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                <text>Three stories about football, one of the most important twentieth-century rituals. A third division player from Santiago de Chile is bribed, but does not realise that his behaviour betrays more than the loyalty of his team-mates. A boy from Calama, Chile wins the local derby pichanga, a soccer match that can last all afternoon, but he loses the few pesos he acquired by pawning his mother's last possessions. Francisco, a boy from the city, is stuck in a remote corner of the southern island of Chiloé on the day that Chile has to play its qualifying match for the World Cup. The only TV is in the house of the Serón sisters. While the local male population gathers to watch the match, the sisters decide which of them will initiate the young Francisco into love. (IMDB)</text>
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                    <text>Contributed by Manuel Medina, University of Louisville

FOOTBALL STORIES
Chile, Andrés Wood, 2009

Director: Andrés Wood
Original title: Historias de fútbol
Writing:
René Arcos
story (segment "Pasión de multitudes")
Mario Benedetti
story "Puntero Izquerdo" (segment "No le crea")
Raúl Pérez Torres
story "Cuando me gustaba el fútbol" (segment "Último gol
gana")
Andrés Wood

story (segment "Pasion de multitudes")
Original Music by Miguel Miranda
José Miguel Tobar
Cinematography by Igor Jadue-Lillo
Film Editing by Andrea Chignoli
Country: Chile
Language: Spanish
Runtime: 87 min
Sound Mix: Dolby Digital
Color: Color

Questions of analysis:
1. What is this movie about?
2. How does he film stitch the three stories together? Does the film seem like one whole unit or does it seem like three stories
linked only by a theme (soccer)?
3. Whose story is it?
4. What is the meaning of the first scene?
5. Comment on the cinematographic achievements of the film.
6. List your favorite scenes. Explain your selection.
7. What kind of sets are used and why?
8. Choose your favorite segment. Defend your answer.
9. What is the film social and political commentary?
10. What assumptions does the film make?
11. What is the director's ideology?
12. What is the basics conflict? Are there metaphors of such conflict?
13. Whose point of view does the film present?
14. How does the final scene close the story? Elaborate on your answer.
15. How does the film deal with issues of national identity?
16. What is the film's purpose?

�</text>
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              <text>Spanish / Español</text>
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          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Country / País</name>
          <description>The spatial characteristics of the intellectual content of the resource, not necessarily the place of publication. Refers to the location(s) (the country) where the film takes place. El país donde la película toms lugar.</description>
          <elementTextContainer>
            <elementText elementTextId="1087">
              <text>Chile</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>Description / Descripción</name>
          <description>An account of the resource. Description may include but is not limited to: an abstract, synopsis of film, a table of contents, or a free-text account of the resource. Una sinopsis del recurso. La descripción puede incluir: un resumen o sinopsis de la película, un índice, o una narrativa abierta del recurso.</description>
          <elementTextContainer>
            <elementText elementTextId="1088">
              <text>&lt;span&gt;Three stories about football, one of the most important twentieth-century rituals. A third division player from Santiago de Chile is bribed, but does not realise that his behaviour betrays more than the loyalty of his team-mates. A boy from Calama, Chile wins the local derby pichanga, a soccer match that can last all afternoon, but he loses the few pesos he acquired by pawning his mother's last possessions. Francisco, a boy from the city, is stuck in a remote corner of the southern island of Chiloé on the day that Chile has to play its qualifying match for the World Cup. The only TV is in the house of the Serón sisters. While the local male population gathers to watch the match, the sisters decide which of them will initiate the young Francisco into love. (&lt;a href="imdb.com"&gt;IMDB&lt;/a&gt;)&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="83">
          <name>Category / Categoría</name>
          <description>A broad category or mode of cinematographic production.</description>
          <elementTextContainer>
            <elementText elementTextId="1089">
              <text>Fiction Films / Cine de ficción</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="77">
          <name>Genre / Género</name>
          <description>A category of artistic composition, characterized by similarities in form, style, or subject matter. Una categoría de composición artística, caracterizada por semejanzas de forma, estilo, o tema.</description>
          <elementTextContainer>
            <elementText elementTextId="1090">
              <text>Drama</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="78">
          <name>Subject Coverage / Tema</name>
          <description>The topic of the resource. Typically, the subject will be represented using keywords, key phrases. El tema del recurso. Típicamente el tema se representará con palabras o frases claves.</description>
          <elementTextContainer>
            <elementText elementTextId="1091">
              <text>Sports / Deportes</text>
            </elementText>
            <elementText elementTextId="1176">
              <text>Nationalism / Nacionalismo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="79">
          <name>Cinematic Period / Periodo cinematográfico</name>
          <description>The broad cinematic period to which a film belongs. El periodo cinematográfico general de la película.</description>
          <elementTextContainer>
            <elementText elementTextId="1092">
              <text>Contemporary / Contemporáneo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Creator / Creador(a)</name>
          <description>The individual who created and contributed the resource. La persona que creó o publicó el recurso.</description>
          <elementTextContainer>
            <elementText elementTextId="1093">
              <text>Manuel Medina, University of  Louisville</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Copyright / Derechos de propiedad</name>
          <description>Information about rights held in and over the resource. Información acerca de los derechos de propiedad del recurso.</description>
          <elementTextContainer>
            <elementText elementTextId="1094">
              <text>Open Educational Resources (OER)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="88">
          <name>More information in Film Database</name>
          <description>add link to corresponding entry in film database</description>
          <elementTextContainer>
            <elementText elementTextId="2687">
              <text>&lt;a href="https://cinegogia.omeka.net/items/show/80"&gt;https://cinegogia.omeka.net/items/show/80&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1081">
                <text>Historias de fútbol</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1167">
                <text>Three stories about football, one of the most important twentieth-century rituals. A third division player from Santiago de Chile is bribed, but does not realise that his behaviour betrays more than the loyalty of his team-mates. A boy from Calama, Chile wins the local derby pichanga, a soccer match that can last all afternoon, but he loses the few pesos he acquired by pawning his mother's last possessions. Francisco, a boy from the city, is stuck in a remote corner of the southern island of Chiloé on the day that Chile has to play its qualifying match for the World Cup. The only TV is in the house of the Serón sisters. While the local male population gathers to watch the match, the sisters decide which of them will initiate the young Francisco into love. (IMDB)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
