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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description>A name given to the resources. El nombre original del recurso.</description>
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              <text>Todo lo demás</text>
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          <name>Director</name>
          <description>The director of the film. El/La director/a de la película.</description>
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              <text>Natalia Almada</text>
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          <name>Release Date / Fecha de estreno</name>
          <description>The date of the film’s release (year only). La fecha de estreno (año solamente).</description>
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              <text>2016</text>
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          <name>Language / Idioma</name>
          <description>The language(s) that are spoken in the film or the language of the text. El idioma(s) de la película o del texto.</description>
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              <text>Spanish / español</text>
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          <name>Country / País</name>
          <description>The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar.</description>
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          <name>Production Company / Compañía de Producción</name>
          <description>The entity or entities that appear as producers for the film. La entidad o entidades que aparecen como productores de la película.</description>
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              <text>Altamura Films</text>
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          <description>An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso.</description>
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              <text>&lt;span&gt;Doña Flor is a bureaucrat. It is in everything that comprises her, her non-descript beige blouse, practical heels and knee-length skirts. For over three decades she has attended frustrated and indignant citizens to whom she is nothing but an invisible, lifeless bureaucrat, and has returned each evening to her cat and solitary apartment where she makes obsessive lists of the people she attended to during the day. Inspired by Hannah Arendt’s idea that bureaucracy is one of the worst forms of violence, &lt;em&gt;Todo lo demás&lt;/em&gt; explores the interior life of Doña Flor as she attempts to resurface. A kind of "observational narrative" the film is a mesmerizing contemplation on solitude. (&lt;a href="http://www.altamurafilms.com/todolodemas.html" target="_blank" rel="noreferrer noopener"&gt;Altamura Films&lt;/a&gt;)&lt;br /&gt;&lt;/span&gt;</text>
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              <text>&lt;em&gt;&lt;br /&gt;Doña Flor es burócrata, desde su sencilla blusa beige, sus tacones prácticos, y sus faldas hasta la rodilla. Durante más de tres décadas ha atendido a ciudadanos frustrados e indignados para quienes ella es nada más que una burócrata invisible y sosa. Cada noche regresa a su gato y al apartamento solitario en donde escribe listas obsesivas de la gente a quienes atendió durante el día. Inspirado por la idea de Hannah Arendt que la burocracia es una de las peores formas la violencia, &lt;/em&gt;Todo lo demás&lt;em&gt; explora la vida interior de Doña Flor mientras intenta resurgir. Estilo "narrativa observacional", la película es una contemplación hipnotizante de la soledad. (Traducido por Éowyn Bailey)&lt;/em&gt;</text>
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          <description>A broad category or mode of cinematographic production.</description>
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              <text>Fiction Films / Cine de ficción</text>
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          <description>A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema.</description>
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              <text>Drama</text>
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          <description>The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves.</description>
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          <description>The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película.</description>
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            <description>A name given to the resource</description>
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                <text>Todo lo demás</text>
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            <description>An account of the resource</description>
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                <text>&lt;span&gt;Doña Flor is a bureaucrat. It is in everything that comprises her, her non-descript beige blouse, practical heels and knee-length skirts. For over three decades she has attended frustrated and indignant citizens to whom she is nothing but an invisible, lifeless bureaucrat, and has returned each evening to her cat and solitary apartment where she makes obsessive lists of the people she attended to during the day. Inspired by Hannah Arendt’s idea that bureaucracy is one of the worst forms of violence, &lt;em&gt;Todo lo demás&lt;/em&gt; explores the interior life of Doña Flor as she attempts to resurface. A kind of "observational narrative" the film is a mesmerizing contemplation on solitude. (&lt;a href="http://www.altamurafilms.com/todolodemas.html" target="_blank" rel="noreferrer noopener"&gt;Altamura Films&lt;/a&gt;)&lt;br /&gt;&lt;/span&gt;</text>
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