantes, el protagonista entenderá que no es necesario vivir con el virus para comprometerse en la respuesta a la epidemia. (<a href="https://www.huesped.org.ar/que-hacemos/prevencion/programas-de-tv/dispuesto-a-todo/" target="_blank" rel="noreferrer noopener">Fundación Huesped</a>) Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0a2f93ad4c5e43333029af0e6fdd7b61.jpg?Expires=1777507200&Signature=sMKhWUxIFHc0CN8YSrTLoTEDhxChRbcRUN9vo%7E3gMSFTTaE1sAL12EUsYCGS2RgCesNMuqiJUt17GuQlbvXGzKYEnKos9wIfRGPvhJpSKvbZodExqY7CZwvkW%7E53WwVeJVBy5aaeKbFhXf20dGpCNPFJVEMx-dSOlEVfOisfgRxVH3kj7RSh8C9%7EhVozE5AZdIqnSMUmfKhpeJoWaK06ZYte4bXTLmGnbgX2jfPcmj9r15Fp3ORIJmxeA4znKlN%7E7EhZV8Dct%7ENSVB5mfOC5fULWCUiqc0PmJljxPkDgk92bEWi61bi3dtgbjjWm9w17XGr%7EsX%7ETR9MU1%7EZ0pq3GfQ__&Key-Pair-Id=K6UGZS9ZTDSZM d86abf9c82d994eaa99ce73e54be9430 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Utopía Title Utopia Director The director of the film. El/La director/a de la película. Arturo Infante Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2004 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Guagua & Co. (Cuba) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Siguiendo el ritmo de varios tempos musicales (introducción, andante, patético, etc.) se entrecruzan tres situaciones que se desarrollan sucesivamente aumentando su intensidad dramática. Así, un grupo de muchachos discute acaloradamente sobre la existencia o no del barroco latinoamericano, mientras juegan una partida de dominó regada con abundante ron; una estudiante prepara intensamente con su profesor un desaforado recitado del poema 'Golem', de Jorge Luis Borges, y dos amas de casa se pelean por diversos temas operísticos mientras se hacen la manicura. El resultado: una visión irónica y desmitificadora de la cultura y de la vida cotidiana en Cuba, en las que el absurdo se evidencia. (WorldCat) This little film by Arturo Infante throws a bittersweet dart at Cuba's much tooted free for all educational system. In three short vignettes it shows the results obtained by Communist dictatorship after almost fifty years of manipulating education and culture. (<a href="http://www.imdb.com/" target="_blank" rel="noreferrer noopener">IMDb</a>) Category / Categoría A broad category or mode of cinematographic production. Experimental Films / Cine experimental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Politics / La política Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor YouTube: <a href="https://youtu.be/LHjKNjtEn_I" target="_blank" rel="noreferrer noopener">https://youtu.be/LHjKNjtEn_I</a> Rialta: <a href="https://rialta.org/utopia/" target="_blank" rel="noreferrer noopener">https://rialta.org/utopia/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Utopía Description An account of the resource Siguiendo el ritmo de varios tempos musicales (introducción, andante, patético, etc.) se entrecruzan tres situaciones que se desarrollan sucesivamente aumentando su intensidad dramática. Así, un grupo de muchachos discute acaloradamente sobre la existencia o no del barroco latinoamericano, mientras juegan una partida de dominó regada con abundante ron; una estudiante prepara intensamente con su profesor un desaforado recitado del poema 'Golem', de Jorge Luis Borges, y dos amas de casa se pelean por diversos temas operísticos mientras se hacen la manicura. El resultado: una visión irónica y desmitificadora de la cultura y de la vida cotidiana en Cuba, en las que el absurdo se evidencia. (WorldCat) Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/a2681d14c3b5360f5adc8b32bd304263.jpg?Expires=1777507200&Signature=TBmGVFJrroGAye9e7jV%7EXo78ovzpTsKD%7EFPrXOuEWp20xosqLddxhLSQozohP9TUVx%7EQSOetEF-qhO7wubqDPBh%7EVUDsBLTxrkbWPwenae73PKMqRdx6RKWJfWiDrw0X5t2LrrGo0n-Wmbv9RRFWNHC8S7RGnh-cAEImmCfg4rN8VrOldCRZEz9KI2PtiBAC6BRnGHG43q7TE0mxMu8qsKeNo1V-L4Rv6po2ri9oKcXHqbEWUlEU0X9tMd0VcopKlm-0y5OTWRNPZd7GYjWWxlkdAcvSZDc79aVJQKuGq-wmgj8zWPIyqjb977yo2DKicQWy66AY6Wf%7EuZj7sKpueg__&Key-Pair-Id=K6UGZS9ZTDSZM f000c3f90c0861296be180c52d148e8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Xulum' Chon Title Xulum Chon Xulum'chon: Weavers in Resistance from the Highlands Director The director of the film. El/La director/a de la película. José Luis Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Chiapas Media Project / Promedios de Comunicación Comunitaria (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Xulum'chon is an indigenous Tzotzil women's collective in the Highlands of Chiapas. Through their work as weavers, they struggle to receive a just price for their work so they can provide their children a dignified life and education and continue to support their resistance. (<a href="http://www.worldcat.org/" target="_blank" rel="noreferrer noopener">WorldCat</a>) Xulum' chon es un colectivo de mujeres tsotsil de las tierras altas de Chiapas, México. A través de su trabajo como tejedoras, luchan para recibir un precio justo por su trabajo para poder ofrecer a sus hijos una vida digna y educación mientras siguen apoyando la resistencia. (Translated by Quetzali Gómez) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Xulum' Chon Description An account of the resource Xulum'chon is an indigenous Tzotzil women's collective in the Highlands of Chiapas. Through their work as weavers, they struggle to receive a just price for their work so they can provide their children a dignified life and education and continue to support their resistance. (<a href="http://www.worldcat.org/" target="_blank" rel="noreferrer noopener">WorldCat</a>) Indigenous filmmaking / producciones indígenas Short Film / cortometraje Tzotzil / Tsotsil https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/1c05457777b78929bb3bc3b1d029fab1.jpg?Expires=1777507200&Signature=Ii2xucJhRx7tt3lJolVt3cC%7EhNH9ElxVUUkFMukqpcZV6R4BGRR0bvystmP11ywHH1MiCfbSgYr3JFHWz1WHneLBxkF7VrqhY1Ti1iQBGwqqTL4s3mxDfRKkPckO4dFmdVl4lLjvLuTsEUh9rXdr7CtGnCa5MqrweOgf%7EztKlNTOnOUiMHwtcFtn4%7EgsVOnSEqAsfTG3szwBMgqlG2Uv62LYe3aMqY1NhgLBlyrXsuJFetmK7JaJqpdNKSCsdNDYKX6rAmCyTgR1RXWj%7EsqvMs1A7l5TCod5y76YHksTMCFj0w629iAqjG7a89ypTyd%7EDvXOPC4JAYJAdboZBtbM7g__&Key-Pair-Id=K6UGZS9ZTDSZM cd909ecd92faacff2203fdf78b3c53ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La rebelión de las oaxaqueñas Title The Rebellion of the Oaxacan Women Director The director of the film. El/La director/a de la película. Tonatiuh Díaz Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2007 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Consorcio para el Diálogo Parlamentario y La Equidad Oaxaca (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. El conflicto actual en Oaxaca comenzó el 14 de junio de 2006 cuando el gobernador del estado ordenó a la policía desalojar el plantón magisterial instalado en el zócalo de la ciudad. Las acciones de ese día desataron la rebelión, conformando la Asamblea Popular de los Pueblos de Oaxaca. Miles de mujeres se involucraron en la lucha y su activismo adoptó diversas formas, incluyendo la instalación y sostenimiento de barricadas por toda la ciudad. Este documental narra la historia de estas mujeres, quienes a partir de distintas realidades se unieron en una sola lucha. (<a href="https://sic.gob.mx/ficha.php?table=produccion_cine&table_id=594" target="_blank" rel="noreferrer noopener">Sistema de Información Cultural</a>, México) The present conflict in Oaxaca started on June 14th 2006 when Gobernor of the State sent the State Police to evict the Teachers´ Sit-In installed in the central square of the city. The actions of June 14th unleashed the popular rebellion and took shape in the form of the Asamblea Popular de los Pueblos de Oaxaca. Thousands of women got involved in the struggle and their activism took different forms, including the installation and defense of barricades all over the city. This documentary tells the story of these women who, being from different backgrounds, came together in a single struggle. (<a href="https://sic.gob.mx/ficha.php?table=produccion_cine&table_id=594" target="_blank" rel="noreferrer noopener">Sistema de Información Cultural</a>, México) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Gender identity / Identidad de género Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <iframe width="560" height="315" src="https://www.youtube.com/embed/LjM6HkbOrYw" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe> YouTube: <a href="https://youtu.be/LjM6HkbOrYw" target="_blank" rel="noreferrer noopener">https://youtu.be/LjM6HkbOrYw</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La rebelión de las oaxaqueñas Description An account of the resource El conflicto actual en Oaxaca comenzó el 14 de junio de 2006 cuando el gobernador del estado ordenó a la policía desalojar el plantón magisterial instalado en el zócalo de la ciudad. Las acciones de ese día desataron la rebelión, conformando la Asamblea Popular de los Pueblos de Oaxaca. Miles de mujeres se involucraron en la lucha y su activismo adoptó diversas formas, incluyendo la instalación y sostenimiento de barricadas por toda la ciudad. Este documental narra la historia de estas mujeres, quienes a partir de distintas realidades se unieron en una sola lucha. (<a href="https://sic.gob.mx/ficha.php?table=produccion_cine&table_id=594" target="_blank" rel="noreferrer noopener">Sistema de Información Cultural</a>, México) Feminism / Feminismo Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/70152dd103662011a43161136769e341.png?Expires=1777507200&Signature=fCuTjxZvy3pmvnM7PYdOyFwJxcOPgqAZ07E8bZWIeEBpmVeo47WuDoX0XK3vi9jwCjsteliTOHLOMtlhTnNJA2-RZz5ankEVfPECSafaymHhuCX79BlcweHnlCbAvkCZwXIfM8%7E5SeIptie0U1lDGheU%7Em%7EC-SSiIybKLB4mYDCdDlYDSTqYbm67mGA7rRshQHoqV0Np9Dxi9qJ1o55s2ODqOHkXn9SDmE3NYCcfysVJdr576QmbY7UKd0oI-ZSHNtU85SDsAnkTbKFrjURe3kJH7h256s-sLxdJBdRGKUXlRzxvSCHhiusQyblVpSx%7EsjWjme0UMRYrmmE1wRoWmA__&Key-Pair-Id=K6UGZS9ZTDSZM 587ce0a6fc15efc02214bb48dcc0cd11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Niñas araña Title Spider Thieves Director The director of the film. El/La director/a de la película. Guillermo Helo Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2017 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Chile Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Demente Producciones (Chile) Altirosapiens (Chile) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Tres adolescentes marginales sueñan con conseguir todo lo que les ofrece la televisión y las vitrinas comerciales. Para lograrlo deciden escalar en edificios del barrio alto y entrar a disfrutar de las cosas y la vida que no tienen. Su único objetivo es huir del destino que la sociedad les impuso. En este proceso se hacen famosas hasta convertirse en heroínas y villanas postmodernas de la delito-farándula. Basada en una historia real (<a href="https://habanerofilmsales.com/portfolio/ninas-arana" target="_blank" rel="noreferrer noopener">Habanero Films</a>). Inspired by actual events, this teenage thriller is a unique social commentary on dreams, class, and unfulfilled expectations in contemporary Chile. Three teenage girls from a Santiago shanty town set in motion a plan to climb buildings and plunder expensive apartments. All they want is to have all the cool and trendy stuff they see advertised in TV commercials and department stores. Word spreads and soon enough they became the notorious “spider thieves.” (<a href="https://pragda.com/film/spider-thieves/" target="_blank" rel="noreferrer noopener">Pragda</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Thrillers / thriller; cine de suspenso Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/spider-thieves" target="_blank" rel="noreferrer noopener">https://pragda.com/film/spider-thieves</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/809">https://cinegogia.omeka.net/items/show/809</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Niñas araña Description An account of the resource Tres adolescentes marginales sueñan con conseguir todo lo que les ofrece la televisión y las vitrinas comerciales. Para lograrlo deciden escalar en edificios del barrio alto y entrar a disfrutar de las cosas y la vida que no tienen. Su único objetivo es huir del destino que la sociedad les impuso. En este proceso se hacen famosas hasta convertirse en heroínas y villanas postmodernas de la delito-farándula. Basada en una historia real (<a href="https://habanerofilmsales.com/portfolio/ninas-arana" target="_blank" rel="noreferrer noopener">Habanero Films</a>). Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/96c79f98feacfb9580de3cc79e8e12ba.jpg?Expires=1777507200&Signature=pHD8IDi4vRMi-ooCNnHsBqUm5K6c0mmpntUBHteMxILogOuz4EkO78RsS6RzXwlmCq6IqpVQ3YKGqEc7zNYyU1XZYLM1zqaMNNxt6jFjiNfE2lRcnNxAKFm4dWbz5N6oJXduCQZtKNNEXhImuYFoaHM9ZmhK9yK7n1a38ko%7EMHOTTD2uion9ftt5wIcjSOh-0T%7EtuDqBscRH%7EACnw9LfqwTimf0m9D3v-XimoqoD3VKKVUWNgcuZnwWgqfUKl-nG9UbCDyh7JTF-8G%7ECF%7EW59QVWuhZiAuWAzl4mQJcZvCWMIuQenP8xaAAQvEfl7dAswbHpUbs4x29FNGMRHEItuQ__&Key-Pair-Id=K6UGZS9ZTDSZM d13fc76b379a1b00f5b0fd6e961728d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Mãe só há uma Title Don't Call Me Son Director The director of the film. El/La director/a de la película. Anna Muylaert Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Dezenove Som e Imagens (Brazil) Africa Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. A vida do adolescente Pierre vira de cabeça pra baixo quando ele recebe uma denúncia e é obrigado a fazer um teste de DNA. Após o resultado, descobre que a mulher que o criou não é sua mãe biológica, e sim uma estranha que o roubou na maternidade. Assim, ele é obrigado a trocar de família, de nome, de casa, de escola. No meio desse processo, talvez acabe trocando também até de gênero. (<a href="https://www.papodecinema.com.br/filmes/mae-so-ha-uma/" target="_blank" rel="noreferrer noopener">Papodecinema</a>) Pierre (the volcanic Naomi Nero) is a teenager seemingly happy in his own skin. He's handsome in an androgynous way, attractive to both the girls and boys at his school, playing in a garage rock band and occasionally wearing women's clothing when the mood suits him. His open-hearted, open-minded approach to life seems to stem in part from his permissive single mother (Daniela Nefussi). Except that the police come knocking, and it turns out that Pierre and his younger sister were stolen from different families. Now his rich biological parents (Matheus Nichtergaele and, in a stunning piece of double casting, Nefussi again) want him back. Abruptly, Pierre is uprooted from his working class neighborhood and brought inside his new family's gated community. His father shows him off to friends like his son is a trophy long overdue, while his mother fusses over him incessantly. Pierre is polite at first, but grows uncomfortable under the gaze of his new parents, and his natural instinct to rebel starts to brew. Only Pierre's new younger brother Joca (Daniel Botelho), a snotty rich kid clearly unhappy at losing his parents' attention, reacts honestly to Pierre's presence. One of the subtle touches of Muylaert's film is seeing the similarities between the two boys despite their different upbringings. "Don't Call Me Son" presents an impossible situation for all involved, and in a film that's only 82 minutes, Muylaert doesn't try to resolve all the tensions and conflicting emotions. Instead, uncertainty -- whether it's about gender or family -- feels like the healthiest and most natural state of all. Source: Thomas, Rob. "Movie review: Brazilian drama 'Don't Call Me Son' is a tangled family affair." UWIRE Text, 16 Nov. 2016, p. 1. Pierre (el volcánico Naomi Nero) es un adolescente que parece feliz en su propia piel. Es guapo de una manera andrógina, atractivo tanto para las chicas como los chicos en su colegio; toca en una banda de rock de garaje y a veces lleva ropa de mujeres cuando tiene ganas. Su acercamiento abierto y honesto a la vida se le debe a su madre soltera y permisiva (Daniela Nefussi). Pero la policía llega y revela que Pierre y su hermana menor fueron secuestrados de distintas familias. Ahora sus padres biológicos ricos (Matheus Nichtergaele, y en un impactante doble casting, Nefussi de nuevo), quieren que vuelva. Trasladan a Pierre abruptamente de su vecindario de clase trabajadora al barrio privado de su nueva familia. Su padre muestra a Pierre como un ansiado trofeo a sus amigos, mientras su madre se preocupa por él sin cesar. Pierre se muestra educado al principio, pero se siente incómodo bajo la mirada de sus padres nuevos, y su instinto natural de rebelarse crece. Solo el nuevo hermano menor de Pierre, Joca (Daniel Botelho), un niño rico engreído enojado por la pérdida de atencion de sus padres, reacciona auténticamente a Pierre. Uno de los elementos sutiles del cine de Muylaert es la semejanza entre los dos chicos a pesar de su niñez tan differente. "Don't Call Me Son" presenta una situación imposible para todos, y en esta película que solo dura 82 minutos, Muylaert no intenta resolver todas las tensiones y emociones conflictivas. Al contrario, la incertidumbre - bien sea sobre el género o la familia - es el estado más sano y natural de todos. (Translated by Andrew Magel) This poignant coming-of-age film from Brazil is focused on Pierre, seventeen and in the middle of puberty. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when his mother is arrested for having stolen him from a hospital when he was a newborn baby, Pierre’s life changes dramatically. His biological parents Gloria and Matheus have spent seventeen years searching for him; they are now desperate to make up for the lost years and spend time with their eldest son, whom they call Felipe. Observed from a critical distance by his younger brother Joca, Pierre/Felipe moves in with his well-heeled new family, who are determined to mould him according to their ideals. But Pierre has his own designs for his life. (<a href="https://pragda.com/film/dont-call-son/" target="_blank" rel="noreferrer noopener">Pragda</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Gender identity / Identidad de género LGBTQ people / Personas LGBTQ Relationships / Relaciones Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/dont-call-son/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/dont-call-son/</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/813">https://cinegogia.omeka.net/items/show/813</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mãe só há uma Description An account of the resource A vida do adolescente Pierre vira de cabeça pra baixo quando ele recebe uma denúncia e é obrigado a fazer um teste de DNA. Após o resultado, descobre que a mulher que o criou não é sua mãe biológica, e sim uma estranha que o roubou na maternidade. Assim, ele é obrigado a trocar de família, de nome, de casa, de escola. No meio desse processo, talvez acabe trocando também até de gênero. (<a href="https://www.papodecinema.com.br/filmes/mae-so-ha-uma/" target="_blank" rel="noreferrer noopener">Papodecinema</a>) Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/d06c623fec8f012a0369475491d38b9e.png?Expires=1777507200&Signature=cvhIzlyecLmRpRhW1dwqnU3eaxof0gRxG8linFVpa8rdNsKwsHITbAkr5bUmzSeJp0dPbqrAspTkPvoq6wnjTaIJEAOsDIkFs8FJlBPcpIvJ7z925NZUVeAlfcTr-GHGtgMOXPqeKp7eq3wErRU%7ET5TkoRiPMHBIvpoI3m6O0%7EcYiV72TyyfYwEpzsw5HHLvbnauFNGlw-I45sCn0jGWhprVDCm1I1dOOutYbhloyG3jnSYbwGW-KQ9D3MNLCpzyawupGlZ97q8v6Du5E9eqecXVupqoWHeYBVxWlOChZhQVYptDa7n%7E2sfex7nFkqY-HM7I9tCezK8bcOA-lVEWxQ__&Key-Pair-Id=K6UGZS9ZTDSZM 5de5dd0841500243797c3fc0341718de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Las banderas del amanecer Director The director of the film. El/La director/a de la película. Jorge Sanjinés Beatriz Palacios Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1983 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Bolivia Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Ukamau Group (Bolivia) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Documental que reconstruye minuciosamente los hechos acaecidos en Bolivia entre 1979 y 1982, años llenos de acontecimientos dramáticos. Apelando al testimonio de los protagonistas y a escenas captadas durante los hechos mismos, hace un repaso a los tres procesos electorales registrados en 1978, 1979 y 1980, el golpe de estado encabezado por el coronel Alberto Natush y la masacre de Todos Santos; el asesinato de importantes personalidades políticas como Luis Espinal y Marcelo Quiroga Santa Cruz; las grandes movilizaciones obreras, campesinas, estudiantiles, el sangriento golpe del general García Meza Tejada; la lucha en la resistencia, y finalmente la reapertura del proceso democrático. (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Reconstructs the events in Bolivia between 1979 and 1982. Dark years. Speaking of Alberto Natush's coup d'etat, the massacre of Todos Santos, the murders of Luis Espinal and Marcelo Quiroga Santa Cruz, the worker, peasant and student mobilizations, García Meza Tejada's coup d'etat and the return to the democratic process. (<a href="https://www.themoviedb.org/movie/765785-las-banderas-del-amanecer?language=en-US" target="_blank" rel="noreferrer noopener">TMDB</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Historical films / cine histórico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Political violence / Violencia política Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. New Latin American Cinema / Nuevo Cine Latinoamericano Title The Flags of Dawn Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Las banderas del amanecer Description An account of the resource Documental que reconstruye minuciosamente los hechos acaecidos en Bolivia entre 1979 y 1982, años llenos de acontecimientos dramáticos. Apelando al testimonio de los protagonistas y a escenas captadas durante los hechos mismos, hace un repaso a los tres procesos electorales registrados en 1978, 1979 y 1980, el golpe de estado encabezado por el coronel Alberto Natush y la masacre de Todos Santos; el asesinato de importantes personalidades políticas como Luis Espinal y Marcelo Quiroga Santa Cruz; las grandes movilizaciones obreras, campesinas, estudiantiles, el sangriento golpe del general García Meza Tejada; la lucha en la resistencia, y finalmente la reapertura del proceso democrático. (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/ccf0c9bdb87099225939e511e9f523c7.jpg?Expires=1777507200&Signature=ZwnAUX-jawJChc04S4slukkWq5oa1GoitBLsm0fMIiss6wzx3A6PreNK0xaa4Dn7tKPBrtM-MYwaqgSxdWHa0vxnIzzZ%7E2HWp4nH3YzIneoX9Nr5mvaiCQbxYBQnFIhlJ4huwlnhj1SGczIcBfKj9Bz%7EBdOuxNTXJt-AFg4VDwnN1tws72Uc4gnRqTw%7EjZf0PoNBqtC5Su5cj2MOOzErshiIUFMw%7E%7EnMHB-8xAUhPDXtjssVhDGlS-GxnCkNQbQZfVI4nl6AX7I6NRxfBi5P7mnF%7E%7E4UZP1tQjWWFnd1vt6-9bnD3TE8F4MCt8VUATDsbFwG1oq0Ab7bQshLwQL9YA__&Key-Pair-Id=K6UGZS9ZTDSZM a74679d57ee60b481043d3207a575ea0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Tupac Amaru Director The director of the film. El/La director/a de la película. Federico García Hurtado Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1984 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Peru / Perú Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Instituto Cubano del Arte e Industrias Cinematográficas - ICAIC (Cuba) Cinematográfica Kuntur (Perú) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. This is a dramatic retelling of the heroism of Tupac Amaru, an Incan leader who organized the people who made up the lowest rungs of society underneath the Spanish colonialists -- the workers, slaves, and the remains of the Incan nation -- and raised an armed rebellion against the Spanish. His rebellion failed, his family was killed, and he was cruelly executed, with his legs and arms tied to four horses and torn away from his body. (<a href="https://www.allmovie.com/movie/tupac-amaru-v227710" target="_blank" rel="noreferrer noopener">https://www.allmovie.com/movie/tupac-amaru-v227710</a>) Esta es la representación dramatizada del heroísmo de Tupac Amaru, un líder inca que organizó a las personas que formaban los peldaños más bajos de la sociedad debajo de los colonialistas españoles (trabajadores, esclavos y los restos de la nación inca) y que levantó una rebelión armada contra los españoles. Su rebelión fracasó, su familia fue asesinada y él fue cruelmente ejecutado, con las piernas y los brazos atados a cuatro caballos y arrancados de su cuerpo. (Translation by Stephany Zabala) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Bio pic / Película biográfica Historical films / cine histórico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Revolution / Revolución Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor YouTube: <a href="https://youtu.be/U04mEqZytxU" target="_blank" rel="noreferrer noopener">https://youtu.be/U04mEqZytxU</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tupac Amaru Description An account of the resource This is a dramatic retelling of the heroism of Tupac Amaru, an Incan leader who organized the people who made up the lowest rungs of society underneath the Spanish colonialists -- the workers, slaves, and the remains of the Incan nation -- and raised an armed rebellion against the Spanish. His rebellion failed, his family was killed, and he was cruelly executed, with his legs and arms tied to four horses and torn away from his body. (<a href="https://www.allmovie.com/movie/tupac-amaru-v227710" target="_blank" rel="noreferrer noopener">https://www.allmovie.com/movie/tupac-amaru-v227710</a>) Inca / Inka Quechua https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c2e9b36fa9ce68581407a898a3eb3e4b.jpg?Expires=1777507200&Signature=nLDWwKpOiL1sKDLWVtLtnYMV70VjztZBS55XKKl3hXRC3ALwOVTtbbVwsL-TTjUiqhOVlRms53iQsRPTBkMM02FdZTyqA5tNDYWnH7JI8AjtPF55%7EzvD1a%7Eti4VsfmRgBbtwJGkwucKTY8nVtrLXN2h2MkLOwSLwv8%7E-QkiySeddaVdNZBLFp8A7k1WLB8hzXWbRYM1kIHQT8H6kB%7EmB5ytOxpqFaakqdu2f8aT8wKyWD1acN61nfLao%7EFdDqbM6IUiPpbzeDRfQFZOqJ7lZxRHxJWLo03P2aYTKk-iBTKcZ1Dn-g1fklDefbReLGQ6om2r2N4sse-rMJKdxtVwLPw__&Key-Pair-Id=K6UGZS9ZTDSZM 86d6e09d8387d02030aa611c6356c99b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Aruanda Director The director of the film. El/La director/a de la película. Linduarte Noronha Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1960 Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. The film describes the miserable lives of the descendants of the slaves, who founded a "quilombo." The men plant cotton in the dry ground. The women work in crafts in an economic cycle that does not bring in cash. The poverty of the film-making is an expression of the miserable conditions that are not present only in the reality that is represented in the film, but contaminates the very material nature of the film (<a href="https://www.torinofilmfest.org/en/13-festival-internazionale-cinema-giovani/film/aruanda/1887/" target="_blank" rel="noreferrer noopener">Torino Film Festival</a>). La película describe la vida miserable de los descendientes de los esclavos, quienes fundaron un quilombo. Los hombres plantan algodón en la tierra seca. Las mujeres se dedican a la artesanía en un ciclo económico que no genera ingresos. La pobreza de la realización cinematográfica es una expresión de las condiciones miserables que no solo están presentes en la realidad representada en la película, sino que también contaminan la naturaleza misma del material fílmico. (Translation by Stephany Zabala) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race / Raza Slavery / Esclavitud Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Silent Cinema / Cine mudo Available at Website, streaming service, distributor YouTube: <a href="https://youtu.be/9uATt--ua0Y" target="_blank" rel="noreferrer noopener">https://youtu.be/9uATt--ua0Y</a> <iframe width="560" height="315" src="https://www.youtube.com/embed/9uATt--ua0Y" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Docu-drama Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aruanda Description An account of the resource The film describes the miserable lives of the descendants of the slaves, who founded a "quilombo." The men plant cotton in the dry ground. The women work in crafts in an economic cycle that does not bring in cash. The poverty of the film-making is an expression of the miserable conditions that are not present only in the reality that is represented in the film, but contaminates the very material nature of the film (<a href="https://www.torinofilmfest.org/en/13-festival-internazionale-cinema-giovani/film/aruanda/1887/" target="_blank" rel="noreferrer noopener">Torino Film Festival</a>). Afro-Brazilian / afro-brasileño / afro-brasileiro Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/f6a243dd6d72f74724c90c68a48b9adb.png?Expires=1777507200&Signature=LkBbrizHZC36147Dg9TPe4BDpxqU5NuE7odjNaSQPXdSqabUiOi5APjXAVkzDjhhMlypT9nrxsxOZNSAq6Ke6pvwPBzthSLqxOPz-TPoEUn8WNaE6hRv-HeYD1sEJH1IBJ95khTOE79r%7E9Nyc7rzIuoJPCMRgfGeeyEpda%7EdemZRj2q1VZHxoM0%7EdbPaFdS98bN6XT8ySsw7anHoYXQfKVxTxxirMM9wjATTykWxUvv4ChJkWZINFphONyqPizynhAmai%7EOB60oPqliWJ1RqrV%7Ep44Xfojzfbxf0VutYDr36wB5e1NzU1BxK%7EeWZKV-6T06nXCeRwxQFM98TFQwcTw__&Key-Pair-Id=K6UGZS9ZTDSZM 3ab59f64563d4fecc6380d04986d47dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Casa grande Director The director of the film. El/La director/a de la película. Fellipe Gamarano Barbosa Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2014 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Migdal Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Ambientada en el mundo de la élite social de Río de Janeiro, es la historia de Jean, un adolescente de 17 años que lucha por escapar de sus padres sobreprotectores al tiempo que su adinerada familia entra en bancarrota. (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Coming-of-age as rude awakening: one high school senior’s dawning sexuality is shadowed by the discovery of his upper-class white family’s looming financial ruin. Polished and penetrating, Casa Grande renders a sharp social canvas of contemporary Brazil through the eyes of young Jean (Thales Cavalcanti), who struggles with newfound knowledge of his racial and class privilege as he sweetly courts a mixed-race girl from a lower-ranked school than his, and sows his oats with the family’s nubile cinnamon-skinned maid. Jean’s parents, meanwhile, clutch at straws merely to survive. His father (Brazilian screen staple Marcello Novaes), a failed hedge-fund baron, tries vainly to conceal the true extent of the damage, as his formerly sheltered wife resorts to peddling cosmetics. (<a href="https://cinemaslate.com/product/casa-grande" target="_blank" rel="noreferrer noopener">Cinema Slate</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Romance films / cine romántico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race relations / Relaciones raciales Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/1016">https://cinegogia.omeka.net/items/show/1016</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Casa grande Description An account of the resource Ambientada en el mundo de la élite social de Río de Janeiro, es la historia de Jean, un adolescente de 17 años que lucha por escapar de sus padres sobreprotectores al tiempo que su adinerada familia entra en bancarrota. (<a href="https://www.filmaffinity.com/es" target="_blank" rel="noreferrer noopener">Film Affinity ES</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro Domestic labor / trabajo doméstico Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0dd6e68917d1fd15af645e3751e2d8e7.png?Expires=1777507200&Signature=K9BGY3nx3iLl6ZvSVhPQdEGzbBrooKZiyWRr-XRoeoW4MUCuk9OmJwNV8B7KeeKL5jUWNXVF5MpKrAq%7E0iT5YiL0o4PGaavFJI-ZC-qRGw3-qx-nvrFOsMUKVPOlukLcJPJB3Y5WcEV3P7EtdsCPclJN9KSJsnyoKXsrvd8yZuGaBTxuPnrXlmHz1CxY%7Ejt%7EcCk18lBmF6tgS6olfj5wRDfAlTpsBuTjWJnwDGN4OwmsPq1QFYuvb-N1f-HclyCyUsNZIidKHhVtD1nrXCe3FF-CJ2F%7Euz4UNLIXp0lmZRMSBUH-GIJ2TAjKm27Gp6mRUEGsc8bLxEyxrS1QojRs7Q__&Key-Pair-Id=K6UGZS9ZTDSZM 75825260fe232361d4def8e70b0208a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Marighella Director The director of the film. El/La director/a de la película. Wagner Moura Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. O2 Filmes (Brazil) Globo Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Beginning with a breathless, Robin Hood-style train robbery and ending with a highly provocative—and not for the faint of heart—final sequence, the directing debut from journalist, musician, and actor Wagner Moura (Elite Squad; Pablo Escobar in Narcos) is a searing and energized portrait of one of Brazil’s most divisive historical figures, Afro-Brazilian poet and politician Carlos Marighella (actor/singer Seu Jorge, The Life Aquatic With Steve Zissou). Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal right-wing dictatorship that followed, the revolutionary leaves behind his wife, Clara (Adriana Esteves), and son, Carlinhos, to take to the streets, authoring the highly influential Minimanual of the Urban Guerrilla,becoming a notorious enemy to the power structure, and being doggedly pursued by sadistic chief inspector Lucio (Bruno Gagliasso) before an untimely death in a dramatic police ambush in 1969. (Review by Hebe Tabachnik, Seattle International Film Festival, <a href="https://www.marighella-movie.com/story" target="_blank" rel="noreferrer noopener">Film's Official Website</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Bio pic / Película biográfica Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race / Raza Social inequality / Desigualdad social Political violence / Violencia política Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marighella Description An account of the resource Beginning with a breathless, Robin Hood-style train robbery and ending with a highly provocative—and not for the faint of heart—final sequence, the directing debut from journalist, musician, and actor Wagner Moura (Elite Squad; Pablo Escobar in Narcos) is a searing and energized portrait of one of Brazil’s most divisive historical figures, Afro-Brazilian poet and politician Carlos Marighella (actor/singer Seu Jorge, The Life Aquatic With Steve Zissou). Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal right-wing dictatorship that followed, the revolutionary leaves behind his wife, Clara (Adriana Esteves), and son, Carlinhos, to take to the streets, authoring the highly influential Minimanual of the Urban Guerrilla,becoming a notorious enemy to the power structure, and being doggedly pursued by sadistic chief inspector Lucio (Bruno Gagliasso) before an untimely death in a dramatic police ambush in 1969. (Review by Hebe Tabachnik, Seattle International Film Festival, <a href="https://www.marighella-movie.com/story" target="_blank" rel="noreferrer noopener">Film's Official Website</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/aaf00b3e82bea26e74aab7bbe4d22ec9.png?Expires=1777507200&Signature=alRU%7EOMDcsQcjCMMo-BR5GCUFtytjnWd2A7%7EEJx1luawpiicglqhk08VsYwOwUOEAm1Wrx2eJcTa26XcfhjQurDLo%7EvfB4BamVYnSFbQrsr2bA52vMViylnlHsQjWGStOrxFtLiccX6mgdb4Gbathjyc3gnSY3F--vS-YkmztIN5Dfy6wtgNLDfhx%7Eim%7EHCu%7EQOWqPzLUW8s%7E%7EWi9mreUAvge9zhoWe82NZHV0q1MUeBZlL%7Ec8pkm25gCm-AnPhpdZMQTo-Ezy3SPppWwEHdUoIaP9LqcqvmlLc0jd-Ol5ynnnE0R%7EIgL81g1O89zzpHo876J2HjQIFs7obNhRE2Dw__&Key-Pair-Id=K6UGZS9ZTDSZM 2b47539206c632f4b903118fdb12167f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El vuelco del cangrejo Title The Crab Trap Director The director of the film. El/La director/a de la película. Oscar Ruiz Navia Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2009 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Colombia Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Arizona Film Productions (France) Contravia Films (Colombia) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. En La Barra, un alejado pueblo del pacífico colombiano, Cerebro, líder de los nativos afrodescendientes, mantiene fuertes enfrentamientos con El Paisa, terrateniente que planea la construcción de un hotel en la playa. Daniel, un turista extraño y silencioso, queda atrapado en el sitio, esperando una lancha que pueda sacarlo del país. (<a href="http://www.proimagenescolombia.com" target="_blank" rel="noreferrer noopener">Proimágenes Colombia</a>) At La Barra, an isolated village on the Pacific Coast of Colombia, Cerebro (Brain), leader of the native Afro-Colombian community, is at odds with El Paisa (The White Man), a landowner who wants to build a resort on the beach. All this while Daniel, a strange and silent tourist, awaits for a boat to take him out of the country. (<a href="http://www.proimagenescolombia.com" target="_blank" rel="noreferrer noopener">Proimágenes Colombia</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Race / Raza Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El vuelco del cangrejo Description An account of the resource En La Barra, un alejado pueblo del pacífico colombiano, Cerebro, líder de los nativos afrodescendientes, mantiene fuertes enfrentamientos con El Paisa, terrateniente que planea la construcción de un hotel en la playa. Daniel, un turista extraño y silencioso, queda atrapado en el sitio, esperando una lancha que pueda sacarlo del país. (<a href="http://www.proimagenescolombia.com" target="_blank" rel="noreferrer noopener">Proimágenes Colombia</a>) Afro-Colombian / afro-colombiano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/e8877509367cd47757630791de89c0f0.png?Expires=1777507200&Signature=HaEAD8O3pqozD9UXDl7DGQ85HmA26tUwTsxpR-oMwTad1bveNv7VOjxe6pSALRdJCyQlFBBqdjkO0k6xUDfiwPzr80wHWpt-iTQfxOccGWN6WF1mt7WMs1hFe-asx8qU-7T%7EAZcFQniEG6mejyLlBuyViwhzAREsqco64ETNh-e%7EnKDSPIrUvdRP3JZwn9PKJ%7E%7EXuBnAXQvRya7aQdV%7E9SsbOaylxEDpWDA2-URgYDzavnt1j3W9ArSB1L8RmqbXcvG6ckMBbH7Y4NLYYwd9DbwspVgU5Vk9xYt6%7EzBPj2SdcHSm3drdITjWzlWatcd3pqKMRwLhoaadN9yKzgFRtQ__&Key-Pair-Id=K6UGZS9ZTDSZM e8eeac67d39422ac8aabb980122deb0b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Chocó Director The director of the film. El/La director/a de la película. Jhonny Hendrix Hinestroza Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2012 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Colombia Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Proimágenes (Colombia) Antorcha Films (Colombia) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Chocó es una mujer negra de 27 años, que lleva a cuestas una familia de dos hijos menores y a Everlides, su esposo músico que sólo sabe tocar marimba, beber viche y jugar dominó. Chocó es una mujer fuerte y luchadora. En la mañana ella trabaja buscando oro en el río San Juan y en las tardes lava ropa de otras familias para alimentar y educar a sus hijos. Es el cumpleaños de la pequeña Candelaria, por primera vez Chocó le promete una torta, sin embargo, las cosas se complican al tratar de cumplir esta promesa, desencadenando consecuencias inesperadas para Chocó y toda su familia. (<a href="https://www.antorchafilms.com/largometrajes.html#section2" target="_blank" rel="noreferrer noopener">Film's Official Website</a>) Chocó is an Afro-American country woman, who is about 24-27 years old, displaced from her land by violence. She carries a family of two children under 10 and her musician husband Everlides, who only knows how to play the marimba, drink Viche and play domino. Forced to find her own way of living, Chocó works searching for gold in the Atrato River during the morning and washing clothes for other families in the afternoon so she can pay for the education of her children. The money she saves is spent by Everlides in betting on domino and drinking alcohol. After a lot of physical abuse and sexual humiliation from her husband, Chocó decides to have sex with “El Paisa”, owner of the local shop, because this is the only way she finds to buy the cake for her little daughter, Candelaria, who will turn five years old. This will make Chocó furious and will change the history of this family. (<a href="https://www.antorchafilms.com/largometrajes.html#section2" target="_blank" rel="noreferrer noopener">Film's Official Website</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Relationships / Relaciones Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/906">https://cinegogia.omeka.net/items/show/906</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chocó Description An account of the resource Chocó es una mujer negra de 27 años, que lleva a cuestas una familia de dos hijos menores y a Everlides, su esposo músico que sólo sabe tocar marimba, beber viche y jugar dominó. Chocó es una mujer fuerte y luchadora. En la mañana ella trabaja buscando oro en el río San Juan y en las tardes lava ropa de otras familias para alimentar y educar a sus hijos. Es el cumpleaños de la pequeña Candelaria, por primera vez Chocó le promete una torta, sin embargo, las cosas se complican al tratar de cumplir esta promesa, desencadenando consecuencias inesperadas para Chocó y toda su familia. (<a href="https://www.antorchafilms.com/largometrajes.html#section2" target="_blank" rel="noreferrer noopener">Film's Official Website</a>) Afro-Colombian / afro-colombiano Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/1600a4c50f7887298f944819c08a5a0f.png?Expires=1777507200&Signature=fXRauQNQa6f2I6JmYrz7KuYRgFhwFYynghubhE7VM8xe14ij%7E1Syv5j2EBSugQVP%7E7jf4Or2eMk54Xa5e6qduH6di40mHKuEPVj35yZMCpJfHxmbz-I38hGyvxiuqTeMfNj41nQK1hoYtPOLHzPEW%7E3Y84Wmx-YwX7qhAz9p%7Elb8%7EVOPFtnAEyFMtFpkQWSB9ZwrRWrKCJqDnFIBmgLz0Ec6pGCTOyH8oAZOB4Hikndr2V020x0UeRpd7Gwl4aVDv5lCIvZ7yV4mszZv55lLip1s8aPuvIVw7ossE%7EJVM%7E8xvt3XUAXd-V9Tezo3NTeJTjXamkYMO5vEHMFYiPz7EA__&Key-Pair-Id=K6UGZS9ZTDSZM 26fe1c8949649e18cc19c45ac6e5b5ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La familia indígena Title The Indigenous Family Director The director of the film. El/La director/a de la película. Collectively directed (Chiapas Media Project) Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1998 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Chiapas Media Project / Promedios de Comunicación Comunitaria (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. El Chiapas Media Project documenta el trabajo del Chiapas Media Project. El video de 11 minutos presenta entrevistas con miembros de la comunidad sobre los efectos de la militarización en Chiapas y las diferentes maneras en que la tecnología de video será utilizada por las comunidades para registrar abusos de derechos humanos, eventos culturales y religiosos, cooperativas y el trabajo de mujeres. La familia indígena toma una mirada íntima al rol de los hombres y las mujeres en la comunidad de Ejido Morelia. Los hombres y las mujeres discuten su trabajo individual y colectivo. Filmado y editado por miembros de la comunidad sólo seis semanas después de su primera exposición a equipos de vídeo, este trabajo de seis minutos contiene fotografías únicas dentro de los hogares y lugares de trabajo de orgullosos campesinos que luchan por una vida mejor. (Translation by Quetzali Gomez) The Chiapas Media Project documents the work of the Chiapas Media Project. The 11 minute video features interviews with community members about the effects of the militarization in Chiapas and the different ways that video technology will be used by the communities to record human rights abuses, cultural and religious events, cooperatives and women's work. The Indigenous Family takes an intimate look at the role of men and women in the community of Ejido Morelia. Men and women discuss their individual and collective work. Shot and edited by community members only six weeks after their first exposure to video equipment, this six minute work contains unique shots inside the homes and work places of proud campesinos struggling for a better life. (<a href="http://www.worldcat.org/" target="_blank" rel="noreferrer noopener">World Cat</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Educational / Cine didáctico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La familia indígena Description An account of the resource The Chiapas Media Project documents the work of the Chiapas Media Project. The 11 minute video features interviews with community members about the effects of the militarization in Chiapas and the different ways that video technology will be used by the communities to record human rights abuses, cultural and religious events, cooperatives and women's work. The Indigenous Family takes an intimate look at the role of men and women in the community of Ejido Morelia. Men and women discuss their individual and collective work. Shot and edited by community members only six weeks after their first exposure to video equipment, this six minute work contains unique shots inside the homes and work places of proud campesinos struggling for a better life. (<a href="http://www.worldcat.org/" target="_blank" rel="noreferrer noopener">World Cat</a>) Indigenous filmmaking / producciones indígenas Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/fa5109d52e8c6a1326a3bfdd3b4ae87f.jpeg?Expires=1777507200&Signature=YdI99UpFwh3MUPRzFpnnUtX-OOXJrztAJGJ6FC-kngsE0BxrCDsMqsZo5-NqgfkfVhX-NJFwoEJY1Ms4IYx1GGF6wuPs4e5venw7NXo0qB3Vd%7EG3XvbEw90zLaOIGMvIfrXai8hCwKhlXMQOkaKRUvSiWtNGCfUmLBbelLj7T7A-%7E0xCyfJ850uegZde%7EujXm14nooHhGaxcXN1OULUVE19CCip8AyVtmcu7uTk-IqCNwYVCZYRkt4NOhScsLJ7bhlgt3d8TdUCAzlrzx8vK-vH7Dbv8-IcDlNd219bIBc7kHplVXDUxERP%7EtsPI90k-JHCJVBw-N1BRftwMLbvbhA__&Key-Pair-Id=K6UGZS9ZTDSZM 2c1df08627c540baae5ae2a27a320a3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Nuestra voz de tierra, memoria y futuro Title Our Voice of Land, Memory, and Future Director The director of the film. El/La director/a de la película. Marta Rodríguez Jorge Silva Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1981 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Colombia Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Instituto Cubano del Arte e Industrias Cinematográficas - ICAIC (Cuba) Fundación Cine Documental (Colombia) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. This [...] 1982 documentary is a collaborative effort by the Colombian political filmakers Marta Rodrgiuez and Jorge Silva and the indigenous farmers of Coconuco, in the southwestern highlands [of Colombia]. Combining a Marxist cinematic visual language with an indigenous cosmogony, the film depicts the centuries-long opression and resistance of farmers and indigenous peoples. In striking black-and-white, the content ranges from interviews, rallies and meetings, to mythologised scenes with the Devil. It is a powerful advocate for unity and organisation in the face of exploitation by both colonial family landowners and international corporations, and of oppression by the government, the church and the military. Featuring a great use of montage and sound to convey meaning, from folk music to the sharpening of machetes (<a href="https://homemcr.org/film/nuestra-voz-de-tierra-memoria-y-futura/" target="_blank" rel="noreferrer noopener">Film Festival website</a>) [Este] documental de 1982 es un esfuerzo colaborativo de los cineastas políticos Marta Rodríguez y Jorge Silva y los campesinos indígenas de Coconuco, en el altiplano suroeste colombiano. Combinando un lenguaje visual cinematográfico marxista con la cosmogonía indígena, la película retrata la opresión y la resistencia de los campesinos y de la gente indígena durante siglos. (Translation by Quetzali Gomez) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Third Cinema / Tercer cine Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Memory / Memoria Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. New Latin American Cinema / Nuevo Cine Latinoamericano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nuestra voz de tierra, memoria y futuro Description An account of the resource This [...] 1982 documentary is a collaborative effort by the Colombian political filmakers Marta Rodrgiuez and Jorge Silva and the indigenous farmers of Coconuco, in the southwestern highlands [of Colombia]. Combining a Marxist cinematic visual language with an indigenous cosmogony, the film depicts the centuries-long opression and resistance of farmers and indigenous peoples. In striking black-and-white, the content ranges from interviews, rallies and meetings, to mythologised scenes with the Devil. It is a powerful advocate for unity and organisation in the face of exploitation by both colonial family landowners and international corporations, and of oppression by the government, the church and the military. Featuring a great use of montage and sound to convey meaning, from folk music to the sharpening of machetes (<a href="https://homemcr.org/film/nuestra-voz-de-tierra-memoria-y-futura/" target="_blank" rel="noreferrer noopener">Film Festival website</a>) Indigenous filmmaking / producciones indígenas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0c4c5d5dae8510afecdf7041dac7fd77.jpeg?Expires=1777507200&Signature=Sd8jdDB6avcc12eXnM9aOiqxmhIW0qqzerQW-Fv2Z055cRFmh2BovCSNRYguoWJQJ36uXW3LAR2D3DYn1Sj2B9wy23gl4iVHGj4iDFUnWe8jIBU6ZS%7E1ZQbdrKTgVNzG6Um%7EeP920U4RM2sRv-x6pHseXPbR0T%7EAs2dqrXLrTSYNYYQTtl4Cgyp7B0yVISXYqA2%7El8rZsyyywm9kN2j7C-MuLVSos7UjxVbazfNeY3dlcbjaB-y9l3P%7E%7EO03tu5I%7EpsVRPgqCtCR7Bn4r5C%7EY33CF83vckqWaDY8KVIYiTLF4ulTbp2Eq5MqiAw6pztdHjjBzE9BtM9IUusqGVGm9Q__&Key-Pair-Id=K6UGZS9ZTDSZM c83f82dbde07aa4e79ebed1d5a24dbc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Kukuli Director The director of the film. El/La director/a de la película. Luis Figueroa Eulogio Nishiyama César Villanueva Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1961 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Peru / Perú Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Kero Films (Perú) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Kukuli fue filmado en las alturas del Cuzco y en el pueblo de Paucartambo entre los meses de julio y octubre de 1960. Fue el primer largometraje peruano ambientado en su totalidad en los andes y en el que por vez primera los diálogos íntegros estaban en quechua. Además, fue el primer filme argumental peruano a colores. La mayoría de los actores principales era amateur; tan solo el sacerdote, interpretado por Emilio Galli, conocido actor de teatro de la época, tenía experiencia previa. Judith Figueroa y Víctor Chambi fueron elegidos por su conocimiento del quechua en el caso de la primera y por sus rasgos físicos en el caso del segundo. El resto de actores, en su mayoría extras, estuvo conformado por los mismos pobladores de Paucartambo, que se interpretaban a sí mismos en la celebración. [...] El tema de la película fue tomado de un cuento popular andino, el cual se combinó luego con la fiesta de Paucartambo con la finalidad de mostrar en la pantalla la cultura andina a un doble nivel: el de la mitología oral y el del folclore (Valdez Morgan, Jorge Luis. "La sociedad filmada. Apuntes sobre la historia del Perú a partir de tres películas." Histórica, vol. 29, no. 2, Dec. 2005.) Kukuli was filmed from July to October of 1960 in the mountains of Cuzco. It was the first Peruvian feature film, in color, to be set entirely in the Andes with the main dialogue spoken in Quechua. The majority of the actors were amateurs; only the priest, played by Emilio Galli, had previous theatrical acting experience. Judith Figueroa and Víctor Chambi were chosen primarily for her knowledge of Quechua, in the case of the former, and for his physical characteristics, in the case of the latter. The rest of the cast consisted of mostly extras who played themselves in the celebration as residents of Paucartambo. [...] The theme of the film was taken from a popular Andean tale, which was then combined with the Paucartambo festival to show Andean culture in two ways: through its oral mythology and folkclore. (Translation by Molly Kerrigan) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Relationships / Relaciones Social inequality / Desigualdad social Violence / Violencia Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. New Latin American Cinema / Nuevo Cine Latinoamericano Available at Website, streaming service, distributor YouTube: <a href="https://youtu.be/pTX29M7SR1I" target="_blank" rel="noreferrer noopener">https://youtu.be/pTX29M7SR1I</a> <iframe width="560" height="315" src="https://www.youtube.com/embed/pTX29M7SR1I" title="YouTube video player" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kukuli Description An account of the resource Kukuli fue filmado en las alturas del Cuzco y en el pueblo de Paucartambo entre los meses de julio y octubre de 1960. Fue el primer largometraje peruano ambientado en su totalidad en los andes y en el que por vez primera los diálogos íntegros estaban en quechua. Además, fue el primer filme argumental peruano a colores. La mayoría de los actores principales era amateur; tan solo el sacerdote, interpretado por Emilio Galli, conocido actor de teatro de la época, tenía experiencia previa. Judith Figueroa y Víctor Chambi fueron elegidos por su conocimiento del quechua en el caso de la primera y por sus rasgos físicos en el caso del segundo. El resto de actores, en su mayoría extras, estuvo conformado por los mismos pobladores de Paucartambo, que se interpretaban a sí mismos en la celebración. [...] El tema de la película fue tomado de un cuento popular andino, el cual se combinó luego con la fiesta de Paucartambo con la finalidad de mostrar en la pantalla la cultura andina a un doble nivel: el de la mitología oral y el del folclore (Valdez Morgan, Jorge Luis. "La sociedad filmada. Apuntes sobre la historia del Perú a partir de tres películas." Histórica, vol. 29, no. 2, Dec. 2005.) Quechua https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/52e2685403ec0aa83e8118fd9f3c45a2.jpg?Expires=1777507200&Signature=fyciDojpQaJ2ARtmhShi7XxjSXbVSu6OlZ5Xx7F%7EQPF769phwft9g4VE0xo7JU-PQ--Dm4PTiNGi5CdB4UrJRS9zrWZDBK-q22AYNasD6AUznLVNYWpSYS8wBREp2fM3hvZ8d0pC-Q%7EXtTzTeI2mMvNl9KAblouv59lUguNqsdzMtJRR447LKKKrrI-Cmv%7E6FuoESho8trH9t4mxxI1K7X0SR26N9QmgEGkq3OiKs5Er1VwaO5l93R1d7BvoMQL8F3VkWH8uEGWNMIyo2N5eoFNNluyghgsPAvL0nT%7EIKbaE6miG62jbm5fFj4KPzKYvc6prdmvRNvKD6hjHDUvC-A__&Key-Pair-Id=K6UGZS9ZTDSZM c251c2b571c5353530353f5ef4ec58ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La ley de Herodes Title Herod's Law Director The director of the film. El/La director/a de la película. Luis Estrada Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1999 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Altavista Films (México) Instituto Mexicano de Cinematografía - IMCINE (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Durante el alemanismo, un gris funcionario público es nombrado presidente municipal de un pueblo con fuertes carencias. Aunque al principio decide cumplir honradamente con su encomienda, pronto la corrupción reinante termina por convertirlo en un monstruo hambriento de poder. Remitiéndose al pasado, el director Luis Estrada y un equipo de escritores entre quienes está Vicente Leñero, orquesta una estupenda sátira sobre los vicios más deplorables del ejercicio del poder en nuestro país. (<a href="http://www.cinetecanacional.net/" target="_blank" rel="noreferrer noopener">Cineteca Nacional México</a>) During the period known as Alemanismo [1946-1952], a nondescript civil servant is named municipal president of a town suffering from severe scarcities. Although at first he decides to serve in his new position with honor, soon the reigning system of corruption ends up turning him into a power-hungry monster. Alluding to Mexico's past, director Luis Estrada and a team of writers including Vicente Leñero, orchestrates a wonderful satire about the most deplorable vices that result from the exercise of power in our country. (Translation by Julia Kallen) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Comedy films / comedia Crime and Gangster films / cine de crimen y gángsters Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Politics / La política Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La ley de Herodes Description An account of the resource Durante el alemanismo, un gris funcionario público es nombrado presidente municipal de un pueblo con fuertes carencias. Aunque al principio decide cumplir honradamente con su encomienda, pronto la corrupción reinante termina por convertirlo en un monstruo hambriento de poder. Remitiéndose al pasado, el director Luis Estrada y un equipo de escritores entre quienes está Vicente Leñero, orquesta una estupenda sátira sobre los vicios más deplorables del ejercicio del poder en nuestro país. (<a href="http://www.cinetecanacional.net/" target="_blank" rel="noreferrer noopener">Cineteca Nacional México</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/a80181ca1f582bb4e86686e91c96bf80.jpg?Expires=1777507200&Signature=VXMHg1E%7EI6ZS7UdEqoRnoTGuDdpUVFuzmByNvsF3nuSUeGtpiskt489LpWKHV6quGR-vFty38DrEFSDH%7ERn7qMmxFNrq4tM9qLBiGKZsc%7EGRULBdVzk5gT-dYk5gRtlec43T%7El6gPI7zC-j6V-PFpP51XkBykX4UYIElAsfUpVvsCMVliebRDF3r6I72dtr8jwTXGWwNN3Tn24wc7C8RTd2peurkZXVBvwruQdE-AdNsVTgJzimNHxpbF%7EE8yRZ5I3kM1Hov93E5S8abgncCRGbGDOCqFnakO9OIyN14RHn9-X-Ze6jjBMGt6f%7EazD0WzPTq60X%7ENxTpQmMT4hhoTA__&Key-Pair-Id=K6UGZS9ZTDSZM 55303b7493e6483c4cacc0e20652633c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El ombligo de Guie'dani Xquipi' Guie'dani Title Guie’dani’s Navel Director The director of the film. El/La director/a de la película. Xavi Sala Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2019 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Cenone (Mexico) CDMX Pro Cine (Mexico) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Guie’dani, una niña indígena zapoteca, se muda a la Ciudad de México con su madre, donde reciben trabajo como empleadas domésticas para una familia acomodada de clase media. Sin embargo, a ella le cuesta adaptarse y se niega a asumir el rol sumiso que se espera de ella. (<a href="https://www.filmelier.com/mx/film/9831/el-ombligo-de-guiedani" target="_blank" rel="noreferrer noopener">Filmelier</a>) In a star-making performance, Sótera Cruz brings razor-sharp intensity to her portrayal of Guie’dani, a Zapotec girl determined to fight for her dignity. Guie’dani is dragged to Mexico City by her mother to help in her work as a housekeeper for an upper-middle-class family. There, the subtle psychological subjugation inflicted by the white family functions as a metaphor for the oppression of the old world by the new. Yet, Guie’dani rejects the life of servitude and seeks her own identity through a friendship with another rebellious teen. A striking contrast to Alfonso Cuarón’s Roma, Guie’dani’s Navel is a unique coming-of-age narrative exploring the racism inflicted on indigenous people in Mexico and the empowerment of a new generation that refuses to accept it silently. (<a href="https://pragda.com/film/guiedanis-navel/" target="_blank" rel="noreferrer noopener">Pragda</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/guiedanis-navel" target="_blank" rel="noreferrer noopener">https://pragda.com/film/guiedanis-navel</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/673">https://cinegogia.omeka.net/items/show/673</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El ombligo de Guie'dani Xquipi' Guie'dani Description An account of the resource Guie’dani, una niña indígena zapoteca, se muda a la Ciudad de México con su madre, donde reciben trabajo como empleadas domésticas para una familia acomodada de clase media. Sin embargo, a ella le cuesta adaptarse y se niega a asumir el rol sumiso que se espera de ella. (<a href="https://www.filmelier.com/mx/film/9831/el-ombligo-de-guiedani" target="_blank" rel="noreferrer noopener">Filmelier</a>) Domestic labor / trabajo doméstico Zapotec / zapoteco https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/25d17ba0f1b2fea0769fa30e7d6c7036.jpeg?Expires=1777507200&Signature=hD3gQ6ziNXdV0M4ZeIdbeU-2c0gjy4tZuFHx7O61fvL16MNW0mob9qwy5ZjzkjtcrqiORFNLfzHpSHE-OYD-U9SpRSBHfc%7EjbtB2veqW-sU95eerTR5G4DzFGUE4AB-ZAPmCFj8IIYvkc%7EZBqfTNA7fAXZCMOYm5ra8yG1u4CIugegsGM53umB-LGALp6DNqs9RTjFyyN5Fn6AhmukGpThn0qTrqujsEUTisKjcV0mHIPIyzj8FBfTk-jejJPArYNXaw3tQHB3j5GWzTq1fGx7DnZ3s1FAWC77kBOeI0pYf2o8aZE65kSixFbT0YandajXdXQtX5mAKHI7uQloeTWA__&Key-Pair-Id=K6UGZS9ZTDSZM 6dcf3d3b20b8062be4fed1c7861c2a7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El aula vacía Title The Empty Classroom Director The director of the film. El/La director/a de la película. Mariana Chenillo Pablo Fendrik Carlos Gaviria Tatiana Huezo Lucrecia Martel Nicolas Pereda Eryk Rocha Daniel and Diego Vega Pablo Stoll Ward Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2015 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Argentina Brazil / Brasil Colombia El Salvador Mexico / México Peru / Perú Uruguay Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Canana Films (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Bajo la dirección creativa de Gael García Bernal, once directores retratan el impacto de la deserción escolar en América Latina a través de un largometraje maravillosamente diverso y complejo. Viaja a siete países y explora las razones por las que casi la mitad de los estudiantes de secundaria nunca se gradúa. (<a href="https://cineaparte.com/" target="_blank" rel="noreferrer noopener">Cine Aparte</a>) Nearly half of all young people in Latin America never finish high school. To explore this dropout crisis, creative director Gael García Bernal gathered 11 award-winning filmmakers who have created a captivating anthology of short films, both narrative and documentary. There is no easy solution to this complex issue, and each short delves into the underlying reasons, from poverty to societal traditions, that students aren’t graduating. This omnibus features films by multi awarded filmmakers Argentina’s Lucrecia Martel (The Headless Woman) and Pablo Fendrik (Ardor), El Salvador’s Tatiana Huezo (The Tiniest Place), Mexico’s Mariana Chenillo (Pragda’s own PARADISE) and Nicolas Pereda (Greatest Hits), Peru’s Daniel and Diego Vega (The Mute), Uruguay’s Pablo Stoll (Whiskey), Brazil’s Eryk Rocha (Cinema Novo) and Flavia Castro (Diaries, Letters, Revolutions), Colombia’s Carlos Gaviria (Potraits in a Sea of Lies). Among many issues, the short films explore the links between the dropout crisis and violence; how to identify students at risk of dropping out of school in Latin America; the lack of interest in school that is preventing students from graduating; school exclusion in indigenous communities; the not-so-typical challenges to finishing high school faced by a deaf student; the relationship between the financial cost to staying in school and its benefits; and what happens when drop out students want to go back. (<a href="https://pragda.com/film/empty-classroom" target="_blank" rel="noreferrer noopener">Pragda</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Educational / Cine didáctico Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/empty-classroom/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/empty-classroom/</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/667">https://cinegogia.omeka.net/items/show/667</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El aula vacía Description An account of the resource Bajo la dirección creativa de Gael García Bernal, once directores retratan el impacto de la deserción escolar en América Latina a través de un largometraje maravillosamente diverso y complejo. Viaja a siete países y explora las razones por las que casi la mitad de los estudiantes de secundaria nunca se gradúa. (<a href="https://cineaparte.com/" target="_blank" rel="noreferrer noopener">Cine Aparte</a>) Youth / La juventud https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/c8bcd0ac566777e0eccaf2b99ecb7472.png?Expires=1777507200&Signature=CkhA1bk9L4WCj4qm%7EvcQOEvBCFLs5LehSc6d3jinIdVasGi-dqYo6nR5eGooG24AienlmYCE5erA20GcFpn4g4wj3kQKotvtyDjNZ398TFpJtRqHns1BvAf5zHz1RldVoRUVshW8AxrecWYCG2RaHC34dbciT2q1QwXeyFFJEhqFlRBbtqOdSrBP4QSxiTCHhc4Lgc-mg0giD7g9wUD3Qsu8dFVOm20tnSjLiyCfxaAHmrtqQymMm8Sdd0O9X63hBXMRskSIJSEKcR77dkJxySGrJsvfL2SUr8URw7A90xSgROw6pXSAMJUB60iRTQraDKcRwr-uaKlJuxVX7PLOdg__&Key-Pair-Id=K6UGZS9ZTDSZM 16926ed5b81df0b6acf09dd50a0575ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Zona Sur Title Southern District Director The director of the film. El/La director/a de la película. Juan Carlos Valdivia Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2009 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Bolivia Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Cine Nómada (Bolivia) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Anunciada como una cinta que se alimenta de experiencias personales del guionista y director, pero sin llegar a lo autobiográfico, Zona Sur cuenta la cotidianidad de una familia de la clase acomodada paceña que vive en la Zona Sur de la ciudad, en días en que el Gobierno de Evo Morales comienza su mandato. La historia, narrada con cuidados planos secuencia circulares, transcurre casi en su totalidad al interior de la mansión familiar. Su afán es mostrar la convivencia entre los miembros -formales y no formales- de la familia. [...] Esta galería de personajes le permite a Valdivia construir un fresco de una clase alta paceña que se halla sumida en una decadencia económica y moral aparentemente insalvable; una clase social a la que el «proceso de cambio» ha condenado a una clandestinidad insólita que -literalmente- es incapaz de superar. Sin embargo, el director no se queda en el descubrimiento de las cuitas de la clase jailona paceña, sino que, desde esa -con el perdón del maestro Sanjinés- (anti)nación clandestina, se atreve a hablar de las tensiones irresolubles que ha dado lugar este nuevo momento histórico. (Espinoza, Santiago. "Crítica de Zona sur." Una cuestión de fe: Historia (y) crítica del cine boliviano de los últimos 30 años (1980-2010). [Cochabamba], Editorial Nuevo Milenio, 2011. Disponible en <a href="http://ibermediadigital.com/ibermedia-television/criticas/la-antinacion-clandestina-zona-sur-2009/" target="_blank" rel="noreferrer noopener">Ibermedia Digital</a>). La Paz’s Zona Sur neighborhood is Bolivia’s most exclusive enclave and has housed the country’s affluent elite for generations. In an adobe-tile-roofed castle, a statuesque matriarch reigns over her spoiled offspring and indigenous servants. But social change, however unwelcome, is on its way. As the mother squabbles with her self-indulgent, oversexed teenage son and clashes with her petulant daughter, her 6-year-old boy wanders the rooftops unsupervised. The scent of impending decline permeates the air, and the threat of shifting aristocratic privilege heralds a new era in a seemingly interminable class war. (<a href="https://pragda.com/film/southern-district/" target="_blank" rel="noreferrer noopener">Pradga</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Relationships / Relaciones Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Pragda, <a href="https://pragda.com/film/southern-district/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/southern-district/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zona Sur Description An account of the resource Anunciada como una cinta que se alimenta de experiencias personales del guionista y director, pero sin llegar a lo autobiográfico, Zona Sur cuenta la cotidianidad de una familia de la clase acomodada paceña que vive en la Zona Sur de la ciudad, en días en que el Gobierno de Evo Morales comienza su mandato. La historia, narrada con cuidados planos secuencia circulares, transcurre casi en su totalidad al interior de la mansión familiar. Su afán es mostrar la convivencia entre los miembros -formales y no formales- de la familia... Esta galería de personajes le permite a Valdivia construir un fresco de una clase alta paceña que se halla sumida en una decadencia económica y moral aparentemente insalvable; una clase social a la que el «proceso de cambio» ha condenado a una clandestinidad insólita que -literalmente- es incapaz de superar. Sin embargo, el director no se queda en el descubrimiento de las cuitas de la clase jailona paceña, sino que, desde esa -con el perdón del maestro Sanjinés- (anti)nación clandestina, se atreve a hablar de las tensiones irresolubles que ha dado lugar este nuevo momento histórico. (Espinoza, Santiago. "Crítica de Zona sur." Una cuestión de fe: Historia (y) crítica del cine boliviano de los últimos 30 años (1980-2010). [Cochabamba], Editorial Nuevo Milenio, 2011. Disponible en <a href="http://ibermediadigital.com/ibermedia-television/criticas/la-antinacion-clandestina-zona-sur-2009/" target="_blank" rel="noreferrer noopener">Ibermedia Digital</a>). Aymara Domestic labor / trabajo doméstico https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/455ce39992f349dd1de555e4c54b0763.jpg?Expires=1777507200&Signature=gGJ%7EuIxBCtSodvnH6c2RamDTtrd3HQGBXEnxMHYPHI8cVHPK58bIJC4fkrEy81eIjD8FFgpUTeqLV7YhyN9iWF-AVIXcSG4vHrsAzZjxRlvM5AGasZF4CUNb5-uGpzn7-WjBHV7Lfdeo6rS2AVhP1unoF6VAkIqUy6%7EX4q2BMC-Y7pzi24FENtg7dBwIYKD6WDEoMMWwGwJ%7Epm-VTqPy7UvqfY2OUoqhr4Pyyw70hfmzCJZVwS%7EZqfIibADuAAfj%7EaZoFk2PCM6A6HS8lLi%7EWheswE48iv2O2NYUKKwKCkuIiymHevOclTIH5SJjfhm4uUilaCroWyczm1InsDBtmg__&Key-Pair-Id=K6UGZS9ZTDSZM 4564a0e23f4540c9131bab79947a3f33 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Jornaleros Director The director of the film. El/La director/a de la película. Eduardo Maldonado Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1977 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. El cineasta recorrió varios estados de la República para plasmar testimonios muy elocuentes sobre la grave situación del campo y de quienes lo trabajan. Muestra el difícil camino seguido por los campesinos del sur para acceder a las zonas de mayor desarrollo del noroeste, en busca de mejores posibilidades de subsistencia. Y aunque filmado en 1977, la situación sigue siendo tan grave como antes. (<a href="http://www.filmografiamexicana.unam.mx" target="_blank" rel="noreferrer noopener">Filmoteca UNAM</a>) The filmmaker toured several states of the Republic of Mexico to capture eloquent testimonies from rural workers about the grave situation in the countryside. The film shows the difficult path that peasants from the south follow to access the more developed areas of the northwest, in search of a better livelihood. Although filmed in 1977, the situation remains as serious as ever. (Translated by Abi Dresser) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Country life / El campo Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. New Latin American Cinema / Nuevo Cine Latinoamericano Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Cine Difusión de la Secretaría de Educación Pública (México) Centro de Produción de Cortometraje de Churubusco (México) Office Nationale du Film (Canada) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jornaleros Description An account of the resource El cineasta recorrió varios estados de la República para plasmar testimonios muy elocuentes sobre la grave situación del campo y de quienes lo trabajan. Muestra el difícil camino seguido por los campesinos del sur para acceder a las zonas de mayor desarrollo del noroeste, en busca de mejores posibilidades de subsistencia. Y aunque filmado en 1977, la situación sigue siendo tan grave como antes. (<a href="http://www.filmografiamexicana.unam.mx" target="_blank" rel="noreferrer noopener">Filmoteca UNAM</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/527d8e66a34a1e27dc51ca6bb3074219.jpg?Expires=1777507200&Signature=TOa4KeIAkBd3lBZvjVNc430hnMTBYB0P8mG8Od7d41Dp%7ERXjO43e4isXVspn96CkFDQweUDqjawOxDOv8TakSWtgJdlnKPh88-g1IdcDKum6IUV0V79baCzyiUKl2J9N7ViZyOW7RNj0lqjdk3E3uRz3dxxX%7EdcrwAAAESt7tgLyHgFoba%7Ektvws57WzPrBXNd-Vfxx8%7EdYYlNIq1mWoDZE%7EPaZvUEccfdFhqBNcar4nqN%7EHYmKqFVLwYWx22WpAkcxLf-HcqEtuAUg3XYbpMj0Mv6GbUWQmykjOBHKejSgHSq7uyx6ZI8Lats9bYYGI-KKOYKm9%7EyJ-FJWA5v-pBw__&Key-Pair-Id=K6UGZS9ZTDSZM 0a89a21bb2d66c235a8ee2f4f6903e1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Caracoles: los nuevos caminos de resistencia Director The director of the film. El/La director/a de la película. Amalio Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2003 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Caracoles (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. En estos cortos podremos ver y escuchar al EZLN respondiendo a la traición de la clase política mexicana. En abril del 2001 el Congreso de la Unión negó el reconocimiento de los derechos de los de los pueblos indígenas de México al traicionar los Acuerdos de San Andrés, que habían sido resultado de años de diálogo entre la clase política mexicana, el EZLN y delegados de los pueblos indígenas de México organizados en el CNI (Congreso Nacional Indígena) y establecían y protegían la autodeterminación de los pueblos dentro de su territorio. El Congreso aprobó una ley distinta que no correspondía con lo acordado. El EZLN, en respuesta, rompió toda relación con el arriba y emprendió el camino por la construcción de la autonomía sin pedirle permiso a nadie. Inició entonces la creación de los Caracoles, la forma de resistencia y organización zapatista que lleva la lucha por nuevos caminos. (<a href="https://libertadyconcordia.wordpress.com/2012/01/31/documental-caracoles-los-nuevos-caminos-de-la-resistencia/" target="_blank" rel="noreferrer noopener">Revista Nomada</a>) Since 1994, Zapatista indigenous communities have created 30 autonomous municipalities which today cover more then half the state of Chiapas. In order to confront the problem of self-government and in order to construct a more direct bridge to the rest of the world, they announce the birth of The Caracoles. (<a href="https://moreliafilmfest.com/en/peliculas/caracoles-los-nuevos-caminos-de-la-resistencia/" target="_blank" rel="noreferrer noopener">Morelia Film Festival</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Political violence / Violencia política Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <a href="https://youtu.be/UPDjloQfH_4" target="_blank" rel="noreferrer noopener">https://youtu.be/UPDjloQfH_4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caracoles: los nuevos caminos de resistencia Description An account of the resource En estos cortos podremos ver y escuchar al EZLN respondiendo a la traición de la clase política mexicana. En abril del 2001 el Congreso de la Unión negó el reconocimiento de los derechos de los de los pueblos indígenas de México al traicionar los Acuerdos de San Andrés, que habían sido resultado de años de diálogo entre la clase política mexicana, el EZLN y delegados de los pueblos indígenas de México organizados en el CNI (Congreso Nacional Indígena) y establecían y protegían la autodeterminación de los pueblos dentro de su territorio. El Congreso aprobó una ley distinta que no correspondía con lo acordado. El EZLN, en respuesta, rompió toda relación con el arriba y emprendió el camino por la construcción de la autonomía sin pedirle permiso a nadie. Inició entonces la creación de los Caracoles, la forma de resistencia y organización zapatista que lleva la lucha por nuevos caminos. (<a href="https://libertadyconcordia.wordpress.com/2012/01/31/documental-caracoles-los-nuevos-caminos-de-la-resistencia/" target="_blank" rel="noreferrer noopener">Revista Nomada</a>) Indigenous filmmaking / producciones indígenas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/2e8036215af0da519fde7c51370e3b75.png?Expires=1777507200&Signature=eyRdCJUjDKmgVLWEcX65I8DVV-c3Iqz4IShIP%7ENAzokmQsSyxNV5ZKbErSGvehseA5uHiznQ8Vq8V-Kqo5lC0VhqJ9y2bb5fv9IDyuUpqOq4Bo1sasWTcA1oIb%7EUaOKYSqYxaye1%7EpimLxiWSHxsrwHcEUOMwKJnGoO1zsyzOy4tF%7Ej%7E-RRCwd04Zr7P3bZB6t7Z72Lj55g1FpbJPDH0e6%7EeM8aLsps%7ES55AqVSU5ppBD%7E4aRNm5mlSRifldiAyeZ0U3kcuJjNZPkhAVbXF4vwzahl2cYcbWkdJTWYT8TvUkMwvzWSW5YUaiRph8lcAK3SoPH2FucWyvFNlftylOrw__&Key-Pair-Id=K6UGZS9ZTDSZM bba4f838b6e4be69f7759b74c570b505 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Leguas Director The director of the film. El/La director/a de la película. Lucrecia Martel Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2011 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Argentina Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Canana Films (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Two Diaguita children are grazing their cows when two men on motorcycles come along and tell them it is their land. At school the two kids learn that measurements were different at the time the property was divided, and the land is actually theirs. [This short film is part of a larger media project, "The Empty Classroom" produced by Gael García Bernal, in which eleven directors portray the impact of school dropouts in Latin America through a complex and diverse feature film. We travel to seven countries and explore the reasons why almost half of secondary school children never graduate.] (<a href="http://www.nativeamericanfilms.org" target="_blank" rel="noreferrer noopener">NativeAmericanFilms.org</a>) Dos niños Diaguitas están pastando sus vacas cuando dos hombres en motocicleta vienen y les dicen que es su tierra. En la escuela, los dos niños aprenden que las medidas eran diferentes en el momento en que la propiedad se dividió, y la tierra es en realidad suya. (Translated by Andrew Toth) [Este cortometraje forma parte del proyecto audiovisual "El aula vacía" producido por Gael García Bernal, donde once directores retratan el impacto de la deserción escolar en América Latina a través de un largometraje maravillosamente diverso y complejo. Viaja a siete países y explora las razones por las que casi la mitad de los estudiantes de secundaria nunca se gradúa. (<a href="https://vimeo.com/401926051" target="_blank" rel="noreferrer noopener">https://vimeo.com/401926051</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <a href="https://vimeo.com/401926051" target="_blank" rel="noreferrer noopener">https://vimeo.com/401926051</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/579">https://cinegogia.omeka.net/items/show/579</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Leguas Description An account of the resource Two Diaguita children are grazing their cows when two men on motorcycles come along and tell them it is their land. At school the two kids learn that measurements were different at the time the property was divided, and the land is actually theirs. [This short film is part of a larger media project, "The Empty Classroom" produced by Gael García Bernal, in which eleven directors portray the impact of school dropouts in Latin America through a complex and diverse feature film. We travel to seven countries and explore the reasons why almost half of secondary school children never graduate.] (<a href="http://www.nativeamericanfilms.org" target="_blank" rel="noreferrer noopener">NativeAmericanFilms.org</a>) Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0a0476dcfdc5c2264ce5e8d4d7a4a7da.png?Expires=1777507200&Signature=MCiSabMafZCrZQTWoOIPGGtYVlV%7EqZC%7Ew04P6R5RH2gTRVq%7Ef1f9mAr1GaW0twpx0DEBLmJ2MG8rpxMVaJyWkYGZVava4RquHbGTou7fHZprJTjRKr5c9Km1FNt5NFGzrpq7NL5qztq-fse%7EDiT5rp90CcVbyVu-uMgNdDe-%7EYtKbkHcz%7EdJrbmVxEcBCwHJbAT-MA9xSqkVhVFqtBTy0Y1LoE64%7EMtgvJ-ClnG-8fK80cgutBsFn93HaFSxohA2dTwWIPbehh8miH4Rl-tGe32L6EX1sw9khDxjvi49r7HTJUIDPJYsKcRaZkOdME0OS68vqcuzZZ5SSFni5S2vkw__&Key-Pair-Id=K6UGZS9ZTDSZM 3a150b7b152d3a59228b1ce136bd0261 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El fantasma del Inca Title The Inca Ghost Director The director of the film. El/La director/a de la película. Facundo Larraux Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2011 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Argentina Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. A man (Jose Maria Vais) from the Inka period is transported to a present-day rural school, where he learns alongside the children, unseen. When the local politician wants to close the school, he helps them to keep the school open. (<a href="http://www.nativeamericanfilms.org" target="_blank" rel="noreferrer noopener">NativeAmericanFilms.org</a>) Un hombre (Jose Maria Vais) del período Inca es transportado a una escuela rural actual donde aprende, invisible, junto a los niños. Cuando un político local quiere cerrar la escuela, el inca ayuda a los niños a mantener la escuela abierta. (Translated by Andrew Toth) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor <a href="https://vimeo.com/61303261" target="_blank" rel="noreferrer noopener">https://vimeo.com/61303261</a> Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/579">https://cinegogia.omeka.net/items/show/579</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El fantasma del Inca Description An account of the resource A man (Jose Maria Vais) from the Inka period is transported to a present-day rural school, where he learns alongside the children, unseen. When the local politician wants to close the school, he helps them to keep the school open. (<a href="http://www.nativeamericanfilms.org" target="_blank" rel="noreferrer noopener">NativeAmericanFilms.org</a>) Inca / Inka Short Film / cortometraje https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/a0b1cced898cc138303a639e71aca03a.png?Expires=1777507200&Signature=RqwV19nKwBFY4KC1XVzlatRosDnZlfo61keDSLAbsKlIywBIkDf%7EjEHHU3Fg0-TXPpMnjd5uOIH-j%7EEX2ZxkFRcNfpKsQIY8bKRJOa5zrRA0HYlRuz7QLAcXJkVra8NHa5ovwGxLvhbLoZYk7BYevIrAeHOwpGPzlDSUHTv3AgE8obPNAx2n9KBQhUEhM7fpJMiJL4%7EW0CufzkLmdc7osZDN4wuR5NllWJ0gwcPx-R4D3eMWwuYm5qSgJoBQ%7ENDWXtppiS2BzrZ3HCW5gJyxBTMsSDs7NjEWsryHw5h1ZSSkcrPL1yh29px6429rnYLUpWF%7EPN5RuCg7WeFr-8kMHg__&Key-Pair-Id=K6UGZS9ZTDSZM 9994ab72c3f61d6359351102670965c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La patota Title Paulina Director The director of the film. El/La director/a de la película. Santiago Mitre Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2015 Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/572">https://cinegogia.omeka.net/items/show/572</a> Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Argentina Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. La Unión de los Ríos (Argentina) Lita Stantic Producciones (Argentina) Televisión Federal (Argentina) Argentina Cine Maneki Films (France) VideoFilmes (Brazil) Borsalino (France) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Paulina es una abogada con una carrera floreciente en Buenos Aires, que elige volver a su ciudad natal para dedicarse a la actividad social. Fernando, su padre, años atrás hizo lo mismo, y ahora es un juez progresista que se destaca en la conservadora sociedad local. Paulina empieza a trabajar en un proyecto del Ministerio de Desarrollo Social, de "formación democrática y difusión de derechos," dando clases en zonas periféricas de Misiones, marcadas por la pobreza y la marginalidad. Luego de la segunda semana de trabajo, es interceptada y violada por una patota. Ante la mirada atónita de quienes la rodean, Paulina decide volver a trabajar en la escuela, en el barrio donde fue atacada. (<a href="http://www.nativeamericanfilms.org" target="_blank" rel="noreferrer noopener">NativeAmericanFilms.org</a>) Paulina, a lawyer with a burgeoning career in Buenos Aires, decides to return to her hometown as a social worker and teacher. Her father, Fernando, made the same decision many years ago, but now he is a progressive judge who stands out in the local conservative society. Paulina starts working on a project for the Ministry of Social Development focused on “Democratic Formation and Dissemination of Rights.” She teaches in outlying, rural areas characterized by poverty and marginality. After her second week of work, she is trapped and raped by a street gang. Paulina is faced with the stunned gazes of many but decides to return to work at the school in the neighborhood where she was attacked. (Translated by Andrew Toth) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad Social inequality / Desigualdad social Violence / Violencia Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La patota Description An account of the resource Paulina es una abogada con una carrera floreciente en Buenos Aires, que elige volver a su ciudad natal para dedicarse a la actividad social. Fernando, su padre, años atrás hizo lo mismo, y ahora es un juez progresista que se destaca en la conservadora sociedad local. Paulina empieza a trabajar en un proyecto del Ministerio de Desarrollo Social, de "formación democrática y difusión de derechos," dando clases en zonas periféricas de Misiones, marcadas por la pobreza y la marginalidad. Luego de la segunda semana de trabajo, es interceptada y violada por una patota. Ante la mirada atónita de quienes la rodean, Paulina decide volver a trabajar en la escuela, en el barrio donde fue atacada. (<a href="http://www.nativeamericanfilms.org" target="_blank" rel="noreferrer noopener">NativeAmericanFilms.org</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/f17af35161af7673b63df541d12c8310.jpg?Expires=1777507200&Signature=dxDxduPWGRFpFwn8g74XE%7EhV231AFTMQt-Ts5AiQJnr2Qq6vrCUsd4VUqCyuX2C9lPO72GiwSXlRY8PkY7LGJhvWpSgdwLpNPM8lt6fjqUckaXfxuapSkp%7EDa-R6I%7Efsbz21paR46oTHmndYY8JorhnUQN9B7O7xiumDi797JVSfF-A9taXisjoRxPRqMCeSZQJk9tqbbsfL3n6H8%7EtzyU4aVU2xYXo7wOz6jUOG0flK1NcC67PilfaYrbK0XKJukpB%7EfEQ0vgNtBEAegJt9zws2nzxADXk9W-OYwqUIskyplYJxBK2QmDfvW2cF0IAV3k6Fc5A0y3ecQQiJE6NY9Q__&Key-Pair-Id=K6UGZS9ZTDSZM 5d8b241387bca8d410c121e0a6ae5927 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Plaza de la soledad Director The director of the film. El/La director/a de la película. Maya Goded Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2014 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Alebrije Cine y Video (México) Monstro Films (México) La Sombra del Guayabo (México) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Documenta la vida de una comunidad de prostitutas en la Ciudad de México, mostrando cómo estas mujeres luchan por una vida mejor y la posibilidad de un amor verdadero. La directora intenta motivar al espectador a enfrentar sus propios prejuicios acerca de la prostitución, el sexo y el envejecimiento, reflexionando sobre la complejidad y las distintas formas que el amor y la soledad pueden tomar. Carmen, Lety, Raquel y Esther, que tienen entre 50 y 80 años de edad, trabajan en las calles de La Merced y su vida se desarrolla alrededor de La Plaza de Soledad. La edad no significa nada para estas mujeres que todavía bailan y seducen con la misma energía de su juventud. Pero con el tiempo viene el deseo de buscar compañía y seguridad, ya sea en sus compañeras y amigas, en hombres mayores o en su fuerza interior, cargada de autosuficiencia. (<a href="http://www.filmografiamexicana.unam.mx" target="_blank" rel="noreferrer noopener">Filmoteca UNAM</a>) This film documents the life of a community of prostitutes in Mexico City, showing how these women fight for a better life and the possibility of finding true love. The director, Maya Goded, tries to motivate viewers to address their own prejudices about prostitution, sex, and aging. Goded also wants us to reflect on the complexity and different forms that love and loneliness can take. Carmen, Lety, Raquel, y Esther, all between 50 and 80 years old, work on the streets of La Merced, specifically around La Plaza de Soledad. Age is not important for these women who still dance and seduce with the same energy of their younger days. However, with time, comes the hope for company and security whether through companionship or friendship with older men or through their own inner strength and self-sufficiency. (Translated by Andrew Toth) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Identity / Identidad Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plaza de la soledad Description An account of the resource Documenta la vida de una comunidad de prostitutas en la Ciudad de México, mostrando cómo estas mujeres luchan por una vida mejor y la posibilidad de un amor verdadero. La directora intenta motivar al espectador a enfrentar sus propios prejuicios acerca de la prostitución, el sexo y el envejecimiento, reflexionando sobre la complejidad y las distintas formas que el amor y la soledad pueden tomar. Carmen, Lety, Raquel y Esther, que tienen entre 50 y 80 años de edad, trabajan en las calles de La Merced y su vida se desarrolla alrededor de La Plaza de Soledad. La edad no significa nada para estas mujeres que todavía bailan y seducen con la misma energía de su juventud. Pero con el tiempo viene el deseo de buscar compañía y seguridad, ya sea en sus compañeras y amigas, en hombres mayores o en su fuerza interior, cargada de autosuficiencia. (<a href="http://www.filmografiamexicana.unam.mx" target="_blank" rel="noreferrer noopener">Filmoteca UNAM</a>) https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/7c92faa15753c0aa0215b360fa5c660b.jpg?Expires=1777507200&Signature=XZkbgX4ib1vsYN9Fnyk3zYNaAERg1oZxSfcO02iGbDxje8zkCdC6vDEgdtzin%7EsQnjxq8VRFZ7NkrPfzh24zkh8hwNUOOm5rAEfBpOqk3eT3xWIHga2Lz8ao0sZB2a%7ETDly79x5ukD5pQDExPA3MnDkxolyUD6uO9I0sFTThqf71I%7EB4dL1Ifjcl6nrC-CqrCwWaSVm0TEVtlURF%7Er6jnDjgXJGTX3TECBdMWsIi3gGY6ViSL8n0PVe8De4ea5UppFU01QN6ivW3CvLD2eNK54SXSvmv0upI7%7EaoIcnL0yw8k0McaSVXjPoxeXcMSQhJFmWD6KPdQTkAPHeGqrJFdw__&Key-Pair-Id=K6UGZS9ZTDSZM b51e7144917fee0aa230f2aec5673682 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Pisa ligeiro Title Step Lightly Director The director of the film. El/La director/a de la película. Bruno Pacheco de Oliveira Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2004 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Coordenação das Organizações Indígenas da Amazônia Brasileira - COIAB (Brazil) Museu Nacional - UFRJ (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. É um documentário de Bruno Pacheco, produzido nos primeiros anos da década passada, com poplações indígenas de diferentes regiões do país. O filme é um resumo das movimentações políticas- e seus resultados- desde a promulgação da Constituição Federal de 1988, sob o ponto de vista de lideranças indígenas e as expectativas quanto ao futuro. Preservação da cultura, terras, respeito à sua identidade indígena, acesso à educaçāo e saúde sāo alguns dos temas mais importantes para essas proulações e guiam seus movimientos e articulações. (<a href="https://ufmt.br/povosdobrasil/index.php?option=com_k2&view=item&id=37:pisa-ligeiro" target="_blank" rel="noreferrer noopener">Povos do Brasil</a>) This documentary by Bruno Pacheco, produced in the early years of the 2000s, features indigenous populations from different parts of Brazil. The film focuses on political movements - and the results of those movements - since the promulgation of the 1988 Federal Constitution, from the point of view of indigenous leaders and their expectations for the future. The preservation of their culture, lands, respect for their indigenous identities, and access to education and health are some of the most important topics for these populations, and guide their movements and articulations. (Translated by Andrew Magel) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Ethnographic / cine etnográfico Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pisa ligeiro Description An account of the resource É um documentário de Bruno Pacheco, produzido nos primeiros anos da década passada, com poplações indígenas de diferentes regiões do país. O filme é um resumo das movimentações políticas- e seus resultados- desde a promulgação da Constituição Federal de 1988, sob o ponto de vista de lideranças indígenas e as expectativas quanto ao futuro. Preservação da cultura, terras, respeito à sua identidade indígena, acesso à educaçāo e saúde sāo alguns dos temas mais importantes para essas proulações e guiam seus movimientos e articulações. (<a href="https://ufmt.br/povosdobrasil/index.php?option=com_k2&view=item&id=37:pisa-ligeiro" target="_blank" rel="noreferrer noopener">Povos do Brasil</a>) Amazon / Amazonas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/cb6d0dbeb01a818096401ecb2c73e2a4.jpg?Expires=1777507200&Signature=QP1-Cb3TOjBb0gak3rHTrMmBDCgKymtAwORpN54uUxip0CGCBbWho17mqBgj-c-iw2rOljmJqyldz9j2JSlEf%7ElzjMtqmYnsiV-raUEvUVK0Z0TefrHI%7Ep99pHikz68Cl%7EPbE0Rocl6HkvW9I580NVeolOwv0wzfBSlY72gv3E7HC15VZDEis39UQAWQuSAU7RyTqepPunvMQRilstpw5BD36N2SssD1enRcY%7EzGbqVSDcpji26xoDPm0KQn5UIpQsmaHYaFumdDiZy0xxk4EcJ2M69eYAQWwlFWnsBuaYqzO0msfVNzmZCqDjf7vOoJivUEQ7EmVErKQOI9VqqLCA__&Key-Pair-Id=K6UGZS9ZTDSZM c7a68c09cf3dccea061386ff4ba5329f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Que horas ela volta? Title The Second Mother Director The director of the film. El/La director/a de la película. Anna Muylaert Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2015 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Globo Filmes (Brazil) Africa Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Que horas ela volta? tells the story of Val, a woman from the Northeastern region of Brazil who works as a live-in maid for a well-to-do São Paulo family. At first, as a very brief scene in the beginning of the film indicates, she worked as a nanny for the family's only child, Fabinho (Michel Joelsas), now a late teen, and for that reason she still has very strong quasi-maternal ties with him. She and her employer, Barbara (Karina Teles), appear to have a warm, friendly, relationship until the arrival of Jéssica (Camila Márdila), Val's daughter, who comes to São Paulo in order to prepare for a university entrance examination ("vestibular") at the School of Architecture. Having been raised unaware of her mother's actual situation, and not having seen her mother for over 10 years, Jéssica finds herself, unexpectedly, living temporarily at the house of Val's employers. She is a self-assured young woman who does not understand her mother's social resignation. With time, her presence at the house creates all kinds of problems: Barbara is driven to distraction and Carlos (Lourenço Mutarelli), Barbara's husband (who is responsible for the family's fortune), becomes so infatuated with Jéssica that he ends up proposing to her. The film has a happy, light-comedy ending: Jessica obtains much better results than Fabinho in the university examination, and Val quits her job and rents a house with her daughter in order to help the latter look after her own son, whose existence is revealed only towards the end of the film. (Source: Sá, Lúcia. “Intimacy at Work: Servant and Employer Relations in Que Horas Ela Volta? (The Second Mother).” Journal of Iberian & Latin American Studies, vol. 24, no. 3, Dec. 2018, pp. 311–327.) A pernambucana Val (Regina Casé) se mudou para São Paulo a fim de dar melhores condições de vida para sua filha Jéssica. Com muito receio, ela deixou a menina no interior de Pernambuco para ser babá de Fabinho, morando integralmente na casa de seus patrões. Treze anos depois, quando o menino (Michel Joelsas) vai prestar vestibular, Jéssica (Camila Márdila) lhe telefona, pedindo ajuda para ir à São Paulo, no intuito de prestar a mesma prova. Os chefes de Val recebem a menina de braços abertos, só que quando ela deixa de seguir certo protocolo, circulando livremente, como não deveria, a situação se complica. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Comedy films / comedia Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Relationships / Relaciones Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/935">https://cinegogia.omeka.net/items/show/935</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Que horas ela volta? Description An account of the resource Que horas ela volta? tells the story of Val, a woman from the Northeastern region of Brazil who works as a live-in maid for a well-to-do São Paulo family. At first, as a very brief scene in the beginning of the film indicates, she worked as a nanny for the family's only child, Fabinho (Michel Joelsas), now a late teen, and for that reason she still has very strong quasi-maternal ties with him. She and her employer, Barbara (Karina Teles), appear to have a warm, friendly, relationship until the arrival of Jéssica (Camila Márdila), Val's daughter, who comes to São Paulo in order to prepare for a university entrance examination ("vestibular") at the School of Architecture. Having been raised unaware of her mother's actual situation, and not having seen her mother for over 10 years, Jéssica finds herself, unexpectedly, living temporarily at the house of Val's employers. She is a self-assured young woman who does not understand her mother's social resignation. With time, her presence at the house creates all kinds of problems: Barbara is driven to distraction and Carlos (Lourenço Mutarelli), Barbara's husband (who is responsible for the family's fortune), becomes so infatuated with Jéssica that he ends up proposing to her. The film has a happy, light-comedy ending: Jessica obtains much better results than Fabinho in the university examination, and Val quits her job and rents a house with her daughter in order to help the latter look after her own son, whose existence is revealed only towards the end of the film. (Source: Sá, Lúcia. “Intimacy at Work: Servant and Employer Relations in Que Horas Ela Volta? (The Second Mother).” Journal of Iberian & Latin American Studies, vol. 24, no. 3, Dec. 2018, pp. 311–327.) Domestic labor / trabajo doméstico Feminism / Feminismo https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/156946879aec3b27774ccecd748cdf3d.jpg?Expires=1777507200&Signature=n9IOKKB3O%7EMq4feKvS%7EJ8Gj7d0kNGuprBxWVZiZ63Gc-4dd09tLgJHpOkOI2E7eUsvB4ShrlsJDHGvccnXrr4c5XLsTko5Zp5UOJUcRgvHa7JHB6KR0-3JdynFOszUwb50T6tafqp1vs4Uio09FP73rgUJxS5fEH6D0s3dH56p74wbf9PB1Gio2dWRUmUhadErp7bqevepKNnVe7aV49dlM2GpCIp4wphcTSGzob-ibADjeMJyVFVFVzua4rGTwptuH7WttCFs8nVPR%7ExcFwu8e4AoOL9ZYVIxvBnVvRnKbH6Lb52QIvGvO9x8CmXf1DmRnu0qoAS3j1wQlVCY4VGw__&Key-Pair-Id=K6UGZS9ZTDSZM 662285a899c76898a05eb313a6a6cdce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Domésticas Title Maids Director The director of the film. El/La director/a de la película. Fernando Meirelles Nando Olival Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2001 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. O2 Filmes (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Domésticas is not a film about maid-servants but a film by maid-servants. Domésticas wants to give them a voice. Or rather: voices. No less than 3 million women in Brazil work as 'domestics' and they all have stories to tell. Domésticas is however not a film about the life of the maidservant in the city, not a critical look at harsh reality: this film is about the characters as storytellers. Domésticas is the film version of one of the most popular and widely praised modern Brazilian stage plays. As preparation for the play, hundreds of maid-servants were interviewed and the five most important characters were compiled from the conversations. What makes the film special is not just the subject, but also the form. The film starts as a documentary. The five women talk to the camera about themselves, about their desires, frustrations, problems and pleasures. As the film progresses, more and more space is given to pictures to illustrate their stories. They are universal stories about women wrestling with loneliness, ambitions, conflicts with partners and children, loss and pain. But it is not all bad times. New, exciting encounters, music and mutual solidarity provide sparkling interludes in their heavy existence. (<a href="https://iffr.com/en/2001/films/dom%C3%A9sticas" target="_blank" rel="noreferrer noopener">International Film Festival Rotterdam</a>) No meio da nossa sociedade, existe um Brasil notado por poucos. Um Brasil formado por pessoas que, apesar de morar dentro de sua casa e fazer parte de seu dia a dia, vivem como se não estivessem lá. Cinco das integrantes deste Brasil são mostradas em "Domésticas - O Filme": Cida, Roxane, Quitéria, Raimunda e Créo. Uma quer se casar, a outra é casada mas sonha com um marido melhor. Uma sonha em ser artista de novela e outra acredita que tem por missão na Terra servir a Deus e à sua patroa. Todas têm sonhos distintos mas vivem a mesma realidade: trabalham como empregada doméstica. (<a href="http://www.adorocinema.com/" target="_blank" rel="noreferrer noopener">Adoro Cinema Brasil</a>) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Comedy films / comedia Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Relationships / Relaciones Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Domésticas Description An account of the resource Domésticas is not a film about maid-servants but a film by maid-servants. Domésticas wants to give them a voice. Or rather: voices. No less than 3 million women in Brazil work as 'domestics' and they all have stories to tell. Domésticas is however not a film about the life of the maidservant in the city, not a critical look at harsh reality: this film is about the characters as storytellers. Domésticas is the film version of one of the most popular and widely praised modern Brazilian stage plays. As preparation for the play, hundreds of maid-servants were interviewed and the five most important characters were compiled from the conversations. What makes the film special is not just the subject, but also the form. The film starts as a documentary. The five women talk to the camera about themselves, about their desires, frustrations, problems and pleasures. As the film progresses, more and more space is given to pictures to illustrate their stories. They are universal stories about women wrestling with loneliness, ambitions, conflicts with partners and children, loss and pain. But it is not all bad times. New, exciting encounters, music and mutual solidarity provide sparkling interludes in their heavy existence. (<a href="https://iffr.com/en/2001/films/dom%C3%A9sticas" target="_blank" rel="noreferrer noopener">International Film Festival Rotterdam</a>) Afro-Brazilian / afro-brasileño / afro-brasileiro Domestic labor / trabajo doméstico https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0bae494a5c2e9adb295c0245c40e2f9a.jpg?Expires=1777507200&Signature=P29ocU0-94xGenOsiwuIPm3yON7ITYuu8dvkphTUxYfzeiakthfJhjRYL7sQCB82zH4QN4J8O%7Ed55YKojV1qgcAJn7T-Hf59ItK07QMvq71c9YhCPlEXNC4EsyqW5V8650xtakP-M038BMhgNjVELwj4XKXTkIHyEI6wbD4t0wuq6oOyXsPh6kz1drGj9Jdvd0ihFv8IjRkMEjWaCvs-IMdF5n-13Ox1znPDggbHUYqMElvMkRu9l1f4xIfDTMYoQj7os6VO%7EFhLCRKgiXfoHeg9WBfMuRcn48ft5Grb3yYUygMs9cMTO4E2qLYpARFXsuZObUCUXdbQU94e1OfoAA__&Key-Pair-Id=K6UGZS9ZTDSZM adc2e55d29af54890e6c582a7cc1211d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Martírio Title Martirio (Spanish title) Director The director of the film. El/La director/a de la película. Vincent Carelli Ernesto De Carvalho Tatiana Almeida Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Papo Amarelo Produções Cinematográficas Vídeo nas Aldeias (Brazil) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Filmed over the course of 40 years, indigenous expert and filmmaker Vincent Carelli seeks out the origins of the Guaraní Kaiowá genocide. A conflict of disproportionate forces: the peaceful and obstinate insurgency of the dispossessed Guaraní Kaiowá against the powerful apparatus of agribusiness. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With rigorous investigative work, this Brazilian director recorded the birthplace of the resistance movement in the 1980s and tells, with his own voice and those of the indigenous people, of the social and political injustices suffered. The stunning archival historical images, new footage, both color and black and white, hearings in Brazilian Congress, and even interviews with those opposed to the Guaraní Kaiowá’s rights, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the fortitude with which they confront the usurpers. This epic documentary has become a sensation in Brazil and the ultimate testimony that unifies these unheard voices by “ethnocide actions,” the cruel synthesis of a conflict without a foreseen solution in the near future. (<a href="https://pragda.com/film/martirio/" target="_blank" rel="noreferrer noopener">Pragda</a>) Vincent Carelli, cineasta y experto indigenista, explora los orígenes del genocidio de los Guaraní Kaiowá, usando metraje acumulado durante los últimos 40 años. Se trata de un conflicto desproporcionado: la insurrección pacífica y obstinada de los Guaraní Kaiowá desposeído contra las agro-industrias poderosas. 50.000 indígenas exigen la demarcación legal de sus tierras mientras luchan contra el Congreso brasileño para no ser desalojados de sus casas. Carelli emplea la investigación rigurosa para documentar el origen de la resistencia que data de los años ochenta, y narra las injusticias sociales y políticas con su propia voz y también con voces indígenas. Sus medios incluyen imágenes históricas de archivo, nuevo rodaje (a color, y en blanco y negro), audiencias en el Congreso brasileño, y incluso entrevistas con los oponentes del movimiento de los Guaraní Kaiowá. Revela la brutalidad con el que convive la comunidad indígena, junto con las violaciones contra sus derechos civiles y la fortaleza con el que enfrentan a sus usurpadores. Este documental épico se ha convertido en una sensación en Brasil por su testimonio único que unifica las voces silenciadas por las "acciones de etnocidio"; una síntesis cruel de un conflicto que no tiene ninguna solución previsible. (Translated by Andrew Magel) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Ethnographic / cine etnográfico Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Environment / El medio ambiente Ethnicity / Etnicidad Human Rights / Derechos humanos Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Available at Website, streaming service, distributor Vimeo, <a href="https://vimeo.com/ondemand/martirio" target="_blank" rel="noreferrer noopener">https://vimeo.com/ondemand/martirio</a> Pragda, <a href="https://pragda.com/film/martirio/" target="_blank" rel="noreferrer noopener">https://pragda.com/film/martirio/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Martírio Description An account of the resource Filmed over the course of 40 years, indigenous expert and filmmaker Vincent Carelli seeks out the origins of the Guaraní Kaiowá genocide. A conflict of disproportionate forces: the peaceful and obstinate insurgency of the dispossessed Guaraní Kaiowá against the powerful apparatus of agribusiness. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With rigorous investigative work, this Brazilian director recorded the birthplace of the resistance movement in the 1980s and tells, with his own voice and those of the indigenous people, of the social and political injustices suffered. The stunning archival historical images, new footage, both color and black and white, hearings in Brazilian Congress, and even interviews with those opposed to the Guaraní Kaiowá’s rights, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the fortitude with which they confront the usurpers. This epic documentary has become a sensation in Brazil and the ultimate testimony that unifies these unheard voices by “ethnocide actions,” the cruel synthesis of a conflict without a foreseen solution in the near future. (<a href="https://pragda.com/film/martirio/" target="_blank" rel="noreferrer noopener">Pragda</a>) Guaraní Indigenous filmmaking / producciones indígenas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/7a34296cf98e4ec09d02f1a4f0e2aec3.jpg?Expires=1777507200&Signature=qQLd-ZSXBjcJAhZXyiTEW1xz8Igm-YgxfMbttz%7ERZa%7E3bNQXwg292UGz-LkEgZb6DEyjqYJFstMjCOLMjjH9J2ZKFu0NzaTmDFt4tin9RdCuGx6TMDoGBhAQs2xaCNrV9pleT5BXZLjydMkXYu6iZo1Leaf%7EEooDM3mN-UG%7EHYMNdaMFehX-vDsvNzqywxI4SZ6r86dP69wh27EGLQe2ieiBnsCPtjhdlrzpkVqVAZTF2qb%7E6y%7EnJ4gDUhS1SeOigSQL7bPCKw3l%7EK5Ds21Zq2c0oNfYup1melE6j88Z-gWeCVhYbpB8A9-5oyxmiQ0nvJS1GCvyKeFK91mg7GfnVg__&Key-Pair-Id=K6UGZS9ZTDSZM daa9b7d00ee3bb7b483557c40738a6ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. 500 Years Director The director of the film. El/La director/a de la película. Pamela Yates Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2017 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Guatemala Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Skylight (U.S.) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. The third film in a trilogy about Guatemala, this installment explores the sweeping historical significance of the war crimes trial of General Ríos Montt and the toppling of corrupt president Otto Pérez Molina. Sundance Film Festival veteran Pamela Yates gracefully engages the indigenous Mayan population who experienced genocide at the hands of a long-standing repressive government. Silenced family members and eyewitnesses come forward to share their individual stories with the desire that their underreported, horrific treatment receive the attention it deserves. Spoken in Spanish and native Mayan languages, 500 YEARS delicately weaves archival footage with new interviews and emotional courtroom scenes to shine light on a growing movement to fend off the systematic aggression toward an underrepresented people. Focusing on the recent events of a country that has suffered for generations at the hands of a ruling elite, the film hails the nation’s citizens banding together on a quest for justice—and emerging as a beacon of hope. (<a href="https://www.sundance.org/projects/500-years" target="_blank" rel="noreferrer noopener">Sundance</a>) La tercera en una trilogía sobre Guatemala, esta película explora la importancia histórica del juicio del General Ríos Montt (por crímenes de guerra) y la derrota del presidente corrupto Otto Pérez Molina. Pamela Yates, la veterana del Festival de Cine de Sundance, involucra con gracia a la población indígena Maya que sufrió un genocidio a manos de un gobierno represivo bien establecido. Los familiares silenciados y testigos de primera mano se presentan para compartir sus historias individuales, con el deseo de que su tratamiento horroroso y poco denunciado reciba la atención que merece. Narrado en español y lenguas mayas, 500 YEARS teje delicadamente imágenes de archivo con nuevas entrevistas y escenas emocionales de los tribunales para iluminar un creciente movimiento para combatir la agresión sistemática hacia un pueblo marginalizado. Enfocándose en los eventos recientes de un país que ha sufrido por generaciones a manos de la élite gobernante, esta película celebra a los ciudadanos de la nación que se unen en búsqueda de la justicia, y emergen como un modelo de esperanza. (Translated by Paola Martinez) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Human Rights / Derechos humanos Indigenous peoples / Pueblos indígenas Political violence / Violencia política Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 500 Years Description An account of the resource The third film in a trilogy about Guatemala, this installment explores the sweeping historical significance of the war crimes trial of General Ríos Montt and the toppling of corrupt president Otto Pérez Molina. Sundance Film Festival veteran Pamela Yates gracefully engages the indigenous Mayan population who experienced genocide at the hands of a long-standing repressive government. Silenced family members and eyewitnesses come forward to share their individual stories with the desire that their underreported, horrific treatment receive the attention it deserves. Spoken in Spanish and native Mayan languages, 500 YEARS delicately weaves archival footage with new interviews and emotional courtroom scenes to shine light on a growing movement to fend off the systematic aggression toward an underrepresented people. Focusing on the recent events of a country that has suffered for generations at the hands of a ruling elite, the film hails the nation’s citizens banding together on a quest for justice—and emerging as a beacon of hope. (<a href="https://www.sundance.org/projects/500-years" target="_blank" rel="noreferrer noopener">Sundance</a>) K'iche' / Quiché Maya https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/0af989ffea2cda02d60a475cc3c29b49.jpg?Expires=1777507200&Signature=IpX2HfpMecHU2RI-EgA8UUT9tADa89pfBoYCiVIuzK5S6iPFKx0JUBmaCioUF5vx5V5i7UZI3Ue3fkur5scmLkWbhoa2AuQ7vafzo06FEZe13VRcQ%7EM1EZghMUkjKGDyUVlCXbkItB7t05ejA1BQFlGuhc%7E2Zfrym9U5MzoZutEDpaUFRPEEqRTLq%7E5RH2ADc%7EmTY6Uhppz7kDc74Uy1Ai-H%7Ew1-eupD4X0bG7btWwbKVvloixA%7EDkoM-H707b0kI0LWrt2FmuhWrH-gzc3t6MWUPIbHOUkgWtYGzFCFmrwG-htWPSfUZaFBbhlgVNdopetvVJxnMlwLSth7IAG8Ew__&Key-Pair-Id=K6UGZS9ZTDSZM 7a5ece5487f11df5fd15a8defdacde44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Raíces de mi corazón Title Roots of My Heart Director The director of the film. El/La director/a de la película. Gloria Rolando Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2001 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Cuba Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Imágenes del Caribe (Cuba) Videoteca del Sur Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. A present day AfroCuban woman [Mercedes] seeks her roots through her family history. Old photos, newspaper clippings jealously guarded by her grandmother, and her mother's stories reveal her great-grandparents' history. The historical truth raises the curtains through a love story. Reality and fantasy get mixed in, but all the elements integrated into the narration point towards the central figure, the woman, and to a moving chapter of turn of the century Cuba, when there occurred a violent repression of the AfroCubans who protested out of the frustration that fell over Cubans after the War of Independence. Thousands of descendants of Africans dedicated their lives to the struggle against Spanish colonialism in Cuba. They also fought against the slave system which kidnapped men, women, and children from the African continent and converted them into anonymous cogs of the sugar and coffee plantations. In the War of Independence (1868-78 and 1895-98), AfroCubans joined the Liberation Army (the Mambises) following the ideas of important leaders such as Jose Marti, but also inspired by the example of the Black generals of the War, such as Antonio Maceo, Quintin Banderas, and many others. Unfortunately, at the turn of the century, AfroCuban veterans felt the contempt of a Republic born distorted and completely alienated from the principles raised up by Jose Marti: "One Republic with everyone and for the good of everyone." Racism was part of official injustice. The process of cultural, economic, and political marginalization of Blacks in Cuba at the dawn of the present century is connected at a deep level with the fate of other African Americans up and down the continent. Peruvian, Uruguayan, Venezuelan, Columbian, North American, Argentinian, Brazilian, and other Blacks saw themselves deprived of their place of honor in the official history of their own countries. The protest organized by AfroCubans in 1912 was beaten back by the National Army itself and ended in a real human massacre which had its main scene in Oriente Province. This is the synopsis of the story our central figure is going to discover through her family. (<a href="http://www.afrocubaweb.com/" target="_blank" rel="noreferrer noopener">AfroCubaWeb</a>) Una mujer afro-cubana moderna (Mercedes) examina sus origenes mediante su historia familiar. Fotos viejas, recortes de periódicos guardados cuidadosamente por su abuela, y los cuentos de su madre revelan la historia de sus bisabuelos. La verdad histórica presentada a través de una historia de amor. Se mezclan la realidad y la fantasía, pero todos los elementos de la narración se centran en la mujer y un capítulo importante del Cuba finisecular: la represión violenta de las protestas afro-cubanas después de la Guerra de la Independencia cubana. Miles de afrodescendientes se dedicaron al movimiento contra el colonialismo español en Cuba, y pelearon contra el sistema de la esclavitud que secuestró a hombres, mujeres y niños africanos y los convirtió en peones de las industrias azucareras y cafeteras. Durante las guerras de la independencia (1868-78 y 1895-98), los afrocubanos se unieron al ejército de la liberación (los Mambises) y fueron influenciados por las ideas de líderes como Jose Martí y generales negros como Antonio Maceo, Quintin Banderas, y otros. A pesar de todo esto, los veteranos afrocubanos se enfrentaron al racismo de la nueva república. La marginación cultural, económica, y política de los afrodescendientes en Cuba se conecta con la realidad de muchos otros afro-americanos a lo largo del continente. La protesta afrocubana en 1912 fue reprimida por el ejército nacional y terminó en una masacre en la provincia de Oriente. Esta es una sinopsis de la historia que la protagonista descubrirá a través de su familia. (Translated by Andrew Magel) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Memory / Memoria Political violence / Violencia política Race / Raza Revolution / Revolución Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/953">https://cinegogia.omeka.net/items/show/953</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raíces de mi corazón Description An account of the resource A present day AfroCuban woman [Mercedes] seeks her roots through her family history. Old photos, newspaper clippings jealously guarded by her grandmother, and her mother's stories reveal her great-grandparents' history. The historical truth raises the curtains through a love story. Reality and fantasy get mixed in, but all the elements integrated into the narration point towards the central figure, the woman, and to a moving chapter of turn of the century Cuba, when there occurred a violent repression of the AfroCubans who protested out of the frustration that fell over Cubans after the War of Independence. Thousands of descendants of Africans dedicated their lives to the struggle against Spanish colonialism in Cuba. They also fought against the slave system which kidnapped men, women, and children from the African continent and converted them into anonymous cogs of the sugar and coffee plantations. In the War of Independence (1868-78 and 1895-98), AfroCubans joined the Liberation Army (the Mambises) following the ideas of important leaders such as Jose Marti, but also inspired by the example of the Black generals of the War, such as Antonio Maceo, Quintin Banderas, and many others. Unfortunately, at the turn of the century, AfroCuban veterans felt the contempt of a Republic born distorted and completely alienated from the principles raised up by Jose Marti: "One Republic with everyone and for the good of everyone." Racism was part of official injustice. The process of cultural, economic, and political marginalization of Blacks in Cuba at thedawn of the present century is connected at a deep level with the fate of other African Americans up and down the continent. Peruvian, Uruguayan, Venezuelan, Columbian, North American, Argentinian, Brazilian, and other Blacks saw themselves deprived of their place of honor in the official history of their own countries. The protest organized by AfroCubans in 1912 was beaten back by the National Army itself and ended in a real human massacre which had its main scene in Oriente Province. This is the synopsis of the story our central figure is going to discover through her family. (<a href="http://www.afrocubaweb.com/" target="_blank" rel="noreferrer noopener">AfroCubaWeb</a>) Afro-Caribbean / afro-caribeño Afro-Cuban / afro-cubano Afro-Latin American productions / producciones afrolatinoamericanas / produções afro-latinoamericanas https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/e5905b10b8def7b18d5ce6df18986036.png?Expires=1777507200&Signature=o%7EPEebjRR%7E5H7yZIrFlsEw8AJl8vNzLHpCjDT05THqrl69LHyZpfcOqZRXWilS1ECzXZWscKsH2YQfLTwIPKRf0vFrgwlR6vXozqe7pReRXn8kXZoODYzEQ891g4KIlF8GPfh2L%7EGBNkCLatsjcKyor7iMJtGa1RpZengL%7EGeplD%7EsAEOhroXpWeTbQ%7Eb-ipiH8UBHH%7EnJIqKgrhT9W3mUqKRrBZvgeztBtAcQb-YdptYRPRt3e1JolvzoEAe5wE%7EWvvkZfCiucCXBZEAVinIbFsFsfrtk7a5vDxkN72c3Py8qLyn-DhNagufBvLFWewLRssvw7tXVSdRCj4kUF-Lw__&Key-Pair-Id=K6UGZS9ZTDSZM e29dcfcfa0c987a0d8b78112982882b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. El valle de los negros Title The Valley of the Black Descendants Director The director of the film. El/La director/a de la película. Richard Salgado Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2017 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Chile Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Richard Salgado (self-produced) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. En el Valle de Azapa, un grupo de afrodescendientes se organiza para realizar el primer censo afro de la historia de Chile, buscando el reconocimiento del Estado, el cual ha invisibilizado su cultura y rasgos africanos durante más de 200 años. (<a href="http://cinechile.cl/" target="_blank" rel="noreferrer noopener">Cine Chile</a>) In the Azapa Valley, a group of Afro-descendants organize to perform the first Afro census in Chilean history, seeking recognition from the Chilean government which has made African culture and heritage invisible for over 200 years. (Translated by Andrew Magel) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Ethnicity / Etnicidad Social inequality / Desigualdad social Race / Raza Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource El valle de los negros Description An account of the resource En el Valle de Azapa, un grupo de afrodescendientes se organiza para realizar el primer censo afro de la historia de Chile, buscando el reconocimiento del Estado, el cual ha invisibilizado su cultura y rasgos africanos durante más de 200 años. (<a href="http://cinechile.cl/" target="_blank" rel="noreferrer noopener">Cine Chile</a>) Afro-Chilean / afro-chileno https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/f9f6beca493e24ba5d7ce54fef9598d4.png?Expires=1777507200&Signature=GFZcerQvFP-pEmwzZrbofhwIvnHwElIGtCCcKv9Oqy1u8890qVTvfs1j5uel6YowBTodUKCe6oVIU-OnoHUeAiyBk5ed9PBOF1r%7ETf44ETFzBIF3LTzn6bLYuETdO4BjmuVnsUEpH6RPRt0iBuJzkFcg2ReTHFatj4d7D7JLY6ADqjrLoLxh3KCMJy3H%7EyGz5S-izduLMpRB53Qd3nxR1j32563L2-HRe8EPGNBJEibSXiK8s7BH0z0H5eApMuVnZAUZiuLEK7ZhZ0hmbQo73RQ%7EQleguwBars%7E9fTIvVUtKvigvL75xibMB6XrujiII6LJFe5XQEuhAIq3P3pznog__&Key-Pair-Id=K6UGZS9ZTDSZM 282df960836e1c7b87b90bae9907b626 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Nana Director The director of the film. El/La director/a de la película. Tatiana Fernández Geara Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2015 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español English / inglés Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Dominican Republic / República Dominicana United States / Estados Unidos Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Cine Carmelita (Dominican Republic) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. El largometraje Nana retrata a la nana o la niñera, esa que sin que los padres lo adviertan y reconozcan, pasa a convertirse en la persona más importante en la vida de sus hijos. Crudamente se presenta el trabajo doméstico, por lo general feminizado, desde una realidad que se suele invizibilizar. Mujeres mal pagadas, mal comidas, que dejan a sus hijos para irse a cuidar y dar amor a los hijos de otros, sin saber si los suyos comen o no. (<a href="https://diariodigital.com.do/" target="_blank" rel="noreferrer noopener">Diario Digital RD</a>) Leidy, Fina and Clara leave their children in distant towns to be raised by relatives while they are away caring for somebody else’s child. Going back and forth between urban and rural scenarios, this documentary goes deep into the conflicts faced by live-in nannies. In a love chain, where mother figures are substituted and duplicated, bonds grow strong between kids and their nannies, and between the nannies’ children and the grandmothers or aunts who care for them. Is there just one way to define motherly love? (<a class="in-cell-link" target="_blank" href="http://cinecarmelita.com/en/nana/" rel="noreferrer noopener">http://cinecarmelita.com/en/nana/</a>) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/651">https://cinegogia.omeka.net/items/show/651</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nana Description An account of the resource El largometraje Nana retrata a la nana o la niñera, esa que sin que los padres lo adviertan y reconozcan, pasa a convertirse en la persona más importante en la vida de sus hijos. Crudamente se presenta el trabajo doméstico, por lo general feminizado, desde una realidad que se suele invizibilizar. Mujeres mal pagadas, mal comidas, que dejan a sus hijos para irse a cuidar y dar amor a los hijos de otros, sin saber si los suyos comen o no. (<a href="https://diariodigital.com.do/" target="_blank" rel="noreferrer noopener">Diario Digital RD</a>) Afro-Caribbean / afro-caribeño Afro-Dominican / afro-dominicano Domestic labor / trabajo doméstico https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/9acbd1e9801974fda101cbddbafac113.jpeg?Expires=1777507200&Signature=NCPSABP882uvUzaFSVn-DXILtHFD5jGl7%7EP6WvgQddkw49YSDNx8GL254a4n68E%7Ei7CpjXGahuL33U3J1UoLUlXhHFGxe0B9ac323vQHgVT32VmSURLn1XKq3UTMSiVSYvPLzu3W6SbGgFo7ScF-0OYw4zOU-APxtFB5D-gL3yG7ZvFygyP66Ia3heAR0Lb-1VgV7%7EIRdlFkWnkXQhuCYLq2BQ0WJeSV5ZxP2dDZSO36Gvc-F3Gj2WgKftMWYQeKP5x27%7Eh9CZo5pKnjrJIs7%7EA8jvk7zp85MZ0Yn3QCPg564fOYPy95r5t2UUPkLJ6zz9dR2gcWcEHlAbJB3K0XCw__&Key-Pair-Id=K6UGZS9ZTDSZM bbdd866877f89e43752848a644f42551 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. La Soledad Title The Solitude Director The director of the film. El/La director/a de la película. Jorge Thielen Armand Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2016 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Venezuela Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. La Faena Alfarería Cinematográfica Ardimages Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. La Soledad is a dilapidated villa located in one of the wealthiest neighborhoods of Caracas. It used to be the home of director Jorge Thielen Armand’s great-grandparents, but when the owners passed away fifteen years ago, the property was unofficially inherited by their lifelong maid, Rosina, now 72, who remained to care for the house and raise her grandson, José, now 27, Jorge’s childhood friend. José works as a handyman, dreaming of a better life for his six-year-old daughter Adrializ, amidst Venezuela’s economic crisis. Waiting in long queues for food and the medicine Rosina so desperately needs is part of José’s routine. When he learns that the legal inheritors of the house plan to sell the estate, José struggles to try to find a solution that will keep his family away from the crime-ridden slums. Yet the house holds a secret that could save them all: a treasure that is rumored to be buried in its walls. Set in the beautiful derelict eponymous mansion and played by the real inhabitants, LA SOLEDAD (THE SOLITUDE) poetically depicts Venezuela’s socio-economic crisis through José’s struggle to save his family from homelessness. (<a href="https://www.festivalscope.com/all/film/the-solitude" target="_blank" rel="noreferrer noopener">Festival Scope</a>) La Soledad es una mansión arruinada en un barrio anteriormente de clase alta en Caracas. La Soledad era el hogar de los bisabuelos del director Jorge Thielen Armand. Pero los dueños murieron hace quince años y la criada Rosina, quien trabajó para la familia durante muchos años, informalmente heredó la propiedad. Rosina, ahora de setenta y dos años, ha mantenido la casa donde también ha criado a su nieto José, quien tiene veintisiete años. José es tambien amigo de la infancia de Jorge. José trabaja manteniendo casas, soñando con una vida mejor para su hija de seis años, Adrializ, durante la crisis económica venezolana. Habitualmente espera en filas largas, buscando comida y medicina esencial para Rosina. Cuando se da cuenta que los herederos legales de la casa están planeando venderla, José trata de encontrar una solución para evitar que su familia tenga que mudarse a las villas con altos niveles de delito. Pero cabe la posibilidad de que haya un secreto que podría salvar a todos: un tesoro que supuestamente está enterrado en las paredes de la casa. La Soledad (The Solitude) toma lugar en esta hermosa pero descuidada mansión epónima, actuado por los habitantes mismos del lugar. Revela poéticamente la crisis socioeconómica venezolana mediante la lucha de José para salvar a su famila. (Translated by Andrew Magel) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Memory / Memoria Race / Raza Social inequality / Desigualdad social Urban Life / Vida urbana Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide Film Guide in English: <a href="https://cinegogia.omeka.net/items/show/654">https://cinegogia.omeka.net/items/show/654</a> Guía en español: <a href="https://cinegogia.omeka.net/items/show/887">https://cinegogia.omeka.net/items/show/887</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Soledad Description An account of the resource La Soledad is a dilapidated villa located in one of the wealthiest neighborhoods of Caracas. It used to be the home of director Jorge Thielen Armand’s great-grandparents, but when the owners passed away fifteen years ago, the property was unofficially inherited by their lifelong maid, Rosina, now 72, who remained to care for the house and raise her grandson, José, now 27, Jorge’s childhood friend. José works as a handyman, dreaming of a better life for his six-year-old daughter Adrializ, amidst Venezuela’s economic crisis. Waiting in long queues for food and the medicine Rosina so desperately needs is part of José’s routine. When he learns that the legal inheritors of the house plan to sell the estate, José struggles to try to find a solution that will keep his family away from the crime-ridden slums. Yet the house holds a secret that could save them all: a treasure that is rumored to be buried in its walls. Set in the beautiful derelict eponymous mansion and played by the real inhabitants, LA SOLEDAD (THE SOLITUDE) poetically depicts Venezuela’s socio-economic crisis through José’s struggle to save his family from homelessness. (<a href="https://www.festivalscope.com/all/film/the-solitude" target="_blank" rel="noreferrer noopener">Festival Scope</a>) Afro-Venezuelan / afro-venezolano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/aa2f45f19f2d5d058c55c8f6fb603ced.jpg?Expires=1777507200&Signature=beJFsfnoegQSId1LYzOfd2eorNdo56PvtBTjIx49NvOr-swI2%7EVq029A6HTydnWqqUQjBOAfy8-4B%7ERbtklbsmKouegWBBHhdwbFy4BzR7hyQWCNM8V0Y5D%7E63pTghp5shywuydYlbAbBadtuSsom5X7MCIzIA4CPcoXjYQvaRa0MC5Aw8t%7Ewy237EnDVmreR5gC3Sjg3Z8Zm3DB6wMfziem8uRQSdYO81Giaeygh3EgRg5TbcfKoq0hfL3fxPmc2SYwymxZPpRjaeJoIi9Z2zGr8UIueoDes23WtAGy43E0lQl97AQwUW97VCAt8jbR0NJnhyqgeQxolfEefJ6QZQ__&Key-Pair-Id=K6UGZS9ZTDSZM 6ef0524164cdaf020e5d36a901d96bf6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Ôrí Director The director of the film. El/La director/a de la película. Raquel Gerber Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1989 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Portuguese / portugués Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Brazil / Brasil Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Angra Filmes Ltda Brazilian Cinema Foundation Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. While giving an overall look at the documented history of BLACK MOVEMENTS in Brazil (during the 70s and 80s), ORI tells the story of a woman, Beatriz Nascimento, activist and historian, who searches for her identity through research into the history of the "QUILOMBOS" as warrior establishments and focuses of cultural resistance, from 15th-century Africa to Brazil in the 20th century. (<a href="https://www.cultureunplugged.com/documentary/watch-online/play/54524/--r--" target="_blank" rel="noreferrer noopener">Culture Unplugged</a> - watch complete film here) Una mirada a la historia de los movimientos sociales de afrodescendientes en Brasil (durante los años setenta y ochenta). ORI cuenta la historia de una mujer activista y historiadora, Beatriz Nascimento, en busca de su identidad mediante una investigación sobre la historia de los "quilombos" como establecimientos guerreros y centros de resistencia cultural desde el siglo V en África hasta el siglo XX en Brasil. (Translated by Andrew Magel) Category / Categoría A broad category or mode of cinematographic production. Documentary Films / Cine documental Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Social problem films / cine sociológico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Identity / Identidad Race / Raza Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ôrí Description An account of the resource While giving an overall look at the documented history of BLACK MOVEMENTS in Brazil (during the 70s and 80s), ORI tells the story of a woman, Beatriz Nascimento, activist and historian, who searches for her identity through research into the history of the "QUILOMBOS" as warrior establishments and focuses of cultural resistance, from 15th-century Africa to Brazil in the 20th century. (<a href="https://www.cultureunplugged.com/documentary/watch-online/play/54524/--r--" target="_blank" rel="noreferrer noopener">Culture Unplugged</a> - watch complete film here) Afro-Brazilian / afro-brasileño / afro-brasileiro https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/64425b3d91a5c0fa72513f71e4eb6582.jpg?Expires=1777507200&Signature=tb7PnU6b8FfizkNgPXarZ%7EJ0eepapkD3%7Eo8EqoSIbRvCzcKu35MESERadWeL7UgFVRH2EjjVxRYmJzOmhogLkbAnn0VIZju-phfd28OS7WKFoXMtS-3pbWhx3PWBPL2T-G-KWlq7Vu0%7EqPzUZIz0RRkYduFxw41aont-YX8rSKmnQdkUe3scVR35kUCO-Cd%7E1mlVQmWzO0iPuiSeq3LjUe1NXJ-39%7E6pJADw%7EpeBcT2XvDO8IDb2sfoE49ggbIHqvjhUJOo8bRTVgy3psgn3FNsaoGo0SBmdgcgEVnej4zipd7NyzYD5aiCK57UvzhChoca8FKtuujv0uPG5HiimJw__&Key-Pair-Id=K6UGZS9ZTDSZM aba37651e57bff7bb6a84ed28040b9cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Coraje Title Courage Director The director of the film. El/La director/a de la película. Alberto Durant Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 1998 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Peru / Perú Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Agua Dulce Films Fernando Colomo Producciones Cinematográficas S.L. Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Coraje is about the last few months in the life of María Elena Moyano, who was killed at the age of 33 by the Peruvian revolutionary movement Sendero Luminoso. María Elena was the founder and leader of the so-called Women's Federation of Villa El Salvador, a slum district that had been built in the desert on the outskirts of Lima and was run by the inhabitants themselves. This community won several prizes abroad, such as the Spanish 'Principe de Asturias' and the 'Messenger City of Peace'. Two months before the brutal attack, María has spoken out against the campaign of hatred and violence of Sendero Luminoso and even though she was called 'Mama Coraje' by the local press, that condemned her to death.The film is narrated by a female Spanish doctor who remembers María's last months. We see the difficult conditions in which the vital and charismatic María did her work: the economic crisis, the hunger in the Villa, the bureaucratic opposition and increasing terror of the Senderos. But Coraje is above all a lively and intimate portrait of a fascinating woman who is not portrayed as a inviolable heroine, but as an ordinary woman with two children and a husband who is characterised by doubts and despair as well as courage. (<a href="https://iffr.com/en/1999/films/coraje" target="_blank" rel="noreferrer noopener">International Film Festival Rotterdam</a>) Coraje se trata de los últimos meses de la vida de María Elena Moyano, asesinada a los treinta y tres años por el movimiento revolucionario peruano, Sendero Luminoso. María Elena fue la fundadora y líder de la Federación Popular de Mujeres de Villa El Salvador (FEPOMUVES), una comunidad pobre en el desierto en las afueras de Lima que fue dirigida por los habitantes mismos. La comunidad ganó varios premios internacionales, como el "Príncipe de Asturias" (Españ) y el "Messenger City of Peace." Dos meses antes del ataque, María habló en contra de la campaña de odio y violencia de Sendero Luminoso. Sendero Luminoso condenó a María a la muerte a pesar de su reputación como "Mamá Coraje" de la prensa local. La película es narrada por una doctora española que recuerda los últimos meses de María. La película muestra las condiciones difíciles en las que María trabajó, como la crisis económica, el hambre en la Villa, la opresión burocrática y la creciente violencia de los Senderos. Pero Coraje es una presentación animada e íntima de una mujer fascinante, quien no es una heroína perfecta, sino una mujer ordinaria con dos hijos y un esposo; ella tiene dudas y desesperación, pero tambien coraje. (Translated by Andrew Magel) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Docu-drama Historical films / cine histórico Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Afro-Latin American / afro latinoamericano Gender identity / Identidad de género Political violence / Violencia política Race / Raza Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coraje Description An account of the resource Coraje is about the last few months in the life of María Elena Moyano, who was killed at the age of 33 by the Peruvian revolutionary movement Sendero Luminoso. María Elena was the founder and leader of the so-called Women's Federation of Villa El Salvador, a slum district that had been built in the desert on the outskirts of Lima and was run by the inhabitants themselves. This community won several prizes abroad, such as the Spanish 'Principe de Asturias' and the 'Messenger City of Peace'. Two months before the brutal attack, María has spoken out against the campaign of hatred and violence of Sendero Luminoso and even though she was called 'Mama Coraje' by the local press, that condemned her to death.The film is narrated by a female Spanish doctor who remembers María's last months. We see the difficult conditions in which the vital and charismatic María did her work: the economic crisis, the hunger in the Villa, the bureaucratic opposition and increasing terror of the Senderos. But Coraje is above all a lively and intimate portrait of a fascinating woman who is not portrayed as a inviolable heroine, but as an ordinary woman with two children and a husband who is characterised by doubts and despair as well as courage. (<a href="https://iffr.com/en/1999/films/coraje" target="_blank" rel="noreferrer noopener">International Film Festival Rotterdam</a>) Afro-Peruvian / afro-peruano https://d1y502jg6fpugt.cloudfront.net/24865/archive/files/847347ed16ff9443fe99586fd2292ea2.jpg?Expires=1777507200&Signature=eL0kizSSBtivTD-hsUapkAunLKnrY9ThYujme8xrwrt5Nf2bek1kwD%7Ekqgq1BV7Jpgb5qfKzY%7EknLk0PUHDwp4hFlCkWz96RwRml-FLyi7l28uNz2dCpZFMmw7TID16arbYd4c8BEOgYSlE%7Eec-dGyBL1xvtQQ4wKKXy4XCGLpFpAyifyhvP3WTIjxdcSNZzL9I%7ExiCv9YFDrohwngW%7EFsrj9cA9uqrU1dyt2EGzIzzScEjiwmmguIdVwM12qrarhbge-o1wsnTuZ-cS5IjtEieSjk%7EWpH4Kb6eBflhOaZbCUlOZm2FSLMXk0rDC2OSQ04qe%7EJUvn9lkxJ9mTQ1B1Q__&Key-Pair-Id=K6UGZS9ZTDSZM 934249461ccc895906714358adccdd72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film Database Filmography Title / Título (Original) A name given to the resources. El nombre original del recurso. Roma Director The director of the film. El/La director/a de la película. Alfonso Cuarón Release Date / Fecha de estreno The date of the film’s release (year only). La fecha de estreno (año solamente). 2018 Language / Idioma The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto. Spanish / español Indigenous / indígena Country / País The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar. Mexico / México Production Company / Compañía de Producción The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película. Pimienta Films (Mexico) Esperanto Filmoj (U.S./Mexico) Participant Film Company (U.S.) Description / Descripción An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso. Relata un año en la vida de una familia de clase media en la capital mexicana a comienzos de los años 70. Roma es un retrato íntimo sobre los esfuerzos de una familia para mantener su equilibrio en momentos de conflicto personal, social y político. (<a href="http://www.filmografiamexicana.unam.mx" target="_blank" rel="noreferrer noopener">Filmoteca UNAM</a>) Recounts a year of the life of a middle-class family in Mexico City during the early 1970s. Roma is an intimate portrayal of the efforts a family makes to maintain their balance in the face of personal, social, and political conflict. (Translated by Paola Martinez) Category / Categoría A broad category or mode of cinematographic production. Fiction Films / Cine de ficción Genre / Género A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema. Drama Subject Coverage / Tema The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves. Indigenous peoples / Pueblos indígenas Social inequality / Desigualdad social Cinematic Period / Periodo cinematográfico The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película. Contemporary / Contemporáneo Film Guide / Guía de película Add link to related film guide <a href="https://cinegogia.omeka.net/items/show/533">https://cinegogia.omeka.net/items/show/533</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roma Description An account of the resource Relata un año en la vida de una familia de clase media en la capital mexicana a comienzos de los años 70. Roma es un retrato íntimo sobre los esfuerzos de una familia para mantener su equilibrio en momentos de conflicto personal, social y político. (<a href="http://www.filmografiamexicana.unam.mx" target="_blank" rel="noreferrer noopener">Filmoteca UNAM</a>) Domestic labor / trabajo doméstico Youth / La juventud